10 things UKIP don't want you to know

I’m not usually in the habit of cross-posting from my own forum, but Cryptic posted a link to a fantastic article in the Independent about UKIP.

Most days there’s some choice morsel of info posted in the ‘Everything Else‘ forum by Mr Cryptic, and all are worth checking out. Feel free to comment on them too (or anything posted here – that’s the place to do it!)

Soundtrack – today I’m mixing tracks for the album, so lots more me, as well as reference material such as Pat Metheny/Charlie Haden, ‘Beyond The Missouri Sky’; Talk Talk, ‘Spirit Of Eden’; Bill Frisell, ‘Ghost Town’; Michael Manring; ‘Book Of Flame’; David Torn, ‘Tripping Over God’.

So come on, own up, who the hell was voting UKIP???

So the UK Indepedence Party came third in the Euro Elections, gaining 12 seats on the European Parliment. Who on earth was voting for them? Is it just that people are scared of Europe but don’t see the European parliment as important enough to not waste a protest vote on it? The Greens are also against the european constitution, but also have a series of policies on everything else. UKIP are a pressure group, and a pretty daft one at that.

The ludicrousness of a political party with Robert Kilroy Silk and Joan Collins as it’s public face is to farcical for most comedy writers to have come up with it. Since when did I care what either of those two losers thought about anything? Kilroy only got back into politics because he was sacked for writing racist crap in the papers (he claimed that the Arabs have contributed nothing to world culture at all… huh? Clearly he’s not been listening to Andy Kershaw or Late Junction…). He’s a former labour MP, who went on to present daytime chat shows with people who married their step parents or fell in love with their pets or were bullied for having two heads, his perma-tanned faux-sincere frown fronting the UK equivalent on Springer without the comedy. He’s a moron. And Joan Collins? When did she even last live in the UK? Why is anyone concerned what she might think about anything? She’d be well into the UK getting into NAFTA given that she’s a UK citizen living in the US, but it’d be lunacy for the entire country.

There’s an article in this week’s New Statesman by a former UKIP party activist, who paints a picture of a highly divided party, whose only point of common value was their homophobia. Hey, that’s a great party image…

So they came ahead of the Lib-Dems in the Euro-Elections, which does say a lot about the Euro-Scepticism of the UK population, and also that the Europhiles have a very long way to go in making their case palletable for the general public.

So while the sport obsessed section of the population are getting upset over England’s defeat by France in Euro 2004 last night (very funny it was too – two goals in extra time by the French – that came as a bit of a shock… DOH!), I shall be mourning the stupidity of the UK electorate…

Soundtrack – still me, I’m afraid…

Eric Roche is on the mend

a few weeks ago I blogged about my friend, Eric Roche – a fantastic guitarist, who’d be diagnosed with cancer of the saliva gland, and was going in for an op.

Well the great news is the docs say it was a complete success (so far), and he’s back home! Thank God.

Anyway, you can send him messages via the guestbook on his website, and also find out how to order his CDs from there which are amazing – I’ve got all three, and love ’em.

Last night was the Grace Barbeque, followed by ‘grill the bishop’, where Pete Broadbent, the bishop of west london (not sure what his official patch is, but it covers Ealing), was there to answer some questions. And what a remarkably cool bloke he is too. Sadly didn’t wear any weird point hats, and to be honest, I can’t imagine Pete wearing one… Must see that at some point. Lots of questions about a new book that the Church Of England has publish about the nature of church, and its relationship with churches that meet in cafes or nightclubs are are mellow and ambient like Grace is… all good stuff – seems like the C of E is waking up to church not having to happen on a sunday morning with a hymn book and a dude in a dress preaching. Though I quite like that style as well… :o)

Having said I like it, I woke up too late today to go to St Luke’s, so will do some recording today instead.

Soundtrack – yesterday, I was listening to a lot of Peter Gabriel, ‘So’ and ‘Greatest Hits’. as well as Jaco Pastorius, ‘The Birthday Concert’.

Two more great gigs and The Godfather Pt II

so, what’s been happening?

Last Friday night, Evil Harv and I went to see The Pixies at Brixton Academy. I’d really really been looking forward to this, having missed them when they were around last time (I lived in Berwick on Tweed, so didn’t get to go to many gigs!). Graham Coxon, the ex-Blur guitarist was the support, and was surprisingly good – I didn’t really have high expectations, but his blend of Blur’s noisier moments (it becaume clear what his part in their sound was) and the 80s american hardcore of bands like Husker Du and Black Flag was marvellous. Fine voice and some great guitar playing.

