Another preview for all Last.fm users…

I’ve just uploaded Lessons Learned From The Fairly Aged Felines to Last.fm, so you’re a subscriber, you can head over and listen to three full tracks, and 30 seconds of all the others, just to get a flavour of what marvellousness is available if you order to new album ahead of time. :o)

If you’re not up to speed with last.fm if an online streaming radio site that’s free to sign up to and use. The way it works is you download a plug in for your media player of choice (iTunes, winamp, WMP or whatever) and it then keeps a log of all the music you listen to, and generates custom radio stations based on the taste of other people who listen to the same stuff as you! It’s fantastic, and the stats are kinda interesting too. Well worth joining and geeking out on.

So, if you’re already there have a listen, and if you’re not sign up THEN have a listen. :o)

and after that, you can hope over to my online shop, order ‘Behind Every Word’, and download the whole of ‘Lessons Learned From The Fairly Aged Felines’ straight away. And get MP3s of two tracks from Behind Every Word to preview before the album gets sent to you at the end of June. How exciting!

New Album – order today! :o)

FINALLY, as my earlier message said, I’ve upgraded my server (email me if you’re looking for webspace, it’s the best deal I’ve come across, and the tech support is fantastic) so have now got my new album, ‘Behind Every Word’ available for advance ordering! YAY! How exciting!

To order it click here – the click on the album cover, register, and then use paypal to pay, with either a paypal account, or just a credit or debit card (you don’t need to register with them to do that).

AND, if you do order it before the release date of June 20th, you’ll get ‘Lessons Learned From The Fairly Aged Felines (Lessons Learned Pt III)’ absolute free as a download album. That’s another hour of great music for free. Every time I record an album, I record way more than will fit on one album. So I choose the ones that fit together as whole, and then release a second CD, often with a different overall feel, as a bonus disc with the album. Lessons Learned Pts I and II are both fab (I get quite a few emails from people saying that LL Pt II is their favourite of my albums), so this isn’t just outtakes and nonsense.

AND, the zip file that the album comes in also includes MP3s of two tracks from ‘Behind Every Word’ so you can listen to them straight away.

So get to it – go buy it, it’s great!

Good times, bad times..

My what a mixed up week!

Starting with the screwed up car – bad times.

Then Tuesday I had a rehearsal with Julie for our gig at the National Theatre on the 31st – got lots of songs done, including songs by Green Day and The Cure. It’s going to be a fab gig. – good times.

Wednesday was another great rehearsal, this time with Andrea Hazell – Andrea’s only improv experience before this was onstage at Greenbelt last year with me, so she came round for a run through before thursday’s RC gig. Working through various ideas we found that Dido’s Lament by Purcell worked beautifully when looped and layered over ambient mush! – good times.

Which leads us to Thursday and the RC gig. The day started with renting a car – Enterprise do a scheme where they pick you up for free as well, which was nice. I then set off to pick up Todd from Peckham. When, after an hour and a half I hadn’t reached the river, I had to admit defeat to the traffic and head back home, leaving Todd to get the bus to the gig! – bad times, but at least I got to have a listen to the whole of the new album on the in-car CD player and check out what it sounds like in another situation. it’s pretty damned fine sitting in traffic music!

Anyway, came home, loaded the rental car, with gear and TSP, and headed down to Darbucka. Got there nice ‘n’ early, got set up and sound-checked, and even the sound check was sounding lovely. It’s safe to say, that this Recycle gig was one of my all time favourite gigs. Y’all know by now the the RC is ALWAYS stunning, but this perhaps even eclipsed the others. I started solo, with a glitch-free version of ‘Behind Every Word’ (first time that my opening tune at the RC has gone off without a hitch)… However, the loop gremlins just hid until my second track – some weirdness going on in ‘FRHU’ but it was still fun. Followed that with ‘Grace And Gratitude’, then got Andrea up to join me. We did two long pieces – the first a wordless improv, and the second was the Purcell – the purity, clarity and power of Andrea’s voice makes for a completely unique duo experience. Like so many people, the harshness of bad opera has left a bad impression on me, but working with Andrea shows just how good operatic vocals can be when performed by a world class singer. A total joy.

After the break, Todd Reynolds was on. I already knew Todd was amazing, world-class. I wasn’t quite prepared for just how awe-inspiringly amazing he would be as a solo performer. This was, without a doubt, one of the greatest virtuoso performances I’ve ever seen – it’s hugely inspiring to watch someone play who has obviously dedicated such a super-human amount of time, energy and love to being right at the top of their game. I can count on one hand the performers I’ve ever seen of equivalent levels of skill and beauty in their playing – Gary Husband, Show Of Hands, Antonio Forcione, Michael Manring… it’s a tiny tiny select group that serve as a wake-up-call to the rest of us to up our game considerably. I don’t think I’ve ever heard violin played like that live, even on video. It was a fairly small crowd for the RC, but every single one of the people there got a major treat checking out Todd’s magic.

