Musical Friends…

…are keeping me happy…

so sang Bruce Cockburn in 1970, and indeed it’s true in my life too.

The latest installment in musical friendship began on Friday when I went to see Lifehouse play at Shepherd’s Bush Empire. What a fantastic band!! I’ve got both their albums, but the live experience is even better, and the new guitarist is amazing. I met Sergio, Rick and Jason a couple of years ago in LA, and have seen Sergio a few times since (he came to one of my gigs in LA), so had to go see them play when they were here. Great to hear them, great to get to hang out here in London rather than in LA this time!

part 2 of musical friends was Julian’s wedding on Saturday – Julian’s a former student of mine from Drumtech, who’s now doing big business on the session scene, and deservedly so, he’s a truly brilliant drummer (he was when I was teaching him too, so I’m not taking any of the credit for that!) – anyway, his wedding was naturally full of musos, lots of whom I hadn’t seen for ages, so it was great not only to see my friend get married, but to catch up with so many old aquaintances. Add to that the full on gospel choir hymns/worship section of the service, and some fantastic food at the reception, and you’ve got a magical day.

part 3 – meeting up for a beer on Sunday afternoon with Steve McEwan and Nick Paton. I’d not met Nick before, but he was in Friends First’ – one of the bands I’ve listened to most in my whole life (their album ‘We See A New Africa’ soundtracked about three years of my life in my mid teens). It was great to meet him, and be able to give some advice on indie promotion to someone whose music has meant so much in my life.

part 4 – Denison Witmer is a singer/songwriter from Philly who played at Greenbelt this year, and was fantastic. We chatted a bit at the festival and swapped CDs, and he was playing in Brixton on Sunday night, so The Cheat and I went down to hear another stunning gig from the man. Also gave me a chance to buy his other CDs, and go for a curry with Denison and The Cheat.

Then today, met one of my occasional students, Nick, for a coffee, and had a marvellous afternoon chatting about life, music, politics and everything in between.

So, music friends have indeed been making me happy, which got me thinking, and I came up with the notion of the Pillow Mountain Records extended family – a list of artists who are good friends, and whose music I endorse wholeheartedly, and will encourage as many people as possible to check out. So anyway, so you don’t have to go rummaging through the PMR site for the list, here are the links for you to peruse. All these peoples are amazing artists, and lovely people worthy of your patronage.

www.altruistmusic.com – Andre LaFosse
(turntablist guitar)
www.petermurray.ca – Peter Murray
(singer/songwriter)
www.denisonwitmer.com – Denison Witmer
(singer/songwriter)
www.kerry-getz.com – Kerry Getz
(singer/songwriter)
www.manthing.com – Michael Manring
(solo bassist)
www.johnlestermusic.com – John Lester
(solo bass singer/songwriter!)
www.nedevett.com – Ned Evett
(fretless guitarist)
www.tripwamsley.com – Trip Wamsley
(solo bassist)
www.unguitar.com – Luca Formentini
(unguitarist)
www.calamateur.co.uk – Calamateur aka Andrew Howie
(singer/songwriter/foundsoundist)
www.julielee.org – Julie Lee
(singer/songwriter)

there you go – check ’em out!

soundtrack – right now, Julie Lee (see above), ‘Made From Scratch’; before that, Denison Witmer (ditto), ‘Safe Away’ & ‘Philadelphia Songs’; The Choir, ‘Wide Eyed Wonder’; Bruce Cockburn, ‘World Of Wonders’; Nik Kershaw, ’15 Minutes’; John Lester, ‘Big Dreams And The Bottom Line’; Joni Mitchell, ‘Travelogue’.

Evolution or Revolution?

The music industry is changing, that’s for sure. To do what I’ve done even 10 years ago would have been a heck of a lot more difficult and expensive to get off the ground. The cost of recording studio set ups has plummeted with the home computer market, the net has thrown the doors wide on forming underground niche networks through which to make a small-scale name for yourself, and online shops are waking up to the growing sales of independent albums (interesting that while the majors are all crying ‘foul play’ over file sharing, the indies are selling more records that ever…)

Maybe people respond well to having the chance to buy CD directly from an artist – I know I do! I love browsing CD Baby looking for interesting music, having a listen to the streaming stuff and then buying a CD or two, knowing that the artists are getting the dough for their hard earned work.

