Long Time No See…

Haven’t blogged in a while – what’s been going on?

Er, lots of teaching, mainly. Did have a fun recording sesh with Theo Travis on alto flute – just doing improv duets. We got some great stuff down, some of which will be on the website before too long. However, it was all recorded in Mono due to the limitations of my recording set up, so I finally bit the bullet and got a new sound card, and a miniature desk – nothing flash, just an M-Audio Delta 44 card, and a Beringher 8 channel desk – but it will allow me to record two people in stereo separately, so that I can then mix it properly afterwards, and also record at a much higher resolution than before, meaning better fidelity… All in all, I’m rather excited about the possibilities. It is amazing what can be done now with such basic technology (or at least, basic by current standards) – stuff that 20 years ago would have taken weeks of studio editing and very expensive gear is now doable at the click of a button in a bit of free software that came bundled with your soundcard. Very nice.

Anyway, I shall start recording some new solo stuff before too long as well, as I’ll be able to route the Echoplexes to different channels, and mix the whole thing afterwards. It also means I’ll have to original material on one track, so that people can remix it, which I’ve had a few requests from remixers for…

What else? Ah yes, I just added a new MP3 to the site – it’s of Michael Manring and I playing together at The Anaheim Bass Bash in January – that was a lot of fun, organised by the people behind bassquake, and at the end of my solo set, I called Michael up to do a duo tune – he was on after me anyway, so it made for a nice smooth cross over. Anyway, he came up, got a sound, and I started playing a sort of dubby percussive groove, he joined in with the E-Bow and started playing a melody/solo idea, which I looped a tremolo chordal part of the top of my initial bass/percussive stuff loop. I then pickup up the E-Bow too and added an odd atmospheric line (sounds sort of like a bowed cymbal, if you’ve ever heard that), and then a strummy funk guitar line, all under Michael’s ever evolving melody line. Eventually I switch to a distorted melody line that’s pretty fractured and spikey – lots of dissonance and nastiness. I think that’s followed by us trade melody lines (interesting to hear how our different fretless tones sound together) and at the end Michael uses the sample and hold function in his VF1 to do an ambient loop, which I follow, fading out my loops and building a more soundscape-type piece to fade. All in all, a lot of fun – hope you enjoy it too – go to the MP3 page for more on that….

Er, what else? not much. Been reading more of ‘Stupid White Men’ by Michael Moore, a very vital voice in the current world political scene (which seems to be sinking deeper and deeper into the mire, just when you thought it couldn’t get any lower… Michael’s film, Bowling For Columbine is by far the best film I’ve seen in the last couple of years, and is the biggest grossing documentary of all time (he’s got #2 as well, with ‘Roger and Me’) – it’s a must see.

Soundtrack – lots of things of late. Right now, it’s Greg Mathieson and Abe Laboriel – a CD I first heard 3 years ago, and which has finally been released – an awesome bass/piano duo record, and part of the inspiration for Conversations. What else? Madonna – ‘Something To Remember’, Ron Eschete – ‘Mo Strings Attached’ (with Todd Johnson on bass), Ornette Coleman – ‘The Shape Of Jazz To Come’, Genesis – ‘The Lamb Lies Down On Broadway’, Cyndi Lauper – ‘She’s So Unusual’, Sugar – ‘Copper Blue’, The Minutemen – ‘Double Nickels On The Dime’, Donnie Hathaway – ‘Live’, Julie Lee – ‘Made From Scratch’ and the tracks that Theo and I recorded last week…

Food for the soul

Last night I went to see three stunning singer/songwriters do their thang at the 12 Bar Club in London. The 12 Bar is a really weird venue, in that it’s got a tiny downstairs, and a tiny balcony, and the stage is sort of half way between the two – too high for downstairs to see properly and too low for upstairs… bit odd, but kind of fun with it…

Anyway, last night’s magical sounds came from Brian Houston, Julie Lee and Pierce Pettis, all three of whom were amazing. Like, world class, seriously. Way better than just about anything you’ll hear on the radio in the next month or so (unless you listen to Bob Harris on Radio 2, in which case you might end up hearing all three of them).

