Open Letter to the UK Jazz Community Pt III – recordings continued…

picture of Beth Rowley live at the Troubadour in LondonOne of the weird ways that a lot of the UK jazz players have been corrupted in their thinking by the pop world is the infrequency of their recorded output. As I said in my last post, cost has a fair bit to do with that. But the reason that cost has become a factor is that we’ve lost much of the spontaneity that made jazz so interesting, and instead have tried to match the production values of the pop world, where the life of a performance is wrung out of it, and then dropped back in by the ProTools surgeons… Continue reading “Open Letter to the UK Jazz Community Pt III – recordings continued…”