New Youtube video with Lobelia…

this is fun…

:o)

(oh, and please feel free – nay, obliged – to rate it, comment on it, stumble it, digg it, forward it, embed it, post it and generally circulate it as you wish. :o)

If you want me, you can find me…

…left of centre? well, yes, but also at these places (just as a recap, in case you missed some of them!)

Facebook
Reverb Nation
iLike
Last.fm
iSound (I’d pretty much forgotten that this one existed!)
MySpace
YouTube

and then just for buying stuff there’s

Cdbaby (there are a host of other MP3 stores linked from here).
iTunes
Emusic
Amazon.

….and also on Rhapsody, Napster and god-knows-where else!

Which of them do you use? Which sites are useful to you as a listener? Which sites have features that draw you in to spend time browsing for new music? It’s amazing that after all this time, there’s still nothing that can top Myspace, exposure-wise, shitty design or no shitty design. Last.fm is now definitely the go-to site for hearing music on demand, and emusic is my download site of choice, though the Amazon store is pretty kick-ass too..!

Which ones do you think will last? the Facebook fan-page thing doesn’t seem to have caught on all that much as yet, mainly because Facebook is ALL about connecting with people you know… I guess the artists need to do more interacting on there! Last.fm seem to have a really good thing going, and they are going to start doing subscription downloads too, it seems… What about myspace? The news about their open access API seems great if it works and we’re not just swamped with spam through it…

Thoughts please, bloglings. :o)

evolution, transformation and the element of surprise!

So, if you remember back before I went out to the States in December, I did a couple of days improv record with Patrick Wood and Roy Dodds, genius guitarist/keyboardist and drummer, respectively. We had two days in a friend’s studio, where we just played and listened, the played some more. No written material, no overdubs, no retakes, just playing great music and seeing where it went. I was looping and layering a lot of different sounds, and played my 6 string fretted bass more than I have on any other project

When I left to to Stateside I took the rough mixes with me – Lo. and I spent a lot of time listening to the in our various rental cars, really enjoying the open sprawling freewheeling vibe of the sessions, but knowing that they’d have to be edited for any kind of release.

Before I left, we’d said that we’d have a listen and talk more when I got back. Then I get a excited call from Patrick this morning saying that he and Roy have done DAYS of work on the stuff, editing and adding some percussion AND overdubbed the genius that is Mark Lockheart, on soprano and tenor sax and bass clarinet on a few tunes. So I change all my plans for today (which were mainly admin-based and tidying) and head over to Patrick’s to hear what they’d done.

Wow, just, wow. The work that had gone into shaping what was there, adding minimally to it, taking out the bits that didn’t, and in one case splitting one massive improv into two separate tracks. Mark’s wind parts add so much to the overall mix (especially one passage where he and I are soloing at the same time that gets really euphoric!) – hearing the music evolve from the raw unedited unmixed state, and transform into what it now is was such a delight. It’s also hugely exciting to be working with musicians who are so excited about what we’re doing. Patrick and I commented on Roy’s unique approach to drums on so much of this, where he’s playing the kit like an improvised melodic line, but without it being a ‘solo’ per se, just so inventive, to which he replied that this was the one setting where he could do that, to feel so inspired.

Apparently Mark Lockheart rang Patrick after playing on the tracks, really excited about the sound of the stuff too!

So, from here we need to finish the mixes and get a rough master together for us to listen to, and to use to get some gigs – it really shouldn’t be difficult to do, with what we’ve got. We’ll hopefully be doing some trio shows and some others where we get Mark to come and play with us too. It’s really exciting, and I hope I can get a sneak preview of it for you before too long…

Watch this space!

London Solo Bass Night – March 4th!

I’ve just booked a really amazing gig for March 4th at Darbucka World Music Bar in Clerkenwell (the venue home of the Recycle Collective).

The line up will feature a really diverse range of solo bassists –

TODD JOHNSON – Todd is one of the finest electric jazz bassists on the planet, and is known to many via his amazing DVD tuitional series, his loads of youtube clips and his amazing playing with the Ron Eschete Trio. Not to be missed!

YOLANDA CHARLES – playing her [b]first ever all solo show[/b] (!!) Yolanda is one of the most instantly recognisable bassists in the country, thanks to her work with Robbie Williams and Paul Weller. She’s also front woman for her own amazing funk band, MamaYo, who some of you will have seen at Bass Day 2006. Her songs are great, her bass playing’s funky, and this is one debut you really don’t want to miss!

and ME – this’ll be my first solo gig in London for MONTHS, and hopefully there’ll be some new material on display… 🙂

There’ll also be time for some Q and A with all three performers.

Tickets will be £6 in advance or £7 on the door – advance tickets will be available ASAP from the online shop at

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