Brian Houston, native of Belfast, sort of Dylan/Buckley/bit of Neil Young but more frantic. Amazing stuff.

Julie Lee – I’ve played bass for Julie before, and will be next week in Reading – she’s sort of Bluegrass/Nu-grass, with an beautiful voice and a great guitar style. And is one of the finest songwriters I’ve heard in a long time.

Pierce Pettis – has written hits for Garth Brooks, doesn’t really sound much like him though. More Bruce Cockburn/70s Tom Waits/Lyle Lovett/John Gorka sort of vibe. Great between song banter, fantastic songs, and a seven string guitar!

All in all, a night to recharge the creative batteries, and bask in the glow of songwriting genius. If you’re wise, you’ll catch them on the rest of the tour –

Tues 4 March: Birmingham – Ceol Castle – 0121 440 4278
Thurs 6 March: Belfast – The Errigle – 0289 032 2925
Sun 9 March: Southampton – The Brook – 0238 055 5366
Mon 10 March: Brighton – The Greys – 01273 680734
Tues 11 March: Reading – Delicatessen – 0118 901 5234

I’ll be playing a few tunes with Julie at the Reading gig (and maybe one or two with Pierce too, hopefully, if the Deli organisers don’t weird-out about it…)

In other news, I got a new pre-amp put in my bass on Saturday, made by John East, who makes the J-Retro preamp (if you’re a bassist, you should know what I’m talking about… if you’re not a bassist, you won’t care…) – anyway, I replaced my old Bartolini one with one of John’s and it sounds amazing – it’s really weird what a huge difference a new preamp can make – the basic sound of the bass is still the same, there’s just the option to add more sparkle without it getting harsh, or make it sound more ‘acoustic’, or make things fall off the walls. Truly an amazing addition to my bass, and one that I’ll be adding to my other bass very soon, and will be getting in all my basses from now on. Seriously, these thngs are great!

But you don’t really care do you? well, I’m sure you do if you’re a bassist. If not, probably not.

Anyway, I was chatting with evil harv this morning, who was asking why no-one had signed the guestbook in ages. Then someone did (not evil harv as I first thought, as I can actually verify that the person who signed it did indeed just buy a CD of mine, and the eville one didn’t know about it…) – but that’s still only one in ages, so if you’re reading this, go and write nice things on the guestbook (unless you’re harv, in which case, keep your evil weirdness to your self, you strange man) – go on, off you go.

Soundtrack – more of The Minutemen, followed by lots of Donny Hathaway Live (pulled it out to look at the solo from ‘Everything Is Everything’, and kept it in the player for a couple of hours after the lesson). Also been listening to State Of Grace by Pierce Pettis, which I bought last night, and is very very good.

Lucky pt II

Last night was the gig with Tess Garraway and Joss Peach in Brighton… another free improv gig as listed the other day. what fun, though not without ‘issues’ – mainly that we got there and the venue was double booked (hoping this isn’t going to become a feature of my gigs to come after the San Fran show last month…) – anyway, the other people who had the venue moved next door, and war was averted (maybe we should be negotiating in the middle east right now…) – anyway, as little to no promo had been done for the gig, the audience was very small, but as always, given the choice between great music and a big audience, I’d take the former. Obviously both is a bonus, but still, the music was great, the venue was nice, and it was all recorded and videoed, so could have some nice resource stuff for future useage. Thanks Tess and Joss – I very much enjoyed it!

Other than that, it’s been lots of teaching, and not much tidying (office still a tip, really really need to get this place sorted ASAP… this week, no really, honest…)

Tonight I’m going to see Julie Lee play – she’s the bluegrass singer from Nashville that I was playing with last summer (and who I’ll play with again next week, on Tuesday, in Reading) – tonight, however, I’m going to listen. She’s great, I’m really looking forward to it!

