Another website tweak.

As you can see, I’ve tweaked the site again – added a little header image. It’s actually taken from the back of the Edinburgh Festival flyer that I was working on yesterday – I liked it so much I thought I’d add it to the site.

I also briefly added another picture of me to the whitespace down the right hand side of the screen, but it was a bit much.

The tough bit was formatting the design on the forum page to work with it – took me ages, but I did it. I didn’t even need to get Sarda or The Captain to help me this time! (this makes a change, I’m usually pretty reliant on the two of them for web advice… both are PHP gurus.)

So there you go.

Soundtrack – Keith Jarrett/Gary Peacock/Jack Dejohnette, ‘Always Let Me Go’; Charlie Haden, ‘American Dreams’; Fiona Apple, ‘Extraordinary Machine’.

Sad news for the bass world

I heard today that Niels-Henning Orsted Pedersen has died – NHOP is one of the greatest jazz double bassists in history. He was playing be-bop heads on upright bass before Jaco recorded Donna Lee on electric, could hold his own with just about any soloist on any instrument, but was equally at home make a beautiful contribution to ballads, with his two most famous band-leaders – Oscar Peterson and Joe Pass. His duet CD with Joe Pass, ‘Chops’, is a master-work, definitely one of the all-time great jazz-duet albums.

He inspired me to want to play jazz when I first got that album, and continues to inspire me today.

It’s a shame he was never as well known as he deserved.

Do yourself a favour and pick up ‘Chops’.

Soundtrack – Antonio Carlos Jobim, ‘Love, Strings And Jobim’ and ‘The Wonderful World Of Antonio Carlos Jobim’; Ron Eschete Trio, ‘Softwinds’ (features Todd Johnson on bass – a remarkable trio)

New Pope

So Joseph Ratzinger has been chosen as the new Pope – he was the favourite with the bookies anyway, so it’s not really a surprise, but is slightly disappointing for anyone hoping that the new pope might move forward dialogue within the Catholic Church on Contraception as it relates to the AIDS crisis in Africa, or the ordination of Women or the host of other theological areas of contention that all Christian denominations seem to be wrestling with at the moment.

It was certainly never on the cards that the Conclave were going to elect some out and out liberal as Pope, and it’s just as well – I think such a move would have been divisive in the extreme, but Ratzinger’s record is even more conservative than his predecesor. I just hope he proves me wrong and becomes a progressive voice within the church and the wider world.

The biggest disappointment however is that he missed the chance to follow up Pope John Paul by calling himself Pope George Ringo. Benedict is such a predictable Pope-esque name.

Soundtrack – Don Ross, ‘Passion Session’ (one of the most amazing solo acoustic guitar records ever made)

Today's activity.

Well, after getting my Edinburgh application in yesterday, I’ve been working on my flyer design. It’s weird that so much rests on this – if you’ve got cool looking posters and flyers, people are going to want to see the show. If you haven’t, they aren’t, simple as that. It’s the same as with CDs – I just don’t buy CDs with bad artwork. I get sent them, and sometime enjoy the music on them (been listening to a lot of M83 lately, and really don’t like their packaging at all, but the music’s pretty good – if I’d had to go to a shop and pick the CDs up, they’d have stayed on the shelf).

So, I’m pretty happy with what I’ve got so far. Now I’m just working on pithy ways of describing what I do that will appeal to yer average EdFest punter… hmmm, maybe I should just change my name to Antonio Forcione and make it all a whole lot easier!

One thing that’s particularly fun about doing the flyer and posters is that I now have these fantastic photos that Steve Brown took of me. Really fine high quality pics, it’ll make a difference I’m sure. Steve’s just had a couple of high-fallutin’ magazine commissions, so if you’re wanting music photos done in London, get in quick, or he’ll be far to busy to work with the little people like you and I!

that’s one of them, and I’ve scattered a few others around the site.

Greatest albums, my arse!

Was watching Channel 4 the other evening – they were doing yet another of these greatest top 100 type shows. This time it was albums – here’s the results – a bit of a motley bunch, and some that certainly don’t deserve to be there, and clearly won’t be in a few years time. The Libertines? OutKast? huh?

The problem, I guess is that the great unwashed voted for them, but from a list of 125 chosen by ‘experts’… that’s rubbish – who decides who’s an expert. I’m not, I wouldn’t dream of trying to choose 125 albums that the public could then pick their favourites from. If it had been a free vote, I’m thinking a few more random things would have ended up in there. The ‘winner’ was ‘OK Computer’ by Radiohead, and while I really don’t get the whole radiohead thing, I do know lots of people who really really love that record, so fair play. I guess I’m just galled that stuff like The Libertines and ‘Play’ by Moby end up higher up the list than Coltrane or Curtis Mayfield… that’s clearly bollocks.

I own 31 of the top 100 – is that good?

Soundtrack – George Cunningham, ‘Stumblingham’ (features one of the dudepit guys on bass – very good Frisell-ish stuff); Dum Dums, ‘It Goes Without Saying’; Prefab Sprout, ‘Steve McQueen’; M83, Dead Cities, Red Seas and Lost Ghosts’.

Just booked in to do Edinburgh…

ooh, scary stuff – just booked in to do the Edinburgh Fringe Festival again this summer. Last year, due to a bunch of weird goings on, I ended up doing the festival on a straight 50/50 split with the venue, a deal pretty much unheard of in Ed Fringe terms, so got my intro to the festival in a fairly easy way. It took me a few days to get the hang on how the promo machine worked (basically there’s no substitute for just going out and flyering like a madman), so at least this year I’ll hit the ground running and be able to get lots of promo in before the festival starts.

