Not again…

Right, first thing – last night’s gig was a blinder – much fun, great audience response (OK, except the couple that walked out after the first set and emailed me to express their displeasure… fortunately, they appear to have been in a minority of two) – playing with Cleveland and BJ is such a treat – fantastic players, great improvisers, they both listen really well, and the path of each improv seemed to unfold without anyone trying to pull in a direction the music itself wasn’t going in. Most enjoyable.

No time for a longer breakdown now because – the ‘not again’ of the blog title – I’ve lost my passport.

How do I did this??? More to the point, why do I do this??? Every sodding time! Anyone with any ideas where it might be, let me know… I think I’m going to have to cancel my first lot of teaching today, in order to keep looking… :o(

Land of Confusion

I’m clearly determined to make sure no-one actually knows when my gig this week is! First I send out an email to a load of mates without the day or date on it, then yesterday I put on the blog that it’s on Wednesday when it’s ACTUALLY ON THURSDAY – Thursday 12th January, 2006, doors open 7pm. Don’t miss it!

it’s at Darbucka World Music Bar in Clerkenwell.

Soundtrack – Penradin, ‘Lunasadh’ (folk/world/jazz crossover project featuring marvellous double bassist Jonny Gee, and a tremendous violinist called Jake Walker, who’ll be making an appearance at a future Recycle Collective gig, for sure. Great stuff)

homeless shelters and tax returns

Catching up – three very very busy teaching days Thurs/Fri/Saturday – much fun. Busy days like those are a great confirmation of how much I enjoy teaching, I love getting to the end of a day, feeling that I’ve worked hard, and the students have all taken away lots of good quality stuff to work on, hopefully been inspired and are beavering away at their practice!

Saturday after teaching was a visit to see my dad – really ought to see him more as he only lives half an hour away. A most enjoyable few hours.

Had to leave fairly early as I was doing an overnight shift in the St Luke’s homeless shelter – long-time blog readers will remember said shelter from previous years – this is i think my fifth or sixth year of helping out. It’s hardly a huge commitment – I tend to do every other saturday night from january to march, excluding saturdays when I’m not actually in the country…

this was the first night of the new year for the shelter, and was utterly without incident. But it did give me a chance to finish one of my christmas present books – ‘Serious’ by John McEnroe. A good read, for sure, clearly aimed at tennis fans (a fair few play by play dissections of big games, big sets big matches). He didn’t turn out to be quite the sage I’d assumed he was from his commentary skills – he’s one of the best sports commentators I’ve ever encountered (and, to be fair, that’s not many, given my general antipathy to all sport except tennis), but his wisdom in commentating on the psyche of the players doesn’t really seem to have come from having lived a sage life. Maybe he’s just learned from having got it all wrong in his own life. Definitely a worthwhile read though.

So not much sleep last night, which meant two things – a) I missed church by not waking up til 1pm after getting to bed at 6.45, and b) I missed most of the Soil Association organic market thingie happening down by the Barbican. It was organised by the lovely Ruthie, and featured some lovely live music from the lovely Andy Buzzard and Jonny Gee. Great to see them play, if only for one number. Also gave me a chance to meet lots of cuddly musos and invite them along to Thursday’s Recycle Collective gig, which I’m getting more and more excited about the closer it gets – the potential musical marvellousness in a trio of me, Cleveland and BJ is pretty huge, methinks. We’ve played together before, when I did a gig at Darbucka last year that both of them guested on, and it was magical. Don’t miss it!

So, after getting back from the organic thingie, I’ve just finished, submitted and paid my tax return/bill for 2004-2005. Fortunately, I only had about £50 to pay over and above what I’d already paid on account for last year… well, fortunately for now, unfortunate if you think that it means I earned less than the previous year (main reason for that is that in 2004 I was still receiving HUGE PRS cheques for the Level 42 tour…) Good news is, online CD sales were higher in 04-05 than ever before, which is great news.

One of my resolutions for next year is not to leave it til Jan 2006 to submit my tax return. I’d LOVE to actually get it done in April for the first time ever, and then have all year to pay a figure that I actually know. In order to do that, I’ll have to get my financial records for this year up to date in the next week, so I can stay on top of it from here on in… here’s hoping.

As an aside, I submitted my tax return online – what a breeze! It does all the calculating for you, tells you the boxes you’ve missed, makes sure your sums all add up, and gives you a print out at the end. Couldn’t be easier.

And now I’ve done the taxation bit, I feel inspired to write some letters to my MP to do something about the representation bit. I’m a fan of tax, in principle, I’m happy to pay my way, and to pay more to help those who haven’t got enough. But I do wish we had more say over how it was spent, and a less wasteful exchequer – Government spending is a disaster, which while not doing away with the need for taxation, certainly makes most people’s loathing of it a lot easier to understand.

