Get some lessons!!!

The new series of X-Factor have just started. I’ve blogged extensively in the past about the tragic televisual car accident that is ‘reality’ TV talent shows. The thing that I think is most sad about this is that they never seem to say ‘go and get some sodding singing lessons, you moron!!!!’ to the losers that get up there and are rubbish.

Let’s put it simply – if you REALLY want to be any good at something, you need to study at it. Singing ability is VERY RARELY innate. instrumental ability never is. It requires practice, and the techniques involved in singing are just as hard as those involved in instrumental performance. If you want to be a singer – in fact, even if you’re already a singer – you SO need to get some lessons. They’ll protect your voice from the thrashing that bad technique will give it, they’ll give you better intonation, more control, better breathing. There are NO DOWNSIDES WHATSOEVER to getting singing lessons.

So why aren’t these cabbage patch kids-grown-up who come on TV claiming that ‘singing is their life’ getting any fucking lessons?? If I ever decide to launch myself as a singer as well as a bassist, I’ll get lessons. As a bassist, I went to music college for two years. It’s what you do when you want to get good.

Is it easy enough to understand?

And the same goes for those who can already sing but want to accompany themselves. In the right hands an acoustic guitar is an instrument of almost limitless beauty and potential. In the wrong hands it’s an out of tune cheese grater pouring red ants into the listeners ear-holes. So get some lessons! Again, it can only do you good.

I went to a really good gig on Friday night – Christine Collister has quite rightly been described as one of the best female singers in the country. She’s highly in demand as a session singer, and does gorgeous versions of other people’s songs. She’s also a reasonable guitarist. If she studied a bit, she’d be a fantastic guitarist, and would have the whole package. It’s not that she’s bad, it’s just that with a voice that good, it would be fantastic to hear it coupled with guitar playing to match. She can play, it wouldn’t take her long. She’s already come up with some pretty interesting arrangements, but the guitar is very definitely her second string.

So, you want to be the best? It does indeed take the dedication that the marvellous Roy Castle reminded us of on a weekly basis is our childhood. And the single best way to learn that stuff is one on one lessons. I don’t say this because I’m a teacher, I teach because it’s true.

Phew…

Another review of 'Behind Every Word'

Just had another review of Behind Every Word appear on line. This ones in Aural Innovations e-zine. It’s a very long-running zine that started out as a printed mag and covers Prog/Space-Rock/Ambient etc. – the sort of stuff Stuart Maconie plays on The FreakZone, which is on now… AND IS PLAYING ME AT THE MOMENT!! Wahey!! That’s the first time I’ve ever switched the radio on and heard me on at that very moment! How exciting!! :o) He’s playing ‘Nobody Wins Unless Everybody Wins’.

Right, that’s over – what fun! Anyway, that’s the kind of thing that Jerry Kranitz at Aural Innovations writes about, and he’s been a good solid Stevie-supporter for many years, and has given Behind Every Word another lovely review. Nice man.

So, two things to do – read the review and listen again to this week’s Freak Zone, then email the show and ask them to play more tracks! Oh, and if you haven’t yet got the CD and are inspired by Jerry’s delicious review, you can head over to the online shop here and buy it!

Friday Random 10

Here’s today’s list…

Cathy Burton – Speed Your Love (need to get her new album soon)
Tom Waits – Ol’ 55 (what a FANTASTIC song! Not heard this for a while…)
Pat Metheny Group – Second Thought (from Quartet)
Hinda Hicks – If You Want Me (bit of a shock after the last tune! Don’t trust iTunes to generate radio playlists for you…)
Jaco Pastorius – Continuum (now THIS would’ve followed the PMG track perfectly… bloody iTunes)
John Martyn – Looking On (from the double version of Live At Leeds, and this clearly isn’t from the Leeds gig)
Paul Simon – Sure Don’t Feel Like Love (apparently he’s at Wembley soon – will have to find out about tickets…)
Gillian Welch – I Want To Sing That Rock And Roll
Iain Archer – Soul Cries
Evelyn Glennie – Battle Cry (Bonus Mix) (From the album Shadow Behind The Iron Sun, which is incredible – get it!)

another interesting mix of stuffs…

Free music training software

I’ve not tried this out, as it’s PC/Linux only, and I’m on the Mac at the moment, but I found a link on a bass forum to solfege.org – a free downloadable music ear training package. Looks pretty good, well worth a ‘free’.