But (big but), it is costing me lots of money upfront to be there this year – which is scary. I always operate on a worst case scenario, so have made sure that I’m spending as little up front as I can (no speculative capitalism for me, thanks very much!), and the chances of me making some money at the fest are reasonably high, but it still feels weird to have agreed to it.

I’m back in a CVenues venue again – last year I was in C too (St Columba’s By the Castle), this year I’ll be in C Central (the Carlton Hotel, by the North Bridge). It’s nice to be on familiar ground, that’s for sure.

Anyway, now I need to go and write my festival programme entry, which has to be submitted by close of play today.

Soundtrack – Avashai Cohen and The International Vamp Band, ‘Unity’.

Hooked on the Marathon

I still remember the first London Marathon. At least, I remember the fuss around it – I don’t remember much about the actual race, I just remember getting up early to watch it on TV when I was about 8 years old, living in Wimbledon. Can’t remember what I thought at the time, probably was thinking of running it one day.

Still haven’t ever run it. Since that day, I’ve kind of lost interest in it. Each year, I listen to a bit of the radio broadcast in the car on the way to church, but ’til yesterday had never been to see any of it.

So when after church yesterday morning, a few people were heading down to cheer on Natasha who was running, it seemed like a fun thing to do.

The atmosphere was amazing – we were watching (we being me and Lizzie) from by Embankment tube, so the runners had already done twenty-odd miles by then and were in varying degrees of a state of total disarray. By this point, I’m sure the people who were running in costume were planning to kill whoever the bastard was who suggested dressing as Hong Kong Phoey, or a pirate, or a rhino, or a caveman, or a pasty or whatever other weirdness people were dressed as. some of the runners were in some quite major discomfort.. well, discomfort that appeared to have crossed into the ‘excruciating pain’ category. But most were soldiering on determinedly, walking a bit, running when they got a cheer or saw their mates.

We almost missed Natasha coming by, due to a guy a few runners in front of her having the worst case of joggers nipple we’d ever seen – two large blood-stains on the front of his shirt… makes me wince just thinking of it. Lizzie’s bit of conversation there went something like ‘look at that bloke’s nipples! (half second pause) Natasha!! WOOOO HOOOOO!!!!’ ETC. much whooping and cheering ensued, from us and from harry, karen and juliet who were on the other side of the road.

The end of the race for Natasha was fab – lots of friends there congratulating her, a picnic in St James’ park, and a medal that none of the rest of us had. Makes it all worth while. And she raised a lot of money for MIND.

It definitely made me think about possibly doing it next year. I would have to start trying to get in some sort of shape now, given that I’m a bit of a sedentary slob most of the time (hey, I don’t even stand up for gigs!)

So I’ll give it some thought, and try not to think about Paula Radcliffe’s ‘unplanned pit-stop’. That’s dedication to your sport!

SoundtrackScottish Guitar Quartet, ‘Landmarks’ (beautiful album – more about this later when I’ve heard it a few more times); Andrew Cronshaw, ‘Ochre’ (my most listened to album of the last few weeks – full review on the way)

Beware Of The Dog

No, we haven’t just got a Dog (the fairly aged felines are particularly glad about that) – it’s the title of the new album from The Works, who used to be known as Woodworks, and are the brainchild of keyboard/guitar genius, Patrick Wood. Pat and I have played together a fair bit – it was fun getting him into my method of ‘spontaneous composition’ and we ended up with some fab stuff recorded, that still needs to be mixed and edited properly.

Anyway, this is his quartet, with Mark Lockheart on sax, Neville Malcom on bass and Nic France on drums – all major players on the London jazz scene – and it is, almost without doubt, the best album I’ve heard come out of that scene for ages. Actually, it’s on a par with Theo’s last couple of albums – which are equally amazing.

The compositions are quite Zawinul/Shorter-ish in places, but with a really strong singer/songwriter sensibility to them, which obviously connects well with me. It’s beautifully recorded, perfectly crafted, and has all four players playing right at the top of their game.

If anyone ever suggests that BritJazz is somehow inferior to US jazz, this is the album to play them to prove them wrong. If Patrick was from New York, this’d be selling tens of thousands of copies.

It’s fab, and you really need to get it. I’m going to talk to Pat about stocking it in my online shop.

Talking of which, I’ll have John Lester’s CD up there before too long.

SoundtrackThe Works, ‘Beware Of The Dog’.

wish some people would write more clearly…

Doh! A few of the email addresses on my mailing list from the last couple of gigs are pretty tough to read… if you signed up, but haven’t received a confirmation email thingie, please go to the mailing list sign up page and just fill in your email address and name. (same goes for anyone else who wants to get music updates… I don’t send them out too often, just when things are happening. It’s the best way to stay in touch with what I’m up to, for sure.)

Ooh, I hope this comes to the west end!

It’s no secret that one of my favourite comedy films is ‘The Wedding Singer’. Well, it’s now being turned into a stage play in the US, slated for a run on Broadway in April 2006.

I SOOOOOOOOOO hope this comes to London – there are some classic script moments for any 80s nostalgia freak, and it’s got to be worth the ticket price just for the mullets.

‘you want to be fonzie, don’t you?’
‘yes I do’

marvellous stuff.

SoundtrackCathy Burton, ‘Burn Out’; Bruce Hornsby, ‘Harbour Lights’; M83, ‘Before The Dawn Heals Us’.

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