Tag: website

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Two important anniversaries

Today is an important day for two reasons – one, it’s World AIDS day, and two, it’s the 50th anniversary of Rosa Parks’ monumental decision to not move on a bus in Montgomery, Alabama. Don’t let either of these days go unmarked in your world.

For World AIDS day, do some research into what’s causing the spread of AIDS, the places in the world where its growing fastest, and how hard it is for them to get the medication they need. Petition your elected officials to do more to fund education initiatives in the places where it’s an epidemic. In Botswana, 30% of children born have the HIV virus. 30%!!!! that’s an inconceivable statistic. The stats on the spread of AIDS across Africa are terrifying, and it’s still rolling on, there are still squabbles over drugs companies refusing licenses to produce the drugs cheaply to keep people alive, still squabbles over Catholic leaders telling men infected with HIV/AIDS not to use condoms to protect their wives – look, I’m generally fairly old fashioned, i think abstinence is generally a good idea – very few people are messed up by not having enough sex – but the idea that limiting access to contraception is more important that protecting people from the AIDS virus is ludicrous. That there are religious and cultural stigmas attached to condom useage across huge parts of the world is a travesty, and one that needs to be campaigned against virulently.

What can we do today to help stem the spread of HIV/AIDS? Check out the DATA website for more info, and ways to help.

And on the anniversary of the bus boycott, let’s not forget that Racism still exists, that Europe is becoming an evermore xenophobic continent, that an unofficial economic colour bar still operates in the US. Today, two Liverpool teenagers are going on trial for murdering a young black guy with an ice axe. That such thinking still exists in Britain today is a tragedy. That racism was ever legal in the UK,US, South Africa, etc. is a blot on all of our consciences.

I was watching a documentary the other evening about forgotten stories from the world war. One of the people mentioned was Walter Tull, who was Britian’s second black professional footballer, and first Black army officer. The tragedy of this is that at the time it was still illegal for a Black man to be an officer in the forces. That he triumphed over the racism is testimony to Walter’s strength of character (he was also from a working class background at a time when the officer’s rank was almost exclusively upper class, with a few middle class people), but it’s a disgrace to the forces that we ever had a time when people were excluded on grounds of race…

Heavy stuff, both AIDS/HIV awareness and racism, I know, but if you’re lucky enough to live a life not directly influenced by either, give thanks and use your oh so privileged position to make a change for those not so lucky…

Soundtrack – Peter Gabriel, ‘Up’.

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Dudley Philips at the Vortex last night

Yesterday day time was spent finishing off the mastering of Julie McKee’s live album from the Edinburgh Festival. Julie’s a fabulous singer – we’ve been working on some duet ideas between doing the mastering, the latest of which is to do the entire soundtrack to ‘Bugsy Malone’…! the mastering went pretty well, considering the source material. Sadly, the guy who recorded it didn’t send the multitrack sessions, just his own mixdown, so we were limited in terms of what we could do, but some compression, stereo expansion, judicious reverb and the tidying up of the bits where the recording had clipped have made it just fine. We compared it to a few other live recordings, from Donny Hathaway’s live album to my first album, and it stands up well, despite the odd pop ‘n’ crackle. Anyway, isn’t that what live albums are all about? There’s squealing feedback in the middle of Bob Marley’s live version of ‘No Woman No Cry’ and that was released as single!

Anyway, that was the daytime. Yesterday evening involved a trip down to The New Vortex in Stoke Newington to see Dudley Philips launch his album Life Without Trousers. I’ve had a copy of the album for a few weeks, and am loving it, so was excited to go and see the gig. The place was pleasingly full, lots of musicians in – Julie McKee, Orphy Robinson, Filomena Campus, John Parricelli and others, as well as friends of Dudley’s there to celebrate the album coming out.

The gig was marvellous – Nic France, Mark Lockheart and Carl Orr were the band, along with Dudley on 4/6 string electric and upright bass. great tunes, great playing, all in all a fab night out. The Vortex is such a great venue, and a vital part of the london jazz scene. I’ll be back down there next Thursday to see the Works – Patrick Wood’s band who played such a spellbinding set at Greenbelt in the summer. Please come down if you can! While you’re at it, check out the rest of the programme for December on the Vortex website, they’ve got so much great stuff on!

