duets…

What a fine week! – Monday, as mentioned was a day recording with Theo. Thursday was a day recording with BJ Cole, and Friday was a day transfering music from Patrick Wood’s ADAT to my computer, and then recording a bit too. These three duo projects are rather fun and invigorating and are producing all manner of fascinating music. The duets with BJ are from a looping perspective going to be the most technically demanding, as we tend to be heading towards tracks with lots of sections, which is great, cos it’ll force me to learn some new EDP tricks – probably time to pay Andre’s site another visit. Talking of looping – there have been some rather heated discussions on the looper’s delight mailing list the theme of what on earth ‘live looping’ means – does it refer to a technical approach to music making? does it imply anything specific in terms of style/genre/aesthetic? is it enough of a hook to build a festival round? While the discussion has been fascinating, the main bizarre thing about it has been just how upset some people have got with it all – it’s way too easy to let email lists encroach on your ‘real’ life, and also to get disagreements mixed up with personal attacks…

Anyway, duets – lots of cool stuff already played/recorded, and lots more to come. I’ll be editing some of what’s already gone, and will hopefully have some stuff up on the site soon… Talking of duets, If you’re in Southern California, Todd Johnson – solo bassist extraordinaire – is hosting a fantastic series of duet gigs in a coffee shop in the Santa Clarita Valley – see Todd’s Site for more info…

what else? Yesterday – teaching and gardening – gardening should have just involved cutting the lawn, but The Small Person had left a large pile of sticks on the lawn, which last time I’d cut the grass I just cut round. So this time the sticks were still there, and the grass had grown through it, making moving the sticks a bit of a big job. Anyway, I did move them, and cut the rest of the lawn, but was knackered afterwards. How dull was that? you don’t care to you? and quite rightly so, there are far more pressing bits of info you could be reading.

And today? church this morning, followed by a day of musical tinkering – bass practice, listening to duet stuff, drum programming etc. The off to see The London Improvisors Orchestra – lots of very skilled musicians making a very inspiring racket. The ones I’d heard of included BJ Cole (who’d suggested I go along), Evan Parker, John Edwards and Steve Beresford.

Soundtrack – lots of interesting stuff over the last few days. Michael Jackson, ‘Off The Wall’, Holly Penfield, ‘Fragile Human Monsters’, an Esquivel compilation (do a search for him on line – he’s great), Medeski Martin and Wood, ‘The Dropper’, and right now I’m listening to Jeff Kaiser/Brad Dutz, ‘The Order Of Her Bones’ – an experimental duet CD for trumpet and percussion, Jeff’s own pfMENTUM records, which is also the label that released Ted Killian’s fantastic ‘Flux Aeterna’ album.

Strongbad the good

Ok, if you’re on broadband (and perhaps even if you’re not, I’ve not tried it on dial-up), get thee to www.homestarrunner.com – some very bizarre and surreal cartoons, but totally addictive, especially strongbad’s emails – one of the characters answers emails from the public… Truly brilliant.

What else? Had another gig last night with Tess Garraway and Joss Peach in Brighton, which was fun. Due to a misunderstanding with the venue, it was a shorter gig that had been planned, but was much fun nontheless, especially as I had a line from Tess’ voice into my loop set up, so could layer up loads of vocal stuff…

Yesterday I received a copy of Andrew Buckton’s new album, Rocket Ship, which is marvellous. It was recorded at the tail-end of last year, with me on bass, jez carr on piano and buck on guitar and voice. Tom Hooper then added some drums and percussion. There’s a fair bit of E-bow and looping from me, providing lots of atmospherics, including one tune where I do loads of looping and SFX, while Jez plays the actual bass line (as has been noted before, Jez is not only a mighty fine pianist, but a stellar bassist too…) The album is fantastic. Really great songs, very personal moving lyrics, and I don’t sound bad on it either… 😉

Hopefully it’ll be available online somewhere before too long.

What else has been happening? Ah yes, yesterday before the gig with Tess, I was recording more stuff with Patrick Wood – if you have a look at the MP3s page, you see there’s a duet track with Patrick. He’s very good, very very good, and we get together every few weeks to make a good noise. More mad loopy stuff, as you’d expect. Will no doubt be releasing a duo album with Patrick at some point. Still editing the stuff I’ve recorded with Theo… there really ought to be lots of this stuff online, but at the moment, I maxxed out on my webspace, so really need to change servers before I get to add any more. Was all set to move to a new host when sarda said he was planning to get a server. So now I’m waiting for that…

Anyway, when it finally happens, you’ll get to hear lots of what I’ve been up to.

