More amazing photos from the Lawson/Dodds/Wood gig

As I mentioned in my previous post about LDW photos, as well as Helena, Richard Kaby was taking pictures at the gig. They usually work as a team, and between them provide such an amazing document of the gigs they photograph.

Here’s the slide show of Richard’s photos:

Click here to view in full screen mode

You may also have noticed that the pic on the front page of this site is from Richard’s gig pics. Previously, it was one that Helena took at a Sunday Supplement gig a couple of years ago. They’re fab. 🙂

Photos from the Lawson/Dodds/Wood album launch

I don’t think it’s too much of an overstatement to say that one of the really lovely things about playing jazz gigs in London is that more often that not, Helena Dornellas and Richard Kaby turn up and take amazing photos. Their flickr pages (click on their names) are about as good a visual document of what’s happening in Jazz in London as you’ll find.

So I’m extra chuffed that they came to the LDW launch gig and took yet more amazing pics. Here are Helena’s:

And if you want to come and see us we’re at The Monk Club in Richmond on Thursday (probably today as you read this!)

Lawson/Dodds/Wood album launch gig next Monday!

Right, wireless is now working on Das Boot – will be back to full blogging speed before too long. But first, some news you really need to know 🙂

Hopefully you’re already planning on coming to the Lawson/Dodds/Wood launch gig next week at the Vortex in Dalston. If you’re not, there’s still time to postpone whatever it was you had planned and come and see us do our thing. It’ll be fab, I promise.

If you’re VERY new to this ‘ere blog and are wondering who Lawson/Dodds/Wood are, you can go and listen to (then buy if, as you probably will, you decide it’s the most wonderful thing you’ve heard in a long time, and indie loveliness such as this deserves some investment 🙂 ) – head over to stevelawson.net/ldw – there’s a player embedded there so you can listen to the album, which is out on the day of the gig.

Alternatively, also embedded in that page, are videos and links to a load of other videos about the making of the album. Which is pretty amazing, as the main bulk of the material was improvised live in the studio.

It’s fab, honest, and we’d LOVE to see you at the gig – you can book tickets for it at http://www.vortexjazz.co.uk – please come along and hear us. The CD will be launched on the night, and if you’ve ordered the CD in advance, you’ll be able to pick up your CD on the night.

Lawson/Dodds/Wood Pt 5 – What Patrick did with the improvs…

Here’s my favourite of the little Lawson/Dodds/Wood videos so far. After doing the 18 minute long group chat that the last four vids were culled from, I did two 7-8 minute interviews, one each with Patrick and Roy, about what they did specifically on the project.

With a project as well defined as this, it seems really important to set the scene as to where the music came from, what limitations we put on ourselves, how we managed to do edits and overdubs while sticking as close as we could to the improvised basis of the project. Patrick describes his (major) part in that really well here –

If you’re enjoying the youtube vids, please feel free to comment on them, rate them, and hit the ‘share’ button to send them to your friends on Facebook or to ‘stumble’ them etc. It all helps us a lot!

Lawson/Dodds/Wood, the making of Numbers video #4

It’s back to me talking non-stop on this one, I’m afraid… actually, that’s not all true, Roy gets a look-in half-way, but there’s lots of me. 🙂

The next two are mini-featurettes on Roy and Patrick, so look out for those in the next few days. Til then, here’s #4

Lawson/Dodds/Wood – the Making Of Numbers Pt 3

Part 3 of the video-saga. Our lovely drummer, Roy Dodds gets a fair bit of airtime in this one, talking about his inspiration, about improv, about how he comes up with what he comes up with.

Today I’ve been editing the PDF that’ll come with the download version of the album – was hoping to have it up for sale in the shop this evening, but it’s not going to happen, sadly. Tomorrow… possibly…

anyway, here’s video #3:

Lawson/Dodds/Wood – the making of Numbers Pt 2

And here’s part II – if part I felt like I was taking over, that was at least partly because the other two were just unsure of the format, really (it is a bit odd, filming yourself with a phone for uploading to the web, I guess!) – but by this part, they’ve started to get a bit more talkative, first Patrick talking about the editing of the album, and then Roy about improv… Some good stuff. Enjoy!

