New Single – Recorded Yesterday, Out Today!

Right, I just released a single. When I woke up this morning, I hadn’t planned to. What I had planned to do was to mix the track I recorded last night. Like everything I do, it’s a one take, unedited improvised performance. All the drums are played and looped live rather than being a pre-existing loop, and everything else is bass. The field recording was triggered during the performance, rather than added afterwards. So everything is happening in response to everything else. Here it is:

I mixed it today, experimenting with getting a really huge low end on the synth and the kick, and loved the way it came out. So as well as adding it to the subscriber-only album Stepping Stones, which is gathering together all the things I’m recording towards releasing a new solo album and making them available as they happen to subscribers, I thought I’d put this out as a separate single so everyone else can have it too 🙂

All of this music is released as episodes in an unfolding story. I’m less interested in how it fares as a standalone entity, and am more interested in it as an emblem, an avatar, a signpost of where I’m going and what I’m up to. That’s why the subscription is my focus. Convincing you that a particular album is worth buying is way less interesting to me than inviting you into the process of it all happening, and forming a community around that. if that’s interesting to you too, check out my Bandcamp subscription.

It’s a ‘pay what you want’ release, so you can pay or not as you feel able/inspired, or you can subscribe and get everything I put out in the next 12 months, plus 48 albums from my back catalogue. And if you subscribe before the weekend, you’ll get the new LEYlines album, LEYlines IV, included. After that, you’d have to buy that separately...

I love living in a world where music can be made and released in a matter of hours – it’s about 14 hours absolute start to release with this. If you want to play it on the radio, or do anything else with it like that, please feel free – let me know if you need more info…

And the title? That came from a Tweet by Vernon Reid. 🙂

New LEYlines Album Out Now – LEYlines IV – with Two Ways To Get It

Phi Yaan-Zek, Andy Edwards and myself are LEYlines. Or we do LEYlines. I’m not sure whether LEYlines is an entity or a process, but whatever it is, LEYlines is us and/or how we make music 🙂

And we have a brand new live album out, recorded at Tower Of Song in Birmingham in 2017. This is the first set, and the second set will be out next month, as LEYlines V! And there are two ways you can get it:

Firstly, it’s out as a stand-alone Bandcamp release via Phi Yaan-Zek’s page: that’s where you can listen to it and buy it, and Phi’s running a special offer to get LEYlines V with it too (when it’s out next month). Here it is, hit play and stream it while you read the rest of this:

Alternatively you can get it as a subscriber to me on Bandcamp – it comes with different artwork (pictured), and as a single track instead of being chopped up Phi-style, but it’s the same music.

BUT you’ll need to subscribe this week, cos next week, it’ll cease to be part of the back catalogue offer for new subscribers – all existing subscribers will keep it (there’s no mechanism within Bandcamp for taking stuff back – it’s yours forever once you’ve got it!) but this won’t be part of the bundle you get for signing up after the weekend. If you want it then, you’ll have to buy it from Phi even if you subscribe at a later date…

So, go check it out, then have a look at stevelawson.bandcamp.com/subscribe for the rest of the info on the Subscription. It’ll be more than worth your time and money 😉

Streaming Exclusive – Steve Lawson and Michael Manring album!

Yesterday was Michael Manring’s birthday (Happy birthday Michael!)

To celebrate, I’m making our duo album – which is still only available to own via my Bandcamp subscription – streamable for a limited time. Here it is:

“Language Is A Music” was recorded at a house concert in San Jose on January 29th 2012 – it was, like everything Michael and I have ever played together, entirely improvised – no discussion of start points etc. (I wasn’t even sure we were going to play an entire duo show – when we got to Bob and Kelly’s house and were setting up, I said ‘shall we do solo sets and then some duo playing at the end?’ and Michael said ‘nah, let’s just play it all duo!’ – I think we did a solo tune or two each somewhere in there, but this was the bulk of the show!) 

If you want to get this album, along with 47 (or so) others, and everything else I release in the coming year, subscribe via Bandcamp.

 

Big News: Two New Albums, October Tour with Jonas Hellborg

Right, It’s shaping up to be a very active autumn and winter in Steve-World. The new album I’ve been working on for a while has turned into two new albums! I recorded about 3 hours of new music for it, intending to put out one album of it. Having asked producer/promoter/manager/music maven Sue Edwards to help sequence the album, she came up with a beautifully coherent record, that only had two tracks overlapping with my shortlist of eight for my version… So we’ll release both. The second album took some rejigging to tell the right story, but it’s there, and I love them both.

The titles are A Crack Where The Light Gets In and The Way Home. You’ll recognise The Way Home, as the title track was released as a single last week. listen to/download it here: http://music.stevelawson.net/track/the-way-home

News Part Two is VERY exciting – in October, I have three live dates with one of my favourite bassists in the world, Jonas Hellborg. Jonas’ music has been a constant source of inspiration throughout my solo career, both as a solo bassist and a collaborative improviser looking to stretch the role of the bass guitar beyond the expected confines. We’ve been friends for years, but this’ll be the first time we’ve played shows together.

