New LEYLines Album Coming Soon!

So it’s been a busy few months for solo work – just yesterday, I added two new tracks to an album called ‘Stepping Stones‘ – one of the joys of the subscription model is that I can make more of my process public, and albums like this are a place to gather together the new music that is leading towards becoming a new album. Often, artists will record music then sit on it for weeks or even months before they make a judgement about whether it’s good enough for whatever project it is that they are working on. Here, I’m able to upload those things that I’m considering for the consideration of my subscribers, if that’s interesting to them.

So Stepping Stones is three tracks that I’ve recorded so far while thinking about what this year’s solo studio album might be. They’re recorded exactly the same way as the live albums – all live, no edits, but obviously don’t have the presence of the audience as a factor in the music. Improvisation in front of an audience is a very vulnerable thing, in that the music is entirely dependent on the permission given by the audience to make it (hence the reason I’m looking at this for my PhD!). In the studio, the presence of the audience is actually the conception of the audience as I imagine them. And for me, that’s the subscribers. So I make the music I want to hear, but the latitude that the subscription model offers me to not be working about marketability or how it’ll work on the radio or in Spotify playlists is a very freeing thing. Paradoxically, by relying on the audience’s permission, I end up freer to pursue my own curiosity.

Which brings up to LEYlines – my trio improv project with the great Andy Edwards and Phi Yaan-Zek. We’ve got a number of recordings lined up and ready to go, including LEYlines IV – the first half of our gig last year at Tower Of Song here in Birmingham. We’ve split the gig into two separate albums just because we can. It’s a pretty long chunk of music, so spreading it out makes a lot of sense.

It’ll be released via Phi’s Bandcamp page, and to my subscribers, BUT it won’t be part of the subscriber back-catalogue. So you’ll have to be signed up before it comes out in order to get it. That’ll go for each of the collaborative albums I’m releasing this summer – there are three LEYlines albums, and more music from me, Daniel Berkman and Artemis from our 2014 tour that has already yielded Seeing Sound. Each of these albums will be given to subscribers – it’ll be yours to keep for ever, as a download and in your Bandcamp collection for streaming from the web or the app – but it won’t become part of the vast quantity of music that new subscribers get when they sign up. Miss this, and you’ll have to buy it separately if you want this.

There’s been a large amount of new music in the last couple of months – it’s been a fertile and experimental time for me, with three live albums recorded and released in a month, and my subscribers at various stages of catching up with it all. It’s fine – the joy of the Bandcamp subscription is that you’re not renting access to a catalog that at some point in the future disappears. All of the music is yours, so there’s no time limit on when you have to listen to it buy – it’s a pre-pay model for Steve’s Every Expanding Digital Box Set, and gives you access to a bunch of other stuff as well, most notably the occasional eBook and the ongoing commentary about how and why all of this music exists!

So if you want to get in on that, head to stevelawson.bandcamp.com/subscribe to find out what it all entails. The user experience of streaming tech is really good, but as an economic model, it offers precious little to niche, experimental music. The subscription is a sustainable model that has moved on from the rather bogus idea that an album’s-length of music is ‘worth’ £10, and instead looks to find a funding model that makes the continued music-making possible. Please join us 🙂

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