Year: 2010

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The Tech Side Of The Tour – Six Weeks In Music Gear Heaven

I’ve got a lot of posts to write about this tour, so I’ll start with one of the easiest – the music gear round-up. For the kind of small-scale touring we do, getting this bit right is SO important.

  • If the gear is too big, we can’t travel.
  • If the sound is bad, you can’t hear what we’re doing,
  • if anything breaks, we can’t afford to carry spares so it needs to be fixable.

We need the trinity of tech spec – small, reliable and super-high-quality. Continue reading “The Tech Side Of The Tour – Six Weeks In Music Gear Heaven”

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Supersizing “Live So Far” – Three New Tracks Added To Our Live Album.

One of the joys of releasing music through Bandcamp (officially the world’s greatest digital music release platform, as voted for by me) is that album releases can be progressive.

We’ve already added ‘Happy‘ to the live album, when it became our de facto single, thanks to the awesome video. Continue reading “Supersizing “Live So Far” – Three New Tracks Added To Our Live Album.”

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New Live Album… Recorded Last Week!

Ahh, the future – it’s a wonderful place to live.

So, as I said in my last post, our live set up now has a MOTU Ultralite soundcard at the heart of it, is wired with all super-high-quality Evidence Audio Cables and on this tour we’ve got killer live sound from QSC K8 speakers. Which all adds up to us being able to record ourselves, multitracked, on every gig, and to play very well given the consistently marvellous sound that we have at the shows.

So here’s our brand new live album, Live So Far: Continue reading “New Live Album… Recorded Last Week!”

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Our US Trip So Far…

We’ve been in the US nearly 2 weeks and this is my first blog post – what a bad blogger I am!

Anyway, we’ve had 4 shows so far and met up with friends old and new, having our usual fabulous time. We started out in Brooklyn, playing a house concert hosted by an American friend met in London. It was a great night, not least of all because it was a chance for Samantha (the host) to talk about The Urban Collective Project – a fabulous music industry social enterprise that has been a great success in the UK and is now launching in the US. Continue reading “Our US Trip So Far…”

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House Concert Dates! (Pt 1)

We’re off to the US of A this week, taking Baby Flapjack over to his place of nationality, to meet the family.

While we’re there, we’re doing a handful of House Concerts, as is our want. 🙂

Here are the first few dates, with links to their Facebook event pages. Please send me a message too if you want to go. These are, for the most part, private events, so the addresses aren’t public, and the people whose houses they are want to know who people are, naturally… So email me, tell me who you are, check out the page, and I’ll put you in touch for more details. (it may be that some of the gigs are either full, or the details are not available for some reason or other – please don’t be offended if this is the case – the privacy and wishes of the hosts win out here…)

here’s the first batch of shows: Continue reading “House Concert Dates! (Pt 1)”

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House Concert Footage: Hello?

I’m SO glad that our new live mixer set up allows us to multitrack record everything. It means we can capture lil’ moments like this one, when I decided to open the House Concert in Camberley with a version of Lionel Ritchie’s ‘Hello‘.

I’d previously played it at home, but just the chord melody bit. The weirdness in the middle was a whim – I’ve blogged before about the way that the house concert set up lets you take more time over things, and more risks in your playing. Here, they paid off: Continue reading “House Concert Footage: Hello?”

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“Sharing Is Not Stealing” – Cost, Value And The Desire To Share.

A few thoughts on the relationship between cost, value and the action of sharing music:

As I’ve said before, £10 was never representative of the real value in an album. It was less than the value of the time the person takes to listen to it, and certainly not anything like the value the artist places on their finished work.

And of course, given that all albums sell in different amounts, and all the cost of making the album is upfront – before anyone knows how many it’s going to sell – it couldn’t really be described in any fractional way as a share of that value.

No, it wasn’t an expression of ‘value‘, largely because the most natural way of expressing our sense of value in music is to share it. Continue reading ““Sharing Is Not Stealing” – Cost, Value And The Desire To Share.”

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