improv – Page 17 – stevelawson.net

July 8, 2005

Less heavy stuff.

First up, thanks to everyone who phoned, texted, emailed – very nice of you all to call, especially those who only call when you think I might be dead… (just kidding).

So yesterday. Obviously started with bomb news. I had a gig booked with Ned Evett, a fabulous fretless guitarist and singer, who had landed in London the day before. He was, obviously, knackered and jetlagged, so slept very long indeed. His mobile wasn’t working cos he was in Angel – too close to all the shit. Didn’t get in touch with him til about 3.

Tried to get him to get a cab north, but no cabs would go down to Angel. So I had to go and get him.

Told him to start walking up Upper Street, and I’d get him somewhere along there. Got to Upper Street in good time, but then took 40 minutes to do half a mile on the street. Found Ned, loaded up, and headed for the back roads.

The radio announced that the motorways were largely unuseable. So we headed out on the A40, passed the M25 and started to weave through the backroads – Slough, Windsor, Bagshott etc. down to Guildford and onto the A3.

Eventually got to the venue at about 8.50, set up in double quick time, ate fast dinner (were both starving), and I was on stage before 9.30. Did it as one set straight through, with Ned joining me for a couple of improv duets before doing his solo set. A lovely audience of great listening peoples. Sold a bunch of CDs, and had a marvellous time. Well worth the hassles.

Driving home was obviously easier, listening to BBC London and people phoning in their stories of involvement in the days horribleness. Some really touching stories. Must be appalling for those who were involved. A nightmare for the relatives, and those critically injured. Still didn’t seem to be any consensus about the actual death toll. Each life already decided but unaccounted for.

July 6, 2005

Last Night's gig.

So last night was the gig with Theo Travis and Orphy Robinson at The new Vortex in Dalston.

The old Vortex, in Stoke Newington was a vital element in London’s Jazz-life. Along with the 606 and The Bull’s Head, it was one of the few places where you could regularly get to see the best of London’s jazzers playing in a small club for not much money.

So when it close about 18 months ago, it was a bit of a loss. There was talk for a while of it opening up in Hackney’s ill-fated Ocean venue, but then that went belly-up, and it looked like the Vortex was no more.

So it’s great to have it back, just off the A10 in Dalston. Very easy to get to, nice room, all back how it should be.

The fun thing about this gig was that it was the first time that Orphy and Theo had met, let alone played together. I’ve played with both before, obviously, so I was the link.

I set up with a mic on Orphy’s vibes so I could loop him, though had to be judicious so as not to loop Theo too (Theo’s loop-ideas are so incredibly well formed, that bits of his flute and sax cropping up in my loops is not really desireable).

Anyway, the gig went superbly well – we played a bunch of tunes from Open Spaces, and a load of improvs, with Orphy playing vibes and piano (I’m still not sure how well piano works with the thickness of sound that Theo and I get – I remember spoiling a duo gig with Jez at Greenbelt one year by putting far to many layers down and not really finding that gorgeous sparseness that is there on Conversations)

The audience was tiny, as per lots of midweek gigs at the Vortex, but David, the owner, loved it and wants us back for a weekend gig.

The only downer was that I was feeling steadily iller and iller as the evening went on (and not in the Beastie Boys send of the word ‘ill’ either)… I’m still not sure if I’ve beaten this cold or the worst is yet to come. We’ll see.

Anyway, it’s great to see The Vortex back happening again – check out the programme here.

Soundtrack – Tim Berne live at the QEH

July 4, 2005

Edinburgh MPH March/Live8

So, despite it being Wimbledon finals weekend, I didn’t see a stroke of tennis played… But for good reason.

On Friday I drove up to Berwick–On-Tweed (the Lawson ancestral home), in order to go up to Edinburgh on Saturday for the Make Poverty History March and rally, arranged to coincide with the G8 summit meeting in Gleneagles this week.

