OK I take it all back… well most of it

Aha, serves me right for basing a rant on something written in the Mail – apparently Cliff hasn’t given up recording at all – it was down to crossed wires. Or as it’s the Mail, probably just a load of made up lies, as that seems to be their stock and trade. Still it’ll spoil Simon Heffer’s column, where he was no doubt going to blame asylum seekers and single mums for ruining Cliff’s career.

So in fact, what started as him seeming like a churlish fool has actually turned into Cliff’s best bit of publicity for years. I mean, how many blog posts are there out there about Cliff, in general?

SoundtrackThe Cure, ‘Greatest Hits’.

Cliff gives up recording… hmmm

So Sir Cliff has given up recording because radio won’t play his tracks – what a damn stupid reason not to record music! It says a lot about Cliff’s motivation and his relationship with his fan-base, who would buy whatever he put out regardless of the perceived radio-snub.

In general, I have a bit of a soft-spot for Cliff. He’s faintly ludicrous, but whenever he actually speaks or is interviewed, he aquits himself superbly, and is pretty hard to fault.

However, refusing to make records because a handful of style-crippled stations won’t play music by a man pushing 70 is pretty foolish. If he wants to retire from recording, good luck to him, but don’t try and lay the blame at the feet of radio. If that happened to me (like I’ll ever have enough radio play to notice if anyone stopped playing it!) I’d see it as a challenge to make better music, unless it was just that the demographic my music was aiming towards was different from that the radio station was targeting (as is clearly the case with Radio 1 and Cliff).

He’ll keep touring, which I guess is good news for his fans, and I wouldn’t be surprised if the occasional live album came out. I guess that would even give him a way to sneak the occasional new song on there. Although, maybe that’s what this is about – he just can’t be bothered to learn any news songs!

Anyway, it’s a shit reason for not recording, and Cliff should really know better.

Soundtrack – The The, ‘the Singles’.

Eric's Funeral

Yesterday was Eric Roche‘s funeral. I was hugely grateful to Thomas Leeb for forwarding the details to me, and I drove up to Haverhill yesterday lunchtime.

The turnout was amazing – hundreds of people including the great and the good of the UK guitar scene turned out to pay their respects to a musician we all loved and admired so much.

The service itself was lovely – the vicar did an amazing job, helped by the fact that he’d known Eric for over a year through his illness, and had spent a lot of time with him talking about his plans for the funeral.

The eulogies were very moving, particularly the ones from one of Eric’s oldest friends who’d been with him since he was in his early teens, and the one from guitar legend Martin Taylor – Martin had produced Eric’s last album, the truly brilliant ‘With These Hands’. The job of playing one of Eric’s tunes – the title track from that album – fell to Stuart Ryan, who did an amazing job of it. That was a role that no-one in the room would have relished, and Stuart played beautifully.

Funerals are a mixed affair generally – it’s often difficult to get past the mawkish hyperbole about what a great person the deceased was, but in Eric’s case, the vast majority of people there were just repeating what they’d been saying for years – he was a deeply inspiring person, amazing musician, hilarious to be around and hugely encouraging to his students and peers.

The get-together afterwards was an amazing gathering – guitarists and writers from all the UK’s major guitar mags mixing and chatting about eric, about guitar about gigs – all the things that Eric did so well.

The more I chatted to people the clearer it became that we were running a parallel course in so many ways – for years we were both teaching at music schools, writing columns for magazines, releasing solo CDs, playing at tradeshows and mushing it altogether into a career. Eric was way more marketable that me, and an even better self-publicist, and was, tragically, on the edge of moving into much bigger things. He was already selling out in provicial theatres, and was the star attraction at guitar festivals across Europe, even visiting China earlier this year. It would surprise me at all if he became the Eva Cassidy of the guitar – though it will be tragic for all the people who from now discover him through his records not to be able to see him live.

Still, you’ve got to get With These Hands – it’s genius, it’s beautiful and no CD collection is complete without it.

The main thought I had going through my head during the service was how unfair the whole thing was – some people live who seemingly don’t deserve to, and others die needlessly due to the genetic russian roulette of cancer. But that’s just it, I guess. Life isn’t fair, never has been. The world is a lot of wonderful things – it’s beautiful, inspiring, funny, there’s music and art and love and nature and rain and the sea and cats and mint tea and friends and family and all kinds of magical beautiful unfathomably wonderful things. But it isn’t fair, and we can’t earn our health, or the right not to get cancer, or the right not to get run over or mugged or blown up on a tube-train or… We can limit the chances by taking care of those things that we have control over – eating properly, not smoking, avoiding situations where people might run amok with an automatic weapon. But we’re not in control, and there’s no system of fairness that apportions tragedy to those who deserve it and witholds it from those who are ‘nice’ or ‘clean living’ or whatever.

