MySpace controversy

there’s been a lot of forum activity across the entire internet created by the MySpace.com terms and conditions, with lots of musicians protesting that MySpace are going to be stealing our songs and photos and using them all over the place, selling them on etc.

This is the offending section in the T&Cs –

  • Proprietary Rights in Content on MySpace.com.
    • By displaying or publishing (“posting”) any Content, messages, text, files, images, photos, video, sounds, profiles, works of authorship, or any other materials (collectively, “Content”) on or through the Services, you hereby grant to MySpace.com, a non-exclusive, fully-paid and royalty-free, worldwide license (with the right to sublicense through unlimited levels of sublicensees) to use, copy, modify, adapt, translate, publicly perform, publicly display, store, reproduce, transmit, and distribute such Content on and through the Services. This license will terminate at the time you remove such Content from the Services. You represent and warrant that: (i) you own the Content posted by you on or through the Services or otherwise have the right to grant the license set forth in this section, and (ii) the posting of your Content on or through the Services does not violate the privacy rights, publicity rights, copyrights, contract rights or any other rights of any person. You agree to pay for all royalties, fees, and any other monies owing any person by reason of any Content posted by you to or through the Services.

(Italics added by me).

The purpose of this bit is to stop anyone from suing them for having their songs played on someone else’s myspace page. It also leaves them free to have streaming audio on the site for ‘artist of the day’ type deals, or even myspace online radio using the tracks that have been posted. Without this clause, they could be hit with royalty claims by God-knows how many shitty indie bands whose mates have put their tracks on their page… It’s an arse-covering clause, not a rights-thieving one.

Think about it – MySpace is currently one of the top three biggest sites on the entire internet. It’s huge, it’s a phenomenon. They really can’t afford to piss people off. They have huge name musicians on there, with incredibly adept legal teams who would fry them alive if they decided to start using MySpace music clips on TV shows or whatever. If they stole some of my music or nicked photos of my site, I’d be onto the papers quicker than you can say ‘any publicity is bad publicity’, it’d be front page news and the site would start haemorrhaging users at lightning speed. Their ad revenue would disappear and the site would implode.

Now, I like most people think that Murdoch is a despicable odious louse on the pubic hair of society. He’s filth and scum of the worst kind. He’s also a business genius. A rancid amoral business genius, but one who really knows what’s going on. MySpace is his latest acquisition and he’s not about to let it fall apart over the licencing of a few tunes. The cost of paying a band to use their music on a compilation album or tv advert or whatever is tiny compared to the legal costs of being sued by Madonna for trying to claim that they have the right to use her tunes anywhere.

So, please, stop fretting about the MySpace T and Cs. Them doing what people say they are going to do would result in such a HUGE own goal for the site and for News Corps on mass, that it’s really not going to happen.

Panic over.

Life Lessons From Songs

TSP bought the DVD of Love Actually on Ebay last week. I’d seen it before, but watched it again. I quite like Richard Curtis, despite thinking Four Weddings was largely nonsense, and Notting Hill suffered from the much-publicised lack of black people in a very heavily black part of London. I like the fact that he wrote Blackadder – that’s a good thing. And I like his commitment to the Make Poverty History campaign.

Anyway, this isn’t meant as a review of the film (though it must be said, the scene where Hugh Grant disses the American president is a blinder… sad that he had to be inspired to do it by the pres. hitting on his tea-lady, rather than just out of some kind of moral response to the evil horse-shit that American presidents are so often involved with, but viewers can’t be choosers, and it’s a sweet moment, nonetheless). the interesting bit of the film is in the extras.

Richard Curtis does a little talking head slot about each of the featured songs in the film, and makes the comment that he’s spent his life learning about emotions and being instructed in human relationships by female singer/songwriters. And it was a point that struck home. Particularly because two of those he picked were Joni Mitchell and Mary Chapin Carpenter – two of my favourite singer/songwriters, and also lyricists that I’ve learnt loads from.