Estimates on the attendance at Edinburgh vary working upwards from about 200,000, but that’s the figure for Fringe Sunday in August, and this was WAYYYY more crowded than Fringe Sunday.

The march itself was just huge – for a lot of people, they were waiting for almost three hours just to get out of The Meadows (that is, a secret location, known only as ‘the meadows’). The atmosphere was fabulous, though the food was a bit crap for veggies (I’ve got too used to ‘london food’). The first people to set off on the march were back at the start by one o’clock so the continuous white band lasted for a good few hours.

The talk from the stage was largely good – Billy Bragg was on form as always – talking not playing (at least not that I heard, sadly), Jonathan Dimbleby was marvellous. Some twat from the Church Of Scotland was congratulating Gordon Brown on all he’s done so far… hello? Done what exactly? Announced a supposed debt relief package so tied to IMF trade and services liberalisations that it’s virtually worthless? FFS, stop pandering to these goons – they’ve done just about nothing as yet, the situation is still brutally inequitous, and so far Gordon Brown has done pretty much sweet FA.

Anyway, the rest of the talk was good.

We got back into Berwick, and in front of a TV at the time The Killers were on at Live8, who made no impression whatsoever. The evening was definitely all about the old guys showing the youngsters how it was done – Floyd, Robbie, The Who and Macca all rocked the party that rocks the party, while the Scissor Sisters were dull, Velvet Revolver were shit-on-a-stick, Joss Stone and Mariah both did well and Peter Kay was the only Accapella singer of the day and lost the americans royally.

I was struck by how little comment was being made about the cause, both between bands, and by the bands. Now that I’m watching the AOL online feed of the show, I see just how much the BBC had edited out in the name of impartiality. Good God, I hope I never rely on the BBC’s impartiality to save my life from rapacious world trade laws. How can you be impartial on this? Grrrrrrrr.

So all in all, a monumental event – the biggest ever public protest in Scotland, the biggest ever worldwide TV audience for a show, millions and millions of people signing up th the MPH campaign. Surely this will send a message to the tossers in the G8 that things need to change?….

…apparently not, that arch-enemy of freedom, democracy and all things decent, George Bush, has announced that there’ll be no climate change deal in the G8 – you know, right now, I’m wishing someone would blow up Gleneagles. I know something of how Bruce Cockburn felt when he wrote ‘If I Had A Rocket Launcher’, with it’s censor-baiting line, ‘if I had a rocket launcher, some son of a bitch would die’ – why does the G8 even exist? The idea that there is a coalition of the wealthy deciding the mortal future of over half the planet is disgusting. That fuckers like George Bush would come into the meeting saying he’ll be doing what’s best for the US only…

From the bbc news site –
‘But he rejected the idea he should support the British prime minister’s G8 plan in return for his support during the war in Iraq.

“Tony Blair made decisions on what he thought was best for keeping the peace and winning the war on terror, as I did,” he told the programme.

“So I go to the G8 not really trying to make him look bad or good, but I go to the G8 with an agenda that I think is best for our country.” ‘

He’s an evil, pernicious, twisted blight on the planet, and anyone who voted for him should be seriously ashamed of themselves. There is a political will within sections of the G8 to improve on these issues but while Bush, under the influence of his PNAC cronies, undermines anything that makes the rich accountable, that makes the rich empire-building countries of Europe and North America feel any sense of responsibility for the fuck-up that is modern day African economics. The most resource-rich continent on earth is its poorest. It makes me cry.

If the G8 don’t listen, who’s in for a revolution?

Soundtrack – The AOL Live8 stream.

June 16, 2005

Couple of photos from the National Theatre gig

here’s a couple of piccies from the NT Foyer gig on Tuesday with Theo –

Yesterday was spent recording with Cleveland Watkiss again – more lovely layered improv stuff and a gorgeous version of ‘Black Hole Sun’ by Soundgarden. It’s shaping up to be a very creative and productive duo, so we’re going to be setting aside a week or so soon to really get stuck into it and see just how good it can be! It’s all rather exciting!