Lawson/Dodds/Wood – the making of 'Numbers' Pt 1

The download release/CD preorder for the Lawson/Dodds/Wood album ‘Numbers’ is only a day or so away from happening, so last Thursday the three of us got together to record some videos – (gawd bless the Nokia N95!) – talking about the making of the album.

The first of them was an 18 minute chat about the album, which I’ll put up in its entirety on Vimeo at some point, but here’s the first chunk of it on youtube, which is largely me talking about the genesis of the project…

More videos coming very soon…

Lawson/Dodds/Wood album launch news.

As if all the geeking in Helsinki wasn’t enough, we’re actually in the home stretch with the release of the Lawson/Dodds/Wood album, which is now officially called Numbers. The album should be available for pre order and download in the next few days, and what’s more, we’ve got a launch gig booked, and therefor an official release date!

The gig will be on November 24th, at The Vortex in Dalston, London.

I’ll be heading over to see Patrick and Roy on Thursday, with the aim of recording some videos telling the story of the project. That will be lots of fun.

Oh, and for those that case about such things, this entire post was written on my Nokia N95, using a WordPress posting app called Scribe – proper mobile blogging FTW!

So watch this space for news of the album going on sale in the next day or so…

Press Quotes…

choice quotes

“Steve’s complex array of sound and rare, intimate
touch are rapidy turning him into one of the most
influential bassists in the world”
– bass guitar magazine

“Lawson’s writing and his phenomenal command of the possibilities of looping creates a compelling and surprising variety of sounds one would never imagine the bass capable of producing.” – JazzWise

“Steve Lawson is a brilliant musician. I’ve known about him and listened to him for many years. He may not be one of the most famous bassists but he is definitely one of the most talented.” – Victor Wooten

“Steve..I look at you as one of the best innovators in the bass community. The path you have chosen to follow is special and deep. If anyone has any issues with this, I feel for them and they should not be paying any attention the what you do. Just move on to a more mundane approach to the instrument and be happy. You are a gift and I love your playing and concept.” – Leland Sklar

“one of the most gifted solo bass players on the planet” – Ian Peel, Record Collector Magazine

“sensuous melodies intertwine and fall away with the intimacy of Talk Talk?s Spirit of Eden and the cinematic production values of Brian Eno” – Sid Smith

“Lawson’s solo bass compositions include palettes of lush sonic soundscapes and layers of ambient textures which have helped to redefine the art of looping and live performance as a solo bassist.” – The International Insitute Of Bass

“one of today’s most inventive and original sounding voices on the
electric bass. He is a pioneering innovator in the art of looping.”
– cliff engel, www.bassically.net

“a one man cosmic symphony” – Jerry Kranitz, www.aural-innovations.com

“Taking you from new-age jazz to Starsky and Hutch, this solo bassist is a must-see for anyone who’s ever
harboured dreams of being a professional musician. Catch him while he’s hot!” (4/5)
– ThreeWeeks

“Lawson is a master of a whole universe of sounds…a truly original talent” – JazzWise

“Steve Lawson is better than good… …[his] sheer virtuosity communicates an infectious love for the music.” – Good Times Santa Cruz.

“the life affirming stuff of dreams” Sue Edwards, Royal Festival Hall.

About the cds –

“What a beautiful recording! This is perhaps the best argument yet that the bass is a versatile, deeply expressive instrument and in the hands of a brilliant and visionary artist like Steve, is capable of making music of enormous emotional and musical depth. Please buy a copy and share it with your friends and family. I think they’ll thank you for it!” – Michael Manring.

