Tag: improv

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Stations Of The Cross

Last night’s ‘gig’ went really well… The event was called ‘UpLate’ and is a sort of alternative worship service at a lovely old church in Thame, Oxfordshire. Once a month they take a theme and set up a whole load of different artistic/musical/poetic ‘stations’ for people to wander round and look at/listen to/read/meditation on, etc. All very inspiring stuff – it’s a great building, and the quality of the art is top notch – it’s kind of like a themed multimedia art-gallery, with good coffee, and a glass or two of wine… ;o)

Anyway, last night, with it being their easter edition, Evil Harv, Jez and I were asked to come up with 14 improvs based on the stations of the cross to soundtrack the whole evening, we were set a time, and given 14 works of art to help inspire us – well, scans of them anyway… The list of station titles is –

(1) Jesus’ agony in the garden
(2) Jesus is betrayed by Judas and is arrested
(3) Jesus is condemned by the Sanhedrin
(4) Jesus is denied by Peter
(5) Jesus is condemned by Pontius Pilate
(6) Jesus is scourged and crowned with thorns
(7) Jesus is made to carry the cross
(8) Simon of Cyrene helps Jesus with His cross
(9) Jesus meets with the women of Jerusalem
(10) Jesus is crucified
(11) Jesus promises paradise to the repentant thief
(12) Jesus speaks to John and Mary on the cross
(13) Jesus dies on the cross
(14) Jesus is buried in the tomb.

So for each of those we did an improv. As you can tell from the subject matter, it wasn’t going to be a happy-jazz sesh, and some of what we played got really dark and atonal – trying to express in music the image of Jesus being whipped and having a crown of thorns rammed onto his head is always going to be a pretty brutal sonic experience! But it’s amazing the way having a concrete theme like this can focus the music way beyond just noodling. Often Jez and I when we’re doing duo stuff will latch onto a particular mood and work with that, in a more abstract, but still just as compelling (for us) way. This time, it was obvious to all three of us what the theme was before we started, and the beginnings of some of the improvs were particularly interesting while we settled into how we were going to tackle that particular image – was the music going to be mournful, confrontational, pain-wracked, hopeful. etc… the tension worked really well at dealing with the many many mixed emotions that the easter story brings up…

The good news is we’ve got some of it on minidisc. The band news is that the batteries ran out after about half an hour, so we didn’t get enough… We played for about two hours (only overran by about 45 minutes! :o) – and it would’ve been great to have it all, as there were some really special moments, so hopefully we’ll be able to do it again next year in a different setting…

Soundtrack – last night and this morning, I’ve been listening to some new recordings by a fabulous bass playing singer/songwriter called John Lester. John’s a californian, who until recently was living in Paris, but is now in London, and will hopefully be gigging all over the place pretty soon. He’s great, check him out. And before that yesterday, was listening to Michael Jackson’s ‘Thiller’ – another tune that was being done in a lesson (PYT), and then staying on the turntable (ahhhh, vinyl) for a few hours… It really is a very good album indeed.

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Coming Up – a weekend of delicious improv!

I’m really looking forward to my gigs this weekend – I’ve got two, tomorrow night I’m playing at an alternative worship service called ‘Up’ at an anglican church in Thame (St Mary’s maybe?), where Jez, Evil Harv and I will be improvising 14 pieces based on the stations of the cross – for each one, we’ve got a painting or image to represent it and hopefully trigger some ideas. It should be really good, and probably quite emotionally involving, as the stations take us from Jesus in the Garden of Gethsemene through to his burial…

Then on Sunday, I’m playing at the Barbican ‘ere in London – on the free stage from 6-7, with Orphy Robinson, who is best known for his vibes playing, but on this one will be playing Marimba, Steel Pans and misc. percussion, with us both looping and processing our sounds (and I’ll be looping orphy’s loops too!) – we had a bit of a play this morning just to see what was possible, and it sounded great, so I’m really looking forward to this one too. We were going to be joined by top pedal steel player, BJ Cole but he’s got a gig he can’t get out of… I’m sure we’ll get to try the trio version soon. Instead we’ve got a singer coming to sit in one a few numbers, which should be a lot of fun too… Please come down if you’re in London, it’s a great way to spend a sunday evening in London…

