Sometimes we just don't know we're born…

A few days ago I commented on the passing of Rana Ross – a fabulous bassist and larger than life character from LA, who I’d met at the NAMM show a couple of years ago, and stayed in email contact with…

This was posted to TBL (a bass discussion list) – an open letter from her husband about Rana – time to sit back and count blessings, methinks…

“To give you an idea of what she overcame over the years we were married on
Sept 8th, 1988 but – before she would allow me to marry her – she went to
have an AIDS test done. She grew up in Brooklyn, NY and spent a wild time
(sex, drugs and rock & roll) during the late 70’s/early 80’s. She stopped
the wild side around 1982 but it was too late. The HIV test came back
positive in 1988 and at that time it was a death sentence with no drugs
available to treat the disease.

“I talked her into marrying me anyway, because it’s the person that you love,
not the disease. I was and remain HIV negative, and in fact never had any
fear of contracting the virus from her – can’t explain it, but somehow I
knew that she would never pass it to me.

“The medications that eventually came out over the years worked for her, but
it was like taking chemo-therapy year after year. One result was the erosion
of the sheaths that cover the nerves in her feet and hands, developing into
a diabetic-like peripheral neuropathy. She described it as feeling like
someone has driven red hot nails into her feet and sent her walking across
hot coals. How she performed and danced on stage I’ll never know, but she
never missed a step. Know one knew that many times I literally had to carry
her to the car from the pain, but she would never allow this to interfere
with her career or jeopardize any band’s performance. She was amazing like
that – and how she played when her hands were so numb that she couldn’t feel
the strings I’ll never understand, but she did it and only very very rarely
missed a note. She was a consummate performer.

“Over the last 7 years she has been in and out of various hospitals over 50
times, but never once did she miss a performance, regardless of how ill she
felt.

“Last year we found out that she had Hep C, which caused the cirrhosis of the
liver that eventually killed her. Basically, the decomposed liver allowed
blood to back up into the inflowing veins, which caused bleeding in the
abdomen and stomach. Unknown to us she was bleeding internally over the
weekend and collapsed on Monday. She was taken to the hospital ER where she
coded, but they brought her back to life – comatose. That was always her
biggest fear, to be on life support.

“I went against her wishes and told the doctors to do everything they could
to keep her alive so that her family, who are all on the east coast, time to
get out here to Los Angeles. I felt that her mother had to have a chance to
say goodbye to her daughter, there was no way I was going to not allow that
to happen.

“She had several cardiac and pulmonary arrests, the last one very severe.
That was the day I had to insist that she be taken off life support. She
passed easily, opening her eyes and looking at everyone in the room and
squeezing the hands of those holding onto her and simply stopped breathing.
For the first time in months she looked peaceful. No more pain, hospitals,
doctors, needles, medication. It was simply time for her to rest. She had
told me many times over the last few months that she was tired of fighting
and being in constant pain, and that the only reason she was fighting and
staying with us was she was afraid to leave me alone. Her body started to
shut down after I held her for hours, telling her over and over that I love
her and if she wants to fight I’ll be right along side her all the way but
that I know she’s tired and that I’ll be OK if she wants to stop the battle.
I think I finally got through to her, convinced her that I’d be OK and
please not to stay in pain for me. I told her it’s OK to just let go, and
her body started to shut down – kidneys, etc.

“I hope she gets the long rest that she deserves so much. But my God, I miss
her so much my bones ache.

Peace,
John Ross”

And here’s me feeling put upon for having to practice each day…

A week in the life of…

…yep, sorry evil harv, I’m just going to write about what I’ve been up to again… ;o)

Main event of the week was another recording session with Theo Travis – I’d invested in a few new studio toys (a pair of powered monitors which make mixing a lot easier, and a new mic for recording flute/percussion etc…) so the session was better than ever, with some rather groovy results. The album’s really coming along – we’ve got loads of recordings to choose from already, but are in no hurry to just release anything. We’ll keep recording until we get a full album of stuff we love with no fillers. It’s slightly different to the way I normally work, in that we’re allowing ourselves to edit some of what we do (on one of the tracks we recorded on Thursday I removed an entire solo that I’d played, cos it was a bit dull…) but what you end up with at any one time is still just the two of us playing and looping in real time, with no additional overdubs… Theo was playing Soprano Sax as well on this session, which added a lot to what we were doing. It is, I guarantee, going to be a stellar album.