So I’ve just been listening to ‘Come On Come On’ by MCC, which features the first song I ever heard by her, ‘He Thinks He’ll Keep Her’, which I bought on single when I was 18 or 19, and played to death. I think the album was one of the first CD albums I ever bought, and I’ve been collecting her stuff ever since. But I was struck by the lyrics, about bored housewives in loveless marriages finally having enough and leaving, and the husbands being all surprised at the end of the relationship. And it made me think, made me aware to some degree of how things are. As did so many other songs by her, and a whole host of other great female songwriters – Tracy Chapman, Suzanne Vega, the Indigo Girls, Jonatha Brooke. Some times the lessons were political, like ‘War’ by Jonatha Brooke. Sometimes just about feeling alive, like Gallileo or Watershed by the Indigo Girls. But all of them vital lessons.

And then it got me thinking about what happens when that isn’t there. Where instead of strong, intelligent female figures, you’ve got faux-feisty soft-porn-alikes, telling us that a man ain’t no man if he ain’t buying me bling, or coming out with imbecilic horse shit like the Pussycat Dolls. ‘Don’t You Wish Your Girlfriend Was Hot Like Me?’ – no, you moronic, corporatised, tragic shell of a human being, I don’t wish my girlfriend was anything like you at all.

Lads are growing up with this as their lessons from women. was it much better in the 80s? Who were the equivalents of these totems of fuckwittage that parade across top of the pops? Mel And Kim, the Bangles, Janet Jackson before she apparently went on the game, Salt And Pepper, Kylie, Bananarama… a mixed bag, for sure, but not half as bad as the genetic detritus that passes for celebrity today. Who is there to save the day? KT Tunstall, at least. She’s fab.

So if you’ve got kids, get them into singer/songwriters. Buy them some Joni CDs, and Mary Chapin Carpenter, James Taylor and Paul Simon, Carly Simon, Bruce Cockburn, KT Tunstall, Suzanne Vega, Jonatha Brooke, Kelly Joe Phelps – story tellers not clothes horses, observers of the human condition not shills for the corporate dollar.

In a world where the bardic tradition is all but lost, we need surrogate poets and story-tellers, mythic historians and reflectors of who we are, who we want to be and who we can be if we get it together. And it’s not even about them being amazing people – John Martyn’s a disaster as a human being, but a great weaver of poetic magic. James Taylor was a violent smack-head when he wrote ‘Shower The People You Love With Love’. We just need story tellers to show us the way.

So, a comment thread – favourite songs for telling how it is, should be or could be? at least one from each of you, dear bloglings, thankyou. ;o)

Debut gig – much fun!

Julie and I got through our first gig together unscathed! What fun! The set list, as I said, was a mixture of jazz stuff such as ‘Like Someone In Love’ and ‘What A Wonderful World’ coupled with a load of less likely candidates from The Cure, Slipknot, Green Day, The Police etc.

There were a couple of expected loop gremlins (first gig going without a hitch? yeah, right.) but nothing that spoilt the gig, and the audience seemed to really enjoy it. A great first outing, methinks. (if you were there, feel free to post your thoughts in the comments section.)

And in other music news, Cd sales are going really well – thanks so much to all those of you who’ve already bought it. The feedback on ‘Lessons Learned Pt III’ is great too, which bodes well for the CD of ‘Behind Every Word’ arriving. (you can post reviews of LL Pt III in the new shop, if you want… or, for that matter, of any of the other CDs – I wasn’t able to copy the reviews over from the old shop database, sadly.

Anyway, keep telling your friends about the new stuff, point them to the MySpace page to hear some tracks from it, and then send them to the shop. :o)

SoundtrackJeff Taylor, ‘Demo 2005’; James Taylor and Joni Mitchell, ‘Live, 1971’.