Then the Pixies came on, and played non-stop for over an hour. Not a word was said between songs, no breaks, no nothing, just out of one song into the next. It was marvellous. Loads of stuff from Doolittle and Surfer Rosa. All fantastic. A brilliant brilliant gig.

Saturday night, the small person and I went to see the new Harry Potter film – The Prisoner of Askerban. I enjoyed the other two, but this is the best of the three so far. Darker, faster moving, better acting from the three main kids, a great cameo by Gary Oldman as the Prisoner. Excellent stuff.

and Sunday was Godfather Pt II – regular blogsters will remember I was godfather to Angus a few months back, and on Sunday I was godfather to Charlie. Forgot to take any photos, but I’m sure there were plenty taken, so I’ll see if I can get hold of one for here. A ‘triffic day – Jonny and Rosie Didj are Charlie’s mum and dad, and live on a barge, so the party afterwards was marvellous. Much fun. And of course, I get to be Charlie’s godfather as he grows up, and with him and Angus being around the same age, I can take them both out to weird gigs as they get older! :o)

Monday morning Evil Harv MSN’s me offering a free ticket to see Peter Gabriel. I saw him last time round, and it was amazing, so a bit of diary juggling, and I was able to drive straight from a recording sesh at Jez’s in the afternoon in Oxford to Wembley for the gig.

Two support acts, the first one playing what sounded like Lloyd-Webber/Ben Elton compositions – crappy west end show tunes that did nothing for me at all. Second one was an african dude with a guitar who was much better.

Then Peter and band came on. Any chance to see Tony Levin play is a treat, the guy’s a bass legend and a genius. Another mindblowing gig. Lots of clever staging, lighting and of course Peter and his daughter zipping round the stage on Segway HTs – I SOOOOO want one, but they’re a bit pricey… if anyone should feel like buying me one, please get in touch… ;o)

the set was similar to the last gig, though I don’t remember there being a huge train wreck in the middle of Salisbury Hill – someone in the band lost their place completely, and I think Peter had to count them back in! After the show, it took me almost an hour to get from Wembley back to the North Circular!! grrrrr.

On the recording front, I’ve got a version of the album finished, which is nice as it gives me a strong reference point. Anything that I record now that’s better than what’s on there, I can swap into the album, or it can go towards it being a double… lots of fun.

Soundtrack – once again, me me me…

Vote on Thursday.

If you live in Britain, you HAVE to. Seriously, if you don’t, it’s effectively a vote for the BNP and UKIP. Both of those parties rely on a low turnout to get their insane indeologies into the political system. 5% of the vote will guarantee them a seat in the European Elections.

I’ve just had a BNP leaflet through the door, pedalling all kinds of insane lies and propaganda about Britain and it’s ‘asylum seeker’ problem. False statistics, overly emotive language. All bollocks. They are a racist, fascist party, who have done nothing in the areas where they’ve got local councillors.

So all you need to do is go out and vote. I don’t really mind who for – could be Labour, Liberal… heck, even the Conservatives are miles better than either the BNP or UKIP (who want us to join Nafta!!! Have they not seen what’s happened to the Mexican and Canadian economies??? do they not realise that 60% of our trade is with Europe? Are they not aware that the Atlantic is very big indeed???? Morons!!)

If you’re not into the whole EU deal, vote for the Green party – an intellegent party that oppose European integration for sound reasons. I’m pretty pro Europe, by and large, but am still not sure which way I’ll be voting… But I will vote. We have to. you have to. Please.

have a read of this article from the Guardian about the daughter of the BNP leader, and her twisted thinking. Read the bit about that woman that was duped into standing as a local councillor before realising that even their odious manifesto was lies, and the truth of what they are trying to do is far more sinister.

and sign up to the pledge at the unite against fascism website, encourage all your friends and family to get out and vote, and stop them getting anywhere in these elections.

more great live music in London.

Given that he’s so supremely crap at ever letting me know when he’s got a gig on, it was a rare pleasure to see theo travis play with his quartet at Pizza Express on Dean Street (this distinction is an important one, given that Dean Street Pizza Express is a proper jazz club, as opposed to a pizza restaurant with a couple of blokes in the corner playing some jazz…)

Anyway, it was a double bill, with Aussie bossa singer, Karen Lane, who was very good indeed, helped along by having Andy Hamill on bass – one of my favourite double bassists anywhere…

Theo’s quartet also featured Andy, along with Marc Parnell on drums and Simon Colam on piano, looking almost exactly like Howard Jones did 20 years ago… Mixing Theo’s prog fetish with acoustic jazz, his is one of the finest jazz quartets I’ve seen in a long time. It’s mad that bands this good aren’t put on in double bills with the big american jazz stars that come over – it’d be a great way to expose the Barbican and SBC-going masses to some home-grown talent. There aren’t many of the american young jazzers that could keep up with Theo’s quartet, or Ben Castle‘s quartet.