So is this a natural shift, or are we about to see the collapse of the industry as we know it? The mainstream charts are getting less and less relavent to your average joe – how many ‘big’ albums have I bought in recent times? Right now, I think I own two CDs in the top 40 – Athlete’s ‘Vehicles and Animals’ and Coldplay’s ‘A Rush Of Blood To The Head’ – that’s a pretty high proportion for me! A large amount of my time is spent listening to indie stuff, self produced CDs (with nothing to distinguish them as self produced other than the care and attention that’s gone into them, and the rather more matey sounding sleeve notes!)

But, if the truth be told, there are times when I wonder if the record company route might be easier – someone else to do the work. Then I read articles like this one by Steve Albini – he produced In Utero by Nirvana, and here outlines the details of a major ‘rock’ deal (some fruity language again, so avoid if easily offended). Thanks, but no thanks, I’ll stick with ‘jamming econo’ as the mighty Mike Watt calls it – the DIY ethic is a powerful one, and it doesn’t take much searching to find like-minded souls with whom to share a thought and a word of encouragement. I’ve met loads of indie musos through Looper’s Delight, the solo bass network, and just through gigs, web surfing, at NAMM and so on. Tomorrow I’m meeting up with a very fine solo bassist called John Lester, another solo bassist ploughing a furrow in London, and making some amazing music (check out his site, he’s great).

Anyway, I thank God I had the chance to go indie when I did, and that it’s all working out so well… looking forward to putting out the new record with theo, and then starting work on the next solo one! I’ve done loads of practicing over the last few days and am getting a few ideas together for new tunes… what fun…

Soundtrack – Terje Rypdal, ‘Skywards’, Duke Special, ‘Lucky Me’, and an advanced copy of Andre LaFosse’s album ‘Normalise’, which is marvellous. I mean, really really good! not easy listening by any stretch, but some of the most adventurous, funky, glitchy fascinating sounds ever to come from a guitar… Go and have a listen to some of the tracks in Andre’s MP3 archive, and then order the CD…

Bruce Cockburn Gig Pt 2

Part two of the Cockburn gig experience – this time at The Forum in Kentish Town, London, which is an OK venue, but not ideal. Still, Bruce and Julie were on top form, played enough material that was different from last night to make it all well worthwhile, including a couple of real surprises, including ‘Planet Of The Clowns’ from his early 80s album, Trouble With Normal – a great song.

Julie Wolf was on sterling form once again – more fine piano playing and atmospheric organ stuff.

Interesting to see SOOO many people I knew at the gig (probably 30-40 I knew by sight, and 25-30 by name), and we also had the now obligatory Bruce gig recognition thingie – ‘are you that bass player bloke? I saw you at Greenbelt, and recognised your beard’… :o)

Following the gig was a low key meet ‘n’ greet backstage – very nice to get a chance to compliment Julie Wolf on her marvellous playing, and say hi to Bruce, though whether he remembered me as the guy who interviewed him for guitarist mag 4 years ago is anybody’s guess.

Anyway, one of the other songs that Bruce did tonight that was left out of last night’s set was Call It Democracy – a marvellous insightful raging rant about the onward march of western economic and militaristic hegemonic practice – so good, that I’ve copied the lyrics here (there are a couple of naughty words in them, so if such things upset you for some reason, page down past the song)…

Padded with power here they come
International loan sharks backed by the guns
Of market hungry military profiteers
Whose word is a swamp and whose brow is smeared
With the blood of the poor

Who rob life of its quality
Who render rage a necessity
By turning countries into labour camps
Modern slavers in drag as champions of freedom

Sinister cynical instrument
Who makes the gun into a sacrament —
The only response to the deification
Of tyranny by so-called “developed” nations’
Idolatry of ideology

North South East West
Kill the best and buy the rest
It’s just spend a buck to make a buck
You don’t really give a flying fuck
About the people in misery

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

See the paid-off local bottom feeders
Passing themselves off as leaders
Kiss the ladies shake hands with the fellows
Open for business like a cheap bordello

And they call it democracy
And they call it democracy
And they call it democracy
And they call it democracy

See the loaded eyes of the children too
Trying to make the best of it the way kids do
One day you’re going to rise from your habitual feast
To find yourself staring down the throat of the beast
They call the revolution

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

There you go – what a great song. It’s from the album ‘World Of Wonders’, which is great, and there’s also a magic version on Bruce Cockburn Live.