Soundtrack – John Patitucci, ‘Now’.

June 14, 2005

Right now, I should be at a Jonatha gig…

So the plan for this evening was to do my gig at the National Theatre, come home, drop off my stuff and shoot down to the Borderline to catch Jonatha Brooke’s gig there.

The gig at the NT went very well – lots of friendly faces in the audience, some very fine improvs in the set, and nice versions of all the album tunes too. We finished at 7.20, then chatted to people in the audience for about another 20mins/half an hour (this is where I could have saved time, but would have been very rude to all the lovely people who came to the gig to run off), then go and get the car from the carpark, load up, drop Theo at home, head back up here and unload.

The small person had rung The Borderline to find out what time Jonatha is on stage, and they said she goes on at 9.15, will be off by 10.30 – I was expecting it to go on til 11. So I’m not ready to go out til 9, ergo, no gig for us this evening.

Bugger.

This is Jonatha’s first ever gig with a band in the UK, as far as I’m aware (I don’t think she brought a band with her when she played here in 95…) and certainly the only chance we’ll have to see her with band for a while (unless it’s a storming success and she comes back!)

I’ve got a whole load of texts on my phone from people who are there asking if I’m going…

Ah well, at least our gig went well…

June 3, 2005

Another fine Theo gig… and our last at the RFH for a while.

Yesterday’s gig went very well – playing with Theo is about the most relaxed and simple musical setting I’ve ever been in, knowing that whatever I do, he’s going to play something very cool to go with it. We did a couple of big improv things in the first set that came out very well indeed, and played all the usual stuff off the album very well too – we really need to do a live album to document how far the tunes have come, and also get the other stuff we do out there. We do a duet version of ‘Amo Amatis Amare’, from Not Dancing For Chicken, and a duet version of ‘All I Know’, which is from Theo’s ‘Heart Of The Sun’ album (a marvellous album).

What made the gig more special is that it was our last gig in the RFH Foyer for a couple of years, due to the refurbishment, and the last one booked by SueAKATheShark – she’s been booking music for the RFH Foyer for almost a century, since well before she was born, and is now moving to NYC. The Shark has booked some amazing music there over the years, and is a huge supporter, fan and friend to live music in London… Let’s hope she’s trained up some apprentices to carry on the jazz-evangelism on The South Bank.

Tonight is an even more auspicious occasion, in that it’s Sue’s last ever commuter jazz gig – every Friday since the end of the Napoleonic wars, Sue has booked a band to play after work in the RFH Foyer – again, more amazing music to a hugely appreciative crowd. So there’s a party afterwards tonight.

Soundtrack – Eric Roche, ‘The Perc U Lator’; Nirvana, ‘Nevermind’.

May 31, 2005

Thoughts on Live 8

It was announced today that there’ll be a huge gig in Hyde Park on July 2nd called Live 8, to highlight the cause of the Make Poverty History campain, and put pressure on the G8 leaders meeting the week after in Gleneagles to make changes to our screwed up economic system that currently favours the rich over the poor, widening the gap between them.

The gig won’t be a fund raiser in the way that Live Aid was, it’s all about awareness and garnering public support for the changes. On the same day, there’ll be gigs in Paris, Rome, Berlin and the US. It’s all happening on the same day as the Protests in Edinburgh in the run-up to the G8 summit.

Which begs the question, why isn’t it happening in Edinburgh? People are already suggesting that up to a quarter of a million people are going to descend on Edinburgh for the weekend. Why host an event in London that could a) dent the attendance in Edinburgh and b) split the media attention? I’m all for gigs big and small that raise awareness of such issues, but the timing could have been better. Even having it on the Sunday would have been better, giving die-hards the change to hot-foot it from Scotland back to London.

Meanwhile, I was asked to play a gig in Edinburgh months ago, which has yet to be confirmed (looks unlikely to happen), and have now been asked to play one in London on July 2nd (sadly not in Hyde Park – I’m sure some solo bass noodling would provide the perfect antedote to overblown rock dinosaurs giving it earnest for hours on end).

