Recording again…

Back to recording today… Why? Well, on this album adventure I’ve had a remote co-pilot, the Shark. It just started by me sending MP3s over for her to hear, but her comments were (usually) well placed and useful, and she’s become a very valuable sounding board. So album was finished, and Shark drops into IM conversation ‘is that the version of Behind Every Word that you’re having on the album’. The evil lady sows seeds of doubt in my mind, and I head back to try a new version, coming up with a new (trickier) arrangement, so I’m back recording again… The new version is sounding fab though… so that’s one thing, I guess!

If you want an easy life, don’t listen to anyone else!

A great day's recording…

Album is coming along rather nicely. Have finally got a version of my song for Eric Roche that I’m happy with, and then this afternoon, BJ Cole came round to play on a track. The track in question is called ‘Scott Peck’, and was the first thing I played after I heard that Scott Peck, author of ‘The Road Less Travelled’ had died last year.

The bass parts were recorded as a single solo live performance earlier this week, and BJ then overdubbed three full takes through the entire form, which I’ve added fades to. I’ve actually ended up with his last two takes both happening for most of the track, panned left and right. BJ’s sound and playing are just so perfect for the track, it’s amazing. When we were recording the different takes, it wasn’t in mind that they be playing simultaneously, but the two takes work so well together that they just HAVE to be there!

So I’m rather grateful to The Shark, who both suggested that I re-visit Scott Peck (having heard an MP3 of it when I first recorded it last year), and suggested BJ for this track. It was in my mind all along to get BJ on one track on the album, and this is the perfect one for it.

You’re going to love it, believe me. :o)

Should've blogged this a week ago…

It’s normally the first thing I do when Time Out arrives around the time of a Recycle Collective gig – check the entry. But I only got round to looking today, and it’s been in for a week. This is what it says –

*Cleveland Watkiss/Leo
Abrahams/Steve Lawson
Recycle
Collective at Darbucka, EC1: 7pm; £7 concs
£5.
Superb monthly concert series that
explores the relationship between live
improv and live looping (ie recycling the
song as it unfolds and using the created loop
as part of the unfolding piece). Tonight with
superb singer Watkiss, Brian Eno sidekick
Abrahams and bassist Lawson.

that’s rather nice isn’t it? No reason for you not to come along now. :o)

The vagueries of the English language.

Just found this on the blog of a Danish bloke – pretty much sums up the silliness of the pronunciation of English language…

When the English tongue we speak.
Why is break not rhymed with freak?
Will you tell me why it’s true
We say sew but likewise few?
And the maker of the verse,
Cannot rhyme his horse with worse?
Beard is not the same as heard
Cord is different from word.
Cow is cow but low is low
Shoe is never rhymed with foe.
Think of hose, dose,and lose

And think of goose and yet with choose
Think of comb, tomb and bomb,
Doll and roll or home and some.
Since pay is rhymed with say
Why not paid with said I pray?
Think of blood, food and good.
Mould is not pronounced like could.
Wherefore done, but gone and lone –
Is there any reason known?
To sum up all, it seems to me
Sound and letters don’t agree.

Lord Cromer, 1902

all right, own up…

who has put my email address on a public website somewhere??? I’m getting so much spam over these last few days, it’s mad. I’ve had very little for the last 6 months or so. Seemed like a lot of it had gone. But now it’s back, and I’m getting loads of spam comments on this blog… they get filtered, and I can delete them, but they are a pain in the arse…

grrrrr

*grumble grumble*

This disturbing case of Flt Lt Malcolm Kendall-Smith

This has been in the news a lot of late, the case of an RAF Doctor who has refused to go back to Basra on moral and ethical grounds. Jyoti’s blog on this is a fantastic piece of journalism so go and read that first.

He was quoted from the trial, in The Guardian as saying,

“I have evidence that the Americans were on a par with Nazi Germany with its actions in the Persian Gulf. I have documents in my possession which support my assertions,” he told the court. “This is on the basis that on-going acts of aggression in Iraq and systematically applied war crimes provide a moral equivalent between the US and Nazi Germany.”

How much more damning could an assessment be? This isn’t some peacenik, this isn’t me calling the government fascist scum, this isn’t John Pilger getting all hot and bothered again about some foreign place where people are dying. No, THIS IS A MILITARY DOCTOR, WHO HAS ALREADY BEEN TO IRAQ TWICE. He’s seen this shit with his own eyes. He’s just put his total career on the line in order to follow his conscience, a conscience that previously led him to join the RAF. That is a huge huge thing.

And that the legal system in this country (I initially wrote ‘our country’ there, but who are we kidding?) would jail him for this rather than applaud him and have him head up an investigation into the war crimes he says he can document (along with those that are already only-too-well documented), is a tragic tragic indictment. What a hateful regime. How can that happen? He’s apparently appealing the sentence, I just hope he can appeal to a civilian court where he might get a fairer hearing at least, if not a standing ovation for exposing the corruption, murder and deceit that is the illegal occupation in Iraq.

Our apathy is their greatest strength…

This story in The Guardian highlights a whole load of ways that the UK government are fundamentally reshaping our relationship with the state. The reminder that ‘they work for us’ is sounding increasingly hollow, given the way that they are removing all the restraints on the goverment to intrude into our lives, indulge in surveillance on any level they see fit and even prevent us from saying we’re not happy about it.