Oh, and on the subject of me and Theo, we’ve got a gig at the National Theatre in London on Tuesday 17th from 6-7.30pm. And then on the same day at 9pm, Rick Walker – the percussions that I play with in California – has got a solo gig at The Klinker, so it’s a fine evening for music – well worth coming to see us, grabbing some food, and heading over to Rick’s gigs. I’ll be at both, anyway!

Er, what else? ah yes, Matthias Grob came to stay. Who’s Matthias? He’s the inventor the Echoplex, that rather amazing looping tool that I’ve got four of. And a great musician in his own right. And an all round top bloke. We’d arranged to meet for lunch with a friend of his up town, but he was late, so I had a very nice lunch with Jenny at the ICA, and then Matthias turned up at my place a bit later on. We went for curry. and he gave me a copy of his brand new CD, which is coming out on my label! Yup, Matthias is the first non-me Pillow Mountain Records release. How does that work? for someone who doesn’t like record companies… well, he’s using the name. Doing all the leg-work himself, but using the Pillow Mountain name out of recognition for the fact that our music bears a similar meditative quality I guess. The looping connection, and just that he’s a top bloke. I’m sure people who like what I do will like what he does. So he’s on PMR. It’ll all be official soon, and on the website etc…

Soundtrack – right now, it’s Andrew Buckton’s album ‘Rocket Ship’ (see above) which has been on all day. It’s great. you need to get it when it’s available. Yesterday I was listening to the new album from Andy Sheppard and John Parricelli, ‘PS’, which is great – guitar and sax duets, some looping/processing from John. All good. Recommended.

In the news…

Just been sent a scan of a nice piccie of michael manring and I in the news pages of bass player magazine’s april issue – I’ll have to go buy a copy as soon as I can find one, but for now… thanks to Steve Barr for the scan

Soundtrack – right now, is the version of Highway 1 with Patrick Wood that is up on the MP3s page, if you want to join me…

And if you’re in London, do check out the new gig date added for this Sunday!

Bloglessness…

Blog posts seem to be getting rarer – sorry about that. This time the reason is that I’ve been away for the last couple of days, recording at dB Studios in Lincoln. The session was for the next album by Chris Bowater – he’s a gospel singer/worship leader, who I used to gig with a lot when I lived up in Lincoln, and I’ve played on his last three CDs (this one being the fourth). It was a really interesting session to play on in that it ran the whole gamut of bass playing from ‘duck eggs’ (one note in each bar) through to E-Bow and looped atmospheric stuff (on one track I did a ‘normal’ bass line, fretless melody line, and then three layers of twinkly, sparkly ebow loveliness!) – it was a lot of fun to be playing at both ends of the spectrum, very arranged and very open. On the fretless melody tracks, it was largely a case of playing a meandering melody through the whole track which will then be cut up and used at the basis for some other themes (doubled by the string quartet or whatever). Chris’ music is interesting in that even though his main ‘gig’ scenario is leading congregational singing in churches, his albums are far far more ‘music-led’ than most of the stuff written for that setting – the church music scene in general is pretty stagnant and normally at least 5 years behind anything else that’s happening in music, but Chris being a very highly qualified and experienced pianist and writer tends to put a lot more emphasis on the creativity of what he does, which is quite inspiring when it comes to coming up with bass parts…

Much fun was had as the producer/engineer was Dan Bowater (Chris’s son, and the owner of the studio), who I’ve known for 10 years and have toured with on a number of occasions, and the drummer was Gabriel Alonso, who produced and played on Chris’s last two albums, so it was a pretty comfortable setting…

Then today, I was back recording with Patrick Wood again – Patrick is the keyboardist on the MP3 track based on Highway 1 that’s over on the MP3 page – he’s a marvellous musician, and it’s always a treat to play with him. We recorded two very long improvs (improvs, I’m finding, are rarely short… :o) – and I’m hoping to get mixes of them soon to put up on the site, as they were both some of the best stuff that Patrick and I have played together… Me thinks there may be a limited edition album release coming up before too long… ;o)

So what else has been happening? Ah yes, we’re at war. Well, I say we, but it’s not in my name, as the saying goes. Despite opposition from the UK population, the UN, and his own back-benchers (culminating in the biggest labour back bench revolt in recent parlimentary history), President Blair has seen fit to send British troops into battle in Iraq, without UN sanction or backing, and without any kind of clear plan for a post-Saddam Iraq, or any kind of scenario regarding the future of the Kurds in Northern Iraq, who are shitting themselves given that the Turks who have a history of killing lots of them but are currently in a four year cease-fire are at present in diplomatic talks with the US regarding the use of Turkish air-space and land for accessing Iraq, and who may use the opportunity to cross into Northern Iraq (allegedly, they already have 20,000 armed soldiers stationed there) and resume hostilities. Have I heard mention of this from Blair or Bush? nope…