Before that, I’ve got a full day’s teaching on Saturday, and am playing in church on Sunday morning, so it’s going to be a pretty full weekend playing-wise! And I must remember to change the batteries in my bass, as they’ve just run out…!

soundtrack – right now, Donny Hathaway Live. Earlier on, Bill Frisell with Elvin Jones and Dave Holland and while teaching today I was using Joni Mitchell – ‘Hejira’, Pat Metheny – ‘Bright Sized Life’ and Anita Baker ‘Rapture’… Also had a listen to ‘Beauty And The Beast’ earlier – the improv piece that Jez and I uploaded to my site as a Christmas pressie a few months back. If you’ve not heard it, head over to the MP3s page and have a listen…

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Bloglessness…

Blog posts seem to be getting rarer – sorry about that. This time the reason is that I’ve been away for the last couple of days, recording at dB Studios in Lincoln. The session was for the next album by Chris Bowater – he’s a gospel singer/worship leader, who I used to gig with a lot when I lived up in Lincoln, and I’ve played on his last three CDs (this one being the fourth). It was a really interesting session to play on in that it ran the whole gamut of bass playing from ‘duck eggs’ (one note in each bar) through to E-Bow and looped atmospheric stuff (on one track I did a ‘normal’ bass line, fretless melody line, and then three layers of twinkly, sparkly ebow loveliness!) – it was a lot of fun to be playing at both ends of the spectrum, very arranged and very open. On the fretless melody tracks, it was largely a case of playing a meandering melody through the whole track which will then be cut up and used at the basis for some other themes (doubled by the string quartet or whatever). Chris’ music is interesting in that even though his main ‘gig’ scenario is leading congregational singing in churches, his albums are far far more ‘music-led’ than most of the stuff written for that setting – the church music scene in general is pretty stagnant and normally at least 5 years behind anything else that’s happening in music, but Chris being a very highly qualified and experienced pianist and writer tends to put a lot more emphasis on the creativity of what he does, which is quite inspiring when it comes to coming up with bass parts…

Much fun was had as the producer/engineer was Dan Bowater (Chris’s son, and the owner of the studio), who I’ve known for 10 years and have toured with on a number of occasions, and the drummer was Gabriel Alonso, who produced and played on Chris’s last two albums, so it was a pretty comfortable setting…

Then today, I was back recording with Patrick Wood again – Patrick is the keyboardist on the MP3 track based on Highway 1 that’s over on the MP3 page – he’s a marvellous musician, and it’s always a treat to play with him. We recorded two very long improvs (improvs, I’m finding, are rarely short… :o) – and I’m hoping to get mixes of them soon to put up on the site, as they were both some of the best stuff that Patrick and I have played together… Me thinks there may be a limited edition album release coming up before too long… ;o)

So what else has been happening? Ah yes, we’re at war. Well, I say we, but it’s not in my name, as the saying goes. Despite opposition from the UK population, the UN, and his own back-benchers (culminating in the biggest labour back bench revolt in recent parlimentary history), President Blair has seen fit to send British troops into battle in Iraq, without UN sanction or backing, and without any kind of clear plan for a post-Saddam Iraq, or any kind of scenario regarding the future of the Kurds in Northern Iraq, who are shitting themselves given that the Turks who have a history of killing lots of them but are currently in a four year cease-fire are at present in diplomatic talks with the US regarding the use of Turkish air-space and land for accessing Iraq, and who may use the opportunity to cross into Northern Iraq (allegedly, they already have 20,000 armed soldiers stationed there) and resume hostilities. Have I heard mention of this from Blair or Bush? nope…