Thursday night, Evil Harv, Jimbob (AKA Sarda) and a couple of other chums went down to the Kashmir Klub – possibly London’s most important music venue, in that it costs nowt to get in, no-one gets paid, but the quality of the acts on is (usually) very high, (I played there with Susan Enan once) with occasional high profile people there (Lewis Taylor played there a lot earlier this year, and I’ve seen Nick Kershaw, Imogen Heap, The Dum Dums, Nerina Pallot and Doctor Robert (from the Blow Monkeys) play there). Anyway, Thursday wasn’t a great line up (better than most acoustic nights around, but not really up to The Kashmir’s usual standard) so we went off for coffee instead. The sad news is that the Kashmir is closing, at least for a time – the guy who owns the venue is doing something else with it, and despite them filling it night after night, he’s kicking them out. They are looking for a new venue, but who knows how long that will be. Please visit the website, and if you can sign petitions, write letters or just offer moral support to Tony Moore who’s been running it for 5 years, please do. It’s a great club, he’s a great bloke and London needs it.

Today, Evil Harv and I went to the London Guitar Show, at Wembley Conference Centre. It was fun, though alongside the NAMM show, it feels a little small and parochial. As most of the people there hadn’t been to NAMM, it was fine (I remember loving shows like that when I was a kid), and it was great to catch up with some friends I’d not seen for a while – Nick Beggs was playing on the Bass Guitar Magazine stand, doing his rather fabulous stick thang. It was fun to see the rest of the guys from BGM too. I had a nice chat and a coffee with John East, who makes the U-Retro preamp that I’ve got in my 6 string fretless, and bumped into Svetlana, who used to teach at BassTech, and is now playing bass for Moby! Also saw the Ashdown people, Nick Owen from the Bass Centre, lovely Hoda who now works for SWR and The Bass Centre, and all manner of other people that I only ever see at trade shows!

Another bizarre coincidence – was chatting to Barry Moorhouse from the Bass Centre about wanting to do more support slots. ‘You know who you should support’ says Barry, ‘The 21st Century Schizoid Band!’ – ‘I already have’ says me, and as I’m saying it, up comes Jakko Jakszyk, guitars from the Schizoids. which was a lovely surprise, as I’ve not seen Jakko since I did the tour with the them at the tail end of last year… We caught up on news and then I came home.

soundtrack – yesterday was the St Luke’s May Fayre, so I’ve got the usual haul of CDs, though it’s rather fewer than some years… Right now I’m listening to Lucious Jackson, ‘Fever In Fever Out’, which is rather good. Yesterday it was John McLaughlin, ‘Que Alegria’, which is also rather good, if a little note-heavy in places. Theo leant me a marvellous album – Arild Andersen, ‘The Molde Concert’, feature Bill Frisell on guitar – gonna have to buy that one. And in the car I’ve had Talk Talk, ‘Laughing Stock’ on regular rotation. And of course, in between all that, lots of the duo stuff with Theo…

A gig, a wedding and some very sad news

So what’s been happening?

Well, friday night was a very fun gig. Remember Ragatal? Possibly not, but it was a quartet that I played with for a time a few years ago.. It was started by Jason Carter and Nick Beggs, along with Steve Bingham on Violin and Sanju Sahai on tabla. Shortly after that, Nick became too busy to continue for a while, and I took over, recording the one album that the group did – Fragments Of Grace – on ARC (it’s not bad, though I’d advise against getting the re-released version, titled Elements, as there were a load of additional percussion overdubs by Hossam Ramsay that don’t add anything to it, IMHO…) Anyway, Friday night was Steve Bingham’s birthday, and he had a gig to celebrate, including some ragatal tunes! What a treat it was – it was great fun to get back playing with all those guys, especially Sanju who is quite possibly the most outstanding musician I’ve ever sat on the same stage as.