So, if this does end as quickly as it’s likely to (250,000 ‘allied’ troops? methinks this won’t go on and on, though I guess they thought that about Vietnam…), who’s next? Iran? Yemen? Saudi? Sudan? North Korea? They have been talking about trying to broker peace in Palestine – surely that’s a higher priority right now, given the numbers of Palestinians that have been slaughtered, and the number of suicide bombing retaliations that there have been (is suicide bombing retaliation or just an act of insane desparation??)…

…and what on earth is Britain doing in Iraq anyway? didn’t we bollocks it all up last time we installed a puppet king there? and what about sorting something out in Zimbabwe (a former collony that we are clearly more responsible for, and should be able to apply a lot more diplomatic pressure to), which also has a crazed dictator who is sanctioning extra-judicial killings and other atrocities…

I’ll keep praying for peace, whatever happens.

Soundtrack – during the few moments that I’ve not been listening to news reports on the radio, I’ve been listening to myself (just downloaded Fruity Loops Studio, and have been recording some stuff with it – a bargain at $49 for the update…), also listening to The Cure’s Greatest Hits (very very fine), and now am listening to Lifehouse – ‘Stanley Climbfall’, the opening track on which (Spin) is breathtakingly good.

Talking 'bout a Resolution

(sounds like a whisper)

It’s that time of year again, when we realise that we kept very few of our resolutions from last year (though I did set myself one goal of doing 30 solo gigs, and I did over 60, so that was good… :o)

anyway for this year, here’s a few muddled up ideas for what I’m planning/aiming for/wishing for/etc.

  • read more (and therefor, travel more on the tube, as that’s where I get most of my reading done
  • eat more vegan food (should be easy as the small person is on a dairy free diet at the moment anyway…)
  • cook more (I’m on a roll at the moment, so need to keep it up)
  • keep office tidy (yeah, right – need to get it tidy in the first place. Having said that, made a start today on my desk… it’s getting there)
  • practice more (bass that is, not medicine or law or anything – at the end of the two tours with Level 42 and the Schizoid band, my playing was probably the best it’s ever been, need to work on maintaining that…)
  • spend less time just mucking about on line (opening the chat room at thedudepit.com hasn’t helped…)
  • get my tax sorted out, and then stay on top of it (fairly short term aim, but it needs to be done in the next few days!)
  • do at least 50 solo gigs (with 20 or so already booked, this one shouldn’t be too tricky to acheive…)
  • release another duo CD (plans are already afoot)
  • start work on at least one book (either method, theory, looping concepts or general musical-based musings… still haven’t decided – suggestions to the usual address…)

So there you go – that’s my year mapped out… a bit.

what are yours?

The Small Person and I had a lovely quiet new year – watched ‘Bend It Like Beckham’ yesterday, and ‘Monsters Inc’ today – both highly recommended, fine fine films. Went for a drive up to Crews Hill today – lots of garden centres there – but the whole world was aparently under about three feet of water – blocked roads ‘n’ everything…

Soundtrack – I’ve spent a lot of time these last couple of days listening to a couple of improv sessions that I did with keyboardist Patrick Wood during the first half of 2002 – one extract from that is now up on the site, as the new version of Highway 1, though I’m not sure it was even called Highway 1 back then… It’s an interesting comparison to listen to it alongside the version on ‘Not Dancing For Chicken’ (which of course, you have already?), and the live version from the Bartok gig that’s also on the MP3 page. Go on, you know you want to…

Other than that, I’ve been listening to ‘Free’ by Peter Chilvers, which is, as it says on the tin a ‘free’ album – you burn a copy, and your only commitment is to make sure you burn two more copies and pass it on! It’s a fascinating experiment in the pure power of exposure – loads of people will have the CD, and hopefully lots of them will go and buy other CDs by Peter (his first solo album ‘He Wrote This’ is excellent, and available from burningshed.com) – there’s been a lot of discussion of late on the whole merits of ‘free’ music, whether it be CDR copying or MP3 downloading. Singer/Songwriter Janis Ian wrote this article for Performing Songwriter magazine last year, and it’s brilliant – she’s my new hero! Read the article and her follow up – both very good. Then, download the MP3s, and if you like what she’s doing, buy the CDs, and prove it works…

Anyway, what else have I been listening to? oh, Anita Baker ‘Rapture’ – often when I get something out to play to a student during a lesson, it stays in the play for a few days, and this did.

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