Soundtrack John Coltrane, ‘Coltrane’; Paul Motian Trio, ‘Live At The Village Vanguard’; The Amazing Bud Powell Vol 1.

Bruce Cockburn gig pt 1

As you may or may not already know, I’m a bit of a Bruce Cockburn obsessive. He’s been my favourite singer/songwriter/guitarist/lyricist for over a decade, and I’ve got just about everything he’s ever released.

He’s currently on tour in the UK, and tonight I headed up to The Stables in Milton Keynes to see him play – my favourite musician at my favourite venue – how good does it get?

And it was as good as I could possibly have imagined. Better even. Just Bruce and Julie Wolf on stage – him on guitar, her on keys/accordian and BVs. Mix of stuff from the new CD and classics, including a couple of marvellous reworkings of tracks like World Of Wonders, Mighty Trucks Of Midnight and Nighttrain. All in all a marvellous gig – and what’s even better is I get to do it all again tomorrow in London – oh yes, I’ve got a ticket for the Forum as well (thanks to The Cheat for getting them…)

The other rather fun thing that happened this evening was having a bloke in the row in front say ‘don’t I know you?’ narrowing it down to Greenbelt, before asking my name, to which he responded ‘oh, I’ve been listening to your CDs for the last few days, had you on this morning in fact!’ – so there you go, with my hair tied back, I can almost go incognito. Still, rather nice to meet people who’ve been listening to my stuff at a Cockburn gig – what fine taste he must have – nice to meet you, bloke-in-the-row-in-front!

Soundtrack – right now, it’s Terje Rypdal, ‘Skywards’. This afternoon, Michael Manring, ‘Thonk’, Mark Knopfler, ‘The Ragpicker’s Dream’.

Another MP3

Added another MP3 to the site, from the new CD… well, I didn’t add it today, it had already been added, but only the Street Team had access… …you should sign up for the street team if you want to swap your help in plugging the music for some exclusives, and hopefully cheap tickets to gigs in the future…

It’s be a webalicious couple of days – today I added a page to the site for the new album, and yesterday, I designed the site for the London Guitar Festival. I played at the festival last year, opening for Antonio Forcione, which was great fun. This year, I’m just on web duty.

oh, maybe you’d like the see the cover of the new CD –

– there you go.

The picture on the cover there is of Union Square in San Francisco – an urban open space! The rest of the sleeve is very nearly finished – I just need to add a picture of me, and we’re done.

Been listening to Sigur Ros a lot lately, and it inspired a couple of new sounds – some really mad distortion/reverb type things. Very nice.

Soundtrack – Right now, I’m listening to WYCE – Sarda’s laydee-friend is presenting the show. other recent stuff – Talk Talk, ‘Spirit Of Eden’; Sigur Ros, ‘Agaetis Byrjum’; Mo Foster, ‘Time To Think’; and the final mix of ‘For The Love OF Open Spaces’, and boy, does it sound fine!

There ain't nothing like The Dame

Just been listening to Dame David Bowie (was it Smash Hits who christened him that?? I think so… whoever it was, it does seem to fit…) Anyway, been listening to Heathen, his album before the brand new one, released about a year or so ago. And it’s really really good! like, marvellous. What a great thing it is to be in your 50s and still producing great art, carrying yourself with dignity and exercising the kind of creative freedom that Bowie seems to wield.

Anyway, what have I been up to, I hear you ask. Well, I finished that transcription for Total Guitar, though I haven’t heard back from them, so I’m waiting to hear if it’s OK or not…! I’m sure it will be.

Been practicing a lot – got the bug again a few days ago, after a while off from feeling inspired by new solo ideas. I was still enjoying playing the tunes in my set, but wasn’t hearing anything new. Then yesterday, I started to get some more ideas. Can’t wait to get my new bass, which should be here by the end of September… hopefully. As soon as it arrives, I’ll start work on the next solo album.