Saturday was another fun day, and a fine friends reunited success story. About two years ago, I got in contact with an old school friend, Dawn, met up for a drink, and then she arranged a bigger get together of old chums. Andrew came to that one. He’d always fancied Dawn, and apparently the intervening 17 years hadn’t dampened his adour at all. fast forward 18 months, and yesterday I went to their wedding! What fun! It was a fine day, they both looked great, and everyone seemed to have a great time. It was fun meeting up with some other old school chums too…

On an altogether much different emotional plane, I got an email today from the husband of Rana Ross, a fine bassist and someone I’d met at the NAMM Show in LA and emailed ona few occasions, to say that she’d been in an ICU after a series of heart attacks, and they were switching the life support off. I can’t even imagine what he must be going through – even at this stage he was giving thanks for the time he’d had with her, and described himself as the luckiest man in the world. She was only in her 30s, was working on a new album, and had a whole life ahead of her. what a terrible story. There are various threads on the bass discussion groups around the web, if you want to post condolences to John…

So what’s coming up? More recording with Theo, who came round last week to listen to rough mixes of the duo stuff so far, which are sounding spiffing! And hopefully some more playing with Sanju very soon…

soundtrack – right now, I’m listening to ‘and nothing but the bass’ – was teaching one of the tunes to a student earlier and it’s stayed on. Before that, and most of the day yesterday, I was listening to Athlete, ‘Vehicles and Animals’, which is great – best new british band I’ve heard in quite a while. The gig last week was great, and the album lives up to expectations. Also been listening to more stuff on kvmr.

Updated!

Well, after two or three days of fervent coding and editing, I’ve updated my site – the new look, I’m sure you’ll agree, is much easier on the eye than the old one, and more importantly is far easier for visually impaired people to access (changed all the graphic buttons to text links, so that voice software can pick them up…)

also added a couple of video clips from my gig in March at the Troubadour – Jonny Didj and Rosie did the videoing, and Jonny converted the film to .mov files for me, lovely man that he is…

have a look!

soundtrack – listening ot lots of Bill Frisell’s new album, ‘The Intercontinentals’ – very good, as always…

Easy access to new music

If you’ve got a couple of weeks to spare, you can have a trawl through the archives of ‘Morning Becomes Eclectic’ – the daily live music show on KCRW radio.

There are some stellar acts in the archive, including David Torn, Charlie Hunter with Norah Jones (before her big success, but still sounding wonderful), Michael Franti, Coldplay, Travis, Howie Day, Gail Anne Dorsey – loads of GREAT stuff. Do yourself a favour, and have a listen…

Soundtrack – Michael Franti on KCRW

two weeks of theatre, gigs and puke…

Blimey – it’s ages since I last got to write anything! I’ve now got a broadband connection, so hopefully it won’t be quite so long before I blog again (not that it’s any quicker with BB, as it doesn’t take long to connect anyway, but I’m online more than I was so may be able to get 5 mins here and there to talk rubbish on here…)

So what’s been going on? Potted history of life since the 15th (last blog date) –

went to the theatre to see The Madness Of George Dubya again, which was marvellous again – it’s transfered to the West End (The Arts Theatre in Leicester Square), and is being rewritten daily to keep abreast of current events, so it’s more topical than ever. Vital viewing, especially as there seems to be a lot that’s going unsaid about what’s now going on in Iraq – more shootings were reported this morning, that american guy who’s been put ‘in charge’ doesn’t seem to have much of a clue, and the looting still goes on…

Then it was easter weekend, which was surprisingly un-churchified – an unusual easter for me in that sense, partly cos I was just busy and didn’t plan anything in time, and partly cos I was at a wedding on Easter Saturday. Made it to church Easter Sunday morning, but it’s a while since I last missed a good friday service – anyone would thing that easter was when a rabbit got nailed to a cross, but was a nice rabbit who rose again and gave everyone chocolate eggs… I know that the timing of easter is a hi-jacked ancient solstice or something, but it does seem odd for it to have kind of stuck with some sort of christian significance in the media, but mainly it’s all about eggs and bunnies… the world is a might strange place…

Easter Sunday I went to a very fine gig – Three Blind Mice – featuring Lyndon Conner, the keyboardist who played with Level 42 on the Greatest Hits tour last year. The mice are a three piece – two guitar/vox and Lyndon on keys/vox, and feature some of the finest harmonies I’ve ever heard. Great songs, great delivery in a lovely venue (some pub near Paddington)… Well worth investigating. And after all that guff in the paragraph above, I did eat rather a large number of chocolate eggs at said gig.