Am contemplating moving my website to a new server… at the moment, the main site (not this page, this is separate) is with zetnet, but it’s not a great service, and not that cheap, so perhaps it’s time for a change… a few people still seem to be using the old email address (if you’ve got stevelawson@zetnet.co.uk in your email address book, switch it for a steve-lawson.co.uk address now!), but 99% of what I get on that address is spam anyway… I own the domain name, so I can move it anywhere… can I be bothered? we’ll see…

Soundtrack – all day today been listening to a CD that arrived this morning, ‘Double Nickels On The Dime’ by The Minutemen. Yup, more Mike Watt. Great stuff – a mixture of punk, free jazz, rock ‘n’ roll, funk, and all sorts of other bits ‘n’ pieces. Very creative, very earthy, 43 songs in 74 minutes, amazing stuff.

Improv…

I’m feeling rather lucky at the moment – Tuesday night, lovely Jez came round, went out for a curry, then had a jam for an hour… playing music with Jez is always a treat – he’s a very very musical chap, great listener, and exceedingly creative improviser (as those of you who have conversations will no doubt be aware) – the kind of stuff we play changes depending on our mood, the instrument (normally he’s playing an electric piano, here he was playing a real one), the room, whether I’m looping or not (I wasn’t), and whatever we’ve both been playing recently. So it really is very conversational, and quite revealing as to how we’re feeling…

Then, last night was the radio broadcast for LCR, which included lots of duo improv with Antoine Farfad – a bassist who was using a V-Bass processor to get some great synth sounds. More improv, very different context, and with someone I’d never met before let alone played with. So the whole thing was very different from the jez setting, but just as rewarding. Antoine’s playing was marvellous – something you’ll be able to check out next week when the show gets archived at the radio station website. I’ll add a link as soon as it’s there…

Then, this Sunday, I’m off to Brighton to play with Tess Garroway (see gigs page for details) – a jazz singer with a heavily improvisational slant. Just got a CD of her stuff yesterday which is excellent (listening to it right now). What fun – all this improv is great for developing listening skills, new approaches, learning new ideas, and finding new contexts for stuff that I already do…

What fun!

What else has been happening? er, lots of teaching, which has been great – new students, old students, lots of very interesting people with a desire to learn.

Got the new copy of Q through… very disappointing. Christina Aguilera on the cover? Q? huh? not good. And, in their 50 most outrageous people in rock article, GG Allin doesn’t get a look-in. And frankly, if there were a more outrageous person in the music industry, they’d probably be dead by now… GG made Marilyn Manson look like Cliff… a true nutter, very sad case, and now dead, which wasn’t a surprise to anyone. Supposedly there’s a documentary about him somewhere, but I’m not sure I’d have the stomach to watch it… dark stuff…

but I digress.

So today – teaching, and a workshop for a church band down in Kent tonight, which should be a lot of fun.

Soundtrack – lots of Mike Watt, mainly ‘Ball-Hog Or Tug Boat?’, which is marvellous. Also, this Tess Garroway CD, which is a mixture of live and studio stuff, and is very good. what else? ah, Lewis Taylor’s first album, which is unbelieveably good. Amazing. Genius.

The Not So Lonesome Troubadour

Great gig last night at the Troubadour. Troubadour? where have I heard that name before? ah, yes it’s where I recorded my first solo album! It wasn’t me playing last night, but Muriel Anderson, fingerstyle guitarist from Nashville. She was very very fine indeed. Great playing, marvellous between song banter, a couple of lovely vocal tunes to vary the set. All in all a great night. Also of interest, the Troubadour have completely redone their basement venue area – they’ve taken over the next door building, knocked the two cellars through, and now have a bar, a sound booth a built in PA, and a gorgeous little stage in there. I CAN’T WAIT to play there next month (30th March – put it in your diaries now!) It’s going to be very fine indeed.

Today, I’ve been trying to get through a big long list of things to do. Firstly, I’ve been trawling through the hundreds of unanswered emails in my inbox – I’ve deleted about 150, and answered about 80 so far – another 200 and something to go! After that, I’ve got to send out loads of promo copies of Not Dancing (no sales today…), and phone a load of people about gigs, send out a newsletter with the info about my upcoming gigs and radio appearance, and tidy my office and the kitchen, which is a tip…