So, if this does end as quickly as it’s likely to (250,000 ‘allied’ troops? methinks this won’t go on and on, though I guess they thought that about Vietnam…), who’s next? Iran? Yemen? Saudi? Sudan? North Korea? They have been talking about trying to broker peace in Palestine – surely that’s a higher priority right now, given the numbers of Palestinians that have been slaughtered, and the number of suicide bombing retaliations that there have been (is suicide bombing retaliation or just an act of insane desparation??)…

…and what on earth is Britain doing in Iraq anyway? didn’t we bollocks it all up last time we installed a puppet king there? and what about sorting something out in Zimbabwe (a former collony that we are clearly more responsible for, and should be able to apply a lot more diplomatic pressure to), which also has a crazed dictator who is sanctioning extra-judicial killings and other atrocities…

I’ll keep praying for peace, whatever happens.

Soundtrack – during the few moments that I’ve not been listening to news reports on the radio, I’ve been listening to myself (just downloaded Fruity Loops Studio, and have been recording some stuff with it – a bargain at $49 for the update…), also listening to The Cure’s Greatest Hits (very very fine), and now am listening to Lifehouse – ‘Stanley Climbfall’, the opening track on which (Spin) is breathtakingly good.

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Long Time No See…

Haven’t blogged in a while – what’s been going on?

Er, lots of teaching, mainly. Did have a fun recording sesh with Theo Travis on alto flute – just doing improv duets. We got some great stuff down, some of which will be on the website before too long. However, it was all recorded in Mono due to the limitations of my recording set up, so I finally bit the bullet and got a new sound card, and a miniature desk – nothing flash, just an M-Audio Delta 44 card, and a Beringher 8 channel desk – but it will allow me to record two people in stereo separately, so that I can then mix it properly afterwards, and also record at a much higher resolution than before, meaning better fidelity… All in all, I’m rather excited about the possibilities. It is amazing what can be done now with such basic technology (or at least, basic by current standards) – stuff that 20 years ago would have taken weeks of studio editing and very expensive gear is now doable at the click of a button in a bit of free software that came bundled with your soundcard. Very nice.

Anyway, I shall start recording some new solo stuff before too long as well, as I’ll be able to route the Echoplexes to different channels, and mix the whole thing afterwards. It also means I’ll have to original material on one track, so that people can remix it, which I’ve had a few requests from remixers for…

What else? Ah yes, I just added a new MP3 to the site – it’s of Michael Manring and I playing together at The Anaheim Bass Bash in January – that was a lot of fun, organised by the people behind bassquake, and at the end of my solo set, I called Michael up to do a duo tune – he was on after me anyway, so it made for a nice smooth cross over. Anyway, he came up, got a sound, and I started playing a sort of dubby percussive groove, he joined in with the E-Bow and started playing a melody/solo idea, which I looped a tremolo chordal part of the top of my initial bass/percussive stuff loop. I then pickup up the E-Bow too and added an odd atmospheric line (sounds sort of like a bowed cymbal, if you’ve ever heard that), and then a strummy funk guitar line, all under Michael’s ever evolving melody line. Eventually I switch to a distorted melody line that’s pretty fractured and spikey – lots of dissonance and nastiness. I think that’s followed by us trade melody lines (interesting to hear how our different fretless tones sound together) and at the end Michael uses the sample and hold function in his VF1 to do an ambient loop, which I follow, fading out my loops and building a more soundscape-type piece to fade. All in all, a lot of fun – hope you enjoy it too – go to the MP3 page for more on that….

Er, what else? not much. Been reading more of ‘Stupid White Men’ by Michael Moore, a very vital voice in the current world political scene (which seems to be sinking deeper and deeper into the mire, just when you thought it couldn’t get any lower… Michael’s film, Bowling For Columbine is by far the best film I’ve seen in the last couple of years, and is the biggest grossing documentary of all time (he’s got #2 as well, with ‘Roger and Me’) – it’s a must see.