“beautifully performed throughout” – Guitarist Magazine (uk)

“From the opening trills of ‘Flutter’ it’s clear that this is going to be an extraordinary album…
…Steve’s complex array of sound and rare, intimate touch are rapidly turning him into one of the most influential bassists in
the world.” – Bass Guitar Magazine (uk)

“one of the most refreshing, listenable and unpretentious albums i have heard in one long time!” – warren murchie, global bass magazine (Canada)

“i encourage the rest of the world to get this album and find out just how versatile a bass guitar can be – 10/10 “- cross rhythms magazine (uk)

“A excellent set of truly inspired improvisational music.” – aural innovations e-zine. (US)

“Frisell, Fripp and Garbarek revisited in unique ways.” – JazzUK Magazine. (UK)

“steve has something all his own, and with it a bright future as a solo bass performer and likely anything else he chooses along the way. pick it up now so you can say you know of him from the beginning.” – bass frontiers magazine (us)

“I highly recommend this CD! As Steve’s playing and concept grow he makes ever more gorgeous and engaging music that really demonstrates the expressive depth of the bass. The richness of this music makes for a rewarding listening experience on all levels and I think Steve’s approach represents a real step forward for the art of solo bass.” – Michael Manring.

“All in all, “and nothing but the bass”, is a most delectable and auspicious debut release from a very talented artist with the vision and ability to think and play outside the box. Definitely recommended listening” – www.ambientvisions.com (US)

“Take the playing expertise of Phil Keaggy mix in a healthy dose of the solo work of Robert Fripp and transfer that to a six string fretless bass guitar. What you have as a result of the best of both is a gentleman known as Steve Lawson.” – www.tollbooth.org (US)

“On technical terms alone, Lawson holds his end up alongside American stars of the lyrical bass suchas Victor Wooten or Michael Manring. But his work showcases not only prodigious playing talent
but also a thorough lack of self-consciousness about engaging with his listeners.” – Misfit City E-zine (UK)

“Using only a couple basses and a handful of electronic gadgets, Lawson skillfully paints sonic textures of ambient soundscapes with adventurous soloing and masterful layering.” – www.bassically.net (US)

” This is such a special album that a short review like this can hardly do it justice. The moody melody of ‘Need You Now’, the funky slap and pop of ‘Channel Surfing’, the atmospheric ‘Jimmy James’, all these and every other track are worthy of careful examination and I only have 200 words! ‘Chicken’ is an album that invites you to sit back,
close your eyes and get involved in it’s shimmering melodic beauty for an hour.” – Euphoria Magazine (UK)

“The marvelously musical result on Lawson’s second [solo] album, which tends toward a mellow, ambient vibe that sometimes recalls new age
music and ’80s art-rock, has as much to do with Lawson’s melodic sense as it does to do with his technical mastery.” – Bass Player Magazine.

“Folk music, Frippertronics, fretless Jaco Pastorius flights, country melodies and world-music trance epics mingle here, plus a few hints of past effects-pedal kings like Dean Carter or Pat Orchard. And it’s utterly inclusive music, lacking the smugness and self-love that blight many solo instrumental jaunts, and more interested in raising a happy smile rather than pulling an anguished ‘guitar face’ ” – Organ Magazine (UK)

“In summary, Lawson succeeds in showcasing the range of his instruments’ possibilities while also creating enjoyable and interesting music. The album’s real strength
lies in it’s variety, from Frippoid soundscapes, to jazz, and ambient space. – www.aural-innovations.com (US)

“On the last piece – “Pillow Mountain” – Lawson shows that, with a few electronic gizmos, even very “unbasslike” sounds can be produced. A
wonderfully melancholic fretless solo is played over an underlying mood reminiscent of Brian Eno. Beautiful.” – Jazz Dimensions Magazine (Germany)

“Only a musician with great talent and sensitivity can provoke such emotions, giving us these 52 minutes of pathos from solo bass and effects.” – No Warning e-zine (Italy)

“Steve Lawson [is an] innovative bassist dedicated to stretching the boundaries of bass. On Lawson’s And Nothing but the Bass album,
the simple boom-di-boom we know as bass is transformed into a spray of chords, arpeggios, hammer-ons and rangy melodic runs, flecked in harmonics and reinvented by effects.” – San Jose Metro (US)