Peter Murray – Ants and Angels

one of my blog resolutions for this year is to do more CD reviews… You’ve already had BJ Cole’s marvellous ‘Transparent Music’, and today I got a copy of Peter Murray’s ‘Ants and Angels’.

Pete is someone I know best as a bassist, having seen him live playing for Ron Sexsmith in London a few years ago, and having jammed with him a few times at NAMM shows in LA over the years. ‘Ants and Angels’ is much closer to the Ron end of things than the ‘jamming with stevie’ end of things. It’s a proper singer/songwriter album, with a heavy dose of XTC/Squeeze/Elvis Costello – all those great early 80s songwriters – and tunesmiths like The Rembrandts/Lit/Fountains Of Wayne etc. The songwriting, production, playing and packaging are all top notch – it’s amazing to think that it’s a self-produced album. I guess the quality of the musicians on it is a testament to Peter’s standing in the Toronto music scene – everything is impeccably played, the tunes are incredibly strong – if it gets in the right hands, he’s guaranteed a couple of radio hits off this. Really, it’s a must for fans of intelligent alt-guitar singer/songwriter stuff. From the ultra-catchy punky tracks like the opener ‘Gen X DJ on E’ and ‘Ears Make Wax’ to the more mellow almost Neil Young-ish tunes like ‘Murray Vs The Ants’ and ‘Skydiver Friends’, the album is packed with great hooks, instantly memorable stuff.

Have a listen to some of the tracks at Peter’s MySpace page – and follow whatever ordering instructions are there. Definitely one of the strongest self-produced albums I’ve ever heard.

Transparent Music

It can be a real pain in the arse when great albums go out of print – their fame doesn’t stop spreading, people don’t stop hearing them at friend’s houses, and what generally happens is that otherwise law-abiding non-CD-duping peoples start doing CDR copies for their friends.

So it’s always a cause for celebration when a classic gets reissued, especially when it happens because the artist has bought back the rights for their own work.

Such is the case with ‘Transparent Music’ by BJ Cole – a classic near-ambient album of stuff a long way from his recent excursions into IDM/Breakbeat/noisy stuff. Transparent Music is a collection of tracks that highlight the impressionistic, floaty meditative side of the pedal steel in a way that pretty much no other steel player has ever done. Listening to BJ’s arrangements of works by Debussy, Ravel and Erik Satie it’s hard not to imagine that these guys would have been writing for the pedal steel had it been invented during their lifetimes, such is the remarkable stylistic fit of the instrument’s timbre and early 20th century impressionism.

BJ’s own tracks sit beautifully alongside those arrangements, and the whole effect is mesmerising. It’s available to order from BJ’s website and I thoroughly recommend it… or you’ll be able to buy it from him at the Recycle Collective gig at Darbucka on january 12th (shit, that’s next week!)

SoundtrackBJ Cole, ‘Transparent Music.

New Year's resolutions

Part one, music/work-related –

1) – new solo album
2) – new album with Theo
3) – more gigs in Italy
4) – make headway on first book (any of the ideas will do, no really)
5) – record live DVD? possibly…
6) – establish Recycle Collective as THE monthly gig to be at (it already is, people just don’t know it yet)
7) – do band arrangements of my tunes and gig them (the quartet I’ve been talking about for about a year and a half)
8) – look afresh at distribution deal options
9) – more collaborations!
10) – less time wasted online, more time practicing.

2005 – a year in review

Good year? Bad year? not sure…

Musically, not a bad year – didn’t release any albums, but I guess that means that the last one is still doing OK, so didn’t feel any major pressure to get something new happening. Now I’m glad I waited due to all the new musical ideas offered up by the Looperlative.

Some great gigs – bassday, bassfest thing in Italy in July, Edinburgh festival (where staying with Jane and Gareth was also a year highlight – much fun). Gig with Ned Evett in Petersfield was much fun, as was recording with Ned. Finished an albums worth of material with Calamateur, AKA Andrew Howie, and there’s a lot of great stuff on there – I’m excited about what we might be able to do with that. Recycle Collective started – was v. small, but musically one of the best gigs I’ve been involved with.

Teaching’s been great – lots of very fine students, lots of beginners making progress, and meeting lots of lovely new people. also started a new column for Bass Guitar Magazine – good to be back writing again (which reminds me, I’ve got one to finish ASAP!)

