I Know I'm Not Alone

Just found the perfect way to focus my thoughts about world politics on a day when everyone’s talking about it. I watched I Know I’m not AloneMichael Franti’s documentary about his time in Baghdad, Israel and the Occupied Territories. It’s a fantastically well made documentary, especially for a first time film maker – fabulously put together, brilliantly edited and profoundly moving.

Franti’s commentary is as you’d expect – insightful, wise, observant, and full of choice quotes about our reponse to conflict, war, and the search for peace.

He says towards the end ‘If I’ve learnt anything from this trip it’s that I’m not on the side of the Americans or the Iraqis or the Israelis or the Palestinians – I’m on the side of the peacemakers, wherever they come from.’ Sounds kind of sermon-on-the-mount-ish, dontcha think?

A blessing be upon the head of Michael Franti for his gift to us of this film. Buy a copy, watch it and take it round to your friend’s houses. And while you’re at it, buy the new Spearhead album, ‘Yell Fire’. It’s amazing.

Anniversary…

Pretty much impossible to avoid blogging about the anniversary of the events of 11/9/01.

As a subject it’s so fraught with the possibility of being misunderstood in your appraisal of its legacy, to sound callous by attempting to frame the deaths in the context of the many tens of thousands more deaths that have followed based on the lies that the UK/US governments formulated about those responsible as an excuse for invading Iraq…

So I’ll start with my sadness for New Yorkers, for those who knew people involved. I really feel for the American people, the confusion it must’ve caused – the US has been pretty much impervious to attack on its own soil for ever, and all of a sudden, a few guys of indeterminate origin or affiliation managed to hijack planes and fly them into buildings. Thank God the media’s initial insane assessment of the death toll was wildly over exaggerated. Two and a half thousand people dying is an enormous tragedy. One person dying is an enormous tragedy when it’s your dad/husband/son/brother/friend. That’s two and a half thousand individuals with circles of influence whose lives were shattered.

And it’s utterly vital that we rethink the way we view those who’ve died in the middle east to see them in the same way. Because they have families, friends, colleagues whose lives are torn apart in exactly the same way. Because your country has a history of war doesn’t mean that its people are laid back about losing their family members. Because people are inspired to fight against the occupying forces, doesn’t mean that their families aren’t torn apart when they are killed.

Sept 11th 2001 was one day in a continuum that stretches back decades, that takes in the whole Israel/Palestine problem, the Suez crisis, the Iran/Iraq war, the Soviet invasion and repulsion from Afghanistan, and even further back Britains colonial meddlings and pointless wars in the region. Relations between the Arab world and ‘the west’ have been fraught for decades, occasionally flaring up into wars, but often being held in tension for the sake of the oil. Now the two have come together – it’s flared up into a war for the sake of oil.

Sept 11th 2001 stands out because a) it was utterly unexpected by the public (though apparently not by the security peoples) b) it was americans who were killed and c) the killing all happened on one day, not stretched out over a few weeks or months. It was a heartbreaking event, perpetrated by evil people that wreaked massive destruction on the city and struck right at the heart of America’s sense of invincibility at home.

But it was also used as a catalyst/excuse/fountain of lies for our governments to then go and bomb Iraq, making up all kinds of shit about links to Bin Laden, WMDs etc. etc. We all know what’s happened. We know the numbers involved in how many have died, don’t we? – Well, most estimates put it at hundreds of thousands, but here’s the rub – WE DON’T ACTUALLY KNOW. As Tommy Franks said ‘we don’t do body-counts’. We know exactly how many died in the World Trade Centre. We know their names, can see their pictures in memorial books, hear recordings of their last phone calls. The iraqis killed are collateral damage, civilian casualties, a regrettable byproduct of a war that needs to be fought…. Bollocks. They are people, with families and friends and hobbies. They are internet junkies and news-hounds, footballers and model train enthusiasts, people who grow the own food and people who resent paying over the odds for supermarket food. People in poverty and people who are doing quite well thanks. People who love their cars, people who take pride in their new sofa. Just normal people, not saints, not heroes, just people needlessly killed. Exactly the same as the people in New York. They weren’t heroes, they weren’t saints. They were people who worked for multinationals, paying the bills and feeding their families. Just normal people who were phenomenally unlucky, in the grand scheme of things. Unlucky to work in the WTC or unlucky to born in Tekrit or Basra. It’s the same shit. Same death, same grief. The numbers who died on a particular day don’t change that.

So what’s the anniversary/memorial stuff all about? Should we mark it? Of course we should, but we should mark it by vowing to stop provoking mad nutters into bombing, to stop killing, to do what we can to end the pain of loss that families round the world are feeling, the families of civilians and the families of servicemen on all sides. We should put an end to it, and put pressure on military states to end it, put pressure on Hezbollah and on the Israeli government, on the Burmese government and on the Chinese illegal occupation of Tibet. On Mugabe in Zimbabwe and on the Sudanese government. If only the big economies of the world understood the notion of being ‘wise stewards’ of what they’ve been entrusted with looking after.