Soundtrack – lots of things of late. Right now, it’s Greg Mathieson and Abe Laboriel – a CD I first heard 3 years ago, and which has finally been released – an awesome bass/piano duo record, and part of the inspiration for Conversations. What else? Madonna – ‘Something To Remember’, Ron Eschete – ‘Mo Strings Attached’ (with Todd Johnson on bass), Ornette Coleman – ‘The Shape Of Jazz To Come’, Genesis – ‘The Lamb Lies Down On Broadway’, Cyndi Lauper – ‘She’s So Unusual’, Sugar – ‘Copper Blue’, The Minutemen – ‘Double Nickels On The Dime’, Donnie Hathaway – ‘Live’, Julie Lee – ‘Made From Scratch’ and the tracks that Theo and I recorded last week…

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Lucky pt II

Last night was the gig with Tess Garraway and Joss Peach in Brighton… another free improv gig as listed the other day. what fun, though not without ‘issues’ – mainly that we got there and the venue was double booked (hoping this isn’t going to become a feature of my gigs to come after the San Fran show last month…) – anyway, the other people who had the venue moved next door, and war was averted (maybe we should be negotiating in the middle east right now…) – anyway, as little to no promo had been done for the gig, the audience was very small, but as always, given the choice between great music and a big audience, I’d take the former. Obviously both is a bonus, but still, the music was great, the venue was nice, and it was all recorded and videoed, so could have some nice resource stuff for future useage. Thanks Tess and Joss – I very much enjoyed it!

Other than that, it’s been lots of teaching, and not much tidying (office still a tip, really really need to get this place sorted ASAP… this week, no really, honest…)

Tonight I’m going to see Julie Lee play – she’s the bluegrass singer from Nashville that I was playing with last summer (and who I’ll play with again next week, on Tuesday, in Reading) – tonight, however, I’m going to listen. She’s great, I’m really looking forward to it!

Am contemplating moving my website to a new server… at the moment, the main site (not this page, this is separate) is with zetnet, but it’s not a great service, and not that cheap, so perhaps it’s time for a change… a few people still seem to be using the old email address (if you’ve got stevelawson@zetnet.co.uk in your email address book, switch it for a steve-lawson.co.uk address now!), but 99% of what I get on that address is spam anyway… I own the domain name, so I can move it anywhere… can I be bothered? we’ll see…

Soundtrack – all day today been listening to a CD that arrived this morning, ‘Double Nickels On The Dime’ by The Minutemen. Yup, more Mike Watt. Great stuff – a mixture of punk, free jazz, rock ‘n’ roll, funk, and all sorts of other bits ‘n’ pieces. Very creative, very earthy, 43 songs in 74 minutes, amazing stuff.

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Improv…

I’m feeling rather lucky at the moment – Tuesday night, lovely Jez came round, went out for a curry, then had a jam for an hour… playing music with Jez is always a treat – he’s a very very musical chap, great listener, and exceedingly creative improviser (as those of you who have conversations will no doubt be aware) – the kind of stuff we play changes depending on our mood, the instrument (normally he’s playing an electric piano, here he was playing a real one), the room, whether I’m looping or not (I wasn’t), and whatever we’ve both been playing recently. So it really is very conversational, and quite revealing as to how we’re feeling…

Then, last night was the radio broadcast for LCR, which included lots of duo improv with Antoine Farfad – a bassist who was using a V-Bass processor to get some great synth sounds. More improv, very different context, and with someone I’d never met before let alone played with. So the whole thing was very different from the jez setting, but just as rewarding. Antoine’s playing was marvellous – something you’ll be able to check out next week when the show gets archived at the radio station website. I’ll add a link as soon as it’s there…

Then, this Sunday, I’m off to Brighton to play with Tess Garroway (see gigs page for details) – a jazz singer with a heavily improvisational slant. Just got a CD of her stuff yesterday which is excellent (listening to it right now). What fun – all this improv is great for developing listening skills, new approaches, learning new ideas, and finding new contexts for stuff that I already do…

What fun!

What else has been happening? er, lots of teaching, which has been great – new students, old students, lots of very interesting people with a desire to learn.

