Gig in Crouch End

Saturday night I had a gig in Crouch End, at a venue called The Loft – which isn’t actually a dedicated ‘venue’ but is an apartment belonging to Jenni Roditi, a composer, singer and musician who uses her flat as a venue. It’s spacious, beautiful and acoustically lovely.

I was invited to play by Rowland Sutherland – the genius flautist who has played at the Recycle Collective before now. The non-me part of the gig was a new quartet that he’s a part of with Alwynne Pritchard – voice, Thorolf Thuestad – laptop processing and Roger Goula – guitars.

My set followed on from the end of the football (apparently bad things happened to England – ah well), and went very well. I was slightly concerned that my stuff would be a little to pop for the audience, given the contemporary composition theme of much of what happens at the loft, but the portrait of Joni Mitchell on the wall gave much encouragement, as did the hearty applause of the audience. All in, a very well received set, with much positive feedback.

Mytle’s set was a mix of composed stuff, improvised stuff and mangled-beyond-recognition standards. I have a hard time with post-Schönberg classical singing – so much of it sounds like the soundtrack to encroaching mental illness (I think this is largely due to me relating so much in music to the process of personal soundtracking, whether playing or listening – it’s all about providing a soundtrack to the world…) – There were moments I really enjoyed, and it was all expertly done (all four musicians are hugely talented), but I did come away feeling slightly traumatised by it. Maybe that’s the intention? I’m certainly not averse to being left confused or upset by music, or any other art.

Anyway, ’twas an enjoyable, fascinating evening, in a lovely venue with a very warm audience. Great stuff. This kind of house concert happens a lot in the US, and I hope it catches on here (if you have got a big room in your house, and a lot of music loving friends, and want to organise a gig, please do drop me an email…)

Um, er, just stuff…

Getting ready to head out to a gig in Petersfield tonight – last one on this trip with Ned.

Been a good week so far – great rehearsal with Julie on Tuesday – our Edinburgh set has got to the point where we’re dropping great material to make way for even more marvellous stuff, and also medley-ing some of the songs, to get even more surprise and delight into the show. Our myspace page is getting loads of great interest, and many favourable comments, which is nice…

Yesterday was a bit of a disappointment in that I headed into town with the aim of getting my Cds stocked in a few shops – the manager of Ray’s Jazz wasn’t there, the dude in the Jazz dept at Virgin gave me the number of head office, the dude in the Oxford Street HMV said they have a jazz buyer but he wasn’t in, and the dude in the Bond Street one said everything has to go through head office!

I did drop a copy in for John Lewis at Time Out, so hopefully he’ll enjoy it and write nice things in the mag.

What else? Ah yes, Wimbledon has started, Henman’s out (no major surprise there as he met Federer in the second round), Andy Murray’s doing well, and some unseeded bloke who’s never got beyond the first round of anything til now has just taken the first set of Raphael Nadal… this could be a HUGE upset if it goes the distance. No breaks of serve as yet, just the tie-breaker between them…

Maybe see you in Petersfield later, fair bloglings of Hampshire, x

Beautiful songs

Pip asks the following question on his blog –

“What are two of the most beautiful songs you know?”

I thought this was going to be hard, but the two that came immediately to mind are so achingly beautiful that I think I’ve hit the jackpot straight away –

Inconsolable by Jonatha Brooke (from the album ‘Plumb’)
Everybody Here Wants You by Jeff Buckley (from Songs For My Sweetheart The Drunk)

both were fortuitous discoveries for me – the Jonatha CD (I think I’ve told this story before, but what the hell) I found on a listening post in Our Price (remember Our Price?) in Southgate – the write-up next to it said that she was like Edie Brickell and Carol King, both of whom I like, so I got the dude in the shop to put it on headphones for me. As I flicked through the booklet I saw ‘Bruce Cockburn appears courtesy of True North Records’, and that was it, I was buying it just for Cockburn completism’s sake. But the CD itself floored me. Every track was magical. I stood there and listened to about 25 minutes of it in the shop, grinning at the poor guy behind the counter, then bought it and played it non-stop for months.

The Buckley one I heard first when Lisa Ianson played it on Radio London. She didn’t pre-announce it and I thought it was Prince, and loved it so much I stopped the car on Finchley Road to hear it better. I was transfixed, and that’s when I finally got a copy of Songs For My Sweetheart… I’d avoided it up until that point, knowing that it was a record that Jeff would never have released, but just for that one song it was worth it… Actually, I was given it, so it was definitely worth it… :o)

There you go – the two most beautiful songs. What are yours?

