Weekend away…

Just back from a weekend away teaching a bass and drum course at Lee Abbey in North Devon. Lee Abbey is a Christian retreat centre, and runs all manner of courses throughout the year, and I was approached over a year ago, I think, to be involved in this one. The idea was to have a Rhythm Section weekend – they do a lot of creative stuff there, but most of it is fairly mainstream church-music related stuff, nothing to out-there.

The drum half of the weekend was being handled by Terl Bryant, an amazing musician, who I’ve been a fan of for many years, and even played on albums with while never having actually played together. So that was an incentive.

After getting lost on the way there… well, not actually lost, just missing my turning off the M5, got there Friday night to find out that Terl was massively snarled up in traffic and ended up not making it there til Saturday morning. Which meant that our introductory improv sesh became a stevie-solo-gig. No problem there then. :o)

Overall, it was a really enjoyable weekend. ‘Twas slightly odd being back in an environment that I’ve not really inhabited for a while – St Luke’s isn’t really a part of the mainstream church culture in the UK – not that it’s consciously excluded, just that the people there haven’t really bought into the language and sub-culture that Lee Abbey is a part of. But as well as being odd, it was rather fun being back in that space again – it’s not somewhere I’d want to live – horses for courses ‘n’ all that, but the people were lovely, and teaching the bassists (many of whom I knew anyway) was a joy, as was playing two gigs and a bit in the Sunday morning service. I’m looking forward to going back there – apart from anything else, I didn’t get out of the building, and it’s set in some of most beautiful countryside in the UK…

this week is a week of teaching and tidying – we’ve got house-guests next weekend, so I’ve got a lot of work to do to get the house ship-shape. TSP did a load over the weekend, so I need to pull my weight… and with that, I’m off to clean up the hallway…

Soundtrack – Iona, ‘Beyond These Shores’; Imogen Heap, ‘Speak For Yourself’.

A week in the life of…

…yep, sorry evil harv, I’m just going to write about what I’ve been up to again… ;o)

Main event of the week was another recording session with Theo Travis – I’d invested in a few new studio toys (a pair of powered monitors which make mixing a lot easier, and a new mic for recording flute/percussion etc…) so the session was better than ever, with some rather groovy results. The album’s really coming along – we’ve got loads of recordings to choose from already, but are in no hurry to just release anything. We’ll keep recording until we get a full album of stuff we love with no fillers. It’s slightly different to the way I normally work, in that we’re allowing ourselves to edit some of what we do (on one of the tracks we recorded on Thursday I removed an entire solo that I’d played, cos it was a bit dull…) but what you end up with at any one time is still just the two of us playing and looping in real time, with no additional overdubs… Theo was playing Soprano Sax as well on this session, which added a lot to what we were doing. It is, I guarantee, going to be a stellar album.

Thursday night, Evil Harv, Jimbob (AKA Sarda) and a couple of other chums went down to the Kashmir Klub – possibly London’s most important music venue, in that it costs nowt to get in, no-one gets paid, but the quality of the acts on is (usually) very high, (I played there with Susan Enan once) with occasional high profile people there (Lewis Taylor played there a lot earlier this year, and I’ve seen Nick Kershaw, Imogen Heap, The Dum Dums, Nerina Pallot and Doctor Robert (from the Blow Monkeys) play there). Anyway, Thursday wasn’t a great line up (better than most acoustic nights around, but not really up to The Kashmir’s usual standard) so we went off for coffee instead. The sad news is that the Kashmir is closing, at least for a time – the guy who owns the venue is doing something else with it, and despite them filling it night after night, he’s kicking them out. They are looking for a new venue, but who knows how long that will be. Please visit the website, and if you can sign petitions, write letters or just offer moral support to Tony Moore who’s been running it for 5 years, please do. It’s a great club, he’s a great bloke and London needs it.

Today, Evil Harv and I went to the London Guitar Show, at Wembley Conference Centre. It was fun, though alongside the NAMM show, it feels a little small and parochial. As most of the people there hadn’t been to NAMM, it was fine (I remember loving shows like that when I was a kid), and it was great to catch up with some friends I’d not seen for a while – Nick Beggs was playing on the Bass Guitar Magazine stand, doing his rather fabulous stick thang. It was fun to see the rest of the guys from BGM too. I had a nice chat and a coffee with John East, who makes the U-Retro preamp that I’ve got in my 6 string fretless, and bumped into Svetlana, who used to teach at BassTech, and is now playing bass for Moby! Also saw the Ashdown people, Nick Owen from the Bass Centre, lovely Hoda who now works for SWR and The Bass Centre, and all manner of other people that I only ever see at trade shows!

Another bizarre coincidence – was chatting to Barry Moorhouse from the Bass Centre about wanting to do more support slots. ‘You know who you should support’ says Barry, ‘The 21st Century Schizoid Band!’ – ‘I already have’ says me, and as I’m saying it, up comes Jakko Jakszyk, guitars from the Schizoids. which was a lovely surprise, as I’ve not seen Jakko since I did the tour with the them at the tail end of last year… We caught up on news and then I came home.

soundtrack – yesterday was the St Luke’s May Fayre, so I’ve got the usual haul of CDs, though it’s rather fewer than some years… Right now I’m listening to Lucious Jackson, ‘Fever In Fever Out’, which is rather good. Yesterday it was John McLaughlin, ‘Que Alegria’, which is also rather good, if a little note-heavy in places. Theo leant me a marvellous album – Arild Andersen, ‘The Molde Concert’, feature Bill Frisell on guitar – gonna have to buy that one. And in the car I’ve had Talk Talk, ‘Laughing Stock’ on regular rotation. And of course, in between all that, lots of the duo stuff with Theo…

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