Got the new copy of Q through… very disappointing. Christina Aguilera on the cover? Q? huh? not good. And, in their 50 most outrageous people in rock article, GG Allin doesn’t get a look-in. And frankly, if there were a more outrageous person in the music industry, they’d probably be dead by now… GG made Marilyn Manson look like Cliff… a true nutter, very sad case, and now dead, which wasn’t a surprise to anyone. Supposedly there’s a documentary about him somewhere, but I’m not sure I’d have the stomach to watch it… dark stuff…

but I digress.

So today – teaching, and a workshop for a church band down in Kent tonight, which should be a lot of fun.

Soundtrack – lots of Mike Watt, mainly ‘Ball-Hog Or Tug Boat?’, which is marvellous. Also, this Tess Garroway CD, which is a mixture of live and studio stuff, and is very good. what else? ah, Lewis Taylor’s first album, which is unbelieveably good. Amazing. Genius.

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There's no place like home…

So, I’m home, safe and as sound as I’ll ever be… Jetlag got me bad though – this is the longest trip I’ve had to the states, and after four weeks over there, my body had adjusted rather well to the time difference, so now my body clock is screwed up. So I slept a bit yesterday afternoon, then went to bed at 12 last night, woke up at 5.30, awake til 8.15, then was asleep on and off til 6.30pm!!!! Am up again now, ploughing through email and trying to rebuild some semblace of a life… Fortunately I don’t start teaching again til next week, So I’ve got time to sort through the mountain of post and email… Fortunately both the small person and the aged feline seemed to recognise me when I arrived home, so nothing to drastic can have happened. Still haven’t unpacked yet though… need to get some washing done…

So what happened while I was in the states? Really sorry for not keeping this thing up to speed – hopefully next year I’ll have a lap top with me and will be more concientious (spelling, harv?).

Anyway – first up was the NAMM show – huge great music gear trade show – equal parts hideous schmooze-fest, and great chance to catch up with musical chums I’ve not seen in ages…

Good people I saw who I already knew – Peter Murray, Geoff Gould, the Modulus and Ashdown people, Ed Friedland, Lee Sklar, Joe Zon, Matt Garrison, Doug Wimbish, Michael Manring, David Torn, Doug Lunn, Vida Vierra, Steve Rabe, Steve and Jill Azola, Mike Tobias, Norm Stockton, Adrian Ashton, Dan Knowlton, Mark Wright, Frank Gambale, Rufus Philpot, Pete McCann, Mike Roe, Dave Pomeroy, Trip Wamsley, Lenny Jordon, Bill Leigh, Jamie Faletti, Dale Titus, Kerry Getz, Rick Turner, Clive Roberts, John Ferrante, Kim Flint, Richard Zvonar…

And Fine people I met for the first time – Elijah Torn, Will Calhoun, Daniella Sheppard, Derry Daugherty, Mike Dimin, Mike Watt, Kira Roessler, Charles Normal and Softcore (his band), Tedd Killian, Chris Tarry, Greg Heet, Dan and Laurie Schinder, Kevin Van Pamel… and lots more in both groups that I can’t remember in my near comatose jetlagged state…

Playing-wise, I was playing at the Ashdown Booth each day at 3pm, doing my solo stuff, and also hanging around a bit chatting to people there… Also played a little on the Modulus stand, with Leo Nobre and then with Bill Walker. Spent a lot of my time at the show just catching up with friends, putting the word around about the gigs and clinics, and checking out new stuff, of which there wasn’t all that much (though Ashdown did have a couple of gorgeous fake-suede bass cabs – very sexy indeed…)

Music at the show that was worth watching was pretty scarce – Ed Friedland was playing some great stuff at the Carvin Booth, and Michael Manring was doing his solo bass twiddling for Zon and SWR and astounding everyone as always. Bill Walker was making a fine noise at the Duncan-Turner Research booth, and that was Matt Garrison spent plenty of time playing at the Fodera booth, playing beautifully. That’s about all I saw…