New phone, panic over

Right, got a new phone yesterday afternoon, so mobile is back working again… :o)

You might be wondering why I’m blogging at 9.40 in the morning, given that I’m not normally awake now… well, I misread my diary last night, and thought I started teaching at 9, not 10… couldn’t work out why I’d booked teaching in for 9am anyway, so I guess that should’ve told me to double check…

Ah well, it’s made for a nice leisurely transition from the world of sleeps to the world of being awake.

dead phone

OK, don’t bother phoning my mobile for a while – it’s dead as of last night. Took a call, ended the call, screen started flashing slowly, alternating white screen/off. Looked it up online, and it seems like the main board is dead. I think I’m out of contract, so should be able to get an upgrade pretty easily… will call Orange now.

If you need me, I’m on the landline, or email, or various messenger programs. If you haven’t got the details, you don’t need the details. :o)

Mammoth tour blog

Right, I said in the mini-post that it looked like things were going to be rough, but that was an understatement… please try to keep in mind as you read this that Ned and I aren’t Spinal Tap, and this shit actually happened…

So, the back story is that the promoter – Blooz Promoz, run by a guy called Nigel in Leeds – was someone that Ned had worked with last year, he’d organised a few gigs that had gone OK, so it seemed like a good idea to go there again. I’d not had any dealings with him, but as a proven entity, was more than happy to just let Ned take it from there. We had two gigs booked on a £250 promise for each gig, and a clinic at Sound Control in Leeds.

We drive to Wakefield, get to the gig, and the venue owner says he hasn’t heard from the promoter for weeks (at this point it’s worth pointing out that he was booked as ‘promoter’ not just ‘booking agent’…), but we assume he’ll be turning up.

It gets to gig time, still no promoter, punters start to show up, in small numbers, all via my mailouts and friends of those people. Not one from any contact with the promoter, and he wasn’t there to collect the money on the door, so WE DIDN’T GET PAID. Not a penny. The people that were there loved it, and we sold a lot of CDs and t-shirts etc, but still nowhere close to the £250, and anyway, merch money wasn’t in anyway factored into that figure.

So we head to where we’re staying (with Nicola from Greenbelt – thank God we weren’t in a hotel as well!) and crash.

Friday morning we head into Leeds for a wander around, and serendipitously Ned recognises in the market the area where Nigel promoter-monkey has his stall. We head down there, and some dodgy mate of his is looking after it, who clearly not knowing where we were playing, let it slip that the venue was ‘shite’ telling us that Nigel wasn’t booking there anymore… uh-huh.

Nigel eventually appears, and after some chasing around and half-made apologies, claims he’s been ill (an email or two telling us that if it was true would have gone a very long way) gives us £100 for the previous night’s gig (hmmm – £100? what happened to the other £150?) – I’m in a rather strange position at this point as I’ve had no contact with him up to this point, so can’t argue from any real knowledge of what has been said/agreed/emailed, but Ned does a sterling job, and Nigel assures us that the Oceans Eleven gig is going to be fine, and he’ll have someone there to meet us at 8ish, and we’re on at 9. We then say ‘so we’re all fine for Sound Control this afternoon then?’ – er, apparently not. That’s not going to happen. WTF? excuses blah blah bullshit blah blah fucking nonsense etc. etc. Cancelled. Not happening. Let’s face it, almost certainly not booked in the first place.

So we head off back into Leeds city centre in search of wifi, and notice that there is NO mention of the gig anywhere (remember, promoter not booking agent) – no posters up in the music shops, no nothing. The guys in one of the guitar shops haven’t even heard of the venue…

Out for a much needed and much appreciated curry, then down to the venue. Which is closed. And by ‘closed’ I mean closed as in ‘in receivership’. Notes on the door saying ‘this property has been purchased by ************, please phone *************** for details’. So our fuckwit promoter has added barefaced lies to his catalogue of fuck ups (remember, this is Blooz Promoz in Leeds).

So grand totals for Leeds area leg of the tour –

  • gigs ‘booked’ – 3
  • total guarantees agreed prior to this leg of the ‘tour’ – £600 (£250 for each gig, £100 for Sound Control – all of which are low figures anyway, but you figure when a promoter is planning to give the band £250, there’s going to be an audience, and therefor decent merch-ops, and the chance to make it all worthwhile…)
  • gigs played – 1
  • total income – £100
  • petrol costs – about £30
  • curries eaten – 2 (each)
  • venues no longer in existence – 1
  • effect of stench of bullshit from the catalogue of lies and misinformation – overwhelming.

Now, at this point we meet up with Greenbelt chum Steve Thackray – lovely bloke, very friendly and helpful, who in 10 minutes (10 minutes!!!), gets us closer to having a gig than Blooz promo buffoon does in four months. Given 24 hours, Steve could have given us a range of venues, and found us an audience. Next time I go to Leeds, I’m talking to Steve first – he’s a man with his finger on a pulse or two…

So Saturday we get up and head to Stockport for masterclass at Riffs Guitar School, which was much fun, but underpaid. But hey, it actually existed so we’re already ahead on Leeds, and we met lovely people, sold lots of CDs, had a great time, and we had a gig in the evening anyway, so all in a fab way to spend an afternoon.