“Lawson and Carr alternate playing Jekyl to the other’s Hyde. Dreamy pastoral visions interrupted by an invasion of drunk Martians. Steve’s sonic pallette allows him to blend beautifully, or create havoc, a dichotomy he clearly enjoys. A fascinating listen. A Little Nitrous Music anyone?”
– Ed Friedland, Bass Player Magazine (US)

“The music Steve and Jez make is reflective, intimate and powerful. It takes you on a journey that is
simultaneously familiar and exotic, engaging and serene.” – Michael Manring

” ‘Conversations’ finds pianist Jez Carr and bassist/loopist Steve Lawson deftly walking a fine line between
new age and avant-garde, drifting from meditative serenity to angular abstraction so smoothly that the seams
barely show. With its extended and often reflective feel, the highly-attuned duo improvisations allude to the
vintage eras of record labels like ECM or Windham Hill.” – Andre LaFosse (guitar looping genius)

“This is subtle music that demands your undivided attention.” – www.aural-innovations.com

“Close to perfection… …Magnificent” – No Warning (Italian e-zine)

“I can’t say enough to recommend this CD adequately. Just do yourself a favor and get it if you haven’t already.”- Ted Killian, Loopers Delight.

” There’s music here to appeal to a diverse crowd… from space ambient to jazz fans to prog fans. And I can’t imagine any musician who wouldn’t appreciate the results of what are actually solo performances. Recommended.” – www.aural-innovations.com

About Steve’s gigs…

“Most bass players settle for one distinctive tone and make it their own, yet solo loop guru Lawson is a master
of a whole universe of sounds all conjured from his fretless six-string bass. It’s a feat equivalent to juggling
half-a-dozen lit torches that not only he makes look and sound effortless, but his sense of otherworldly narratives
makes his a truly original talent.” – JazzWise magazine.

“Steve’s style is to look like he never knows what he’s doing in the first place,
he talks nonsense to distract you from how frighteningly good he is at what he does.” – www.bassworld.co.uk

“steve plays with a wonderful fluidity. his fingers glide lovingly, effortlessly over the fretless, the chording and intonation never less than perfect. whether a simple, relaxed glissade or a line demanding
huge control and dexterity, his fingers did the talking.” – michael cowton, journalist and author of ‘level 42 – the definitive biography’ (UK)

“[steve is] very much his own musician, and one capable of taking on any of the american virtuosi on equal terms… his improvised melodies…make for an assertive and individual new voice.”- dann chinn, misfit city e-zine (uk)

“…an evening of technological wonder and musical psychadelisizing.” – Santa Cruz Sentinel

About Steve…

“a gifted and imaginative bassist, whose melodic ideas and encyclopedic chordal knowledge are at least equal to many (currently) more well known artists.”- www.globalbass.com online magazine. (Canada)

“Bottom Line: Virtuoso technique + imagination + a vision + improvisation chops to burn = Steve Lawson.”- www.bassically.net (US)

“At last! Steve Lawson – a bassist with a commanding technique that doesn’t mean more notes,
but a truly good sound and great time, with melody a priority. Finally, lots of notes when needed.
How refreshing! Now all we need is a Steve Lawson that plays double bass – are you out there?” – Danny Thompson (double bass legend)

“Steve Lawson has got to be one of the most tasteful bassists I’ve heard in a long time and is certainly a creative
player who focuses on sound and the quality of individual notes, not to mention different ways of speaking with his
instrument.” – Jerry Kranitz, www.aural-innovations.com

“Somehow I had never heard of Steve Lawson before and while at the recent NAMM show a friend of mine dragged me
to a booth to check him out. When I heard Steve play doing a live solo with self accompaniment I was instantly
transported to somewhere beautiful inside, even though we were in Anaheim of all places. The CD does the same
thing for me…I listened to it driving through the desert and again at home…lovely,
wonderful stuff…I’m a fan” – Andy West

(solo artist, bassist with The Dixie Dregs)

“When I first heard Steve Lawson it made me go home and practice my bass again, it was inspiring to hear his use of bass loops with great melodies.
He doesn’t play like a bass player, he plays like a musician. I am going to rip off every idea he has ever had!!” –
Matt Bissonette (bassist to the stars!)