Evenings were taken up with going to or playing gigs and eating dinner – Thursday was Frank Gambale at The Baked Potato (a bit of a NAMM ritual for me, catching Frank at least once during the weekend), Friday was the bass bash, organised by Dan Elliott who booked my tour, and acted as road manager for me. That was a great event – a few technical hitches (the venue wouldn’t let them start setting up the stage area til gone 7!), and the whole thing over-ran (bit of a NAMM tradition there…) but all in all it was a great night’s bassic entertainment – have a look at some of the pictures from the event at www.bassically.net. I did a couple of long solo numbers (No More Us And Them and MMFSOG) and the Michael Manring joined me for an improv thing that I’ve got on CD, so will hopefully post here before too long…

Anyway, Saturday night was dinner with David and Elijah Torn, Dani, Doug and Vida, and then Sunday was the first gig of the tour at Roccos in Hollywood.

The gig went really well, though the turnout was low (if everyone else was feeling the way I did after four days of NAMM, it’s not that surprising) – we didn’t start til late… musically, we had no idea how Rick Walker Andre LaFosse and I were going to gel, but the trio stuff turned out great. We all did solo sets (the running order was a bit of a shambles but it sort of worked out) then Michael Manring did some marvellous solo tunes, and all of us played together… The nicest thing about it was how inconspicuous the looping element of it all was – last time we did a loop tour, partly due to the limitations of the jamman, the looping defined the music in a very strong way. This time, with the extra subtleties available with the echoplex, we were able to loop in a music more transparent way – bringing loops in and out to allow ourselves to mutitrack, but without having to just build a loop then stop…

A couple of days off on Monday and Tuesday were spent visiting Ashdown, and Dan was chasing up last minute stuff for the tour (he worked really hard and did a great job…), then Wednesday we left SoCal and headed for San Luis Obispo for the second trio gig…

…and I’m going to stop there for a while, or my arms will fall off, or I’ll fall asleep, or my arms will fall off in my sleep, or something equally bad.

anyway, the rest of the story will follow ASAP…

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Talking 'bout a Resolution

(sounds like a whisper)

It’s that time of year again, when we realise that we kept very few of our resolutions from last year (though I did set myself one goal of doing 30 solo gigs, and I did over 60, so that was good… :o)

anyway for this year, here’s a few muddled up ideas for what I’m planning/aiming for/wishing for/etc.

  • read more (and therefor, travel more on the tube, as that’s where I get most of my reading done
  • eat more vegan food (should be easy as the small person is on a dairy free diet at the moment anyway…)
  • cook more (I’m on a roll at the moment, so need to keep it up)
  • keep office tidy (yeah, right – need to get it tidy in the first place. Having said that, made a start today on my desk… it’s getting there)
  • practice more (bass that is, not medicine or law or anything – at the end of the two tours with Level 42 and the Schizoid band, my playing was probably the best it’s ever been, need to work on maintaining that…)
  • spend less time just mucking about on line (opening the chat room at thedudepit.com hasn’t helped…)
  • get my tax sorted out, and then stay on top of it (fairly short term aim, but it needs to be done in the next few days!)
  • do at least 50 solo gigs (with 20 or so already booked, this one shouldn’t be too tricky to acheive…)
  • release another duo CD (plans are already afoot)
  • start work on at least one book (either method, theory, looping concepts or general musical-based musings… still haven’t decided – suggestions to the usual address…)

So there you go – that’s my year mapped out… a bit.

what are yours?

The Small Person and I had a lovely quiet new year – watched ‘Bend It Like Beckham’ yesterday, and ‘Monsters Inc’ today – both highly recommended, fine fine films. Went for a drive up to Crews Hill today – lots of garden centres there – but the whole world was aparently under about three feet of water – blocked roads ‘n’ everything…

Soundtrack – I’ve spent a lot of time these last couple of days listening to a couple of improv sessions that I did with keyboardist Patrick Wood during the first half of 2002 – one extract from that is now up on the site, as the new version of Highway 1, though I’m not sure it was even called Highway 1 back then… It’s an interesting comparison to listen to it alongside the version on ‘Not Dancing For Chicken’ (which of course, you have already?), and the live version from the Bartok gig that’s also on the MP3 page. Go on, you know you want to…