Personally, it’s been a fairly good year – one big scare with the ginger fairly aged feline, who was given roughly two weeks to live, but with chemo got rid of a satsuma sized tumor IN A WEEK!!!! – we’re still amazed by that, and he’s going great. Life with both the fairly aged felines has been lots of fun (I really feel sorry for all those of you with cat allergies who have to lavish your attention on human offspring as a replacement…) seeing them both take over the house and garden and settle in.

another year of doing no work on the house… hmmm, maybe I should start by just TIDYING MY OFFICE!!! lazy bastard…

World events – both the best and worst things that happened this year were the same – the Make Poverty History campaign was such a monumental success at getting poverty reduction and the plight of people living in extreme poverty in Africa, Asia and Latin America into the minds of every day people, it felt like there were really a chance to make a proper change. millions of people signing petitions, emailing MPs and congressmen, documentaries being made, and of course Live8 and the march in Edinburgh.

And then the worst thing – the gargantuan fuck-up that the G8 leaders made of the opportunity to do something for the world’s poor. Never before in the history of the world had there been such a wellspring of popular support for governments making decisions in favour of the poor, diverting cash and resources to help those in need, changing trade laws to balance things out. Millions upon millions of people around the world were calling for it, huge numbers of politicians were calling for it. Even mad right wing american jihadists like Pat Robertson were on-side (!!), but still those sad twisted old men of the G8 sat round the table in Gleneagles, in their opulence and grandeur and bollocksed the whole thing up. Their pledges fell woefully short, and then they even undid a lot of that. It was disgusting, sickening and saddening that such an opportunity had been wasted. Bono and Bob Geldof had done an amazing job of getting the campaign off the ground, from their involvement in the commission for Africa, and DATA, through to organising Live8, but they bottled it when the announcement was made, took the encouraging words one step too far and declared the Gleneagles bullshit to be a triumph. I’m guessing they aren’t too happy with where it’s gone. The follow up at the World Trade Talks in November was equally shit. A tragedy on a scale that all the terrorists in the world couldn’t hope to achieve.

The week of Live8 and the G8 was a busy one, given that it was also the week of two other disasters – firstly London getting the Olympics (another monumental waste of money which will leave the PPP funding bodies rubbing their grubby hands in glee), and then the London bombing. The bombing had begun to feel like an inevitability for a while – there was no way that the huge disquiet amongst the world’s muslim population about the Iraqi occupation and the continued support for Israel’s occupation of Palestinian land was going to go unmarked in the UK. And finally it did, four huge bombs, three on the underground, one on a bus, quite a few people dead (though not as many as lost their lives in Iraq that weekend… that didn’t make the world news). A tragedy, but one that the government still refuse to admit was linked to the situation in the middle east. Stupid stupid fools.

But at the end of the year, some great news, perhaps the first great news in british life for a long time – registered civil partnerships for Gay couples. Finally gay people can get married (no, I really don’t care if you don’t want to call it a marriage or a wedding – it is, and that’s great.)

And the media spectacle of the year was certainly George Galloway in front of the US senate committee, absolutely ripping them apart. The most damning indictment of the Bush administrations lies and coverup in Iraq, and right there in the heart of the beast. Genius! Galloway can be a bit of a bellend, and his campaign in the General Election (ah yes, we had one of those – what a non-event that was) was horrible and divisive, but on that one day in the Senate, he ruled the world.

oh, media event of the year joint first was Harold Pinter’s nobel prize acceptance speech – another damning destruction of the history of US foreign military intervention.

What else? A few noteable partings – we lost the great Ronnie Barker, one of the finest comic actors and writers Britain has ever produced; Mo Mowlam, one of the few politicians of conviction we still had; Rosa Parks, the unwitting god-mother of the civil rights movement in the US; Andrea Dworkin feminist writer and thinker.

And on a personal level, the death of Eric Roche was a terribly sad loss – a huge talent and dear friend who has featured in this blog more than almost anyone else. Playing at the tribute gig to him on what would have been his birthday was a huge honour.

Blogwise, it’s been my most bloggingest year ever – over 510 posts this year, over 450 visitors a day (??? I’m sure there’s a mistake there somewhere…) and the demise of being able to tell people what I’ve been up to – ‘so, steve, what have you been up to?’ ‘well, I had a gig th….’ ‘yeah I read about that’ ‘oh, well I went out to see a…’ ‘ah yes, that film, read your review of that’ ‘THEN WHY DID YOU ASK???’

Thanks for reading, for emailing for commenting on the blog, and particularly thanks if you’ve been buying CDs and t-shirts, coming to gigs, spreading the word, and generally helping me pay the bills this year. Love you lots! x

Soundtrack – The The, ’45 RPM – the singles’.