Hang on! Talk of a next solo album is all too previous, given that ‘For The Love Of Open Spaces’ by Steve Lawson and Theo Travis isn’t out yet. At this moment in time, I’m listening through the extra material for the preorder CD special. IF you remember, last time I released a CD, the extra disc was ‘Lessons Learned From An Aged Feline Pt 1’, which features some of my favourite solo work anywhere – as you can see, this extra disc thing is not just a way of farming out a load of left over rubbish, for us it’s about getting more music out there, making it available and of course creating the incentive for you lovely people to part with your hard-earned crisp ‘n’ folding before the thing is even released. The reasons for this should be fairly obvious – we don’t have an external record company with a bottomless pit of cash. It’s us, doing it for ourselves, like the sisters, so any money we can make back before the thing is even out is a huge help to the cause.

So we release additional CDs, which entice you into buying more stuff, give us the chance to get more music out there, and help to pay the bills. Everyone’s a winner, baby!

So where was I? Ah, yes, the extra tracks for the Lawson/Travis album – these are freakin’ fabulous!! Easily good enough to have made it onto the CD itself. So do make sure that as soon as the new album goes on sale, you get a copy ordered. It’ll be a strictly limited edition…

Advert over. Start of new advert… :o) – I discovered the other day that my CDs are available at www.towerrecords.com and www.hmv.co.uk – just go to either site and search on my name! Wahey, solo bass goes mainstream! I guess the HMV one means that you can also order it from any HMV shop, so please do – it’ll really help with the distrubution of future CDs if you go and get Not Dancing and Conversations there now…

Tonight, I’m off into town to see Cathy Burton play – she’s a fab singer/songwriter, and is at Sound in Leicester Square tonight, on at 9.15 if you fancy it…

The Aged Feline was at the vets again this morning – good news is his weight’s gone up a bit (been going down for months), bad news is, his kidneys are failing a little more… hoping we can fix ‘im up soon… poor darling.

Soundtrack – right now, me and theo. also, David Bowie, ‘Heathen’; Michael Manring, ‘Thonk’; Denison Witmer, ‘Recovered’; Calamateur, ‘Son Of Everyone EP’; Athlete, ‘Vehicles And Animals”; Vigroux/Cury/Rives/Lawson;

(In)Discipline

In the middle of an interesting musical challenge. Am currently in the process of transcribing, and learning so I can record, a bass solo piece by someone else, for a UK guitar magazine. Normally, when I learn a piece, I’m asked to inject some of myself into the process – people tend not to ask looping fretless 6 string bassists to play generic parts, funnily enough – but this time, my job is to sound as much like the original as I can. How bizarre does this feel? very bizarre indeed. It’s not that it’s particularly difficult (bit’s of the tune are tricky, but not of it is actually ‘hard’), it’s just that it feels… alien! My tendency is to reinterpret the piece, make it more ‘me’. Not allowed this time.

Anyway, it’s all good discipline. I’ve got a couple of weeks to do it in, which should be fine, even with all my teaching in between, and finishing off the album with theo

talking of which, Theo came round this morning to make sure the mix/eq on all the tracks was where we wanted it to be. So I reinstalled my fixed harddrive, which is working marvellously (God bless Ted!)

So we tweaked some of the EQ, I added a tube amp simulator to one of the bass tracks, and we listened. And we liked what we heard. And got all animated about how much we’re looking forward to releasing the album. Which should be available for preorder in the next couple of weeks. I’ll be putting another MP3 on the site before too long… maybe later on today. Watch this space.

Soundtrack – last night, top banana radio was back on air – paul’s v. fine show. other than that, Talk Talk, ‘Spirit Of Eden’ (on of the world’s perfect albums) and lots of the track that I’m doing for that guitar mag I mentioned above.

Greenbelt 2003

Just got back from Greenbelt – ostensibly a Christian Arts festival, but with a strong focus on justice issues, and some seriously great music and seminar speakers.