Other than that, I’ve been listening to ‘Free’ by Peter Chilvers, which is, as it says on the tin a ‘free’ album – you burn a copy, and your only commitment is to make sure you burn two more copies and pass it on! It’s a fascinating experiment in the pure power of exposure – loads of people will have the CD, and hopefully lots of them will go and buy other CDs by Peter (his first solo album ‘He Wrote This’ is excellent, and available from burningshed.com) – there’s been a lot of discussion of late on the whole merits of ‘free’ music, whether it be CDR copying or MP3 downloading. Singer/Songwriter Janis Ian wrote this article for Performing Songwriter magazine last year, and it’s brilliant – she’s my new hero! Read the article and her follow up – both very good. Then, download the MP3s, and if you like what she’s doing, buy the CDs, and prove it works…

Anyway, what else have I been listening to? oh, Anita Baker ‘Rapture’ – often when I get something out to play to a student during a lesson, it stays in the play for a few days, and this did.

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Taking the Rough With The Smooth…

Ah, what an eventful day yesterday was…

Started out teaching – all good so far. The no-at-all-evil-Dann arrived, we
packed up my amps/basses/toys etc. loaded them into the car and headed
of for Norwich, in good time. Hit traffic first on the M25 – so headed off up
the A10 instead of M11 – then again, very badly, on the A11 towards Norwich.
Got to the gig halfway through the collective soundcheck, unloaded my stuff,
then it took me 10 minutes to find a parking space (10 minutes we didn’t
have). Fortunately I wasn’t going through the PA (the joys of having an
Ashdown that sounds better than most PAs…), so soundcheck took
about 8 seconds once the gear was set up…

The gig itself was marvellous – started off with Darkroom, playing ambient
soundscape-y processed noise stuff (very good noise), I then joined in
over the top, they faded out, and I went from that improv into ‘No More Us
And Them’. From a very look bleepy version of that, I went into Highway 1,
at which point, fellow solo bassist Peter Chilvers joined in, played some
e-bow over the intro, and we were then joined by Roger Eno and Theo Travis on
acoustic guitar and sax respectively. What a
fantastic version of Highway 1!! I’m so glad it was recorded and can’t wait
to hear it. If the mix is anywhere close to OK, It’ll be magic… Roger was
playing some lovely arpeggiated stuff on acoustic guitar, while Theo and
I traded lines off each other, me with my Fripp-meets-Satch lead sound,
while Peter Chilvers kept the whole ambient side of it shifting and changing.
LovelyLovely.

I then faded out, and that trio continued, and then each act overlapped with
the last – Centrazoon, Andy Butler, GP Hall, Theo Travis. And after Theo’s
set, loads of us piled onto the stage for a remarkably coherent loop-jam,
with Tim Bowness, Theo and I trading melodies over some pretty marvellous
ambient waffle from Peter, Andy, Dave Montague, GP and the Darkroom
guys! All in all, a very fine evening’s music. The audience wasn’t huge, but
hey, that’s what happens when you go for quality over pop-credibility…

Getting the car back to the venue was a fun experience – Norwich has an
insane one-way system… Anyway, arrived back, and we all went off for a
drink and a chat. Very nice it was too, and many collaborations were
discussed and plans are afoot.

About 12.50, I jump in the car to come home. All is well, til I reach
Cockfosters (about two miles from home) and the engine cuts out and the
oil light comes on… fortunately I can roll the car most of the way to the
nearest Jet petrol station, and push it the last few feet. Put some oil in.
Still won’t start. Making odd noises. ring AA. 1.5 hours later, man arrives
with truck, ‘your cam belt’s broken’. Bugger. Big expense. Anyway, car
gets towed home, I unload the gear, and get to bed just after 4.30am!

Supposed to be teaching at 10am. Small person rings them at 9 to cancel.