As it is, I’ll probably still go to Edinburgh, minus bass gear. I’ve already planned to go to the protests, and on a much more selfish note, can stay on a day or two and see if I can sort out some promo for my Edinburgh show! Having said that, the London show does look fun – it’s organised by Filomena Campus, an improv singer I’ve done things with before, and the last gig we did together featured some fab players – Orphy, Dudley Philips, Roland Sutherland etc.

Hopefully the split in the focus of events on July 2nd won’t confuse people as to the aims, and somehow some kind of miracle will happen in the G8. Given the kinds of people the US have been putting forward for jobs in the UN and World Bank of late, I don’t hold out much hope for them to show any compassion to the poor – clearly making the mega rich even richer is a much higher priority than ending the trade inequity that leaves entire continents languishing in crippling poverty despite them being rich in natural resources.

I’ll stop now, I’m slipping into despair again…

Read the Guardian’s report on the announcement

May 27, 2005

Petersfield gig last night

Another fun night in Petersfield – almost didn’t get there on time, thanks to traffic nightmare on M25 and around Guildford, but was able to finish setting up while people were coming in for the clinic/masterclass/Q & A thingie.

This was very enjoyable for me. I tend not to plan too much when I’m doing a session like this, because it really needs to be tailored to the range of people in the room, and how many there are. On the way up I was half expecting to be doing a proper bass demo, playing some solo tunes and explaining them, but somehow the conversation got started off about music education, so I just talked about process and motivation for learning music, about the building blocks, about focussed goals, practice methods, prioritising learning what you need to know, keeping yourself intersested etc.

It was one of those sessions where you give people what they really need, rather that what you think they might think they want. I’m not great at second guessing what people ‘want’ in any setting, but when it comes to music education, it’s a fairly easy guess to spot what’s missing from most people’s thought process, so easy enough to give them what they need. The tricky bit is convincing them they need it, and getting them to talk about it. I think this was largely successful, the small size of the group meant that we could all gather round a table while I showed my simplified way of viewing diatonic harmony, which went down well.

The gig itself was fun as always, though the smaller audience suggests I’ve saturated Petersfield as a market for a while. It’s always fun to go and play down there, and great to see some regulars and some new faces, especially meeting people that I know of from various online communities (Loopers Delight and The Dude Pit were both represented at the gig last night.)

Played a mix of tunes, similar stuff to the night before, though I also did an improv, which I prefaced by describing what ambient good was all about, and then played something very un-ambient. As an encore I was asked to play ‘Channel Surfing’ which I haven’t played for ages – almost a year, I’d have thought – but managed to pull it off!

If you were there, thanks very much for coming, it was very nice to see you!

Soundtrack – Patty Larkin, ‘Stranger’s World’.

May 26, 2005

Another fine Darbucka gig

So last night I was back at Darbucka, which, contrary to previous knowledge is no longer underneath India EC1 – they’ve taken over the upstairs part now, and the whole place is Darbucka! How cool is that?

Anyway, ’twas my third gig there, and I love playing there. The atmosphere is fab, the seating very relaxed and the owner, Ahmad is a good friend and supporter of live music.

Last night was extra-specially fun due to my two special guests, BJ Cole and Cleveland Watkiss.

The slightly surreal air that seems to drift around at my gigs began even before the show started, with George Galloway being in the venue when we got there… …sadly, he wasn’t there for an evening of mellow bass noodling, and left not long after we arrived to set up.

First set was just me, doing my thing. It was fun to play a slightly longer set, and get to play a couple of old tunes I haven’t played for a while – Highway One, and No More Us And Them, as well as a couple of new tunes – one slow country-ish thing so far called ‘What Happens When You Listen To Too Much Gillian Welch Late At Night’ (subject to change), and another untitled one, dedicated to Eric Roche a great friend and genius musician, going through a bit of a rough patch. (speaking of Eric, he’s playing at The Troubadour in Earl’s Court tonight, and is unmissably good – please go along and support him, you’ll thank me afterwards.)