A reprieve for the Fairly Aged Feline

Took the tiny ginger one back to the vets this morning (this time last week, we were warned that he might have to be put down at this point). He’s been much more lively this week than last week, is eating well, and seemed to have bounced back, but we needed a blood test to see what was actually happening.

Miraculously, the creatin levels in his blood are down from 800-and-something to 400-and-something, and his phosphorus levels are down too. So that’s great news. Vet thinks the slump might have been related to his cancer, so gave him a chemo tablet that has no side-effects, and won’t knock his kidneys out like some of the other ones do…

So it’s a reprieve. He’s still, sadly, on the way out, but he’s happy at the moment, getting loads of cuddles and fussin’ and may have a few weeks left with us, God willing.


this is him yesterday…

Gig tonight…

Just about to start rehearsing for tonight’s gig with Julie McKee. I’m so looking forward to this one – I rarely bother to learn other people’s songs, as the only gigs I tend to do these days that aren’t my own music or improvised are jazz gigs where I’ve got charts. But as there aren’t many Green Day, Slipknot, Cure or John Martyn songs in the Real Book, I’ve had to actually learn them.

Please come down if you’re in London at 6pm – it’s at the National Theatre Foyer, free to get in, and will feature much bass and vocal loopage. Go on, you know you want to.

fun in the StevieWorld chatroom…

Thanks to everyone who dropped by for a chat last night – much fun was had by all. At 9, it seemed like I was going to be on my own, but it filled up and the chat went on for hours.

I’ll schedule another one soon, but feel free to use the chat room at any other time, if you can miraculously find more than one person online at a time!

online chat this evening…

Yesterday I reinstalled the chat module to my forum – I had it up there a while ago, and we had a run of really fun and interesting live chats. There’s one scheduled for this evening at 9pm, UK time, so if you’re signed up to the forum, log in then, and if you’re not, sign up now! :o)

Another preview for all Last.fm users…

I’ve just uploaded Lessons Learned From The Fairly Aged Felines to Last.fm, so you’re a subscriber, you can head over and listen to three full tracks, and 30 seconds of all the others, just to get a flavour of what marvellousness is available if you order to new album ahead of time. :o)

If you’re not up to speed with last.fm if an online streaming radio site that’s free to sign up to and use. The way it works is you download a plug in for your media player of choice (iTunes, winamp, WMP or whatever) and it then keeps a log of all the music you listen to, and generates custom radio stations based on the taste of other people who listen to the same stuff as you! It’s fantastic, and the stats are kinda interesting too. Well worth joining and geeking out on.

So, if you’re already there have a listen, and if you’re not sign up THEN have a listen. :o)

and after that, you can hope over to my online shop, order ‘Behind Every Word’, and download the whole of ‘Lessons Learned From The Fairly Aged Felines’ straight away. And get MP3s of two tracks from Behind Every Word to preview before the album gets sent to you at the end of June. How exciting!

New Album – order today! :o)

FINALLY, as my earlier message said, I’ve upgraded my server (email me if you’re looking for webspace, it’s the best deal I’ve come across, and the tech support is fantastic) so have now got my new album, ‘Behind Every Word’ available for advance ordering! YAY! How exciting!

To order it click here – the click on the album cover, register, and then use paypal to pay, with either a paypal account, or just a credit or debit card (you don’t need to register with them to do that).

AND, if you do order it before the release date of June 20th, you’ll get ‘Lessons Learned From The Fairly Aged Felines (Lessons Learned Pt III)’ absolute free as a download album. That’s another hour of great music for free. Every time I record an album, I record way more than will fit on one album. So I choose the ones that fit together as whole, and then release a second CD, often with a different overall feel, as a bonus disc with the album. Lessons Learned Pts I and II are both fab (I get quite a few emails from people saying that LL Pt II is their favourite of my albums), so this isn’t just outtakes and nonsense.

AND, the zip file that the album comes in also includes MP3s of two tracks from ‘Behind Every Word’ so you can listen to them straight away.

So get to it – go buy it, it’s great!

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