Some Listening Stats.

These are all taken from my Audioscrobbler top 50 artists playlist for the last 10 months or so.

number of artists that I know personally – 22/50
number I’ve played bass with – 9/50
number of bass-fronted acts – 5/50
number of singer/songwriters – 22/50
number of instrumental artists – 12/50
number I’ve seen live – 27/50

I wonder how that stacks up alongside your listening habits? If you’re a musician, do you listen to music by people you know, or people who play your instrument? do you buy many CDs at gigs, or do gigs inspire you to buy CDs?

Soundtrack – Joe Pass and NHOP, ‘Chops’.

April 26, 2005

Jonatha gig number… 6? 7? I've lost count

Jonatha‘s back in the country, as the UK version of Back In The Circus came out yesterday. Last night she played one of the Bob Harris Presents… gigs that used to be at The Stables in Milton Keynes, and are now at The Brook (no E on the end, but close enough for Jonatha to feel at home) in Southampton – a nice enough venue, but nearly all standing, so doesn’t win out over The Stables for me…

Anyway, Jonatha was on first, and fab as always. It’s a great feeling when you go to see someone fantastic that most of the audience aren’t really familiar with – it’s the same feeling going to a Julie Lee gig – you just know that half an hour from now, there are going to be a whole load of Jonatha/Julie/Whoever converts in the audience.

As expected, the response was like she was the headliner. Marvellous.

Brian Houston was up next – I’ve not seen Brian play for a few months, and he was on top form – great songs, great stage show. He’s a really really engaging and entertaining performer. Great stuff.

And Finally Thea Gilmore, who was headlining. She’s good, though the stripped down simplicity of her songs didn’t really follow either the glorious complexity of Jonatha or the bouncy exuberance of Brian so well. Still, most of the audience were there specifically to see her, and she played really well, particularly the cover of The Buzzcocks’ ‘Ever Falling In Love With Someone’.

Sadly, we had to leave early as the Small Person, who had been wilting all evening, got progressively iller and iller as Thea’s set went on. I was doing merch by this time (whole catalogue of disaster for Thea – her tech was in A & E with concussion, her merch dude didn’t turn up), so handed that over to Thea’s manager, and took TSP home.

So, go and buy Jonatha’s album!

Soundtrack – Masse, a demo of stuff by solo looping bassist/flautist – very inventive indeed; the Works, ‘Beware Of The Dog’.

April 25, 2005

First signs the drought might be over…

Yippee, I wrote my first bit of completely new solo music this evening, for about 9 months! I guess the practice I’ve been doing over the last few days has paid off… I got a rough version of it demo’d (just me getting to know the two sections really, not a proper arrangement or anything), and even that sounds lovely.

here’s hoping there are more tunes on the way!

(oh, BTW, the site should work properly in IE now…)

Soundtrack – Bill Frisell, ‘Before We Were Born’; Ron Miles, ‘Heaven’.

April 22, 2005

My, what a busy day!

It started with three hours of teaching, followed by two hours of missed teaching (occasionally students don’t turn up – it’s quite worrying when they don’t let me know, as they may have had an accident or anything – this time I only had a work phone number for the guy, so couldn’t call him…) Filled in the time with some more web tweaking – added a load of the photos from the marvellous photo sesh with the marvellous Steve Brown, and designed a little desktop image for anyone who wants it.

Anyway, that was followed by an hour chopping wood in the back garden – oh yes, it’s like victorian england here… The wood chopping in question was actually getting a pile of stuff that was cut from the bushes and trees at the end of last year and left in a pile on the lawn, into small enough bits to fit in the green waste recycling bin (there the victorian similarities end abruptly…) That was followed by some lawn mowing – which took a long time and a lot of energy, due to the grass being very long and the mower being a bit spluttery after sitting the garage all winter (you’d be a bit spluttery if you sat in our garage all winter, surrounded by boxes for music gear, much of which I don’t even own any more…)

So grass cut, wood chopped, now to tackle a job that’s been hassling us for a few days, a broken tap in the kitchen. It’s the hot tap, and it’s been getting harder and harder to switch off. I don’t want to have to call a plumber if it’s just a matter of dismantling it and replacing a washer. So I try to take it apart. I remove the obvious screw – no joy. can’t seem to get the tap part off the top. Can see a nut or two inside it, but my pliers don’t have long enough points to reach down to the nut. Oh bollocks. So out to the shops to try and find pliers. Only shop open is Asda. I hate Asda – owned by Walmart, scumbag bottom feeders that they are, but I go anyway. No pliers, so I buy eggs instead. Feeling grim stood in the queue, but get a phone call from Orphy Robinson which cheers me up no end – Orphy’s a vibraphonist, a marvellous musician who I’ve played with a few times, and always look forward to working with. He’s got all kinds of fun plans for this and that.