Response to both old and new tunes was good, and Cleveland arrived during the last song of the set, so that was good!

Second set began with me on my own doing on tune (No More Us And Them, I think), and then BJ joined me for the next world premier of the evening – it was the first time BJ and I had played anything that was pre-written together. Usually, we just start playing and see where it goes. This time, we did a tune that BJ had joined in on in my soundcheck, a new tune called ‘So Long And Thanks For All The Thumbs’, and he added a huge amount of loveliness to the track! We then followed that with a bleepy, trippy improv, which ended with BJ in fine industrial soundscape mode, wringing all manner of weird and wonderful sounds from his knitting machine. What a fab player!

So I then kicked him off the stage, and brought up guest #2 for world premier #3 – Cleveland Watkiss. This was the first time Cleveland and I had played together on stage – we’ve played together twice before, but both times in my living room. He started us off with a clicky vocal percussion track, which I looped, slightly out of time, and we glitched it into a really really cool percussive soundscape with layers of oohs and aahs, and some dubby vocal samples, just him singing and me tweaking. At one point I was tempted to join in, but it didn’t need it, so I carried on tweaking and he carried on singing, and that was tune #1.

The second tune we did I started it off, funky thing in Am, which built up with layers and layers of fantastic beatbox into a full on clubby dancey thing, wah-wah guitars, clattering drums, dub vocals, all from just he and I. Another big success.

To finish off, I closed the main set with ‘People Get Ready’, then got BJ and Cleveland back for a mellow country ballad improv thing which just topped off the evening perfectly. A resounding success!

Hopefully I’ll be back at Darbucka before too long, I love it there!

if you want to get BJ’s or Cleveland’s CDs, you can get BJ’s here and Cleveland’s here (BJ’s newest album Trouble In Paradise is fantastic, as is Cleveland’s duet with Nikki Yeo)

If you were at the gig, please post your thoughts over in the reviews section of my forum.

Soundtrack – Maxwell, ‘Embrya’; Lewis Taylor, ‘Lewis Taylor’.

May 25, 2005

Preparation for tonight's gig…

It’s gig time – playing a solo gig tonight at Darbucka (which you REALLY ought to know about already – if not, please sign up for the mailing list). It’s going to be a lots of fun – for starters, I’ll get to play for longer than I have been of late – I’ve done a fair few 30-45 minute sets of late, and tonight I’ll get to play at least an hour or so of solo material plus some improv duets with BJ Cole and Cleveland Watkiss.

I’m really looking forward to it, and am just running over some of the new tunes I’m thinking of playing tonight, trying to work out how they go, what order the various weird noises appear in, and to a lesser degree, what the tunes are – at this stage in the compositional process, the melody is pretty open to interpretation, and I’ll improvise a lot of it to see if I can get something better than the bits I’ve got already.

All being well, there should be four new tunes tonight, which only a handful of people have heard (the small person, obviously, the cheat and sue, who finally gets her first mention on a blog – yay for sue!)

Other than that, I need to fill up a box with CDs for sale, decide on what to wear, write out the guestlist, decide whether or not I’m taking any extra lighting with me (Darbucka is pretty dark on stage), then I’ve got two hours teaching to do, then pack up my stuff, load the car (not fun given that I’ve got a trapped nerve or something in my back from sleeping funny a couple of nights ago).

So that’s me today, and tomorrow it all happens again for the gig in Petersfield. What fun.

See you later.

Soundtrack – right now, recordings of the new things for tonight. Before that, Lewis Taylor, ‘Lewis Taylor’; Sophia, ‘People Are Like Seasons’; Kaki King, ‘Legs To Make Us Longer’; Todd Johnson/Kristin Korb, ‘Get Happy’ (I rolled the wheel of my office chair over my copy of this last week, and immediately ordered a new one, which arrived a couple of days ago)