The fucking nerve of our governments going to war against the Iraqis is so infuriating given all the things they ignore. The barefaced self-interest of it, couched in such transparently bull-shit-laden ‘moral’ terms. Winning the war of hearts and minds requires consistency, transparency, honesty, humility, and a level playing field.

We need peace, we’ve been dragged to war. We need to negotiate and discuss, we instead use threats and bombs. We need fair trade, instead we offer sanctions and political weighted ‘inducements’. We need to empower, instead we enslave. We need to respect and celebrate diversity, instead we talk of tolerance and ‘Britishness’. Wrong at every turn, good swapped for evil, peace for war, doves for bombs.

The long term tragedy of 11/9/01 is that instead of learning lessons for peace, our elected officials have told lies to create war. The worst possible memorial to the people who died there is the fact that a war was started and still goes on as a result of their deaths being opportunistically cited as a reason for an invasion.

Fair is foul and foul is fair.

So we should indeed never forget, but I’m buggered if I can think of any more ways of telling the governments that.

Get some lessons!!!

The new series of X-Factor have just started. I’ve blogged extensively in the past about the tragic televisual car accident that is ‘reality’ TV talent shows. The thing that I think is most sad about this is that they never seem to say ‘go and get some sodding singing lessons, you moron!!!!’ to the losers that get up there and are rubbish.

Let’s put it simply – if you REALLY want to be any good at something, you need to study at it. Singing ability is VERY RARELY innate. instrumental ability never is. It requires practice, and the techniques involved in singing are just as hard as those involved in instrumental performance. If you want to be a singer – in fact, even if you’re already a singer – you SO need to get some lessons. They’ll protect your voice from the thrashing that bad technique will give it, they’ll give you better intonation, more control, better breathing. There are NO DOWNSIDES WHATSOEVER to getting singing lessons.

So why aren’t these cabbage patch kids-grown-up who come on TV claiming that ‘singing is their life’ getting any fucking lessons?? If I ever decide to launch myself as a singer as well as a bassist, I’ll get lessons. As a bassist, I went to music college for two years. It’s what you do when you want to get good.

Is it easy enough to understand?

And the same goes for those who can already sing but want to accompany themselves. In the right hands an acoustic guitar is an instrument of almost limitless beauty and potential. In the wrong hands it’s an out of tune cheese grater pouring red ants into the listeners ear-holes. So get some lessons! Again, it can only do you good.

I went to a really good gig on Friday night – Christine Collister has quite rightly been described as one of the best female singers in the country. She’s highly in demand as a session singer, and does gorgeous versions of other people’s songs. She’s also a reasonable guitarist. If she studied a bit, she’d be a fantastic guitarist, and would have the whole package. It’s not that she’s bad, it’s just that with a voice that good, it would be fantastic to hear it coupled with guitar playing to match. She can play, it wouldn’t take her long. She’s already come up with some pretty interesting arrangements, but the guitar is very definitely her second string.

So, you want to be the best? It does indeed take the dedication that the marvellous Roy Castle reminded us of on a weekly basis is our childhood. And the single best way to learn that stuff is one on one lessons. I don’t say this because I’m a teacher, I teach because it’s true.

Phew…

Another review of 'Behind Every Word'

Just had another review of Behind Every Word appear on line. This ones in Aural Innovations e-zine. It’s a very long-running zine that started out as a printed mag and covers Prog/Space-Rock/Ambient etc. – the sort of stuff Stuart Maconie plays on The FreakZone, which is on now… AND IS PLAYING ME AT THE MOMENT!! Wahey!! That’s the first time I’ve ever switched the radio on and heard me on at that very moment! How exciting!! :o) He’s playing ‘Nobody Wins Unless Everybody Wins’.

Right, that’s over – what fun! Anyway, that’s the kind of thing that Jerry Kranitz at Aural Innovations writes about, and he’s been a good solid Stevie-supporter for many years, and has given Behind Every Word another lovely review. Nice man.

So, two things to do – read the review and listen again to this week’s Freak Zone, then email the show and ask them to play more tracks! Oh, and if you haven’t yet got the CD and are inspired by Jerry’s delicious review, you can head over to the online shop here and buy it!