Supposed to have a gig at St Luke’s tonight. Due to driveway restructuring,
small person’s small-person-car is inaccessible. Ring Justin (St Luke’s MD),
and leave message saying can’t make 2.30 rehearsal, maybe can’t get there
at all… Justin calls back says get a cab… maybe…

And here we are. Good gig, broken car. As The New Fast Automatic Daffodils
once wisely sang ‘Every silver lining has its cloud’…

Soundtrack – in the car, not-at-all-evil-Dann and I were listening to
all manner of stuff – Jane Siberry, Sigur Ros, Don Ross, SadHappy, Defeat
The Young, etc. etc. Then got sick of good music and put on ‘Long Cold
Winter’ by Cinderella, which I’m ashamed to say, stayed in the player for
about an hour… :o) After that, on the way home, I stuck in a No-Man
compilation (Tim Bowness’s rather wonderful band – think Prefab Sprout,
late-ear Talk Talk mixed with the best of Marillion and something else poppy
and deep…), and now am listening to Cipher, Theo Travis’ side project
of fascinating spacey stuff. Theo’s a fantastic musician that I look forward
to working with again very soon, hopefully…

Meanwhile, this morning, while I still slept, Small person took aged feline to
the vets, only to have him stop limping for the vet, but choose instead to
deposit a huge great steaming turd on the vets examination table. A choice
comment on vetinary science in general, methinks, from the perspective of
a small furry vetinary science consumer, wishing for an easy life.

Posted on

Lessons learned from a useless DJ pt 1

I have to thank Jon Gaunt… I made a fine discovery today, thanks to him.

For those of you that don’t live in London, or do but don’t listen to BBC Radio
London, he’s the ill-informed, reactionary, argumentative waste of oxygen
that comprises a big turd-stain on an otherwise fabulous schedule at Radio
London, between 9 and 12am… His is a phone in show, in which anyone
who disagrees with said loser gets shouted down or cut off or insulted and
sundry equally ill-informed losers (why on earth should I give a monkey’s
what Joe-schmoe-cabby thinks about Asylum seekers?? Has he done the
research? has he worked in a camp, or a homeless shelter? does he have
any idea what it’s like to be dislocated??? of course not!!! So why on earth
are his views being broadcast across London, at the licence payer’s
expense?????????????) phone in to agree with Mr Gaunt’s ludicrous polemic…

Anyway, thanks the small person leaving the radio on to entertain the
aged feline today when she went to work (a futile exercise, given the
profound deafness of the afore-mentioned feline, but a cute attempt
anyway…), I was subjected to about 5 minutes of Gaunt’s bile-filled
ranting, and turned over to radio 4. Woman’s Hour. What great radio!!
Quality broadcasting, expert opinions, funny presenters… good lord! any
way of getting that Gaunt loser to have a listen?

Jumped in the car to drive to Oxford to see Jez, and leave the radio on –
very funny radio play, followed by fascinating docu-thingie on inner city
schools. So thanks to Gaunty’s attempts to be ‘the british Rush Limbaugh’
(yes, my US friends, he’s that useless…) I have now discovered the delights
of Radio 4… :o)

Anyway, the visit to Jez’ was highly enjoyable and resulted in another
fascinating improv track, which will probably be available from the Pillow
Mountain Records website for download soon, as an early Christmas Pressie
for anyone that wants it… No looping on the track this time, just my bass
and his piano and some lovely noises. Same premise as the ‘Conversations’
stuff. No discussion of key/vibe/anything. Just plug in and play… a rather
invigorating way to spend the day. Jez is a very intuitive musician, and
plays some fantastic stuff on here…

Came home, listening to more Radio 4 stuff on the way. Was hassled
mercilessly by the cat when I got in, who clearly doesn’t like being left
on his own during the day anymore, even though I’d fed him and given
him maximum snuggles before I went out… There’s no pleasing some
small furry people…

Soundtrack – well, during the few moments when I’ve not
been indulging my new love affair with Radio 4, I’ve listened to Cupid
and Psyche again, Peter Gabriel’s Up, the new Keith Jarrett double live CD,
and this new track from me and Jez, which is play at the moment…

Right, off to cook dinner now…

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