I also picked up a new CD while I was there, which was playing before the gig – it’s a collection of hymns sung in welsh, by LLeuwen Steffan, Huw Warren and Mark Lockheart. A truly beautiful album, on the oh-so-cool Babel Label – Babel are putting out so many great albums of late, go and check out their website and have a browse around. Marvellous stuff!

Soundtrack – Steffan/Warren/Lockheart, ‘God Only Knows’.

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And so the onslaught begins…

When I first announced that I was starting a monthly gig night with the Recycle Collective, the mighty Stig warned me that I should expect a hail of demos and requests to play at the gig.

‘no’ says I, ‘it’s not that kind of gig, people will realise and I’m not putting an address on the website for people to submit demos’.

But Stig was right. Today I got two emails from people wanting to play. I don’t mind getting them, but it’s an ominous precedent, in that I really don’t have time to start trawling through MP3s or listening to CDs to find stuff. And as I said to Stig, it’s not that kind of gig.

So, if you’re reading this thinking about sending something in, here’s the scoop –

– The musical spectrum of the gig is more about an approach than a style – the looping/improvised/chiilled nature of it lends itself to unusual solo performers, loopists and interesting improvisors. If you’re a straight down the line singer/songwriter or a jazz quartet, there are other places where what you do are going to work much better.

– if I already know you, especially if we’ve played together, great, ask away, we’ll see if we can sort something out. the likelihood is that I’ll ask you anyway when I get the chance.

– if you decide to email me anyway, please send a link to an MP3, and tell me exactly what you do on stage, what you play and how the set-up works. If I don’t know you, or know of you, already, the chances of me booking you for one of the two main sets on each gig is pretty minimal, and therefor it would just be a 10-15 minute guest-slot in the middle of the gig, with no sound- check etc. I wasn’t planning on adding anything like that at all, but having Jeff Taylor come and do his thing on Wednesday was so sublimely wonderful that it’s made me want to use the gig to showcase people that I think are amazing. If I just quite like what you do, I won’t book it. Nothing personal, it’s just that I already know enough people who are really good, and even then I’m only going to book the ones that are amazing. This isn’t an ‘open mic’ slot at all. This is about me trying to use the evening to showcase huge talent (like Trip/Jeff etc.)

If you’re just looking for a singer/songwriter gig, your best bet in London is The Bedford .- Tony Moore who runs it is a tireless campaigner for great acoustic music and songwriting in London, and runs nights that are purely devoted to multiple act lineups.

Please don’t take it as a slight on what you do – I’ve got a pretty precise vision for the evening (if it continues beyond March at all – a lot depends on how many people turn up in Jan/Feb!), and I’ve said it before but it bears repeating that I’VE NO DESIRE TO BECOME A PROMOTER – I book my own gigs, I put on gigs that give me the chance to play interesting music with interesting people to interesting audiences, and if in doing that I can provide a space for massively talented people to do their thing too, that’s magic.

I guess the best thing you could possibly do is come along to one of the nights, and say hi. If you bring a load of friends with you, I’ll certainly be feeling very positively disposed towards you! 🙂

Soundtrack – Chris Tarry, ‘Project 33’ (V. talented Canadian bassist living in NYC)

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Great bassist with a great bass resource…

Stefan Redtenbacher is a bass-buddy who’s head of bass at the ACM in Guildford, fronts his own kick-ass funk band, and does lots of sessions. He’s also a very funny man indeed.

He’s just redesigned his website, and included as part of it loads of great funk transcriptions downloadable as PDFs for free! Seriously, this is about the most useful resource online for bassists that I’ve come across in years. Loads of fantastic classic lines for free. If you’re a bassist you need to check it out – funkbassonline.com will also redirect to the same page.

And while you’re there, check out his last album, ‘Falling From Insanity’. It’s great, and exceedingly funky.

Soundtrack – Ralph Towner, ‘Ana’.