And then the improv bit at the end, the musical equivalent of a 70s wrestling ‘royal rumble’, only a bit more gentle and considered. For this, the three of us were joined half way through by Julie, and the transition from the layers and layers of Andreas’ huge expansive voice fading across to the intimate exquisite layers of humming from Julie was definitely one of my favourite improv moments ever.

How lucky am I? Definitely Good Times.

And then today. I took the rental car back, they found a stone-dent in the back door (was it there when I got it yesterday? I didn’t see it…) and charged me £75 for it, making a grand total of £105 for the day’s car rental. Bollocks. Bad times. Then, just as I arrive home, the garage calls and tells me my car’s ready – £666,69. I’m not sure if the number’s significant, but it’s certainly an evil amount of money. Still, they are a fantastic and trustworthy bunch of guys, and it was really nice to get back in our car. It’s the first time ever that the switch from rental car to own-car hasn’t been a disappointment. This is one lovely car, and even with the blown gasket, I’m still hugely grateful to the lovely G and J for selling it to us for a solo-bass-wages sized sum. So bad times on the cost, good times on getting it back.

Then I come home and finally start to tackle the monumental task of tidying my office. – scary times. The problem is, I’m halfway through and need to somehow make it so I can teach in it tomorrow! arrrrggghhh!

Good times, bad times, you know I had my share…

Two gigs

one mine, one not mine.

Thursday morning I get an email from Todd Reynolds – the amazing violinist who’s doing the RC gig next week – asking if I wanted to go and see him playing at the QEH with the Michael Gordon band that evening. Of course I did!

Got to the gig slightly late due to lack of parking spaces, but walked in to the lovely sound of Max De Wardener and his band. The fact that he was playing Cloud Chamber bowls (a Harry Partch-invented instrument) warmed me to the group anyway, but the music was sublime. Really gorgeous ambient, occasionally minimalist contemporary classical stuff, but with a kit drummer which gave it a post-rock feel at times. Magical stuff.

And Michael Gordon’s band similarly occupied a space between chamber music and post rock, but way more to the RAWK end. I was actually quite surprised as how conventional the assignment of the roles in the band was – bass playing low notes, drums playing typical kit rhythms, keyboards playing pads and ostinatos, guitar doing big guitar and twiddling and violin as the dominant solo voice… not much swapping around within that, but I guess those are the parameters that Michael has set himself to work within, and the music was fantastic. At times majestic, scary, subtle, gentle, bombastic and very clever. A most enjoyable gig. Definitely the kind of thing that would appeal just as much to fans of God Speed You Black Emperor or Sigur Ros as to those of Michael Nyman, Philip Glass etc.

Friday was the me-gig. Well, not just me – it was a duo gig with lovely saxophonist, Andy Williamson. The gig was at Merton College in Oxford, where Andy had studied some time in the late 17th century, and was part of their arts festival.

Merton College is a gorgeous place, though it definitely looks more like Hogwarts than a place to learn modern stuff. I was half expecting to see Prof. Sprout or someone wander out of one of the ancient doorways. The big strangeness was being around students again – the thought that they’re almost young enough to legally be my kids was very strange, particularly when Andy and I nipped into the bar (£2.10 for a G&T and an orange juice???? how do they make any money at all??)

Anyway, the gig went very well – we only had half an hour to play, and the set list was –

Grace And Gratitude (me solo)
Amo Amatis Amare – (andy joined in, doing a fab job on this)
Scott Peck – (a rather different version with extended sax ending with lots of loopage that faded out and left Andy to wander up the venue playing a GORGEOUS unaccompanied sax solo, using the natural ambience of the room to mesmeric effect.)
Lovely – (Andy learnt Theo’s sax line note for note, only played on tenor instead of soprano. Another great job.
and to finish, we did People Get Ready, which we’d played together at the Edinburgh Festival last year.

All in all a top gig – Andy acquitted himself admirably, played a blinder, and the audience seemed to enjoy it. Much fun, hopefully to be repeated fairly soon!

New track on MySpace…

Just added a new track to my MySpace page. It’s a track called ‘Scott Peck’, which features the truly marvellous BJ Cole on pedal steel. He’s great, he is.

The bio on the page has been updated as well, to include the info about the new album, and this quote –

“Steve Lawson is a brilliant musician. I’ve known about him and listened to him for many years. He may not be one of the most famous bassists but he is definitely one of the most talented.” – Victor Wooten

Which is nice.

Enjoy the track…

London Guitar Show

I have a love/hate relationship with music trade shows. On the one hand, I hate the noise, the nasty conference centres, the being bombarded with information about stuff I really don’t want. I hate the idea that’s being sold that it’s possible to tell how good a particular guitar/bass/amp is in a room with an ambient noise level of 90dB.