Friday Random 10

Here’s today’s list…

Cathy Burton – Speed Your Love (need to get her new album soon)
Tom Waits – Ol’ 55 (what a FANTASTIC song! Not heard this for a while…)
Pat Metheny Group – Second Thought (from Quartet)
Hinda Hicks – If You Want Me (bit of a shock after the last tune! Don’t trust iTunes to generate radio playlists for you…)
Jaco Pastorius – Continuum (now THIS would’ve followed the PMG track perfectly… bloody iTunes)
John Martyn – Looking On (from the double version of Live At Leeds, and this clearly isn’t from the Leeds gig)
Paul Simon – Sure Don’t Feel Like Love (apparently he’s at Wembley soon – will have to find out about tickets…)
Gillian Welch – I Want To Sing That Rock And Roll
Iain Archer – Soul Cries
Evelyn Glennie – Battle Cry (Bonus Mix) (From the album Shadow Behind The Iron Sun, which is incredible – get it!)

another interesting mix of stuffs…

Free music training software

I’ve not tried this out, as it’s PC/Linux only, and I’m on the Mac at the moment, but I found a link on a bass forum to solfege.org – a free downloadable music ear training package. Looks pretty good, well worth a ‘free’.

Looperlative update…

Bob’s just released another Looperlative update – this thing just keeps getting better! Two great new features, one being a ‘bounce’ feature, where you can record from one or more channels to an empty channel, to either consolidate loads of tracks into one (to free up track space) or you can sample from the middle of a long loop a much shorter section, but you also get to keep the first loop (unlike a destructive resample function) – coming out of bounce mode mutes the stuff you were playing into it, but the tracks are still there unless you choose to delete them. Very handy for mangling long loops, or imposing rhythmic form onto abstract stuff.

The other new function is a ‘catch’ setting for the volume and feedback controls – so if you’re adjusting the volume on lots of tracks, when you turn one off, then go to the next track, the volume control doesn’t start at ‘off’, it waits until the value of the pedal matches the current value of the track, and only then does it do anything. This is SO useful.

This are fun times to be into looping – lots of great new musicians coming out doing loop things (JazzShark went to see Richard Bona last night and reported back that he was doing some delicious loopage), and plenty of developments going on in the looping technology front too. I still have come across a laptop set up that I’d be happy with, but in the dedicated hardware looper world, the Looperlative is a LONG way out in front at the moment – definitely the way to go. (and if you do plan to get one and you’re in the UK, email me first…)

And if you just want to see what it can do, come on down to the next Recycle Collective gig on Sept 20th!

one year on

Yesterday was the first anniversary of the death of Eric Roche. On Tuesday night, TSP and I went to see Nizlopi play at KoKo in Camden, and one of the support acts, Newton Faulkner studied with Eric, and commented after the gig when I mentioned that Eric had been a good friend, ‘I pretty much owe everything to Eric’.

I’ve spent a lot of time this last year thinking about Eric, saddened by his death and by the thought that we’ll never get to play the music we had planned, to do the gigs we’d talked about, to record a duo version of ‘Deep Deep Down’. It’s funny, when he first told me he’d wanted me on it, I thought it was an after thought and as I was there he just said ‘yeah, I wanted you on it’, but quite a few people over the last year have said ‘ah, Steve Lawson, Eric told me about you’ and then mentioned that tune as the one he picked out that he wanted to do with me.

I now do a solo version of it, and as much as I enjoy playing it, it doesn’t sound the way it would if it were both of us…

Anyway, spare a thought for his wife and kids, and what they must be feeling – regrets about missed collaborations are infinitesimally small when compared to the loss of a life partner, parent, child…

And if you haven’t already got Eric’s CDs, head over EricRoche.com and order them, they’re all great.

it's all about the lovely peoples

This being a musician thing, it’s really all about lovely people. I love playing music, I love being a musician, I love recording and releasing music and I love doing gigs. And the thing I love about all of those the most is that I get to do it in the company of lovely people.

I’ve mentioned before on here that I’m continually delighted to find that the people who come to see me play are by and large the kind of people I’d like to go for a curry with – and fairly regularly do end up friends with them, on more than just an ego-massaging ‘hey how great, you like my tunes’ kind of way. I’ve somehow managed to write music that attracts nice people. This is a good thing.

Likewise the musicians that I spend my life playing with are lovely. Jez and Theo, they of the duo albums on Pillow Mountain Records, are two of my most favouritest people to spend time with. Delightful, friendly, funny, generous people, who also happen to be fabulous musicians.

The amassed hordes of the Recycle Collective are just great – Cleveland, BJ, Orphy, Leo, Andrea, Julie, Seb, Andy, Patrick etc. etc… great people one and all. I’m a lucky man.

Today I spent the day with Evelyn Glennie – genius percussionist, and of course, an utterly delightful person. Evelyn’s always been a very progressive force within classical music, experimenting with improvised music, processed sound and MIDI instruments for years, and I was up showing her more about looping, exploring the possibilities for her percussive set up. With a musician that good, and that open minded, she’s bound to discover all manner of gorgeous music in the midst of the technology, and hopefully we’ll get to do some things together as it progresses. But more than the music, I’m just delighted that once again being a musician has put me in contact with more lovely people. I is feelin’ blessed.

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