Soundtrack Last night and this morning it was ‘Theme For Two Friends’ by Muriel Anderson – guitar and cello duets, absolutely gorgeous. This one is goign to be spending a lot of time in my CD player over the next few weeks, that’s for sure. Now, I’m listening to the recording from the
Burning Shed Loop Night in Norwich last December – Darkroom, me, Theo Travis, Roger Eno, Peter Chilvers and Centrazoon. Some great stuff on there. Sadly, there’s a dirty great earth hum coming off my bass rig all the way through, but I’m going to try and eq some of it out for an MP3 before too long…

A Play What He Wrote

Last night I went to the theatre (er, beginning to sound like a 12 year old writing his summer project – “we went on holidays and it was really good and then we went to the beach and it was really good and my dad fell in the sea and we all laughed and then my mum laughed so much she dropped her ice-cream and we all laughed but she wasn’t laughing any more because she said she had ice-cream on her best clothes and if daddy thought that was so funny…’ etc. etc. or, er, something like that)

Anyway, as I said. Theatre, Last night. Brilliant. Genius. Speechless.

The play in question was called ‘The Madness Of George Dubya’, and is apparently an update on Dr Strangelove (or at least that’s what the review in the Guardian said – I’ve never seen Dr Strangelove, so can’t really comment on the veracity of that… but I digress) – anyway, if it is an update, it’s an incredibly topical one. It was, in fact, written in three days in January, and rehearsed in 6, before beginning a sold out run at Theatro Technis in London, then moved on to The Pleasance Theatre in Holloway, London.

The story revolves around a gung-ho US general on an airbase in the UK, deciding to order an all out nuclear strike on Iraq, and being the only one who knows the code to call the order back, you’ve now got your suspence. However, the play revolves around the idiotic mumblings of the US president, and the pathetic attempts to solve the problem by our own prime ministerial buffoon, Blair. Throw into the mix Yasmina The Cleaner – an Al Quaeda operative working as a cleaner on the air-base, a couple of US pilots flying the first plane ordered to drop it’s payload (all the while discovering their long buried desires for eachother), some useless British civil servants, more US army generals and a breath-taking speech by an Iraqi Ambassador and you’ve got yourselves one of the most powerful, funny, moving, disturbing, remarkable theatrical performances I think I’ve ever seen.

Justin Butcher, the writer, has been carving a reputation for himself for a few years now – last year his play, The Seven White Masks Of Scaramouche Jones toured with Pete Possilthwaite delivering the one man show to sold out audiences round the UK. But Dubya is a whole other kind of triumph – it would have been impressive if he’d written it in 3 months. 3 days suggests some sort of pact with the devil in exchange for genius, or conversely an angelic visitation, complete with finished script. Truly unbelieveable. And on top of that, one of the most vital, vibrant and controversial comments on the current impending (pleasegoddontletithappen) war.

‘If’ they get another run at it, you would have to be stark staring mad to miss it. Already they’ve had coverage on CNN, in various US newspapers including the Chicago tribune, on MSNBC, 4 stars in the Guardian, 5 in What’s On, been in the Independent’s top 5 theatre shows in London for weeks on end. Seriously, it’s magical, you have to see it.

phew, that was exhausting. Tonight’s the last night – if you’re in London, you can catch it at either 5 or 7.30. But I’m certain it will get another run. It HAS to.

In other news, last night I was on nightshelter duty again (meant to be next week, but I swapped) – as was evil harv. He wasn’t meant to be, but while we were in the theatre, some sort of serious police ‘incident’ took place outside, and Harv’s car was in the cordoned off zone, and he was unable to move it til this morning!!! So the poor guy ended up sleeping in a freezing church hall on a couch… :o)

Came home, slept, got woken up about five times by the phone. One of the calls was telling me about the funeral details of a friend of mine who died of lukemia last week. I’m not sure what to think about that one. I didn’t even know he was ill til the day he died. 11am – a text saying was on life support. 3pm phone call saying he’d died. WTF???? What? Where? When? How? Andy was officially my land-lord when I live in Lincoln, but the house for most of that time was more like a live-in community. He was a fantastic cook, so we’d throw dinner parties fairly often, there were up to 5 of us living there at any one time – me, farmer Joe, DJ Ben, Biker Wendy… it was like some poorly scripted sit-com, with some very bizarre events. One favourite was Farmer Joe trying to make his own garlic bread, and misunderstanding the difference between a ‘clove’ of garlic and the whole bulb. So he crushed three whole bulbs of garlic, and put them on two slices of bread under the grill. The dogs were yowling for days. Ah yes, the dogs – Max and Polly. Insane and ever-present. Andy doted on them. He married Sharon just before I left Lincoln, and they’ve now got at least two kids (could be three, who knows). I can’t even begin to imagine how she must be feeling. He was only in his late 30s. Still officially a ‘youth’ (18-40). And now he’s gone. I can’t get to his funeral on Thursday – it’s in Lincoln and I’m already mad mad busy that day. But I’ll be thinking about him. About live on Richmond Road, dinner parties, mad dogs, video nights, trips to the pub, Dave Elcock at his wedding reception.

