Radio so bad it's worse…

This is how it goes – things can be a bit naff, but bearable enough for inertia to override the desire to switch off. Then they get bad, and you turn off, after that comes ‘so bad it’s good’ in a reality TV kind of way, and then ‘even worse and you want to shoot the presenters’.

The breakfast show on Radio London is about three previously unimagined steps below this last one – Jono Coleman and JoAnne Good are almost without doubt the stupidest, most inane, inarticulate, educationally challenged, culturally bankrupt pair of losers I’ve ever come across, engaging in the kind of conversation that would cause you to withhold the tip from a taxi driver. So unimaginably poor that you can’t even being to fathom the level of dirt they must have on the programming schedulers to be able to get a gig.

It’s like listening to two particularly poorly educated 12 year olds try and sound bright. JoAnne in particular makes Kelly Brooke look like a phd student.

Their absence from the Radio London Listen Again list is not surprising at all.

So it’s time for us to find something else. Anything, the white noise between stations would be better than hearing yet another guest pause mid sentence, incredulous at how these two lobotomised rodents ever ended up conducting interviews. Like Alan Partridge, without the punch line.

So, Londoners, any suggestions? We’ve had a look at LBC, and apart from Jenny Eclair on a Saturday morning, that looks like slim pickings. Is Wogan any good on R2?
Maybe we should get a DAB and give Phil Jupitus a blast on 6Music…

It’s a shame cos I really like radio London – I love the BBC and I love living in London, so the coming together of the two really ought to be a first class thing. And for most of the schedule it is, particularly the radio masters Robert Elms and Danny Baker. Vanessa’s not bad from 9-12 either. But Tweedle Dum and Tweedle Severe Special Needs really need getting rid of. Broadcasting unworthy of a late night slot on a pirate station, let alone the misuse of licence-fee money.

FairTrade thoughts

The talk at St Lukes this morning was an introduction to FairTrade by Geoff Crawford – a fantastic photographer who has visited loads of fairtrade projects and co-operatives around the globe in his role as photomonkey for various aid agencies and fairtrade associations. He pitched the talk perfectly, and kept it to his central theme, which was about the difference that buying fairtrade produce makes to the people who make or grow it, how buying fairtrade coffee directly impacts the lives of coffee growers, and he gave some good pointers for people wanting to start thinking about such things, as well as lists of coffeeshops that stock fairtrade coffee and supermarkets that stock fairtrade produce.

It’s a discussion that could easily have been derailed by some very valid other discussions, about supermarket monopolies, fairtrade imported goods vs the food-miles argument of how far something has to travel to end up on your plate and the damage that transport process does, etc. Those are really important subjects, but a 20 minute talk in a church service wasn’t the place to have them.

What he also avoided was the notion of boycotts – with labeling it as such, he took the same path that I’ve been thinking about in regard to shopping of late – that of seeing everything you buy as an investment.

The problem with thinking of boycotts is that the surface value expressed in the action is that of damaging the profits of the company you’re boycotting. There have been notable examples of this working and starting to affect company policy… or at least marketing policy – Shell oil, Barclays bank and Nestle have all at times taken a major hit through boycotts, and have altered as a result. Not enough, but any stretch, but the change was noted.

The problem is, there are millions of companies who don’t behave the way we’d like them to – Naomi Klein’s vital and fantastic book No Logo highlighted corporate abuses around the world, and looked at the idea of using brand image as a weakspot in their armour. It works, she’s really onto something. But what she’s describing is activism – that’s something we all need to do, but it’s tough to fight every battle.

So what’s the alternative? When we realise that every single penny we spend is investing in something, we can start to think, on a day by day basic about what we’re investing in. I don’t have to see a change for it to have value. I don’t need to feel like everyone else is doing the same thing, I just need to know that the two pounds I spend on fairtrade Bananas is being divided up amongst people who are involved in the ongoing work of improving the world. The producers are improving their own world, providing better healthcare and schooling within their communities, the importers and distributors are people that have chosen to work within the rules of the fairtrade foundation, in order to further those aims. My money is being invested into the long term sustainability and growth of the fairtrade movement. The fact that Del Monte or Fyffes or whoever isn’t getting my money is an added bonus, the direct inspiration comes from that direct investment.