I was looking at Eric’s parents and thinking that no-one should ever have to bury their own kids. It’s the great injustice. The order’s all wrong. Eric was only 37, which is no age at all. Two little kids and a wife. A family full of love. It’s too much to even think about, really.

But some things live on. the music definitely, and the memory and the inspiration, in big and small ways. Eric’s most well-known peers have expressed a desire to do something to help, to organise benefit gigs for the family. Some are already taking place (Martin Taylor is playing in Cambridge in October, and we’re talking about getting something to happen in London in January). And we can spread the world about the music – that’s the easy bit, it spreads itself.

There are small things that live on – Eric inspired the best tune I’ve written in a long time – and there are big things, like the ACM in Guildford renaming their guitar course after him (Eric was head of guitar there for years, and wrote the guitar course).

And you, you can go and buy his CDs – start with With These Hands, it’ll blow you away. Go on, you’ll discover some great music, and his family will benefit too.

So all in, the funeral was a fitting tribute to a much loved guitar genius, and a testament to his influence. On Radio 2 yesterday afternoon, Billy Bragg – who has been working on a songwriting project with terminal cancer patients – commented that the one thing that cancer gives you is time; time to get things in order, to plan your funeral to say what needs to be said, in a way that a sudden tragedy doesn’t.

SoundtrackKT Tunstall, ‘Eye To The Telescope’; Kris Delmhorst, ‘Songs For A Hurricane’; Juliet Turner, ‘Season Of The Hurricane’.

A very funny man

the downside of being out with the film-taste-challenged foursome last night was that I missed all but the last 10 minutes of Dara O’Briain on Jack Dee’s Live At The Apollo. Now I didn’t know it was a downside until I found myself nearly pissing myself after just 10 minutes of standup. Even in that 10 minutes he was one of the funniest people I’ve seen in a very long time. Now I understand why he pulls such huge crowds at Edinburgh each year. Must head off and try and find a DVD of him…

More fun with last.fm

the more time I spend on the last.fm site, the more I like it. I’ve started posting a series of thoughts on albums I love in the journal section over there. Not strictly reviews (so far I haven’t given a track by track breakdown or anything) – more some stuff about how I discovered it and what it has meant to me.

The first two are Hejira by Joni Mitchell, and Plumb by Jonatha Brooke – both remarkable albums that I came across in interesting circumstances that have stayed part of my aural landscape for a decade or so. I’m listening to Plumb at the moment, and it’s no less wonderful than the day I first bought it.

in other news, last night was a curry night with Sarda, Kari, Matt and Claire – Sarda and Kari being over from the US is always cause for curry, even if Sarda does seem to be in London more now than when he living in Reading… hmmm. Much fun was had by all (and much lovely spicey food), though my opinion of all of them was diminished by them being part of that damaged social grouping comprised of peopl who thought Lost In Translation was any good. Let me clarify, Lost In Translation was shit. Implausible, plotless nonsense. Yes, it was ‘beautifully shot’ but if you want beautiful camera work watch ‘The Blue Planet’ or ‘Secret Life Of Plants’ – thingie Coppola can’t get close to David Attenborough and his team for lovely camera-work, and you don’t have to put up with a load of unbelieveable nonsense about two people with nothing in common meeting in a hotel and suddenly feeling ‘a connection’. No, it’s bollocks, and anyone who tells you otherwise is just wrong.

Now, Matt and Claire, go and get Whale Rider and Team America, and watch some proper films.

SoundtrackJonatha Brooke, ‘Plumb’.

Alison Krauss at Hammy Odeon

Middle of last week, an email arrives telling me that as a thankyou for helping her out over the years, Julie Lee had put me and and a few other lovelies on the guestlist for Alison Krauss – Alison and Julie are good chums, so we got tickets and passes for a ‘meet and greet’ before the show. Yippee! It all sounds marvellous – even more so given that helping out Julie is such a pleasure that it hardly requires rewards…

Anyway, TSP and I jump in the new car and head off down to Hammersmith to meet The Cheat, The producer formerly Known as Showbiz Jude and Mark, and find when we get there that a powercut has taken out the Odeon (OK, I know it’s called the Apollo and is sponsored by some crappy beer company or other, but it’ll always be the Hammersmith Odeon to anyone who actually cares).