Wed 23rd was a gig in Eastbourne with Tess Garroway and Joss Peach – more lovely improv, made even more fun by feeding both the piano and the voice into my loop setup to I could loop and tweak both of them as well… Small crowd, but cool venue.

The trip home wasn’t quite so much fun (this is where the puke in the heading comes into the story – turn away if you’re sqeamish) – I had a headache brewing through the entire gig, which got gradually worse and worse as we were packing up, bordering on migraine as I got in the car to drive home. It may have had something to do with not having eaten since about 2pm, and having had a beer when I arrived at the venue in the evening, but whatever, I wasn’t a well bunny.

Stopped once to wretch, didn’t puke. Stopped again, puked a bit. Was then doing 70mph along the M25 and vommed all over myself, the windscreen, the steering wheel, dashboard, seats, floor, everything. Tried catching it in a cardboard tissue box, but that just succeeded in funnelling said puke down both my sleeves (no, really, it is the most disgusting thing that has ever happened to me, which is why I just had to share it with you…)

One week previous to this, I’d been up to my armpit in blocked drain and thought that that was the grossest thing I’d ever done. This topped it, driving 35 miles covered in my own sick was really really nasty – the kind of thing that one usually associates with recovering smack-addicts…

The following day was a bit of a cleanup day, following my projectile experience of the day before.

Friday I was conducting an Echoplex clinic for the UK distributors, showing them a little of what’s possible (for lots more of what’s possible, see Andre’s site), which was great fun. I also picked up a couple more echoplexes, taking my tally to four – three are now in the rack, trying to work out how to wire the fourth one into the desk to give me a stereo main loop… hhhhhmmmnnnnnn

Friday evening was spent installing my broadband connection, which I’d got wrong somehow, and then Saturday required much rescuing as I’d downloaded too much stuff from Windows Update and had buggered up my machine, so with the help of evil harv, we got it going…

Last night, Jez and I went to see Carleen Anderson at the Jazz Cafe – we’re trying to get out to see more gigs, and were going to go out on Sunday, but there was bugger-all on in London. Boy, am I glad we waited til Monday – Carleen was brilliant, as were her band – Ben Castle on sax, Andy Hamill on bass, Mark Edwards on keys, Winston Clifford on drums and Jules someone on guitar – they are on again tonight and tomorrow, and if you can, you really ought to go… Carleen’s acoustic encore of ‘Don’t Look Back In Anger’ was worth the ticket price itself (and you can stream it from her website – high res with Broadband of course…)

In between all that stuff, I’ve been mixing the tracks that I recorded with Theo Travis, which are sounding great, and may well end up being my next album… It’s time for a duo album (last one was solo, before that duo, and first one was solo), and these are just fine ‘n’ dandy. Hopefully we’ll have something to listen to v. soon…

And obviously I’ve been indulging in the download delights of broadband – fave site at the moment is launch.yahoo.com, a music videos and streaming radio site which is very cool. Go there and watch some of the Bruce Cockburn, Tom Waits, Joni Mitchell, Tori Amos and Johnny Cash vids – all great stuff. Also been listening to radio on line, including kcrw, kvmr and bbc london.

Soundtrack – other than the online stuff, been listening to lots of Ron Miles – both ‘Heaven’ and ‘Laughing Barrel’, and listening to Paul Simon, ‘Still Crazy After All These Years’, Bill Frisell, ‘Have A Little Faith’, Alex Skolnick Trio, ‘Goodbye To Romance’, Frank Gambale, ‘Resident Aliens’ and King’s X ‘Manic Moonlight’.

Fusion/The Bays/Flat Tires – all in one weekend!

So from blog-time on Friday, I picked up my car (it was indeed £205…), and headed off to Kent for a jam with guitarist Mano Ventura and drummer Keith Le Blanc. Word of advice – check if you’re going to be playing in an attic accessible only by step ladder before turning up with your entire rig!