Looperlative update…

Bob’s just released another Looperlative update – this thing just keeps getting better! Two great new features, one being a ‘bounce’ feature, where you can record from one or more channels to an empty channel, to either consolidate loads of tracks into one (to free up track space) or you can sample from the middle of a long loop a much shorter section, but you also get to keep the first loop (unlike a destructive resample function) – coming out of bounce mode mutes the stuff you were playing into it, but the tracks are still there unless you choose to delete them. Very handy for mangling long loops, or imposing rhythmic form onto abstract stuff.

The other new function is a ‘catch’ setting for the volume and feedback controls – so if you’re adjusting the volume on lots of tracks, when you turn one off, then go to the next track, the volume control doesn’t start at ‘off’, it waits until the value of the pedal matches the current value of the track, and only then does it do anything. This is SO useful.

This are fun times to be into looping – lots of great new musicians coming out doing loop things (JazzShark went to see Richard Bona last night and reported back that he was doing some delicious loopage), and plenty of developments going on in the looping technology front too. I still have come across a laptop set up that I’d be happy with, but in the dedicated hardware looper world, the Looperlative is a LONG way out in front at the moment – definitely the way to go. (and if you do plan to get one and you’re in the UK, email me first…)

And if you just want to see what it can do, come on down to the next Recycle Collective gig on Sept 20th!

one year on

Yesterday was the first anniversary of the death of Eric Roche. On Tuesday night, TSP and I went to see Nizlopi play at KoKo in Camden, and one of the support acts, Newton Faulkner studied with Eric, and commented after the gig when I mentioned that Eric had been a good friend, ‘I pretty much owe everything to Eric’.

I’ve spent a lot of time this last year thinking about Eric, saddened by his death and by the thought that we’ll never get to play the music we had planned, to do the gigs we’d talked about, to record a duo version of ‘Deep Deep Down’. It’s funny, when he first told me he’d wanted me on it, I thought it was an after thought and as I was there he just said ‘yeah, I wanted you on it’, but quite a few people over the last year have said ‘ah, Steve Lawson, Eric told me about you’ and then mentioned that tune as the one he picked out that he wanted to do with me.

I now do a solo version of it, and as much as I enjoy playing it, it doesn’t sound the way it would if it were both of us…

Anyway, spare a thought for his wife and kids, and what they must be feeling – regrets about missed collaborations are infinitesimally small when compared to the loss of a life partner, parent, child…

And if you haven’t already got Eric’s CDs, head over EricRoche.com and order them, they’re all great.

it's all about the lovely peoples

This being a musician thing, it’s really all about lovely people. I love playing music, I love being a musician, I love recording and releasing music and I love doing gigs. And the thing I love about all of those the most is that I get to do it in the company of lovely people.

I’ve mentioned before on here that I’m continually delighted to find that the people who come to see me play are by and large the kind of people I’d like to go for a curry with – and fairly regularly do end up friends with them, on more than just an ego-massaging ‘hey how great, you like my tunes’ kind of way. I’ve somehow managed to write music that attracts nice people. This is a good thing.

Likewise the musicians that I spend my life playing with are lovely. Jez and Theo, they of the duo albums on Pillow Mountain Records, are two of my most favouritest people to spend time with. Delightful, friendly, funny, generous people, who also happen to be fabulous musicians.

The amassed hordes of the Recycle Collective are just great – Cleveland, BJ, Orphy, Leo, Andrea, Julie, Seb, Andy, Patrick etc. etc… great people one and all. I’m a lucky man.