Get home, still can’t fix the tap, turn it off as best I can, put the lawn mower away, and collapse. I guess today was my first day’s training for next year’s Marathon. I’m not doing too well, am I?

Soundtrack – KT Tunstall, ‘Eye To The Telescope’ (been listening to this loads in the last couple of days); Stevie Wonder, ‘Innervisions’; The Cure’, ‘Kiss Me, Kiss Me, Kiss Me’.

April 21, 2005

Sound and Vision

Good lord, I’d forgotten just how closely music is linked to memory.

Having read a thread on a forum saying that it’s Robert Smith from The Cure’s birthday, I thought I’d put on a Cure CD, so out comes Kiss Me, Kiss Me, Kiss Me. A fabulous album.

And all of a sudden I’m transported back to Berwick On Tweed, walking down through Hiveacres (Ramsey Street-esque estate where we lived), with the opening track, The Kiss, blaring out of my ever-present cassette player with the one speaker that didn’t work. Me dressed in grandad coat, or denim jacket with the cover from The Cure In Orange painted on the back, All About Eve shirt, black jeans and suede pixie boots. On my way to some goth get together or other, smiling far more than I should have as a goth. Wearing big maroon framed Christopher Biggins glasses that totally ruined the look.

It’s all there, I can even smell the grass and sheep in the field at the bottom of the road that I had to walk past if I was taking the short-cut across the trading estate into town – the trading estate that I once wandered around for three hours stoned trying to find my way into town (the whole journey took 40 mins even walking slow) – down past Jus-Roll )I can now smell the pastry), and on into town. I can hear the wind, and the air conditioning units on the top of the factories on the trading estate, and then the quiet. You forget what ‘quiet’ sounds like living in London. Nowhere outside is quiet, there’s always traffic and noise. Berwick after 10pm was quiet, unless someone you’d never met stopped for a chat on their way home from the pub.

Track two – Catch – I’d be dancing to this down the street, or singing it to myself if I’d seen someone in the pub that I fancied. Now I can hear the sea – another regular walk was along the front at Spittal, between Berwick town centre and Giles or Martin’s house.

Amazing. Maybe I need to dig out more music I listened to back then… Throwing Muses, Napalm Death, Anthrax, Metallica, The Pixes… actually, I’ve probably listened to the Pixies too often for that to work… maybe the Peel sessions would do the trick. Ah much memory jogging to be had!

Soundtrack – The Cure, ‘Kiss Me, Kiss Me, Kiss Me’; Antonio Carlos Jobim, ‘Love Strings And Jobim’; Matthew Garrison, ‘Live’; Scottish Guitar Quartet, ‘Landmarks’; KT Tunstall, ‘Eye To The Telescope’ (this arrived this morning – fabulous album!)

April 19, 2005

Today's activity.

Well, after getting my Edinburgh application in yesterday, I’ve been working on my flyer design. It’s weird that so much rests on this – if you’ve got cool looking posters and flyers, people are going to want to see the show. If you haven’t, they aren’t, simple as that. It’s the same as with CDs – I just don’t buy CDs with bad artwork. I get sent them, and sometime enjoy the music on them (been listening to a lot of M83 lately, and really don’t like their packaging at all, but the music’s pretty good – if I’d had to go to a shop and pick the CDs up, they’d have stayed on the shelf).

So, I’m pretty happy with what I’ve got so far. Now I’m just working on pithy ways of describing what I do that will appeal to yer average EdFest punter… hmmm, maybe I should just change my name to Antonio Forcione and make it all a whole lot easier!

One thing that’s particularly fun about doing the flyer and posters is that I now have these fantastic photos that Steve Brown took of me. Really fine high quality pics, it’ll make a difference I’m sure. Steve’s just had a couple of high-fallutin’ magazine commissions, so if you’re wanting music photos done in London, get in quick, or he’ll be far to busy to work with the little people like you and I!

that’s one of them, and I’ve scattered a few others around the site.

April 16, 2005

Beware Of The Dog

No, we haven’t just got a Dog (the fairly aged felines are particularly glad about that) – it’s the title of the new album from The Works, who used to be known as Woodworks, and are the brainchild of keyboard/guitar genius, Patrick Wood. Pat and I have played together a fair bit – it was fun getting him into my method of ‘spontaneous composition’ and we ended up with some fab stuff recorded, that still needs to be mixed and edited properly.

Anyway, this is his quartet, with Mark Lockheart on sax, Neville Malcom on bass and Nic France on drums – all major players on the London jazz scene – and it is, almost without doubt, the best album I’ve heard come out of that scene for ages. Actually, it’s on a par with Theo’s last couple of albums – which are equally amazing.

The compositions are quite Zawinul/Shorter-ish in places, but with a really strong singer/songwriter sensibility to them, which obviously connects well with me. It’s beautifully recorded, perfectly crafted, and has all four players playing right at the top of their game.

If anyone ever suggests that BritJazz is somehow inferior to US jazz, this is the album to play them to prove them wrong. If Patrick was from New York, this’d be selling tens of thousands of copies.