The dates are:

Sunday Oct 4th: Birmingham, Tower Of Song (ticket link)
Monday Oct 5th: London, The Vortex
Tuesday Oct 6th: Leeds, Left Bank (ticket link)

Here’s the press bit: 

Two of the world’s leading solo bass guitarists together on one stage.

Crossing musical boundaries and blowing listeners’ minds for over 30 years, Jonas Hellborg is one of the great innovators of the bass guitar. From the pyrotechnic flamboyance of his early solo electric albums, to his unique exploration of the richness and depth of the acoustic bass guitar, Jonas has changed the way people think about – and play – the bass.

Whether as a solo artist, or collaborating with many of the most respected names in music, from John McLaughlin to PiL, Ginger Baker to Shawn Lane, Jonas’ signature sound and uncompromising creative philosophy have produced an unparalleled body of work, mostly on his own Bardo label. Lauded by press and public alike, this is a rare opportunity to hear Jonas up close in the UK.

Steve Lawson is one of the most celebrated solo bassists in British music history – early in his career, he opened for Level 42 on their first Greatest Hits comeback tour, placing his unique take on melodic looping-based live performance in front of tens of thousands of bass aficionados. 15 years of regular gigging across the UK, Europe and the US solidified his place as a leading exponent of solo bass. Steve’s sound-world borrows liberally from electronica, jazz, pop, rock, ambient and experimental music, to form a sonic fingerprint as compelling as it is unique.

Following on from two years of wide-ranging collaboration, playing alongside musicians as diverse as Reeves Gabrels and Beardyman, Andy Gangadeen and Divinity, Steve is back with a fresh exploration of what the bass can be in the 21st Century.  With the imminent release of his 12th and 13th all-solo albums (on the same day!) Steve is set to push the notion of what the bass guitar can be in 21st Century further still.

Diversion – New Album Out Today!

…here it is! I’ve been really looking forward to sharing this with you. It’s a 21 minute, 2 song live set from me and double bassist Jon Thorne (from Lamb). It was recorded at the London Bass Guitar Show in March, and I’m massively proud of it:

Some things that you might like to know:

  • As I said, Diversion is a live recording with Jon Thorne on double bass, recorded on the main stage at The London Bass Guitar Show, on March 2nd
  • It was the first time we’d ever played together. I was booked to play solo, saw that Jon was there, and so invited him to play with me, cos he’s amazing.
  • As such, it’s entirely improvised. We didn’t play “songs” we knew or that we’d written. In soundcheck I played something mellow, and we went ‘like that? yeah’.
  • Jon is a *monster* musician. What a huge privilege it is to play with him. He’d been on my collaborator bucket-list for a long time. He didn’t disappoint. I’ve done little bits of elec bass/upright bass stuff before, but this was THE one where my idea of what was possible was superceded, thanks to his incredible musicianship and listening.
  • It’s a 2 track, 21 minute recording, and is one of my favourite things I’ve ever done. I hope you dig it half as much as I do – that’ll be enough to leave it at the top of your playlist all month 🙂
  • As with the rest of my stuff, it’s ‘pay what you think it’s worth‘. Why? Good question – mainly because it’s the music future that I think we all want to live in – one where we’re not ‘policing’ access to music, but instead providing opportunities to express our gratitude for music by paying what we’re able to for it, for that to reflect our sense of its value, and our desire to be a part of the ongoing sustainability of making music. All the while, it’s important to me not to prevent genuinely broke people from having access to music, or to get in the way of the music discovery and sharing process.You’re a grown up, you get how this works. If enough people pay for this, I get a bit of latitude in terms of the time I spend on my next project. The sales of each album help to free up the time and resources to make the next one. I’m not about to stop making music if it stops making money (that particular threat seems to be reserved for the entitled rich) but given how nice it is to be able to say ‘thank you’ to the people who make the music we enjoy, and how life-changing it can be to make enough money from music to keep making more music, there seems no good reason for not linking the two. Be the change you want to see – the change I want to see is more music by more people in more places, and I’m more than happy to help make that possible as an artist and a fan. Does that make sense?
  • PLEASE PLEASE PLEASE share the link with your friends – your tweets and Facebook posts are vital to the knowledge of the album being propagated. Posts to music forums and mailing lists are also hugely appreciated, as are blog/Tumblr reviews. Also, reviews on Bandcamp are SO SO useful. We’d love it if you’d log in to your Bandcamp fan account (if you’ve ever bought anything on Bandcamp, your fan account is just waiting for you to claim it, if you haven’t already) and write a review. You’re all very lovely. Thanks 🙂P1020603