How I Use The MOD Duo Pedal

Having posted a new gear page the other day, I’ve been thinking how best to represent the complexity of how I use my whole set up. The plan is to blog about different aspects of it that deserve expansion, and then link to the these blog posts from the gear page. Hopefully it’ll shed a little more light on how some of this stuff works.

I will say that the fullest exploration of my pedal set-up so far is in two of the courses that I’ve filmed for – the looping one and the pedals and effects one. If you’re a member there, make sure you watch those lessons!

So our first post here is going to be about the MOD Devices Duo. For almost 20 years, my main effects processor was a Lexicon MPX-G2 – despite all the leaps forward in processing power and modelling technology, until I came across the Duo, I hadn’t found anything that felt like a significant step forward from that. What I love the most about the Duo is that the signal path is configurable in any imaginable routing combination. Here’s my main pedalboard: 

If you click on it and have a look at how the signal flows through it, you’ll see a couple of interesting things – firstly the octaver runs parallel to all the overdrive, envelope filtering and modulation – so the sub octave remains clean no matter what is happening to the normal octave signal. There are definitely times when running an octaver into an overdrive can sound really cool, and I have the MXR Sub Octave Bass Fuzz on my pedal board before the Duo to deal with that. Here, I have an amazing clean sub bass signal available no matter what level of craziness is happening on top.

Then, you can see that the Shiro shimmer reverb – bottom right, pale blue – is in another side chain, with a switch before it to turn the signal going to it on and off, but not to cut off the reverb. It’s set to 60 seconds of decay, so if I send a signal into it, then cut it off, the reverb continues to sound for a whole minute before disappearing. This means I can use it to set up big synth-like chords and then play melodies or chords against it, without having to loop the whole ambient part first. I can have it evolve over time, making for much more complex interaction – I can send individual notes from whatever else I’m playing into the 60 second shimmer verb, becoming part of the harmony of that ambient pad.

The only pedal after the Duo in my pedal set up is the MXR Reverb, which I actually use in a similar way to the Shimmer verb – I have it set up in ‘buffered bypass’ mode, so that when I turn it off, any reverb tail that’s current sounding will continue to play and gradually fade, and I can continue to play without affecting that. It’s like it has a parallel path within it, and I can switch the signal to go through it or past it. A very very useful setting that exists on a number of time-based effects pedals though not all.

I have other patches that use this process in far more complex ways, which maybe I’ll write about and screengrab in the future, but for now, hopefully that gives some clue as to what’s going on. The Duo offers so many possibilities, with its library of several hundred pedals that can be inserted into any board that all come free with it (there are a handful of paid pedals, many of which I’ve bought and are incredible, but the vast majority are free). combining them, and even being able to have synths in the same patch as direct signal processing, makes the Duo easily my favourite multi-FX unit I’ve ever used.

I control it with the Keith McMillen Softstep 2 foot controller, and have 8 buttons that I can assign to turn things on and off, as well as one continuous controller pedal for wah, volume and reverb level… (the Softstep is also controlling the Looperlative, and could also control any other MIDI think I might add to the set-up!) I’ve also got my old phone set up as a MIDI-over-USB controller, but haven’t got that hooked up at the moment! There are only so many things I can think about at one time!

I hope that’s a useful explanation. If you want to hear this board in action, check out my video for the track Divinity DT & Daniel  which uses this exact board, or the one for The Field Of Strategic Possibilities which uses it for the first 7 mins, before I switch to a different pedal board (you can see where that happens in the video 🙂 ) – both of these tunes, and 47 (FORTY SEVEN!) other albums are available from my Bandcamp subscription the moment you sign up… There’s an awful lot of applied signal processing to explore there 🙂

friends and inspiration

Stevie Stuffs

BeyondBassCamp – Occasional Bass Masterclasses in Birmingham.
Steve @ – what am I doing right now?
Steve @ – lots of videos!
Steve @ – find me on facebook.

bass inspiration – Michael Manring: my favouritest solo bassist. – Divinity: all round musical genius. – Mike Watt: godfather of punk bass and Coltrane-obsessive. – Julie Slick: my favourite rock bassist I’ve heard in YEARS. – Tony Levin: making singer/songwriters sound great since 1970. – Matt Garrison: fusion-y goodness. – Trip Wamsley, solo bass genius and collaborator of mine. – Bryan Beller: fabulous rock/jazz/awesomeness bassist. – Victor Wooten: solo bass superstar. – John Lester: singer/songwriter/bassist – should be bigger than Sting. – Yolanda Charles: arguably the funkiest, grooviest bassist in the UK. – Claudio Zanghieri: Italian fusionist and great improvisor.
Alex @ Facebook – Alex Webster: amazing bassist with Blotted Science & Cannibal Corpse.

Other Musicians – guitar genius – another guitar genius – and another! – soul inspiration – singer/songwriter, sage & huge inspiration – all kinds of awesome – God’s favourite singer – not goth, just great – loops ‘n’ guitar sonic artisan

recent collaborators – amazing singer/songwriter I’m lucky enough to play bass for and be married to, live album here. – he of the FingerPainting project. One of the greatest musicians I’ve ever heard. – singer/writer/producer who lets me play bass on her astonishing songs. – the double bassist on Diversion. The bassist with Lamb. A bona fide genius. – endlessly creative drummer, one of my most regular collaborators over the last couple of years. – the guitarist on Ley Lines. Brilliant, inspiring collaborator. – crazy-good guitarist. Duo album out ASAP…

Musical Toys – all my looping happens here. – the latest change to my bass set-up. These have blown my mind! – Modulus Basses – basses don’t get better than this. – Elrick Basses – my first new instrument in 13 years is an incredible Elrick Gold Series SLC 6 String (SLC – Steve Lawson Custom). It’s unbelievable. – another recent change – the Dunlop Super Bright strings have rocked my world, and the MXR Bass Innovations pedals are ALL amazing. An essential part of my sound. – Jule Monique Preamp. I HATE playing without it. Has revolutionised my sound. – Evidence Audio Cables – high end instrument cables – sound great, well made, not too expensive! – Slick Bag – I never go anywhere with my basses without them being in a Slickbag! – TC Electronic – their HOF mini reverb and Flashback Delay are works of genius! – Darkglass make the Vintage MicroTubes overdrive that I use ALL the time! – KMI’s Softstep controller is one of the greatest ever additions to my music-life. I’m also using the Quneo for all my drum/keyboard playing. – home of East UK, the finest bass preamps around! – my favourite bit of recording software, by miles. – The E-Bow, an electronic gizmo that gives infinite sustain and bow like effects on electric instruments – I REALLY need to replace mine! – Rick Turner, made my acoustic bass, knows more about basses than just about anyone I’ve ever met. – The Gallery, the bass shop where the Sei basses are made.

Bass related sites – British bass mag, in which I have a monthly pedal column, was on the cover in Oct 2015. – wonderful online tuition community, for whom I do regular masterclasses. – british bass discussion forum. – US bass mag, who seem to really like my albums, judging by the reviews I’ve had…