The next stage is thinking about where I buy them from – obviously part of the money goes to the retailer. Shopping in the UK without going to supermarkets is pretty tough in most places, and we go to Sainsbury’s for a fair bit of our grocery shopping – it’d be great if there was a branch of Fresh And Wild on southgate high street, but all we have is a tiny health food store – he’s great for herbal tea, muesli, cleaning products, tinned stuffs, etc. and we buy as much there as we can, but he doesn’t stock fruit and veg. So for now we go to Sainbury’s, but as much fair trade organic stuff as we can. But soon we’ll get our organic box scheme sorted out, then it’ll be organic, fair trade and v. low on food-miles. Yay – ecomonkeys are us.

So, try it – go for positive investment, not guilt-trip boycotts. Either way, it means you’ll never go to McDonalds again, which has to be a good thing.

Soundtrack – me and theo, live in Cambridge last week. sounding good!

OneDotZero at the V&A

Last night was a special video installation night at the V & A Museum, curated by OneDotZero Those in the know tell me that they are the bigwigs in the world of video stuffs, though I’d not heard of them before I read about the event on Jonny’s blog.

Anyway, I went along to check it out, and there were some mildly diverting and fun things going on, but it was all a little hollow, if y’all ask me. There were screens set up all over the museum, in different galleries, and people were wandering from one to the next, chatting and watching a few seconds of each one before moving on. Nothing demanded your attention, or if it did, the physical situation didn’t allow you to engage with it for long. Each piece would have made for a nice installation on its own, or as a feature in an event happening in one place, but the overall effect was of peering through the shop window at Dixons at a dozen TVs showing cool screen-savers.

A few of the installations took a stab at interactivity, but even they ended up being very expensive hi-tech versions of either a lava lamp or an oil-wheel lamp. Perhaps I’m just not post-modern enough. ;o)

Anyway, it was enjoyable wandering around with Jonny and Joel, and meeting up with lots of other lovely friends, from Grace and Moot, and going for a drink afterwards. Much fun with good peoples.

Blog categories…

I’m just in the process of introducing categories on the blog (you can’t see them yet, as I haven’t found or added the code to have them listed on my pages, but will do as soon as Sarda gets online and helps me out).

Now, the quandary is, do I got for big general categories (music, life, politics, cats etc) or do I go for v. specific ones (gigs, tech-talk, food, cat health, cat photos, uk politics, world politics, spirituality etc)? Not sure which way to go… I guess I should start with general ones, and then add categories as they become necessary.

Soundtrack – D’Angelo, ‘Voodoo’.

talk yourself better

Had a lovely afternoon with Cleveland Watkiss. Cleveland came round to check out the Looperlative, but as I couldn’t find my microphone, after a demo of what it can do, we spent a couple of hours talking about the process of making music, approaches to looping, performance ideas, influences, collaborations, all kinds of marvellous conceptual stuff about the process of creating music, of soundtracking the inside of your head, telling your story, absorbing influence and utilising technology.

It was one of the most useful and enjoyable conversations I’ve had about music for a long time, and left me very inspired to both play, and develop the Recycle Collective further. Cleveland is an outstanding musician, with a great pedigree in jazz music and beyond, but is a tireless experimenter, always looking for new ways to channel his creative muse. We’re going to record some more stuff next week.

And now I’m listening to last night’s gig with Theo Travis, having dumped the wav files onto my PC, normalised them, and chopped them up into tracks. It’s sounding great – there are a few blips and glitches here and there on the audio, but nothing that can’t be either sorted out or lived with. Methinks this gig will make up a large part of the live album.

Now, off you go and find someone interesting and open-minded to talk to about whatever it is that drives you creatively – report back here on what you learn!