It’s fab, and you really need to get it. I’m going to talk to Pat about stocking it in my online shop.

Talking of which, I’ll have John Lester’s CD up there before too long.

Soundtrack – The Works, ‘Beware Of The Dog’.

April 15, 2005

wish some people would write more clearly…

Doh! A few of the email addresses on my mailing list from the last couple of gigs are pretty tough to read… if you signed up, but haven’t received a confirmation email thingie, please go to the mailing list sign up page and just fill in your email address and name. (same goes for anyone else who wants to get music updates… I don’t send them out too often, just when things are happening. It’s the best way to stay in touch with what I’m up to, for sure.)

April 15, 2005

A quick round up of some election related goings on…

Firstly there’s whoshouldyouvotefor.com – a series of online questions (rather obvious ones relating to specific pledges in the different party manifestos) that tells you who you should be voting for. obviously, I came out fairly staunchly lib dem on this one…

_______________________________________________________

Who should I vote for?

Your expected outcome:

Liberal Democrat

Your actual outcome:

Labour -30
Conservative -75
	Liberal Democrat 108
UK Independence Party -24
	Green 58

You should vote: Liberal Democrat

The LibDems take a strong stand against tax cuts and a strong one in favour of public services: they would make long-term residential care for the elderly free across the UK, and scrap university tuition fees. They are in favour of a ban on smoking in public places, but would relax laws on cannabis. They propose to change vehicle taxation to be based on usage rather than ownership.

Take the test at Who Should You Vote For

________________________________________________________

Interestingly, the leader article in today’s New Statesman is all about how the Lib Dems are no longer a wasted vote, and if they do well they could hold the balance of power in a hung parliment, which is great news! So, go and vote for them on May 5th! 🙂

Er, what else? Ah yes, there’s some scumbag Tory lying turd MP who doctored a picture of him supporting the case of a local asylum seeker to look like he was campaigning against immigration – now Michael Howard is refusing to sack him. Rotten to the core.

And on that note, check out the torybusting going on on this blog – some really doctored posters, and some photoshop. The tories’ campaign this time is horribly targeted. I think this one says it all –

They can’t get in… can they??

What else? Ah yes, The UN human rights commission have concluded that kids in Iraq were better of under Saddam. Yes, that’s right, that murdering, torturing amoral scumbag did less to ruin the lives of the children of iraq than the illegal invasion and occupation have. Despite the fact that then they were living under UN Sanctions, so very little of anything was getting into the country. Now, I guess it’s getting in, but they are having to pay ‘western prices’ for stuff that previously was being subsidised. Ah, don’t you just love free market economics, especially when kids die as a result. Just watch those shareprices skyrocket. Get out that one, Blair.

And on that note, tonight is the Make Poverty History/Trade Justice Movement all night candle-lit vigil in Whitehall, calling on the government to apply pressure to the World Bank and IMF to modify trade laws in favour of the world’s poorest nations, to cancel debts and increase aid. The opening ceremony thingie in Westminster Abbey is going to be marvellous. then there are fun things going on all over the Whitehall area all night. Be there. see the Trade Justice Movement website for the details.

Soundtrack – The Works, ‘Beware Of The Dog’ (I’ll write more about this later, it’s fantastic!); Antonio Carlos Jobim, ‘The Wonderful World Of Antonio Carlos Jobim’; Phil Keaggy, a a live gig from a church in California – skip to about 37 minutes through, unless you really want to watch 37 minutes of Californian mega-church stuff going on. The gig is fab, and features some of the most nifty looping I’ve seen in a long while, using a JamMan and one maybe two DL4s.

April 12, 2005

Andrea Dworkin has died

Apparently she died on Friday, but it only reached the press yesterday.

Dworkin was one of the most controversial writers of the 20th century, but also one of the most influential. Rabidly loved, hated and misquoted in almost equal measure, her opposition to pornography as a violation of all women’s rights made her the target of much vitriol from liberals in the US, but her books were read in their thousands, and and she even managed to temporarily get the US law changed (it was overturned at appeal.)

The net is filling up with comments – how sad that it takes the woman’s death for us (including me) to reappraise her contribution. Makes me want to go and read some of her books, having only read articles by and about her before now.

here are a few links to obits and comments –

Guardian Obit.
Hugo’s blog post
Jyoti’s blog
some crappy myths clarified.

There don’t seem to be that many revolutionary thinkers around these days – maybe I’ve stopped looking for them, but it just feels like the substance has dropped out the arse-end of cultural critique. Please, if you can suggest any books I should read, post them in the forum.

Soundtrack – Cathy Burton, ‘Burn Out’; Jaco Pastorius, ‘Jaco Pastorius’; Eric Roche, ‘With These Hands’; John Lester, ‘Big Dreams And The Bottom Line; John Scofield, ‘Up All Night’.