Managed to get most of my gear up stairs (left one cab downstairs), and had a play through some of Mano’s tunes – woah! lots of 7/8 stuff, polyrhythmic happenings and general trickiness – it’s a lot of years since I last experimented with odd time stuff, so it took me a while to get any handle on the groove at all, but it was a lot of fun, and it’s nice to be stretched once in a while. Keith is, indeed, a monster drummer, and both Mano and Keith are top blokes, so the whole thing was a lot of fun.

Saturday – lots of teaching. All good. A quick trip to the Gallery in the afternoon to meet up with Wulf and MKS was a welcome break, then more teaching.

The evening started with Grace – alt.worship thingie in Ealing. Hadn’t been able to go for ages, due to gig commitments and general laziness, so ’twas very nice to catch up with everyone. They too were doing Stations Of The Cross, like Up a couple of weeks ago (and St Luke’s this week, I think…) – seems to be the year for stations…

Well, after Grace, Jez and I had arranged to meet up and head off to the 606 Club in Chelsea – a very fine jazz club that Dave O’Higgins was playign at. So Jez arrives, we get almost out of Ealing and discover that he has a flat tyre! Change the tyre in about two minutes, but find that the spare has no air in it… grrr. roll the car round to the airline, which doesn’t work. Walk back to my car, buy a foot pump at a nearby garage (the garage we were in didn’t sell them), drive back, pump up the tire, by this time it’s midnight, and drive home. No jazz, but a fun time with Jez…

Sunday – get up too late for church. In the evening, Jez and I reprise our gig intentions and go to see The Bays – no offense at all to Dave O’Higgins (very fine sax player) but I’m SOOOO glad we went to this instead. The lineup is bass, drums, keys and samples/fx. All live, no triggering loops, or programming. All improv – no rehearsing, no written tunes. Just mind-bendingly brilliant drum ‘n’ bass/trance/IDM/Warp-type stuff, Daft Punk-esque grooves, and completely original sounding sound-clash stuff that mixes elements of everything that’s happened in dance music from the last 20 years. Utterly compelling and inspiring. The drummer, Andy Gangadeen, was breath-taking. Chris Taylor on bass had some of the coolest bass sounds I’ve heard in ages, and played live D ‘n’ B as well as anyone I’ve ever heard. You HAVE to see them if they play near you.

Talking of Things you MUST SEE – The Madness OF George Dubya has transfered to the west-end! This is a play, written by my friend Justin Butcher, based on Dr Stranglove (loosely), but set in the context of an impending nuclear attack on the middle east. It’s being rewritten on a DAILY basis to keep it topical, and is just brilliant. You really ought to see it. Go on, click on the link and get them there tickets!

Soundtrack – spent a lot of time in the last three days mixing the tracks that Theo and I recorded, so done a lot of listening to those. Also been listening to The Best Of Alison Moyet, Kristen Hersch – ‘Strange Angels’, The Minutemen – ‘Double Nickels On The Dime’, Ron Miles – ‘Heaven’, and the MP3 of Michael Manring and I playing in Anaheim in January (can be found on the MP3 page). In the car, I’m still listening to Paul Simon’s greatest hits – I can sense a Paul Simon CD-buying sesh coming on soon, seeing as how I’ve never heard a bad track by him, I’ll have to fill in the gaps in the back catalogue. Right now, I’m listening to Lucy Kaplansky – ‘Ten Year Night’, yet another awesome american singer/songwriter, in a similar camp to Pierce Pettis, John Gorka, Patti Larkin, Bill Malonee etc. etc…

car trouble….

Does everyone else have as much car trouble as me? I’m beginning to think not? Front shocks have gone, noticed a few days ago that the car was feeling a little strange, checked the front driver’s side tyre last night and the tell-tale irregular wear was there. Took it into Kwik Fit this morning,

Can't Blog Won't Blog

…or at least, I couldn’t for most of today – bleedin’ software wasn’t working, so couldn’t access here to write anything… not that you were bothered, but still…

Sunday night’s gig at the Barbican was a lorra lorra fun – the band ended up being me, Orphy Robinson on percussion and steel pans, Mano Ventura on guitar (with a midi pickup) and filomena campus on vocals. The whole set was improv’d, and veered from some pretty ‘out’ weirdness through to more groove-based stuff. The biggest fun for me was that I was using a mixing desk for my stuff, so could a) run my own bass stuff in stereo (great for the delay effects etc.) and could also get a feed from the PA of all the percussion mics, which allowed me to loop Orphy’s percussion as well, which worked REALLY well. Some great layered percussion things ensued, and backwards steel pans sounds very fine indeed.

