My House Concert Looping Rig.

OK, so it’s christmas day, and I’m blogging, what of it? 🙂 Happy Christmas, y’all. Hope you’re having a fun day. We certainly are here in Ohio.

Anyway, thought I’d do a quick post about my touring looping rig. Here’s the picture:

from the top we have:

Samson S-Mix (mixer)
ART TubeMP Preamp
(next to it is the…)
Lexicon LXP1 reverb.
Looperlative LP1 looper
Lexicon MPX-G2
processor

and on top of the LXP1 we have my Ebow, G7 Capo, Slide, Sennheiser Mic and currently-missing rubbish cell phone (if you see it around, let me know, I can’t find it anywhere). The JBL speakers were provided for the house concert in Milwaukee. We don’t generally travel with speakers in the US, just find people locally to lend us things.

The signal flow is really simple – bass goes into Lexicon MPX-G2, which goes into the S-Mix, and has the ART preamp in the FX loop. Lobelia’s loop mic goes into the LXP1, and that also goes into the S-Mix, which then goes into the Looperlative. The Looperlative then goes out to the desk/PA/Speakers/whatever.

And here’s what’s happening on the floor –

The big pedal, rocked back, is the Visual Volume Pedal.
then an M-Audio expression pedal, which controls the loop volume.
Then a Rolls Midi Wizard that controls the looperlative.
then Another M-Audio expression pedal, for the MPX-G2 (sometimes wah, sometimes volume, sometimes pitch etc.)
then a Roland EV-5, for Loop feedback.
Then a Lexicon footswitch for different stuff on the G2
and finally another EV-5 for track speed on the looperlative.

Meanwhile, Lobelia is using a Roland RC-20 for much of her looping, unless I’m looping her or she’s doing improv stuff through my rig, in which case she just plugs a mic into the volume pedal and uses my bass set-up exactly as-is.

So there you go, a Christmas present in the form of some gear geekness. Post a comment with any specific questions you may have about how it all works 🙂

(the second photo is by the lovely Tracy Apps )

Heads Up – Looperlative fall sale…

As you’ll know if you’ve read anything about the gear I use for music-making, I’m a HUGE fan of the Looperlative. It’s something I’m very proud of that it was after a gig of mine that Bob Amstadt who invented it decided to build it, and that he asked me to be the first tester and co-developer of the software (I didn’t write any of the code, I was just sent an ’empty’ box and asked him for the features I wanted. He’d code them, I’d test them, and thus it was born, a looping device that did pretty much everything I could ever imagine wanting from a looping device!

The Looperlative

It really is the most fully-featured hardware looper around. I’m not a fan of doing these things on a laptop (I know some amazing musicians who do, it just doesn’t work for me on a practical level, or a latency level).

Quite a few of my musical friends have bought them since, and others have expressed an interest in getting on, so I thought I’d point you to this post on the Looperlative forum, where Bob offers a pretty hefty (but undisclosed due to commercial sensitivity, I guess) discount…

If you’ve been considering getting one, now’s a good time. If you don’t know what the looperlative is, watch any of the videos I’ve posted in the last 3 years on Youtube – that’s the Looperlative that lets me do all the layering. All the stuff on Behind Every Word is done with the looperlative. All the layers of bass on the Lawson/Dodds/Wood album are done with the looperlative. It’s proper amazing.

Steve Lawson :: Solo Bassist

Listen now:
Brand new solo album, Beauty And Desolation, out now


HELLO! I’m Steve. I’m play bass (and live electronics) both solo and in a lot of collaborative settings. I’m also a music teacher/lecturer, a journalist and am doing a PhD about audiences for improv. Here’s where you’ll find a lot of music, my blog (there’s over 15 years of it to read back through 😉 ) and info about gigs, my musical history and what else I’ve got going on.

If you’re already familiar with the music, please consider having a look at the Bandcamp subscription offer – making this kind of music means that there’s no sustainable model for music making to be built on Spotify or Apple Music – the scale of audience needed is just not compatible with making instrumental music with a bass, and releasing as much of it as I do. So I developed the subscription as a mutually beneficial way of getting all this amazing music out to you, and making it possible for me to keep recording and releasing it. No-one’s getting rich off this, but I’m still doing it four years in, and the subscriber community is growing every month. Come and join us!

While you’re here, come and say hi! Find me on Twitter, Facebook, Instagram, or send me an email! I’d love to hear from you.

 

Latest video, Beauty And Desolation (new album title track):

 

Read the cover story from Bass Guitar Magazine‘s October 2015 issue!

Recent Solo Videos:
Language And Memory  (from Beauty And Desolation)
Beauty And Desolation 
Transcendence And Decay (from Beauty And Desolation)
Small Is Beautiful (from Small Is Beautiful)
Vertigo (from Referendum)
Her Kindness (from The Surrender Of Time)

 

 

Some lovely quotes:

Loading Quotes...

Are you new round here? Want an overview? Here’s ‘Steve In A Nutshell‘.