We arrived Friday afternoon, pitched our tent (oh yes, proper camping), and went to watch Eden Burning (reunion gig – their final gig was infront of 10,000 people at Greenbelt 97, and they reformed for a one off this weekend to celebrate this being the 30th year of Greenbelt), then saw Pierce Pettis, Iain Archer, Juliet Turner, Boo Hewerdine with Rob Jackson, Kate Rusby and Old Solar – all marvellous, and a great start to the weekend, in fact, too much great stuff to take it all in, and I missed a lot of artists that I’d have to catch in other venues over the weekend. Watching that many amazing gigs in one evening does make you a bit blase about the genius on offer, but any one of the acts listed about would be worth driving 50 miles to see on an ordinary evening – Pierce I’ve seen lots of times before, and played with in Reading earlier this year, Iain Archer has been getting better and better over the decade that I’ve been watching him play (new album out in a few months, which promises to be a blinder), Juliet is another singer I’ve been familiar with for a long time and have got both her albums, Boo Hewerdine I was more familar with as a songwriter than a singer, but he was marvellous and Rob Jackson who was guesting on guitar is a solo looper that I’d had contact with before, and showed himself to be equally adept providing gorgeous pedal steel-esque guitar parts to Boo’s finely crafted songs.

Kate Rusby’s gig was a particular treat as she had Ewan Vernal on bass – former Deacon Blue bassist, and one of my earliest and biggest bass influences (check out the bass/voice tracks ‘Orphans’ and ‘Trampoline’ by Deacon Blue for a taste of his genius)…

Old Solar are old faves, and old friends, and played a very fine set.

Saturday began with a Dave Andrews seminar – Dave is an radical activist/speaker from Australia, and regular speaker at Greenbelt, this time expounding on the notion that we’re in the new dark ages with the financial and governmental institutions in the west providing a heavily protected fortress for the extravagance of the world’s rich to the exclusion of the poor, who are battled in a feudalistic way to protect the already disproportionately huge share of the world’s wealth that those of us in the so called developed world have. His answer was to look to St Francis for a model – Francis having been an aristocrat who gave up his wealth to work with the poor. He wasn’t a politician, and didn’t set out to change the world, just to live right. As Schumacher put is ‘think global, act local’… all great stuff…

after Dave, it was off to a Mike Riddell seminar – Mike’s an author from New Zealand, and another Greenbelt fave, talking about artistic integrity and freedom – nothing new but very encouraging and helpful nonetheless.

Next up, Martyn Joseph’s songwriter’s circle event, The Rising – lots of great songwriters playing their songs and discussing them. What a treat to see MJ, Juliet Turner, Pierce Pettis and Brian Houston talking about their songs and playing together. Amazing stuff.

Other gigs – Elan (very good), Juliet Turner and Pierce Pettis (genius, obviously), Cleveland Watkiss (with Orphy Robinson on Vibes) – outstanding, joint best gig of the weekend, Calamatuer (marvellous) and Denison Witmer (another new discovery for me this weekend – fantastic singer/songwriter from Philadelphia).

But as always, Greenbelt is about people – meeting up with loads – hundreds – of friends, meeting loads of people I deeply admire, amazing musicians, great speakers, writers, actors, and just really nice people that I aspire to be like. Spent lots of time between gigs drinking apple tea in the tiny tea tent and enjoying the gorgeous weather.

..and tomorrow I’ll tell you about Sunday and Monday!

(and in case you’re interested, the virus email count for over the weekend was in excess of 650!!!)

Soundtrack – right now, the first mixes of the tracks I recorded with the quartet on my most recent trip to France – more on that when I’ve heard them some more. Before that, Denison Witmer, ‘Recovered’ and Jaco Pastorius, ‘Jaco Pastorius’.

You Call That Hot???

….London’s heatwave, described below, suddenly didn’t seem quite so amazing when I stepped off the ‘plane at Verona Brescia airport, and into a furnace. Now THAT’S hot!

What a marvellous time I’ve had for the last few days – great music, great people, great food, great weather.

The solo gig was at the Rivolta Art Restaurant (or something like that – not sure what the official name was) – a marvellous place in Rivotella, on the banks of Garda Lake. The gig was outside the front of the restaurant, so I had people who’d come just to listen, people who’d come to eat at the restaurant and people who were just walking by (which kind of reflects the healthy attitude to the arts that seems to be pretty widespread in that part of Italy, but that may just be the very groovy people I was spending my time with) – anyway, the gig went really well, despite a bizarre introduction from a slightly crap clowning troupe who decided to do a 10 minute show about 20 feet from where I was playing! Time to take a break… sold a pile of CDs, and paved the way for quite a few more shows in that part of Italy.

