New Single – Recorded Yesterday, Out Today!

Right, I just released a single. When I woke up this morning, I hadn’t planned to. What I had planned to do was to mix the track I recorded last night. Like everything I do, it’s a one take, unedited improvised performance. All the drums are played and looped live rather than being a pre-existing loop, and everything else is bass. The field recording was triggered during the performance, rather than added afterwards. So everything is happening in response to everything else. Here it is:

I mixed it today, experimenting with getting a really huge low end on the synth and the kick, and loved the way it came out. So as well as adding it to the subscriber-only album Stepping Stones, which is gathering together all the things I’m recording towards releasing a new solo album and making them available as they happen to subscribers, I thought I’d put this out as a separate single so everyone else can have it too 🙂

All of this music is released as episodes in an unfolding story. I’m less interested in how it fares as a standalone entity, and am more interested in it as an emblem, an avatar, a signpost of where I’m going and what I’m up to. That’s why the subscription is my focus. Convincing you that a particular album is worth buying is way less interesting to me than inviting you into the process of it all happening, and forming a community around that. if that’s interesting to you too, check out my Bandcamp subscription.

It’s a ‘pay what you want’ release, so you can pay or not as you feel able/inspired, or you can subscribe and get everything I put out in the next 12 months, plus 48 albums from my back catalogue. And if you subscribe before the weekend, you’ll get the new LEYlines album, LEYlines IV, included. After that, you’d have to buy that separately...

I love living in a world where music can be made and released in a matter of hours – it’s about 14 hours absolute start to release with this. If you want to play it on the radio, or do anything else with it like that, please feel free – let me know if you need more info…

And the title? That came from a Tweet by Vernon Reid. 🙂

More New Music: Video of a Looperlative Glitchy Bluesy Electronica Experiment

screen grab of the Vimeo page for the video embedded in this blog post at stevelawson.netHere’s another new ‘public beta’ video – this time, I’m experimenting with some new functions that’ve just been added to the Looperlative LP1. (that’s the looping device I use…)

The new tricks are around the idea of ‘replacing‘ bits of a loop, with other audio, giving it a chopped up, glitchy feel. The main effect I’m using is a ‘quantise replace‘ function, that replaces bits, but switches on on and off on the beat, so when I hit the button it waits for the next exact subdivision of the loop (in this case, 1/96th of the whole loop time) before doing anything, and again to switch off again. Continue reading “More New Music: Video of a Looperlative Glitchy Bluesy Electronica Experiment”

Design Museum gig last friday…

About two weeks ago, I got an email from electronic drum-monkey extraordinaire, Andrew Booker, asking me to do a gig with his improv collective Improvizone, at the design museum. This appealed on a few different levels – firstly, Andrew’s a fantastic musician and top bloke. Note that the first time I saw Andrew live, I was stood next to Brian Eno who’s comment on Andrew’s playing was ‘have you got his phone number?’… yup, he’s fab. Secondly, I’ve been reading about Improvizone for a long time on his blog, and love the idea – it’s quite Recycle Collective-ish in its concept, but tends to be a little more electronica-led and not quite as structurally defined [Recycle gigs are always 3 sets, 3 musicians, 3 lots of solo/duo/trio performance].

I then find out that while the gig doesn’t pay (I knew that, no problem), the event we were playin at was a ticketed thing, with peoples paying money to be there… uh-oh. That’s not so great: I’m working on a ‘creative commons’ type manifesto for these kind of gigs (more on the blog soon), and that clearly went against that idea – offering my music free to soundtrack someone else’s money-making didn’t sound good at all… Quick chat with Andrew, and it seems there’s some expenses available, so not completely free and that, combined with the enticement of great people to play with and some connections at the venue for further gigs makes me stick with the gig.

I’m rather glad I did, as it was musically a hugely satisfying experience – the line-up was completed by laptop twiddler Os, who, as well as triggering and manipulating samples of guitarist Michael Bearpark (some great sounds there!), would be processing and looping me, in Ableton Live.

Now, after a chat a few years ago with David Torn about group loop-infected improv, I generally take Torn’s view that it makes most sense to have a ‘master looper’ in a band, and have them take the most responsibility for that side of things. This doesn’t preclude other looping, it’s just like having a producer on a record… the Recycle Collective usually works like this, even with all the other musicians looping and processing up a storm…

The nice thing about Os looping me is that a) he’s very experienced with looping ideas b) he had headphones available for previewing stuff rather than just randomly processing things that may or may not work and c) Ableton Live is a pretty versatile platform on which to loop things.

So the upshot was that I played less than usual, often tossed a bassline and some ambience in Os’ direction at the beginning of a tune and then had him grabbing snippets of melody as we went on. If I was playing a ‘normal’ bassline, he’d quite often tell me he’d grabbed that, and I could move on and do all kinds of interesting Looperlative mangling of my own, while he looped and processed what was coming out… All kinds of fun. And his Ableton set up was sending a click track to Andrew on drums…

All lots of fun, and it made for some fabulous, enjoyable, freewheeling and at times downright funky improv!

And, what’s more, the venue loved it, and want us back. We’ll have to negotiate on money, clearly, as their expectations may well be tainted by the ‘freeness’ of the first gig, but they know what we do, how well it works in that setting so we have known skillz to bargain with. Hurrah!

And, once again, I’ve got another gallery show experience to throw into the pot for the new album ideas, to combine with all the twisted country stuff that came from the Rob Pepper Gallery show… twisted country electronica, anyone?