Small but perfectly formed.

Cambridge gig with Theo last night, at CB2. It’s a lovely venue – very rustic in that it’s just the cellar of the restaurant with a load of chairs and some lights in it, but it’s free, quiet and the food upstairs is marvellous (recommended for dinner even when there’s no gig on!).

I had a feeling before the gig that it was going to be really full – not sure why, but in any event it turned out to be bollocks. It was a pretty small crowd, but a lovely group of people – like a handpicked audience of really nice listening lovelies.

Because Theo and I recording the gigs on this tour for a possible live album, we panicked a bit when we realised we’d left the minidisk at home. No problem though, as a quick call to Dweez meant that the able and equipped Tony arrived with tiny laptop (like the Rev. G’s Psion, only a proper computer), soundcard and cables to record it straight off the desk.

The gig itself went really well – doing the improv stuff with Theo is up there with playing with Michael Manring in the ‘best fun two people can have on stage’ stakes. The range of sounds and ideas that he conjures up is remarkable. And the recording seems to have come out beautifully, on first listen. Will transfer it to computer, boost the level and see how clean it is later on, but it sounds like it could form a major chunk of the live CD!

And today, Cleveland is coming round to make lovely noises and play Looperlative games.

And finally, congrats to the Rev. G on his new job in computer-geek world rather than bible-geek world – much deserved, but certainly the church’s loss.

Recycle Collective III

Another fun evening at Darbucka was had!

The line-up, as you know, was me and Patrick Wood followed by Orphy Robinson and Roger Goula.

The first problem was how to get it all on the stage! There was so much gear it was untrue – Patrick had a keyboard, a Rhodes and a guitar, all running through mixers and pedals and stuff. I had the usual leaning tower of stevie, Orphy had a steel pan, bass marimba box thing, snare drum, trumpet and a huge hold-all full of miscellaneous percussion. So we did the set-up in two halves. First for Patrick and I, then for Orphy and Roger.

The set with Patrick went really well (from where I was sat!) – an opening ambient excursion, followed by a more jazzy/dubby piece, into a sort of drum ‘n’ bass/IDM workout over a heavily filtered frantic slap-percussive thing, and finally a version of ‘A Kind Of Prayer’ from The Works album, ‘Beware Of The Dog’. All of which was lots of fun. Because of the stage set-up Patrick was behind me, which was a little disconcerting for him I think – I’m kind of used to looking at buttons and not neccesarily at the person I’m playing with, so it was less problematic for me, but he played beautifully anyway. Patrick’s a really interesting person to play with, as he has myriad ways of shifting harmony against a loop – at some point I need to sit him down and find out what he actually does! The hugeness of some of his synth sounds added a lot of depth to the transitions between sections within particular tunes, and each time I use it, the Looperlative makes more sense, so I felt like I was really on top of the loop side of what I was doing – nothing happened that I didn’t want to make happen!

Orphy and Roger’s set started out in a much more ‘out’ free improv direction, with a sparse 9/8 loop off Orphy’s bass marimba thing, and lots of chaotic sounds over the top. Both the main strength and weakness of looping is that it imposes a sense of form onto what’s going on, which is great if you’re doing free stuff as it gives the audience something to latch onto, but it can be a problem if you trap a sound that you don’t want there and aren’t using a looper with an undo function! Orphy uses the Roland RC-20, which just has start stop and layer (oh, and reverse if you bend down and change it by hand, which he did at points). So the constant nature of Orphy’s loops provided both a reference point in the maelstrom of the out sections, and something for him to wrestle with when he may have wanted a more subtle transition.

fortunately, Roger was using one of the most sophisticated processing/looping/cleverness music packages in the world – MAX/MSP, a software program running on a Mac, which meant he could do all kinds of crazy stuffs to his loops and his processing.