So what else is new? Well, my copy of Adobe Audition 1.5 arrived this morning – which rather helpfully supports VST plugins so I’ve got loads more to choose from, which is nice… Just recorded a fun jazzy piece, with lots of backwards looping, which as with everything else I’m doing may or may not end up on the album. It’s track #25 to be recorded though, so the chances of it being a double album are pretty strong…

Soundtrack – mememememememe.

recording so far

So, the recording process for this album started about a month and a half ago, when I decided I wanted to have the album out by the summer. At that point, I started to demo ideas – just recording them as stereo files into FLStudio, just to get me thinking about the whole album writing/recording process.

I also started to think through how I want to recording process to go, and the kind of equipment I’d need to take it on a step further from the last solo album. I’d decided I want to do another all solo all live recording record, not a step-time layering or sequencing record. I figure I’ve got at least one more all solo album before I need to do something else just to break up the flow… :o)

In order to be able to record the loops and all the processing onto individual tracks, I needed a mixing desk that had ‘insert sends’ on each channel – that way I could have Lexicon MPX-G2 #1 going into the desk, sending a signal straight to the soundcard, but also sending signal via the auxilliary channels to both Echoplexes, and the other MPX-G2, those are also input into individual channels, and each of those channels has an output to the soundcard, giving me a total of 6 outputs. However, my soundcard only has four inputs… time to get a new soundcard as well.

Ebay came up trumps on the search for a mixing desk, and I got a Mackie 1404-VLZ-PRO, which is fantastic. It was slightly less forthcoming on the soundcard front, and after two weeks spent being certain I was going to get a MOTU 828 Mk II, I decided to just get another Delta 44 and run the two alongside eachother.

So now I’ve got my set up with 6 channels going to the computer via my sparkly new desk. Time to decide on recording software…

Having used Cool Edit Pro in Italy at Luca‘s studio, I knew I liked the interface and editing facility. Cool Edit was recently bought by Adobe, and is now called Audition. So I downloaded the 30 day trial version, and waited for the immanent release of version 1.5 – not wanting to pay over £200 for a bit of software only to have to pay £50 a week later for the upgrade…

So, equipment and software in place, I started recording in earnest. The process changes slightly from track to track – sometimes I’ll work on one of the ideas I came up with before, other times I’ll put on a CD and then record whatever it inspires, or I just noodle around with the computer in record and see what comes out.

Then I’ll do a quick mix to see if it’s going to work at all, sometimes do another take or two to see if there’s a better one there, and then fire of an MP3 to Evil Harv to see what he thinks, knowing that he’s insult it.

So far I’ve got a few more funky tracks, some jazzy chordal stuff on the new 6 string, a couple of big sprawling ambient pieces and a tune with a reggae feel. This weekend I’ll probably put together a CD of what I’ve got so far, so I can have a listen through away from the computer and see if there’s any continuity between the stuff, and whether or not it might even end up as a double album…

Hopefully I’ll have an MP3 or two ready to go soon.

Inbetween takes, I’m also trying to sort out some more gigs for August (I’m planning on having the CD available from the beginning of August), and starting to get magazines etc. interested…

Soundtrack – nothing except me :o)

two fine gigs and a stolen phone

So Sunday, the small person and I headed off to the west country and wales. Firstly to call in and see my sister and niece for a day out in Cheddar Gorge (very nice it was too), and then off to Cardiff Coal Exchange to a WarChild benefit gig. On the bill were Stuart Henderson, Ben Okafor, Martyn Joseph and Bruce Cockburn. How good is that lineup???? unbelieveable. believe me.

First up was Stewart, an incredibly gifted performance poet, whose work I’ve been reading for years, and who has written a lot of songs with Martyn Joseph through the years, including one of Martyn’s ‘hits’ from the early 90s, ‘Working Mother’.

He was followed by Ben, who I’ve played with in the past, and whose albums I’ve had since the late 80s. A fantastic performer, he was also a boy soldier in the Biafran war in Nigeria, so his connection to tonight’s cause added gravity to the evening.