Monday was The Small Person’s birthday, so we went out for the day, and watched a coupla vids in the evening – no music all day, which made a nice change. then today was back to teaching, although due to a diary balls-up, I managed to double book myself, and had to cancel one of them… durrrr…

This evening, I spent an hour or so editing down the recording of my duets with Antoine Fafard from our joint radio broadcast on LCR, a month or so ago. The duets sound great, and as soon as I get them converted to MP3, I’ll try to get at least one of them online, though they are very long… perhaps I’ll find somewhere else to post them other than on my own webspace, which is a bit too full already…

I also found time to record a new tune… watch this space for more on that.

Soundtrack – in the car, it’s been more of Paul Simon’s Greatest Hits, whilst in here Norah Jones album, ‘Come Away With Me’ is on about its fifth play today, after I was doing one of the tracks with a student today. Also listened to Peter Gabriel ‘Us’, which is brilliant, and Pierce Pettis – ‘Making Light Of It’ – Pierce is amazing, and your CD collection isn’t complete without at least one of his albums…

Stations Of The Cross

Last night’s ‘gig’ went really well… The event was called ‘UpLate’ and is a sort of alternative worship service at a lovely old church in Thame, Oxfordshire. Once a month they take a theme and set up a whole load of different artistic/musical/poetic ‘stations’ for people to wander round and look at/listen to/read/meditation on, etc. All very inspiring stuff – it’s a great building, and the quality of the art is top notch – it’s kind of like a themed multimedia art-gallery, with good coffee, and a glass or two of wine… ;o)

Anyway, last night, with it being their easter edition, Evil Harv, Jez and I were asked to come up with 14 improvs based on the stations of the cross to soundtrack the whole evening, we were set a time, and given 14 works of art to help inspire us – well, scans of them anyway… The list of station titles is –

(1) Jesus’ agony in the garden
(2) Jesus is betrayed by Judas and is arrested
(3) Jesus is condemned by the Sanhedrin
(4) Jesus is denied by Peter
(5) Jesus is condemned by Pontius Pilate
(6) Jesus is scourged and crowned with thorns
(7) Jesus is made to carry the cross
(8) Simon of Cyrene helps Jesus with His cross
(9) Jesus meets with the women of Jerusalem
(10) Jesus is crucified
(11) Jesus promises paradise to the repentant thief
(12) Jesus speaks to John and Mary on the cross
(13) Jesus dies on the cross
(14) Jesus is buried in the tomb.

So for each of those we did an improv. As you can tell from the subject matter, it wasn’t going to be a happy-jazz sesh, and some of what we played got really dark and atonal – trying to express in music the image of Jesus being whipped and having a crown of thorns rammed onto his head is always going to be a pretty brutal sonic experience! But it’s amazing the way having a concrete theme like this can focus the music way beyond just noodling. Often Jez and I when we’re doing duo stuff will latch onto a particular mood and work with that, in a more abstract, but still just as compelling (for us) way. This time, it was obvious to all three of us what the theme was before we started, and the beginnings of some of the improvs were particularly interesting while we settled into how we were going to tackle that particular image – was the music going to be mournful, confrontational, pain-wracked, hopeful. etc… the tension worked really well at dealing with the many many mixed emotions that the easter story brings up…

The good news is we’ve got some of it on minidisc. The band news is that the batteries ran out after about half an hour, so we didn’t get enough… We played for about two hours (only overran by about 45 minutes! :o) – and it would’ve been great to have it all, as there were some really special moments, so hopefully we’ll be able to do it again next year in a different setting…

Soundtrack – last night and this morning, I’ve been listening to some new recordings by a fabulous bass playing singer/songwriter called John Lester. John’s a californian, who until recently was living in Paris, but is now in London, and will hopefully be gigging all over the place pretty soon. He’s great, check him out. And before that yesterday, was listening to Michael Jackson’s ‘Thiller’ – another tune that was being done in a lesson (PYT), and then staying on the turntable (ahhhh, vinyl) for a few hours… It really is a very good album indeed.

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