Death of a legend

I don’t know too many of the details at the moment, but I’ve just read on another list that the great free improv pioneer Derek Bailey died on Christmas Day. I never met Derek, and the only gig of his I ever saw was a huge disappointment, but we have lots of friends in common, and his influence on the free improv world is hard to put into words. A phenomenal free thinking musician, who went from dance band side man to possibly the most abrasive sounding guitarist the world has ever seen. Uncompromising and hugely skilled, but willing to apply his notion of ‘ad-hoc musical experiences’ to his playing life even when he reached the point where his fame was so great that he recorded a record with Pat Metheny.

His book on Improvisation is a great read too – I learned a heck of a lot from that.

Rest in peace, Derek, you’ll be sorely missed.

A taxing day

Spent most of the day sorting out last year’s tax return – finally got round to doing it, and have definitely broken the back of it. Am going to try and get it up to date to now, rather than just last April, so I don’t have this mad panic come this April…

This evening we watched Mona Lisa Smile – a rather disappointing film, given that I’m a sucker for inspirational teacher films (I even found something to like in ‘Music Of The Heart’, which was a pretty awful film all told, but sucked me in nonetheless). This one was just poorly executed – nice idea, doing a female version of Dead Poets Society, and according to the extra features on the DVD, a lot of effort was made to make it accurate, but the relationship between the Julia Roberts Character and the turd that was shagging the students was wholly unrealistic – as if an emancipated woman in the 50s wouldn’t be scandalised by a male teacher sleeping with his students. Total bollocks, which spoiled the rest of the film. Nice idea, but C- must try harder.

Now, what time is it? Ah, 1am, then let me be the first to wish myself a very happy birthday! :o)

end of year top 10s and general out-of-touchness…

Here are two end of year top 10s. Neither of them are mine – the first is the chart of the charts – a compilation of the best of the end of year critics polls. The second is the biggest selling albums of the year –

THE CRITICS’ CHOICE

1 The Arcade Fire: Funeral
2 Gorillaz: Demon Days
3 Kanye West: Late Registration
4 Sufjan Stevens: Illinoise
5 Elbow: Leaders of the Free World
6 Antony & The Johnsons: I Am a Bird Now
7 The White Stripes: Get Behind Me Satan
8 Franz Ferdinand: You Could Have It So Much Better
9 Kaiser Chiefs: Employment
10 MIA: Arular

2005’S TOP SELLING ALBUMS

1 James Blunt: Back to Bedlam
2 Coldplay: X & Y
3 Robbie Williams: Intensive Care
4 Kaiser Chiefs: Employment
5 Westlife: Face to Face
6 Gorillaz: Demon Days
7 KT Tunstall: Eye to the Telescope
8 Eminem: Curtain Call – The Hits
9 Kelly Clarkson: Breakaway
10 Katie Melua: Piece by Piece

So, out of both charts I own one of the albums – KT Tunstall’s ‘Eye To The Telescope’. Rather fabulous it is too. I haven’t even heard any of the others. I’ve heard the singles from a few of them – the Coldplay tracks I’ve heard sound nice, and I’m going to get the Gorillaz album, for sure. Will probably get round to listening to Sufjan Stevens, Arcade Fire and Anthony And The Johnsons at some point (I’ve heard a track from the Anthony… album and quite liked that.)

I’m feeling marvellously out of touch, despite actually having bought two out of the current top 3 UK singles in the last week! Back in the days when I subscribed to Q, I used to tot up at the end of the year how many of their top 50 from the year I had – normally somewhere between 7-10. This year, it’s probably one – KT Tunstall. I don’t think I own another album that’s charted.

My own top 5 of the year is –

Michael Manring – Soliloquy
King’s X – Ogre Tones
Lleuwen Steffan/Huw Warren/Mark Lockheart – God Only Knows
Bill Frisell – East/West
Juliet Turner – Live

Bruce Cockburn – Speechless would be in there but I had all but two of the songs on it before, so it’s not really a ‘new’ album.

So not a particularly hip top 5, but a vibrant one for sure – Michael’s album is his first solo album for 7-8 years, and his first all-solo CD, the finest all solo bass CD ever released by anyone, if you ask me. Kings X’s album is a major return to form, their best for almost a decade. Lleuwen Steffan’s album was a real revelation – I heard it at the vortex being played before a gig, and bought it there and then, and love it to bits. Frisell’s album is him back doing what he does best – playing live with a trio. and Juliet’s live album is long overdue and captures much of the magic of seeing the the lovely Ms Turner live. 5 great albums, for sure, and all of them way better than some load of hackneyed old bollocks by Franz Ferdinand/White Stripes/Kanye West etc. etc. etc. – piss off you dull bastards, come back when you stop making records by comittee/have had drum lessons/write some tunes, respectively. (and no, The Cheat, claiming that you really dig the Kanye West album doesn’t make you seem cool and hip to the laydeez, so stop pretending that was your musical highlight, when really it was hanging out with Randy Stonehill).

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