Martyn’s a favourite of mine and the small person’s, both having been fans for many many years. He’s a hugely compelling performer, fantastic guitarist, great songwriter and very engaging between songs. Highly highly recommended on CD and live. Truly a ‘hidden gem’ of the UK music scene.

And Bruce – it’s the fourth time I’ve seen bruce in the last few months, and the second time in a week, and he was as magic as ever. A genius in the truest sense, one of the finest guitar playing singer/songwriters to ever grace the planet.

A remarkable evening.

So back home monday for more recording, more recording all day today (see next blog entry for studio tales…), and then this evening off to the Borderline to see Amy Wadge (pronounced Woj), with the added bonus of catching the majestic Brian Houston on the same bill.

However, my evening’s enjoyment was spoilt by the bastard on the train who stole my phone. His behaviour was a little shifty – changing seats, apparently to read the tube map. I’d covered my pockets to make sure I wasn’t being pickpocketed, but the phone had already fallen from my jacket, I found out afterwards, which he must’ve picked up and run off with, the shitbag.

So once I realised (after we were in the venue) I rang Orange and got the phone and the number blocked and ordered a new phone. Given that the phone is now basically useless to the piece of crap that stole it, it’s a pain in the arse that it’s cost me

A week at the old bailey…

This last week I was on Jury Service. By rights, I should still be on it, given that it’s meant to last for two weeks. If I was still on it, I wouldn’t be writing about it here. However, the criminals of London must’ve been on holiday of late as there just weren’t enough cases to keep all the jurors occupied. The one case I was offered was set to last for months, so I was excused, being self employed ‘n’ all.

Still, it was a fascinating, if fleeting, look at the mechanics of one small part of the english justice system, finding out how jurors are chosen, what the inside of the Old Bailey looks like (and that’s it not really called the Old Bailey – it’s the Central Criminal Court – Old Bailey is the street its in…) and discovering just how much sitting around reading is involved in jury service. I managed to finish a fairly sizeable book in three days for the first time in years! Also met some lovely interesting people – Justine, Jeffrey and Louis, who wasn’t really called Louis, but looked so much like Louis Theroux (clearly we weren’t the first to notice), that a re-christening was in order to keep everyone amused. Marvellous interesting people that made the whole process far less dull that it could have been.

Also alleviating the dullness was the book I was reading – Dave Gorman’s GoogleWhack Adventure. Dave Gorman was the chap who travelled round the world a few years ago looking for other people called Dave Gorman, based on a drunken bet. Well, two years and one more drunken bet further into his life, and he’s travelling round the world meeting people whose websites contain googlewhacks, as found by the previous googlewhack in the chain – doing know what a googlewhack is? go here. Anyway, it’s a supremely funny (as in spit coffee all over yourself in the old bailey funny), endearing, moving and engaging book. The man has a lust for life and a love of meeting new people that makes his hairbrained schemes highly desireable. Get it, it’s great.

Anyway, after being dismissed at around 1 or 2 each day with no cases on offer, it gave me the opportunity to get moving in earnest on this new album, and must material has been recorded. Not sure how much of what’s gone down so far will make the cut, but there are some marvellous ideas that seem to be bubbling around. It’s catching them that’s the fun.

SoundtrackIain Archer, ‘Flood the Tanks’; David Torn, ‘What Means Solid, Traveller?’; Pierce Pettis, ‘State Of Grace’; Eric Roche, ‘Spin’; Pat Metheny Group, ‘Quartet’.

adventures in multimedia

yesterday I downloaded the 30 day trial version of Adobe Audition – a bit of multitrack recording software, that used to be called Cool Edit Pro. I used the Cool Edit version at Luca‘s house in Italy earlier in the year and really liked it, so in prep for doing this new album, I thought I’d get it, but I’m just trying out this download version first before spending the cash on buying it.

So I’ve been recording some new tracks, with the direct bass signal and the loops on separate tracks. I still need to get a new Soundcard, as the one I’ve got only has four inputs, and I need at least two more in order to record the post-processed signal as well as the other stuff, and could do with 8 in order to record other people as well. So I’m probably going to get another M-Audio Delta 44, which is what I’ve already got – the software will happily managed multiple cards, and it’ll be cheaper tha replacing it.

on top of that, I’ve been taking more web-cam photos, so here’s a few moody Black and White ones…

SoundtrackCalamateur, ‘the old fox of ’45’; Eric Roche, ‘With These Hands’; some new recordings that Luca Formentini and I made back in March that he’s just sent to me, and rather fine they are too!

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