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Point and Shoot…

So, as I’ve mentioned, Theo and I have got an arts council-sponsored tour in February, and are getting all the promo stuffs together. Yesterday was the photoshoot, conducted by the genius that is Steve Brown. My last shoot with Steve was in a studio in the west end, but now Steve has all his own lovely photo geek-gear, and after buying a huge white background, we set up in the newly decorated back hall at St Luke’s, which proved absolutely perfect for the role.

We got what looked like some fantastic shots – lots of great ideas from mr photographer, and a couple of reasonable ones from Theo and I. Steve not only takes great pictures, he has a real skill for the dynamics of a photoshoot, getting people into sensible poses, and guaging what they are and aren’t going to be happy to do (I’ll ponce about all day in all manner of strange clothes and poses, whereas theo is slightly more refined, despite being the one with the red and black ‘kings road circa 1978’ jeans).

I can’t recommend Steve highly enough – and it’s vital if you as a musician want to get any press to have great photos. Magazines – especially smaller magazines – won’t run articles about you if you don’t provide them with great photos. It’s as simple as that. If you do, they may run an article they weren’t really planning on, just because your pictures make their mag look good. Your posters will be more eye-catching, your flyers more likely to be picked up, your website snappier, and all the foxy laydeez will digging your wikkid skillz. So, head over to his site now, get a quote and get booked in. He’s cheaper than Anton Corbijn, and I prefer Steve’s style… 😉

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Dropping bombs on the moral highground…

over in The forum, Cryptic just posted a link to This article in the Independent by Craig Murray, former British ambassador to Uzbekistan. He highlights the complicity of the UK government in torture round the world, both by using the ‘evidence’ gleaned in such a way, and by actively aiding the torturers by shipping off suspects to be tortured.

Now, how embarrassed are you to be British right now? This morning I was listening to the radio, hearing Billy Bragg interviewed about a project writing songs with terminal cancer patients – Billy is one of a handful of things in which I take pride as an englishman – he couldn’t have come from anywhere else, and is a national treasure. So I got out of bed feeling better than usual about being from here.

Then I read this article, and it’s catalogue of state-sanctioned abuse, torture and murder in Uzbekistan, with the tacit blessing of the UK government.

That we would be silent on the subject of torture would be a great evil. That there are people actively pushing to change the law in favour of using confessions acquired under torture in British courts is so unspeakably foul that I’m at a loss for how to describe it. And we have the audacity to invade Iraq over claims about Saddam’s human rights record. Yes, he was a sick, twisted murdering scumbag, just like the rest of the sick, twisted murdering scumbags we’re now treating as allies and friends in the ‘war on terror’. It’s unbelieveable.

thank God for people like Craig Murray – his own website looks like a great repository of information on the sickness of the euphamistic crusade that is ‘the war on terror’.

Time to contact your MP?

Soundtrack – Jonatha Brooke, ’10 cent wings’; Dave Matthews Band, ‘Under The Table And Dreaming’ (was there ever a more blatant case of a band getting hugely successful making vibrant interesting music and then going very bland very quickly in a quest for even greater commercial success?? UTTAD is such a lovely record, such an interesting album to listen to, so much going on, and it’s successor, Crash, was pretty damn fine too. After that? Forget it.)

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Benefit gigs

Went to two benefit gigs this week – one as an audience member and one as a player.

The audience member one was particularly fantastic, not least of all because the main musical attraction was Martin Taylor. The other main great thing about it was that it was for Eric Roche’s family. (I’ve just been booked to play at another benefit gig for them on Dec 4th – Eric’s Birthday – at Haverhill Arts Centre – more on that later…)

The first half of that gig was various friends and musical acquaintances of Eric’s playing and paying tribute. Of particular interest was a genius harmonica player called Steve Lockwood (who’s also playing at the gig in December).

The second of the benefit gigs – the one I played at – was on Friday. The events had little in common. What they did share was ropey compering. Given the huge impact they have on the smooth running of any event, it’s a shame when people can’t find good comperes for events. The guys involved in each of these were well-meaning and friendly, just not very good at keeping things moving and linking events.

At the gig I played – a benefit for the Pitstop Ploughshares – the room was an echoey church hall, and the PA was particularly shabby with no monitors, which meant that extra-special care needed to be taken to make sure people were listening, if only for the sake of the performers. This didn’t happen, and while it didn’t seem to bother the folk-singer/performance poet bloke who was on first, it was clearly going to be a problem for the people afterwards. Fortunately, a well placed ‘SSSHHHHH!!!!’ from someone in the audience quietened things down, and as the quality picked up, the chat level dropped.