Today I spent the day with Evelyn Glennie – genius percussionist, and of course, an utterly delightful person. Evelyn’s always been a very progressive force within classical music, experimenting with improvised music, processed sound and MIDI instruments for years, and I was up showing her more about looping, exploring the possibilities for her percussive set up. With a musician that good, and that open minded, she’s bound to discover all manner of gorgeous music in the midst of the technology, and hopefully we’ll get to do some things together as it progresses. But more than the music, I’m just delighted that once again being a musician has put me in contact with more lovely people. I is feelin’ blessed.

Recycle-type things across the globe…

Just got an email from the delightful and lovely Doug Lunn – an amazing bassist and human being from Santa Monica, CA. He’s got a gig coming up with guitarist Mike Keneally, and it sounds very Recycle-esque… or rather The RC sounds very ‘Circus Of Values’-esque, as Keneally was clearly doing it first – read this;

“Hello there, MK here — I hope you’re doing well and that 2006 has been OK for you so far. Thanks for reading this!
I want to let you know about some stuff – here’s “stuff fragment” number one:
CIRCUS OF VALUES re-ignites THIS WEEK The first round of Circus of Values was a series of improvised shows I hosted at Dizzy’s in San Diego, back around five years ago. Each one had a different theme and title, and a different group of players. All of the music was invented on the spot. It’s time for another round of this madness. I’m
very happy to be returning to Dizzy’s (a super-cool spot to hear music) for another series of Circus Of Values performances.
I’m very delighted to report that Chad Wackerman (drums) and Doug Lunn (bass) will join me for the first show of the new Circus of Values series; the performance is entitled “Ah Mr. Solid Gasoline.”
Here’s details for y’all:
Mike’s intimate improvisation series
Mike Keneally’s Circus of Values
returns to
Dizzy’s
344 Seventh Avenue
(between J & K, on the edge of San Diego’s East
Village)
San Diego, CA 92101
Thursday, September 7, 2006
8:00 p.m.
Tonight’s episode: “AH MR. SOLID GASOLINE”
Featuring Chad Wackerman and Doug Lunn
Tickets: $15
All ages welcome
Info: 858.270.7467
All attendees will receive a special exclusive concert program with odd art and text by me. Please be an attendee! (Check later in this email for the dates of two more Circus Of Values shows.)”

Sounds very Recycle-ish to me – and such great players! Doug’s a remarkable bassist, and Chad’s, well, Chad; a percussive legend. Definitely one that’s worth the drive if you’re in Southern California

Steve Irwin's death…

So the big news today pretty much across all the news sources I’ve looked at has been the death of Steve Irwin. And, like a lot of people, TSP and I have been talking about him, his conservation work, how his work as a naturalist contrasted with his ‘crocodile hunter’ image (which never involved hunting them at all, as far as I can see).

I always feel a bit weird about the sadness that surrounds celeb deaths, especially those who haven’t really made much of a dent in your life – I mean, John Peel’s death felt like something major had gone from the lives of an entire generation of British radio listeners and musicians, but Steve Irwin was always a novelty character on UK TV, someone to be giggled at as he hammed up an encounter with some poisonous critter or other.

There’s a deep and genuine sadness for his family – his wife and two small children – it’s always terrible to hear of families that are bereaved. And that’s just it. There are loads of bereaved families every day, there are naturalists and conservationists dying, there are humanitarian workers being killed, peace protesters in the middle east, aid workers in Darfur, good people, unknown, unsung wonderful selfless people who die and leave a devastating hole in their families, but don’t make the news because they weren’t showbiz enough.

This isn’t to take anything away from sadness of Steve Irwin’s death, or to suggest that we should have a TV channel for obituaries of ordinary people. More that we should be aware of our own dispensation towards colourful characters, be they in the media or in our social situations. It’s easy to mourn the death of a star, just as it’s easy to mark any event in the lives of people who make themselves the centre of attention, but it’s harder to see, to recognise the good done by those who don’t do their positive work in the spotlight, who don’t have a catchphrase, or a film about their life, but instead get on with doing their thing. And if we’re not careful we’ll miss them, miss the chances we have to celebrate them, the encourage them and to support their families if they are tragically taken away.

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