We head off to the pub, not knowing if gig will go ahead at all. Make occasional reckies (how do you spell ‘recky’?? it’s short for reconnaissance, I think, so can’t see how you’d abbrieviate that… but I digress), the traffic lights are still out, so we know the odeon is still without power.

Meet and Greet is cancelled, and we all started to head off when ‘poomph’ (poomph???) the lights came on! ‘hurrah’ said anyone too posh to cheer in a normal way.

Following some frenetic gig preparations, we were inside and sat down (in fab seats) and the band came on.

After my trip to Nashville last October, I’m a convert to the delights of bluegrass anyway, and it doesn’t get much better than this – the playing was amazing, the songs beautiful, and Alison has spectacular natural comic timing. It was yet another example of the simple rule about american bands – they get to play live so many more times that any UK band does before they go in and record that they end up being much better musicians. Even when their ideas aren’t as good as ours, the playing is usually of a higher quality (there are exceptions to the rule – me, for example – but in general… )

So the meet and greet didn’t happen, but the gig was well worth waiting for til someone put some 50p coins in the Hammersmith meter.

At the end of the gig, as we were coming out, I commented to Jude that I’d like to get Alison’s live album ‘I’ve got it you can borrow mine’ says jude. ‘I’ll buy it, I’ve already got her best of’ says me, which in the hubbub was mis-heard by Jude as ‘does she get her breasts out?’ – clearly, that’s one of my main criteria when choosing a bluegrass CD – whether or not there are boobs on the cover… very odd…!

Anyway, thanks Julie – a fantastic night out, even without Alison exposing herself on a CD sleeve.

soundtrack – Rise Kagona.

This is going to be fun!

I’m so looking forward to this John Peel Day gig with Rise Kagona and Calamateur. I’m chuffed cos we can put on a bill as electic as that and make it work, thanks to Peel’s astonishing programming policy on his show. I get to book two fabulous acts to come and play with me, and I get to play bass for Rise! How cool is that? v. cool indeed, that’s how cool.

And, what’s just as cool is that I’m able to do the ticket sales online. Oh yes – OSCommerce, the online shop cleverness that I use on my site will happily deal with choices for concession priced tickets etc. It’s very cool. We like.

So, now you can head over to the shop and buy tickets for the gig. Go on, you’ll love it! It’s going to be such a great night.

Have a read of the blurb I’ve put on there. Here’s a choice quote from Andy Kershaw about The Bhundu Boys (from this article in the Independent) –

“I first heard them when they put out an EP in the autumn of 1985,” Andy Kershaw recalls. “Peel and I were in the office at Radio 1. We sat staring at each other, thinking this recording was absolutely wonderful. It was the dazzling quality of the music, the harmonies, the sparkling guitar playing. The Bhundu Boys were simply one of the greatest pop groups I have ever heard.”

The following spring, Kershaw adds, he and Peel went to see the group in Chelsea.

“I realised after a few minutes that I had this enormous grin on my face. I was surrounded by kids of college age. They were all grinning too. I turned to look at John, and – Peel being Peel – he was weeping. The tears were just running down his face. It really was a revelatory moment…The band played like they were having the time of their lives. They played like that because they were.”

How can you miss the chance to see the founder of that band, with me on bass???? It’s going to rule.

soundtrack – Alison Krauss, ‘Now That I’ve Found You: A Collection’.

a Last.fm experiment

So, while I’m waiting for the washing machine (newly fixed) to finish its cycle so I can hang the washing, I thought I’d try skipping through 20 tracks on the ‘similar artists’ radio station for me on Last.fm – here’s the list:

1. Mike Watt – Heartbeat (Ball Hog or Tugboat?)
2. Ginger Baker Trio – Rambler (Going Back Home)
3. Roy Budd – No Co-Operation (Buddism)
4. Haden/Metheny – Two For The Road (Beyond The Missouri Sky
5. Randy Crawford – Secret Combination (The Very Best)
6. Elza Soares – Deixa a Negra Gingar
7. Sheila Chandra – Nana/The Dreaming (Weaving My Ancestors Voices)
8. Marcus Miller – The Blues (Tales)
9. Bob Mould – Megamanic (the Last Dog And Pony Show)
10. Show Of Hands – Yankee Clipper (Live)
11. Truby Trio – New Music (Elevator Music)
12 (someone chinese, in chinese writing)??
13. Denison Witmer – These Days (Recovered)
14. Level 42 – Talking In Your Sleep (Forever Now)
15. Terry Callier – 4 Miles (Lifetime)
16. Zakir Hussain – Tabal Solo In Teentaal (Festival Of Indian Music: Roma)
17. Incognito – Listen To the Music (Nortern Jazz – Southern Soul)
18. Goodbye Mr Mackenzie – Goodwill City (Love Child EP)
19. Lies Damned Lies – Only You (Lonely Together)
20. Senser – Return To Zombie Island (Schematic)