I have mixed feelings about these kinds of gigs. The cause is one I support, and when I was asked to play, I was very happy to offer my time to help out, but the overwhelming trend with gigs like this is that while you’re thanked profusely numerous times throughout the evening, you’re still treated like some amateur who should be happy they are getting the chance to play to an audience.

I’m still not sure how to deal with these kinds of things – I obviously don’t want to stop doing gigs for good causes just because of crappy planning, and I’m clearly not about to start charging a fee for such things, but it’s pretty demoralising to play in those kind of conditions. Maybe I should just have a technical rider that has to be met for me to do them. I’ve tried the bending over backwards to make life easy route, and it just doesn’t work. I really do need monitors and a decent PA if what I do is going to come across well…

that said, I did sell a few CDs, and got to hear some other talented but very poorly amplified musicians play.

In other news, I’ve just redone the Solo Bass Network site – when I first set it up, the idea was to develop a little community of people who would chat about solo bass and spread the word about gigs etc. etc. Truth was, I couldn’t really be arsed to manage it. It takes a special kind of resilliance to bother keeping something like that going (see the Extended Range Bassist yahoo group – the founders there post incessantly to keep the discussions going, some of it readable, much of it inane bollocks, but it works, and the list has just about got a life of its own…) So I’ve not just reduced it to what it does best – a compendium of links to solo bassists and solo bass related stuffs on the web. Maybe one day I’ll get round to adding a low maintainance gig guide on there, but to be honest, you’re much better spending your time getting coverage in your local newspaper than faffing about with some website where the chances of anyone within 500 miles of you reading it within the time frame of the gig are so small as to be not really worth the five minutes it’d take you to upload the info…

Oh, and I’ve also been mixing an old duet track that I recorded with BJ Cole last December – sounds lovely, and will hopefully be up on the Recycle Collective site before too long.

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A recycled week!

This has been a busy week of recycled collective stuff – I’ve done the flyers and sen them off to the printers, written the press release, been tweaking the website (no doubt to be tweaked further as I change my mind about how I want to pitch the whole thing), and sent out the first gig date to all the listings people with the press release.

Now I’m trying to get some radio interest, and get the web-promo moving.

the thing I’m most proud of thus far is the look of it all – from the website to the flyers to the press release, there’s definitely a unified look and feel that says what I want it to say. What fun!

Tonight I’m playing a benefit gig for the Pitstop Ploughshares people, who disarmed an american plane that was on the runway at Shannon airport, bound for Iraq, and are in court for it next week. The whole area of civil disobiedience is a fascinating one – what actions are worth breaking the law over? – and I think protest at the illegal invasion and occupation of a country is as good a reason as any.

Hopefully the court case will raise the profile of the anti-war feeling in Ireland, where a lot of people are livid at it being used as a stopping off point for US planes on their way to Iraq. see warontrial.com for more details.

Soundtrack – Jenny Scheinman, ’12 Songs’; Shaun Colvin, ‘Cover Girl’.

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The recycle collective…

This is an idea I’ve had for ages – a monthly night featuring all the lovely looping people that I play with, trying out new duos/trios etc. and a place to host visiting musicians for special gigs…

And now it’s starting to take shape – The recyclecollective.com website is now up and looking lovely, and the first three nights should be confirmed in the next day or so. So I need to do flyers and posters, and get it all sorted out. V. exciting. :o)

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Handy things online

I love it when websites hand you resources that you’d otherwise have to take ages to make.

maps.google.co.uk is a one such resource – you can link direct to a map of a place, at whatever scale you want, and if the place itself is in their directory, it’ll even do the directions and stuff for you –

Click here for a Google Map to Darbucka, with directions – Darbucka is the place marked ‘B’ on the map – click on the B, and it’ll give you the option to get directions. Nearest tube is Farringdon.

We’ve got a bit more rehearsing to do today, then the logistical fun of getting everyone and all the gear down to Darbucka, and then the proper fun of the gig!

See you there!

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