This chunk from the article, as quoted on the lovely Andy’s blog is indicative of the scariness –

“The government is briskly and fundamentally reshaping the relationship of the individual to the state, of the Lords to the Commons, and of MPs to ministers. The ID cards bill will allow the authorities unprecedented surveillance of our lives, and the power to curtail our ordinary activities by withdrawing that card. The legislative and regulatory reform bill, now entering its final stages, will let ministers alter laws by order, rather than having to argue their case in parliament.”

What are we going to do? Mass protest does seem the only route. Civil disobedience seems logical and ethical… What the hell is Blair up to? The distance between the new-labour police state that he’s building at the moment and the lovely utopian ideals put forward when labour won the election back in 97 is a gulf of unimaginable proportions. Was this the plan all along? Is he as much of a lying conniving bastard as it seems, or just one of those politicians who make really stupid assumptions about the importance of civil liberties when faced with some kind of supposed ‘challenge to national security’. Surely this kind of draconianism is a bigger challenge, no?

Anyway, back to recording for me – maybe I’ll just call the new album fuck blair, and list the names of the dead British soldiers on the sleeve, and post copies to MPs, thereby causing them to break the law just by reading the sleeve-notes – can’t have mention of the catastrophic consequences of Blair’s disastrous military cock-up in the gulf actually read in parliament, can we now?

MySpace tips for musicians

I’ve been on MySpace now for about 8 months. It seems to be going well for me in terms of finding people who dig what I do. I’m selling a few CDs as a result, and we’ll see if it does well for me when the new album comes out, and in the upcoming run of gigs.

Here are a few tips for musicians on there, to maximise your exposure.

Let’s start with your page – make sure it’s readable. Don’t put loads of video clips and preloading audio nonsense in the rest of the page. The format is confusing enough as it is without you making the page take hours to load. And ditch the background images – they nearly always make all or part of the text impossible to read.

Influences – yes, I know it’s really cool to claim not to have any, and I can see why trying to narrow a lifetime of musical listening down to a short list is tough, but really, it’s worth it. A lot of people search for bands by influence and sounds like. They’ll find you if you have loads of artists listed in those boxes (and you spell their names right!) – put down everyone who has ever influenced you in the influence box. If that means you’ve got 500 names in there, that’s fine, honest. Just go with it. For sounds like, just put all those crazy things that people email to you – you remind me of such and such etc. Stick them in there. Go on, more people will hear you if you do.

Genre – make sure you pick three! Don’t put ‘jazz/jazz/jazz’ or whatever – you don’t get listed three times, you just miss out on more directory places. For people searching by style they aren’t going to find you. Put three that are close enough to what you do.

Bio – make sure you’ve got one! Update it, put a picture in there, format it so that it’s split up into paragraphs, use bold text and hyperlinks to highlight what’s going on. If you don’t know how to do that, ask someone! find out, it’ll make the whole thing work much better for you.

Blog – USE THE BLOG – it’s a great opportunity to communicate with people who dig what you do, even if it’s just to say how excited you are about the upcoming gig dates that are listed. Talk about anything, I don’t mind, just use it, it’ll keep people coming back to your page. (and on the subject of upcoming gigs, I don’t need to remind you that you really need to put your dates in there, and make sure you get the information right, as it’s listed by region and searchable by postcode.

Right, that’s the stuff to do with your own page. Now, the active stuff –

rule no. 1 – don’t use one of those automatic ‘bot’ programs that does it all for you. Apparently MySpace can work out who’s using them and deletes your profile… you’ve been warned.

However, it is great to invite people to listen to your music. So, go into music search (that’s the red search bar, not the general one) and search for other bands that are similar to what you’re doing, search by influence or sounds like, narrow it down to the region where you’re gigging, and invite them. Have a listen while you’re there, and post a comment if you like what you hear. It all works out well for everyone. You’ll get clicked across to from other people’s comments section. (oh, and while we’re on comments, don’t put images or music in your comments, and it’s probably best to disable HTML in your comments – I think it’s in the privacy option in the edit screen on your home page).

Oh, and make sure if you do contact anyone that it’s clear that’s not just a form response – everyone on myspace is obsesssed with the possibility that they are being spammed. No-one likes getting anonymous messages, so at least stick their name at the top! ‘Hey, thanks for the add, check out my band’ is no way to hold a conversation.

Go to it, it works great – most of the time, I’m the most viewed british jazz artist on an indie label on the entire site. That’s not bad going, is it? :o)

Fretless struggle…

As usual, most of the new album will probably end up being improv stuff – things that just happen, are lovely, and I’ll then go back and learn them for playing live. However, I have got a couple of things written, as well as the cover tunes, and they bring with them certain er ‘problems’. The big one at the moment is recording the song for Eric – it’s a chord melody piece on a fretless bass, in AbMajor (so I can’t fall back on my usual collection of open strings and natural harmonics to bail me out when it gets tough) – and I’m really struggling with the intonation and phrasing on it. I’m sure I’ll get there eventually, and it’ll certainly be worth the struggle, as it is, in my ever so biased and rose-tinted opinion, one of the best things I’ve ever written. It was certainly the favourite with the audience at Edinburgh last year, and will be the centre-piece to the record (I’m thinking of possibly recording a sister piece to go with it, a big ambient tune dedicated to Eric too – with the recording of Deep Deep Down as well, if that makes it to the record, it’ll be a nice big tribute to a very wonderful and much missed friend).

I’m having the same problem with Deep Deep Down – I’m going to try a version of that now on the fretted bass and see how it comes out. It sounds great on fretless, but it’s just SO hard! I’m not cut out for this actually-having-to-work-at-it way of making an album. They’re usually a breeze, aren’t they? (time to go back and read blog posts from June 2004 to check)

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