But on the other hand, it’s a lovely chance to catch up with some friends I don’t get to see too often, occasionally it’s nice to check out some new toys, and very occasionally to hear some nice music.

Today scored pretty well on the friends front – always nice to see Nick Owen (used to work in the bass centre, now doing sessions and stuff, and working part time for House Music), and Dave Marks doing his demo thang for The Guitar Institute. Bernie Goodfellow was there as always, and he had Laurence Cottle demoing on his stand. Davide Mantovani was demoing for MarkBass – I hadn’t seen Davide in ages so ’twas v. nice to catch up with him. And then there’s Steve Harvey and the rest of the crowd from Bass Guitar Magazine.

On top of that it’s the one day in the year when I actually get recognised by anyone – having demoed at previous incarnations of the show for Bassist and Guitarist Magazines, as well as for previous gear sponsors, I’ve been seen around at these shows for quite a while, so get to let people know what I’m up to who otherwise don’t get to find out.

On the new music gear front, my purchase this year was very pedestrian but v. useful – a new music stand. All those of you reading this who study with me will know just how shitty my old music stand is. So there’ll be a lovely sparkly new one here for us to use at your next lesson. Yay!

I spent a total of less than four hours at the show, and was exhausted by the end of it. How do I ever cope with NAMM each year??? Actually, I think the fact that all the floors at NAMM are carpeted has a big impact – soaks up the sound and makes it a lot easier on your feets.

Is it just me…

…or do ‘Dirty Pretty Things’ sound like McFly ripping off the Clash? When is this lame-assed Libertines implosion going to go away? Doherty is a talentless loser, and Babyshambles are indeed childish and shambolic as well as devoid of all musical merit. Go away you drugged-out, imbeciles!!!

grrrrr.

Remembering tunes

Been rehearsing with Julie McKee today, for our gig at the National Theatre on May 31st. It’s the first gig I’ve done in ages where I’ve actually had to remember anything more than about 16 bars of music!

It’s great, in that it’s going to stretch me, and I’m having to think creatively about how to do certain arrangements with the Looperlative, and it’s also good not having to worry about the tunes for most of the song. The results are really cool, and songs we’ve got on the list are pretty broad in scope (no NWA tunes though…)

So I’ve now got a list of tunes that I need to finish off, work out the chords for, and REMEMBER! Whoever heard of actually having to remember anything? Pah!

…and yes, I did go and vote when the rehearsal was over…

Sad news

Just received a very sad and shocking phone-call from a friend in Edinburgh to let me know that Duncan Senyatso died last week. Duncan, you may remember, was the Botswanan guitarist and singer that I played with at Greenbelt last year – a fantastic musician and a very generous and patient man, putting up with me taking ages to get my head around the rhythms of his songs, laughing and joking, and being very generous with his praise when I finally got the songs right. He also played a vital creative part in what was one of the best gigs I’ve ever done – my ‘global footprint’ improv piece at Greenbelt, along with Jez Carr, Patrick Wood and Andrea Hazell. He sang and played guitar beautifully, miles outside of his musical comfort zone, but he fell into the a-rhythmic improv setting like a natural.

We’d talked at some length last summer about the possibility of getting British Council funding and taking the same project out to Botswana to tour with it, to do workshops in schools on improvising and music technology, and see how the marriage of the two musical worlds would work. Yet more regrets, to go along with the regret that the Global Footprint gig wasn’t recorded.

Simon, who rang me, was the mandolin player in the band last year, and has known Duncan for more than 15 years, and is flying out to the funeral.

if you click the link above, you’ll see just how highly regarded he was in Botswana. A big loss to the music world in that part of Africa, and a musical partner I shall be sad not to see again.

That’s Duncan on the left, with Rise Kagona in the middle.

Some MySpace Props…

as they say in the hood.

A few MySpace links to various coconspirators –

BJ Cole – genius of the pedal steel, plays on one track on my new album.
Cleveland Watkiss – Recycle Collective regular, one of the greatest singers I’ve ever heard, let alone worked with.
Calamateur – Scottish singer/songwriter and found-sound experimentalist. Writes really beautiful songs, and we’ve got a duet album coming out some time in the next few months.
Theo Travis – Saxophonist… you know who Theo is by now, right?
Leo Abrahams – guitarist at the last Recycle Collective gig. Bloomin’ marvellous.
Orphy Robinson – vibes/percussion/trumpet/weirdness. An amazing musician and composer.
Trip Wamsley – solo bassist, composer, player and writer of gorgeous music. New album coming out soon.
Jeff Taylor – played at the first Recycle Collective gig. Great singer/songwriter.

There you go, I’ll add some more soon. Click on those, have a listen, if you’re on myspace already then leave a comment, buy the CDs of the stuff you like, and check out their gig lists!

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