The next three days involved lots of recording – duo with fab guitar user/abuser, Luca Formentini, quartet with Luca and a rhythm section of Gianni Sabbioni and Frank Moreno, and trio with Luca and Moreno. The duo and Quartet were very good, Trio was good, but I think due to the kind of sound we’d go with the quartet, we slipped all too easily into trying the same thing, and in the quartet lineup I’d not been playing much in the way off basslines, leaving that to Gianni, so the trio was a little empty sounding when attempting the same thing…

Anyway, it was all good, got tonnes of stuff recorded.

Sunday night was spent at a marvellous Italian family birthday celebration, and due to my total lack of Italian linguistic skills (Ciao, Gracia, and a bunch of musical terms is about as far as it go at the moment, but I’ll be learning more soon… ;o) I ended up talking in French to a marvellous Italian artist called Albano Morandi. All in all, a great way to spend a Sunday night in Italy.

So I’m home now, glad to be back with the small person and aged feline. Time to get ready for Greenbelt next weekend, and to get back into finishing the work off on the album with Theo…

Soundtrack – now it’s Janis Joplin, ‘I Got Dem Ole Kosmic Blues Again Mama’, before that Sigur Ros, ‘Agaetis Byrium’; David Bowie, ‘Heathen’; in Italy, Bruce Cockburn, ‘You’ve Never Seen Everything’; Mark Knopfler, ‘The Ragpickers Dream’; Fripp/Sylvian, ‘Damage’; The Cure, ‘Disintigration’; The The, ‘The Naked Self’; David Sylvian, ‘Gone To Earth’; Bill Withers, ‘Best Of’.

clearing out my closet..

…no, not in the eminem sense! With the impending release of my duo CD with Theo Travis, I need to make some space for the new CDs, hence the ‘special offers’ link now posted in the sales bit of the website front page… if you or any of your chums have been waiting for some reason to get my CDs, now’s the time to do it – cheaper than ever if you buy all three! :o)

Anyway, talking of new releases, I’m just listening through some of my recordings with Patrick Wood, keyboardist and guitarist extraordinaire, with whom I’m playing a duo set at Greenbelt. We’ve been talking about the possibilitiy of doing a limited edition CD for the festival, so I’m listening through the recordings with a view to editing some of it down…

Oh, I’ve just noticed that this is my hundred and first post in this version of the blog! happy birthday for yesterday, I Guess… silly of me not to notice and post something of great pith and moment in my last blog entry, but still, it’s a landmark and must be made mention of somehow. I’ve no idea how many blog entries were in the old version – maybe I’ll go back and read some.

What else? nothing much. Just parcelled up a box-load of CDs to send of the cdbaby.com – cdbaby is an excellent site for independent musicians. The way my cd sales breakdown, the majority are either at gigs or through evinsol.co.uk, but that’s largely because evinsol tends to get them listed before anyone else, and is the place I use for pre-orders of a new CD when it comes out (the usual deal will be available when the CD with theo comes out, with advanced orders getting a very limited edition free extra CD!)

But aside from that, cdbaby has been a really good sales outlet for me, as it’s made my music available to a lot of people who wouldn’t otherwise have found it – the search functions there are really intuitive, and it seems like a lot of people shop there as a way of finding new hidden gems, and of supporting independent music – something I obviously endorse wholeheartedly. I’ve bought some great cds from cdbaby – cds by Pamela Sue Mann, Ron Miles and Alex Skolnick, all three of which are Excellent, and highly recommended. click on any of those links to head over to cdbaby and hear samples of their stuff!

…it’s a simple as that, which is the odd thing with the internet – the potential market at any one time is ENOURMOUS. I mean, huge. millions. but it’s the same for any artist, and we’re all vying for people attention. The best we can hope for, being fair and realistic, is that people who connect with what we do can find it. The mainstream industry relies on sensationalism, titilation and crass hype to foist sub-standard music onto the public. The indies having neither the money of a billionaire not the morals of an alleycat can’t really stoop to that, so we’ve got to rely on actually being worth listening to (imagine that!) – so far, it’s working out ok… ;o)

Soundtrack – right now, it’s the duo tracks with patrick wood, before that, Cara Dillon‘s album – she’s a folky singer with a beautiful voice, and some gorgeous songs – well worth investigating.

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