We then head into Manchester to Iguana – it’s funny how after the nonsense of the previous two days, normal treatment suddenly feels luxurious. We get there, one of the bar men comes to help us with gear and there are lots of staff there to advice, provide drinks, and the venue has many posters up advertising the gig (OK, so their own adverts say that I’m an ex-member of King Crimson and Level 42, but you can’t get everything right).

Once set up, we head to the MEN Arena, where Ned’s buddy Curtis Stigers (yes he of the mullets and power ballads in the late 80s) is opening for George Benson, and we’ve got time to catch his set before we play. Yes, you read that right, I’ve got a free ticket for a George Benson gig, and I’m leaving before he comes on. I’m crying as I type this. No, really, it hurts. A lot. George frickin’ Benson – one of the greatest human beings ever to pick up a guitar. I’ve half a mind to blow our gig and stay to watch. But we don’t, we watch Curtis, who is actually not bad at all, perfect for the audience, does a rather cool little beatbox thing in one tune, and scats a hilarious and very impressive upright bass solo in another, and while not being world-class jazz singer material by any means, does a pretty fine job and was worth going to see.

Back to the venue and lots of lovely friends have arrived – students of mine, web buddies, greenbelt friends, and people from MySpace. A proper gig with a proper audience that actually know where the gig is, and a venue that’s real, open, and has a cheque waiting for us when we finish.

We play well, sell CDs, chat to all the lovely people (special treat to see L1z there – yay!), and eventually head off home at about 12.30. Without the cheque. It’s made out to Ned. Doh! It will be sorted, no problem. Iguana’s a lovely place, and I really hope to play there again.

And we drive home through the night. Laughing about the fuck-ups of the last few days, glad to have had the last fine gig, and wondering what on earth can be done to get the dismal promoter to pay up. Believe me, if he does, I’ll amend this blog so it’s less likely to be the top hit on Google should you go looking for info on Blooz Promoz in Leeds. But right now, they’re on my black-list, shit-list and every other list that says don’t even think about working with them in a million years. We’re down £500 on a tour, Ned’s had to fly from Boise Idaho for this!!!

Next on the tour list is either Saucy Jack or Jazz Odyssey.

What’s wrong with being Sexy?

Fret Phobia gig pt 3

Gig last night in Wakefield. Both Ned and I played well, and the audience loved it, but we’re definitely in for a rough ride with this promoter… more on that later…

Recycle Collective 8 – Fret Phobia 2

no, not a football match, it was in fact the 8th RC gig and the 2nd Fret Phobia gig.

And much fun it was too – BJ had brought along Emily Burridge on cello, and they opened the show with a gorgeous duo set. The logistics of getting musicians with lots of looping toys and gadgets onto the tiny stage at Darbucka is always an interesting one, and tonight was as tight a squeeze as we’ve had since the gig with Orphy, Roger and Patrick, but we made it work eventually.

After BJ and Emily, I played a 25 minute solo set, with BJ coming up and doing his special cameo on ‘Scott Peck’ – as much as I still love the solo version of the tune, it’s just not the same without him. I also did Amo Amatis Amare, which isn’t the same without Theo after having recorded it with him… such are the perils of having fabulous collaborators.

from me, we went straight into Ned Evett’s solo set, which was fab. Lots of fretless resonator guitar, and some crazy loopage, especially on ‘Are You Experienced?’ – good noises, very much appreciated by the audience.

And then the RC Royal Rumble, all in at the end – two improv pieces, the first of which started as a disparate ambient mush (in a good way) coalesced around the ‘Windham Hill Blues’ (Am7-FMaj7), and then shifted somewhere else entirely. Good stuff. The second one started with a bubbly filtered slap percussion thing by me, I think looped a pizz. cello line which I doubled in speed and pitch that became the hook for the tune, and gave us something to hang the rest of it on, and it finished with me processing Ned’s voice with the Kaoss Pad… Most enjoyable.

Thanks to all who came along, another fine evening.

Fret Phobia gig pt 1

So while a nation of armchair critics parked their carcasses in front of the TV to watch some football, a lovely select group of more discerning music lovers came out to see Ned and I in Cambridge on the first night of the Fret Phobia tour. And much fun it was too – I played solo (even did ‘The Inner Game’ which I haven’t played live for about three years!), then Ned played solo, and then we did some most enjoyable improv stuff together, with me looping and layering bass, guitar and voice into a lovely mush…

So, if you’re near, don’t miss the rest of the Fret Phobia gigs – tonight we’re at Darbucka, Recycling.

see you there!

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