the soundtrack to the day you wish you'd had
[2:40] So, last minute decision, I’m at Media140; “London’s First Microblogging Event”. You can watch the livestream here.
Pat Kane up first – he’s theplayethic on twitter, a journo, thinker, lovely man and the singer in Hue And Cry.
[2:47] Pat: “I’m trying to show how quotidian the practice of journalism becomes in this new media space.” Continue reading “Live Blog II – Media140”
I’m going to be live blogging this today – here’s a link to the page about it
[12:41] It’s going to be a group seminar/workshop on collaboration in a digital age, but the sounds of things. Just had a chat with Tom and Andrew about the whole thing. Let’s see how it goes.
[12:51] Just tried to grab the feed of the Twitter search for #freshnet and embed it here, but feedburner won’t let me! How nuts is that? Anyway, if you want to follow other twitterings from today, head over to the #freshnet search. Continue reading “London Songwriting Week seminar with Andrew Dubber and Tom Robinson”
So, following on from my first post about careers advice, what are we to do with careers in a music industry that’s entirely in flux? Where no-one can categorically say where the ‘jobs’ will be in a year’s time, let alone 3 or 5 years time.
I think this question needs to be looked at on many levels. The obvious one for me is the thing I say over and over again here – the best you’ll ever be as a musician is when you are pursuing your own vision for what music should be and can be, soundtracking the world as you see it. Continue reading “iCould.com Pt 2 – Careers In Music.”
How did what you were advised to do at school connect with what you ended up doing?
I don’t know about you, but our careers advisory service back then was woeful to the point of being hilarious. There was a tick-box questionnaire that then made recommendations for what kind of jobs you should do. If you ticked yes to ‘do you like being outside?’, you invariably had ‘forestry commission’ suggested as a potential job on the dot matrix print-out you received. Continue reading “iCould.com – Real Life Inspirational Careers Advice. (Pt 1)”
Here are the latest couple of videos I’ve put up. The first is another of the experimental ideas I’m working on for the new album – this time I wanted to try something a little more solidly rhythmic, just to see how the replace functions interact with a percussive track. (the part is played by muting all the strings, and then using a ‘double thumb’ technique, more readily associated with slap bass, to get the percussive pattern).
Continue reading “More Music Video – New Public Beta experiments + Duo with Theo Travis”
At the end of Pt IV, I said that band leaders could consider not hiring musicians who don’t blog to help promote the music. A few of you didn’t like that idea, suggesting that it’s all about the music, and why should someone have to be a writer in order to play music?
To which my answer is twofold:
Continue reading “Open Letter To The UK Jazz Community Pt V – Blogging.”
Here’s the two latest bits of ‘public beta test music’ that I’ve put up online.
They contrast a couple of different possible uses of the functions I’ve been exploring on the Looperlative of late – the first being using the replace functions as an ancillary bleepy effect in an otherwise mellow ballad, and the second being a full-on rhythmic bleep-fest, that veers much closer to glitch-core (though the fact that my rhythmic reference point is just a fairly slow ‘four on the floor’ kick-drum style pattern is a little less interesting than you’d expect from something more obviously IDM…) Continue reading “Two Contrasting New Musical Experiments (Video)”
It’s been another very creative day – after the video that I put up this morning, I got working again on some more musical experiments using the looperlative with the new buttons that I’ve programmed.
Each day that I experiment with these glitchy replace functions, it feels like I’m getting closer them being ‘musically transparent’ – where the music is bigger than the technique… I’m trying to get so comfortable with the tech that I can employ it while focussing on the music.
Continue reading “Two More Musical Experiments… And a Podcast.”
Here’s another new ‘public beta’ video – this time, I’m experimenting with some new functions that’ve just been added to the Looperlative LP1. (that’s the looping device I use…)
The new tricks are around the idea of ‘replacing‘ bits of a loop, with other audio, giving it a chopped up, glitchy feel. The main effect I’m using is a ‘quantise replace‘ function, that replaces bits, but switches on on and off on the beat, so when I hit the button it waits for the next exact subdivision of the loop (in this case, 1/96th of the whole loop time) before doing anything, and again to switch off again. Continue reading “More New Music: Video of a Looperlative Glitchy Bluesy Electronica Experiment”
If you’re an avid watcher of my various online streams – be it Twitter, Facebook or Friendfeed – you’ll have noticed over that last few days I’ve been talking about, and link to, BeyondBassCamp.com.
It’s a series of monthly masterclasses, inspired by the ones I give in California every January – for the last 4 or 5 years, I’ve been doing a day long seminar there, for up to about 25 bassists. Some years I’ve done two – a more general bass class, and then a solo bass focussed class on the Sunday. Continue reading “Announcing 'Beyond Bass Camp'.”