Last time I saw him was at Martin Clarke’s 40th birthday last year. he was smiling from ear to ear, telling me his news and looking remarkably pleased to see me. I wasn’t overly friendly with him (it’s always odd being back in groups of people from Lincoln – too much weirdness left there for me), but he was very eager to hear what I’d been up to and to tell me about his kids.

And now on a lighter note, tonight I’m going to see Muriel Anderson play at The Troubadour in Earl’s Court – lovely venue, I’m playing there myself at the end of March, and it’s where I recorded my first album! Muriel’s great, so I’m really looking forward to that one. If you’re going, I’ll see you there…

Soundtrack – been listening to a CD by Ollie Collins ‘Make Time Last’ – rather nice acid-jazz influenced layered bass and keys stuff, with some great sax playing. Before that, it was more of Michael Manring and I…

When work is more fun than fun…

I do feel very lucky to get to make my living playing and teaching music… the playing side of that is obvious, but the teaching side is just as much fun, just as rewarding and just as challenging. I get to meet a fascinating bunch of people, all of whom I learn things from as well, many of whom are very creative and capable musicians, I get the challenge of creating a course of study that will help them to maximise their musical potential, I try to guide them through all the psychological pit-falls that can befall anyone trying to do something creative and especially for those who need music as a release from the stress of work etc… It’s a big responsibility, and one that sadly, it seems from what I’m told, a fair few teachers don’t take seriously. Fortunately, there are enough of us left for people to be able to find a good teacher if they look hard enough, but I guess the fact that I have students who travel from all over the south and midlands of England and even Wales suggests that there are still some areas where it’s pretty hard to find a good teacher…

Anyway, as I say, I feel very lucky to get to meet all these fascinating people. I benefit from it emmensely both musically and from the friendships that develop, and obviously the feeling of watching someone that you’re teaching discover whatever it is that they were looking for in music is a great feeling – teaching them what they want to know, and even more, teaching them what they didn’t know they wanted to know but actually wanted to know more than the stuff they thought they wanted to know.. :o)

Er, what else? Well, I’m still in post-tour consolidation at the moment – catching up with all my students, finally getting round to some of the promo stuff to do with Not Dancing For Chicken that I really ought to have done when it came out but didn’t cos I was on tour, and hopefully, eventually, sorting out my office, which is still a complete tip. In between all that, I need to make sure that the aged feline gets his medicine (high blood pressure), and gets a good brushing (to prevent hair-balls), and start booking some more gigs (oh, BTW, I’ve added a couple of dates to my gig page, and will be adding another two or three in the near future…)

For those of you that are on the Street Team – don’t forget to re-sub to the new topica list. The street team was getting a little big for me to handle via email, so I’ve created a topica list, like my main mailing list, so that you can manage it yourself, and I don’t have to try and find out what your new email address is when you decide to change it without warning me!

For those of you that are musicians in bands, I heartily recommend the street team idea – it’s very reassuring to have a bunch of people who like your music and are willing to help out getting the word out about gigs and cds and everything – even a handful of willing friends can be a bonus, and if you get an international list then it can be really useful in helping to build profile.

even if you’re not on the street team, feel free to have a look at the street team ideas page, so that if you feel like helping out in an unofficial capacity, you can do!