All in, I enjoyed their set – it was a lot more out and free than previous RC stuff, and more out and free than most future RC stuff, but it felt good to stretch things a little and try some things out, and there were some really lovely moments. The quartet piece at the end was kinda fun too, which for some reason sounded to me like a Dave Gruisin soundtrack piece after some seriously heavy narcotics. In a good way. :o) So another enjoyable evening at the collective.

The great news is I also managed to get the next Recycle Collective dates booked in, or at least, two of the next three…

March 16th is the next one – not that far away – and it’ll feature me, Thomas Leeb (a brilliant acoustic guitarist from Austria, living in California) and BJ Cole. Put it in your diaries!

And then tonight, theo and I are in Cambridge – see you there!

Forum Spammers…

Been getting a lot of spammers on the forum of late, which is a pain. But I’ve finally found the thing to click in the forum admin bit that means I can manually approve anyone signing up! Hurrah… I hope it works.

Soundtrack – Daby Toure, ‘Diam’.

'Particularly Recommended'

Nice to see in this morning’s Time Out that tonight’s Recycle Collective gig gets the ‘particularly recommended’ red star of approval. I always feel that what I do operates in some strange realm where audiences love it and the press are never going to be interested, so even getting little things like this cheers me up immensely.

It also means that you really ought to be there. No excuses (except maybe living in another country. unless it’s Wales, that’s near enough)

SoundtrackThe Works, ‘Beware Of the Dog’.

New Music/Recycle Collective tomorrow…

Went into town this morning (town=central London), ostensibly to pick up a copy of Sibelius G7 software. It’s a score-writing package, that I need to be able to a) do my column for Bass Guitar Magazine properly and b) get a load of PDF scores of my stuff up on the web-shop ASAP. I get emails every week from people requesting the sheet music or ‘TAB’ for my tunes. Rest assured, there’ll be precious little TAB going on. Reading music isn’t hard, and is a much more useful skill that interpreting numbers of frets on imaginary fingerboards so that you can learn lots of really simple songs badly.

Anyway, long story short, no-one had G7 in stock. Shit! A wasted trip into town. Well, not entirely – I did get to call into Ray’s Jazz, and picked up a couple of very cheap CDs. One was Daby Toure’s album (something I’ve wanted since seeing him at Greenbelt last year), and the other is ‘Nordic Quartet’ by John Surman, Karin Krog, Terje Rypdal and Vigleik Storaas. It’s a fascinating album, featuring lots of classic Rypdal guitar loveliness, and inspired me to record another idea towards the new album. I don’t think it’ll make it on there, as it was just recorded to stereo, not on separate tracks, but it is a great idea that I’ll definitely revisit. Terje’s stuff always inspires me, please check out some of his CDs. {EDIT – I’ve just compared the recording of this new tune with ‘Not Dancing For Chicken’, and it’s SOOO much better – amazing how clean the sound of the Looperlative is!}

And recording that piece has got me all excited about tomorrow night’s Recycle Collective gig – I’m playing in a duo with Patrick Wood – Patrick and I have recorded together lots over the years, lots of lovely improv stuffs, some of which is in the street-team stash (or was – I’ve no idea what’s currently in the stash!). We’ve also played live together at Greenbelt, both in a duo, and he was a part of my Global Footprint huge improv thingie last year.

So we’re playing, followed by Orphy Robinson and Roger Goula – both of whom are fabulous players I’ve collaborated with in the past.

I really am like a kid in a toy shop with the Recycle Collective – I get to book all my favourite people to come and make lovely noises with me, in a gorgeous venue, to lovely audiences, which you’re more than welcome to come and be a part of. See the RC website for more details.

So that’s tomorrow. I’ve been doing LOADS of teaching of late – schedule is filling up, for sure, I’m almost maxxed out on evening teaching (if you’re wanting any lessons, best book a fair way in advance…) but I’m looking forward to my next lot of gigs – book shows in April with Muriel Anderson in the UK, and some solo stuff in April, as well as some clinics/masterclasses around… watch this space!

Soundtrack – right now, it’s my new tune, before that it was the Franks – Sinatra and Dunnery (not together!)

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