Is that close? it’s definitely swayed by who has uploaded music and who hasn’t (every time a Level 42 track comes up, it’s always from ‘Forever Now’, so that’s obviously the only album of their up there) – hopefully this will be an incentive to indie peoples to get their music uploaded there for the radio listeners to get familiar with (Andrew H, Trip, Buck, Manthing, Big Buzzard and any of you other indie peoples reading this – get your music uploaded! Email me if you need a hand…)

Right, washing machine has finished…

More cool listening options from last.fm

I’ve just noticed that on last.fm you have two main radio playlist options for each artist – you can listen to a radio show of tracks by similar artists, and a show of tracks by artists that fans of that particular artist are fans of! How cool is that?

So, using me as an example (and what finer example could there possibly be?) you could go to my artist page at last.fm, and the click on ‘start radio’, and choose one of the options – similar artist radio or artist fan radio (these last two links will only work if you’re signed up to last.fm and have downloaded the radio player – you so need to do that.)

If you want to see who the artists are that I’m ‘similar’ to, based on what people who listen to me are listening to, click here.

When compared to other music networking sites, like myspace which I recently signed up to, last.fm is so much more sophisticated, ad-free (makes a huge difference) better designed, and more intellegently configurable for both the artists and the listeners. There’s no way that some loser band can do a hard-sell on you, but if there are people who like what you do then you’ll automatically reach the people who listen to the other stuff that they like. It’s organic music networking at its very best. Go on, sign up.

soundtrack – James Taylor, ‘Hourglass’; Gary Peacock and Ralph Towner, ‘A Closer View’; Eric Roche, ‘With These Hands’.

A top comedy night out.

Having missed their show in Edinburgh, TSP and I were most pleased to discover that Barry Cryer and Ronnie Golden were playing at our local arts centre, The Arts Depot in Finchley. It’s a new place that we’ve tried to get to a few times before, but each time the show has been sold out.

This time we were on the guest-list, so no selling out woes for us.

However, when we got there, and went upstairs to get to our seats, there was what looked like a civic reception in full swing – various people dressed like local dignitaries (no idea who the local dignitaries are, so not sure if they were just imposters), many peoples with ‘arts depot’ badges on, and a handful of local celebs (Robert Powell, the lovely Linda Bellingham etc.) Our first thought was that we were in completely the wrong place and something very odd had happened. Then the woman giving the speech (speech!?!?) mentioned tonght’s gig that everyone was about to go into, and we realised it was just a do that happened to coincide with the gig.

The gig was, as expected, marvellous – very funny indeed (I think TSP was laughing louder than anyone else there, but largely because we knew what the songs were going to be from their intros, as many of them were also in the ‘Men In Beige’ show we saw at Edinburgh last year). The larger venue didn’t really work in Barry and Ronnie’s favour – the intimacy of an Edinburgh-style venue was perfect for their style of musical comedy, and the bigger stage meant that those of us in the balcony didn’t get such a great line of sight for some of the facial expressions, but it was still a marvellous night’s comedy.

The party afterwards was lots of fun, given that we now knew what was going on, and would actually know two people at this bit of the party (they’d obviously been getting ready to go on stage when we got there at the start). Surreal moment of the day goes to Jeremy Beadle, who wandered up while I was chatting with Ronnie, and started to compliment him on his marvellous country singing (Ronnie is indeed a fantastic singer in just about any style he turns his hand – or larynx – to) – Beadle was as pissed as anyone I’ve seen for quite a while, and told us of his extensive country music collection. I’m sure if I’d had the forsight to video it on my phone it would’ve earned me £250 on ‘You’ve Been Framed’.

Also met the director of the arts centre who is, by the look of their programme, doing a marvellous job. Must follow up the contact – the main hall there is a beautiful performance space, and one I’d love to play in.

Today was a housework day, interrupted by coffee with the v. talented Photographer Steve, who has one of his shoots in the current issue of RockSound magazine, and is clearly going to be the most in-demand photographer in the country within the year. His latest shots are astounding. It’s always nice to sit and chat with other freelancers about the world of work and the state of the world. Also very nice to talk to one who’s doing so well, and deservedly so. Not only that, but his equally talented wife Lorna gave me her old minidisc player to record gigs with, as mine is broken. Talented lovely peoples. gives you faith in the world.

soundtrack – still the Rise Kagona tracks for the gig in October.

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