So what’s up for the next wee while? Er, I’m working at the nightshelter again this evening (was meant to be rota’d on next weekend, but have swapped) am meeting up with evil harv this evening – he organises delicatessen (click the deli link over the the left hand side of the page there for more on deli – a great acoustic night in Reading), and I’ve got a suggestion for another weird deli night, like the solo bass one we did last year with me, Michael Manring and David Friesen… watch this space for more on that…

And tomorrow I’m going to see Muriel Anderson play at the Troubadour in Earl’s Court – she’s very good, and well worth checking out, should you want to. I’ll meet you there!

SoundtrackBeen working through some CDs borrowed from Not At All Evil Dann – some Django Bates (some of which is excellent, some didn’t do it for me), and a CD by Richard Leo Johnson, which is sort of Michael Hedges meets Oregon, and is rather lovely. After that today, I’ve been listening to a recording of Michael Manring and I, live at the Anaheim Bass Bash – I’ve got my whole set here, but haven’t been paying much attention to the other tunes in it, just this duo with Michael, which with any luck will surface here as an MP3 before too long…

All work and no play…

…would be a highly inaccurate way to describe my life.

However, the work content is now increasing once again, after a fairly relaxed easing into it after the exhausting tour of CA…

This morning so far has involved sending out lots of CDs – shipping a new box-load to CD Baby – probably the best online indie music store – well worth checking out. And also shipping out some other ‘normal’ orders that arrive via evinsol. There are now loads of different ways of buying my CDs – still very few shops, but it’s not really an angle I’ve been chasing, as unless there’s a demand, they just sit on the shelves and do nothing, and just the admin of keeping track of where they are would do my head in. So instead I stick, predominantly, with web and gig-sales – web-wise, most still come through evinsol, the main CD order link on my site, and the Pillow Mountain Records site, but I also sell a few through CD Baby, and GEMM.COM – the primary usefulness of those are that they are both heavily searched sites, so people can find out about me without me telling them, and also their pricing is in dollars, so it’s less confusing for all you lovely americans parting with your hard earned green-stuff.

the nice thing is that with the increase in reviews, interviews and radio airplay, the promotional process gets a momentum of its own – a google search on my name throws up tonnes of stuff, and there are now quite a lot of bass sites that link back to my site… Add to that you lovely people helping to spread the word, and playing the CDs to your friends (word of mouth is still the most powerful tool an independent musician has, so thanks!), and it all starts to look a little more viable, and less like I was mad to go the indie route in the first place. The problem of late has more been that the touring side of things has been too successful, and I’ve had very little time for promo! It’s fine, cos the sales of CDs at gigs are better than they are through magazine reviews and radio airplay anyway, but it still has to be done…

Add to that my teaching schedule (currently busier than it’s ever been!), and I have less and less time for play… which is no bad thing. I’ve stored up so much play-related-mellowness (recognised medical phenomena), that I can probably cope with doing a respectable amount of work finally. After all, I’m 30 and have a mortgage and a small hungry feline mouth to feed – responsibilities!

So the rest of the day will be spent trying to get details on my upcoming gigs (I’m meant to have one in Brighton next week, but know nothing about it yet!!), sending out some radio copies of Not Dancing, teaching (starting in 15 minutes), practicing (been working on some of the EDP stuff that I saw Andre do at the clinic we did together – he’s very good…)

And maybe a few minutes just mucking about on line in between… :o)

Soundtrack – this morning I’ve been listening to Attention Deficit’s ‘The Idiot King’, and Jughead’s self-titled CD – both very very good. Attention Deficit is Michael Manring’s trio with Tim Alexander from Primus and Alex Skolnik on guitar. Jughead is Ty Tabor from King’s X with Greg and Matt Bissonette. Yesterday, I was listening to ‘Contemplating The Engine Room’ by Mike Watt for most of the day – Mike’s amazing, his CDs are amazing, his indie-thinking is amazing and he’s a very sound chap – check out his forum at on talkbass.

Normal Service Has Been Resumed

Apart from a slight residual sore throat, it seems life is back to normal… or maybe touring is normal, I’m just not used to normal yet…. who knows. Whichever, I’m settled back in at home. The last couple of days have involved a fair amount of teaching, some tidying, though not much, lots of cuddling the aged feline, who appears to have pretty refined taste in vegan food – mushroom pate, Quorn sausages and vegan bacon to be precise!! Today I’ve been sending out CD orders, which keep rolling in, reassuringly, then went down to the Gallery, originally to see Martin Peterson who makes the Sei basses, but he’s away, so I spent some time chatting to Alex, who now runs the shop there – very nice chap, who used to work at the Bass Centre. Nice to see that they’ve got a Lexicon MPX-G2 in the shop (the same effects processor that I use, in case you were wondering) – so if you’re looking for one, that’s the place to look!

My E-Bow has broken! I mean, it still works, but the catch on the battery compartment has gone, so I’ll have to keep the battery in place with an elastic band. What with that and my mobile phone, which has the battery gaffer taped in place, it’s a bit of a heath robinson life I lead…

It’s nice to be back playing a four string bass again – on the US tour, I borrowed a 6 string fretted bass from Modulus, and has my own 6 string fretless with me, so coming home and playing my four string is like picking up a toy – it’s so easy… and what’s more, I’ve been doing loads of tapping stuff since I got home – a technique I almost completely dropped about five years ago, but one that I’ve been showing to a couple of students recently, and which has been presenting some fun musical options… watch this space to see where that ends up!

Was reading ‘Further Along The Road Less Travelled’ by Scott Peck on the train, which is a fascinating book. Basically, it brings together psycotherapy and spirituality. Scott’s a christian, but arrived at where he is now on his journey via 20 very valuable years as a zen buddhist, and his zen thinking still informs much of his life and writing, leading to a fascinating take on where his training as a psychiatrist and his spirituality meet. Reading this follows on nicely from a great section in Frank Skinner’s Autobiography that the small person read to me the other day, where he talks about his Catholic faith, and a very very powerful experience he has at a Catholic church in Japan, which lead his to talk about the strangeness of being a person of faith in contemporary society, where most people cringe if you mention God, and also have a pretty skewed view of what it is to be a christian… I tend to avoid the label, for the most part, at least on first meeting people – primarily so that people’s experience of me will inform their thinking of what a christian is, rather than their misconceptions of what a christian is prejudicing them against me… This can be particularly a problem in the US, where much of what happens in the name of ‘the church’ is pretty seriously f-ed up, and where ‘christian’ is synonymous with a certain type of right-wing, republican, moral conservatism that doesn’t really reflect anything of what I perceive the life and teaching of Jesus to be about… always seemed a lot more radical than that to me… Anyway – the point being, it’s always interesting to read stuff -be it Scott Peck or Frank Skinner – by people who are struggling with the same questions about integrating faith and life that I, and just about every other ‘normal’ christian that I know is dealing with… It’s hard not to end up embarassed by the horse-shit that happens in the name of God – poor thing, She’s got the worst PR of anyone in history, and it’s our fault…

Er, where was I?? oh yes…

Soundtrack – been listening to Dave Pomeroy’s ‘Tomorrow Never Knows’ album – all bass and voice, very good indeed. Dave was playing at the NAMM Bass Bash, and was brilliant. Also been listening to Mike Watt, another guy who played at the Bass Bash – his CD, ‘Contemplating The Engine Room’ is stunning – like a punk Tom Waits. Great story telling, some amazing guitar playing from Nels Cline, and Mike’s bass and voice doing baritone duets with eachother. outstanding.

Peace-Party In The Park…

here are some photos from London’s stop the war march on Saturday, taken by me… they aren’t great, sorry. It was an amazing feeling joining with more than a million other people to voice our discontent at the bizarre way the US and UK governments are going about trying to engineer an attack on Iraq. This was democracy in action, and hopefully will have scared the shit out of Bush and Blair if they think they can go around flattening cities and killing untold thousands of innocent people without the people they are supposed to represent getting rid of them. Tony, your days are numbered.

Anyway, the march itself was a fantastic experience – I was walking with my mum, and met up with loads of people from St Luke’s as well as bumping into Vibraphonist Orphy Robinson along the way. Loads of other people I knew were there, but in a crowd of more than a million, what chance to you have of meeting up? Actually, I did meet up with Dave and James, who both probably knew where I was because they both, at different times, are the man who knows – a concept I shall explain at greater length later.

anywhere, here’s the piccies…









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