Recycle collective one year on…

Fab gig last night. Got there nice and early to set up, so was v. relaxed. Just as well, as i’m not well at all, so couldn’t have dealt with getting there late and rushing to set up.

Catster turned up to do the door (TSP taking a well-earned night off), Cleveland and Huw sauntered in not long after 7, got set up, all good nothing bad.

And people started arriving. Lovely people, just the kind of people I wanted to see. Greenbelt people, forum people, Danes, students, poets, singers, guitarists, Orphys (what is Orphy? Clearly ‘percussionist’ is way too limiting for what he gets up to these days… :o) )… A really lovely attentive friendly audience.

I started, as is customary. First tune was a cover of a lovely song by a fantastic Canadian singer called Lobelia, who I’m going to be recording with v. soon (the wonders of MySpace) – a lovely song called Happy that while I was playing along with it to get a feel for how she plays, revealed itself to be perfect solo-version fodder. Bit of a looperlative glitch, but I know it well enough to get round those things now. Followed that with Scott Peck, then got Cleveland up, then Huw. The middle piece with Cleveland and Huw is one of the loveliest bits of improvised music I’ve ever played. Started out with a bit ambient mush thing from me drifting through loads of clashing tonalities, before settling in one place, Huw joined in, and Cleveland improvised an exquisite lyric. Food for the soul.

Onto Huw’s set, which started with a John Dowland piece, on Nord Electra… which worked. Beautifully. Another solo set of African variations from Huw, then he and I played a particularly dark electronic spikey piece (and fell about laughing at just how twisted it all got), before Cleveland joined us again for more trio fun.

Set three began with two tunes by the wonderful Gary Dunne – a great singer/songwriter/looper/house-concert-legend. Perfect Recycle material. He’s great, go and check him out.

Then onto Cleveland’s set. His Echoplex had died, but I’d brought mine as a spare so we plugged that up and away he went, including his amazing solo voice arrangement of a Chopin Prelude. Wow. Cleveland and Huw’s duo section was really lovely, with Cleveland singing walking bass and beatboxing at the same time through much of it. Really great stuff.

And onto the final act of this birthday celeb. A huge mega piece which started with Huw, Cleveland and I, with me looping both of them, then we were joined by Roger Goula, then Patrick Wood, then Orphy Robinson, then Andrea Hazell – the two guitars and trumpet were woven into this huge busy sound, which as Andrea joined me, I cross faded back into just the ambience of her unbelieveable voice and my massive reverb and delay bass part. A perfect touchdown. Particularly nice to have Patrick and Andrea there, as they were part of the first ever unofficial RC gig, before it was the RC at Greenbelt 2005.

So that’s it, year one of the RC over. A year of remarkable music, some great audiences (some small but perfectly formed audiences) a whole shitload of credibility that hasn’t as yet turned into sold out shows at the QEH, but will. :o) I’ve spent the year calling my favourite musicians in the world, and asking them to play for next to no money, and they’ve all said yes. Lucky Lucky me. Most blessed me. Thanks to everyone who’s been to the shows, who’s played at the shows – particularly TSP who did the door and helped out at all of them, BJ and Cleveland who have been involved with loads of them between then, and of course to Ahmad and Darbucka for letting us use the venue – we’re happy to have introduced so many people the delight that is Darbucka :o)

All being well, it’ll be back in February for more improvised gorgeousness. Watch this space. x

Recycle Collective tonight

Go on, change your plans and come – you know you want to! It’s going to be magic. Me, Cleveland Watkiss, Huw Warren, a bunch of special guests from all across the musical map, all in the delightful surroundings of darbucka in Clerkenwell

recyclecollective.com is the place for all the details.

go on, you know you want to.

x

Last date of my European Tour…

Was in Wales last night. Cross Keys to be precise. Somewhere near Newport. Not quite sure where though.

The gig was put on by Islwyn Guitar Club, and as such was half gig half guitar club stuffs. Started with a bit of a workshop from me, which from the feedback on bassword was much appreciated, thankfully… Then onto a bit of a play round, couple of nice guitar contributions, then Andy Long making his solo bass debut, and doing a fine job of it, followed by Alun Vaughn playing a 20 minute solo set – some great playing, no loopage or processing, just six string bass, a gorgeous version of Here’s that Rainy Day, and a solo bass version of Purple Haze that was completely different to Michael Manring’s, which made a very nice change.

I had two 45 minute sets, so did a similar set to the ones in Kleve and Milan – lots of older tunes in the first set, and lots of Behind Every Word stuff in the second, plus Deep Deep Down (Eric Roche’s tune that leads into Deeper Still), and What A Wonderful World. Also had a bash at a completely solo version of Knocks Me Off My Feet as an encore (an encore! I hate encores, but still…), which shows promise!

Drove home, back here just before 3. So knackered now, but so much to do today. Office is in an even bigger mess than usual (more mess?? Surely that’s not possible?) and much admin and gig booking has to be done for the new year…

So there endeth the European Tour – next gig is the Recycle Collective first anniversary gig on 15th November at Darbucka – you SO don’t want to miss that. Rumour has it there are people coming from Denmark to be there… beat that, Italian blog readers!!! haha!

Here's the press release for this month's Recycle gig… don't miss it!

1/11/06 Press release – Recycle Collective first
anniversary special, featuring Cleveland Watkiss,
Huw Warren and Steve Lawson

This November is the first anniversary of the beginning of the Recycle Collective. In the last 12 months, we’ve played host to some of the finest improvising musicians in the UK and beyond, and had many memorable nights of beautiful unique music.

Our first anniversary boasts another stunning line-up as solo bassist and Recycle Collective curator Steve Lawson is joined by singer/beatboxer/MC Cleveland
Watkiss and pianist Huw Warren.

Both Cleveland and Huw have been mainstays on the UK jazz scene for almost 20 years, celebrated for their inventive compositions and stunning improvisational ability. Cleveland’s recent focus on solo voice and live looping performances has added yet another layer to an already multifaceted career, ranging from jazz to opera, hip-hop to ambient electronica. Without doubt one of the most talented and versatile vocalists the UK has ever produced.

Huw Warren’s skills are equally diverse – whether free improvising with german double bassist Peter Herbert, playing Hymns from the Welsh Revival with Lleuwen Steffan, or writing music for the Scottish and Welsh Chamber Orchestras, through to accompanying singers June Tabor and Christine Tobin, he’s renowned for always playing the right thing at the right time. Effortlessly tasteful and prodigiously gifted, Huw’s presence at the Recycle Collective is very warmly anticipated.

Fresh back from a solo tour of Italy and Germany, Steve Lawson has steered the Recycle Collective to being one of London’s finest monthly live music events. Combining his own looped and layered bass work with the contributions of myriad fellow recyclists.

So come, bring friends, and be prepared for amazing music, special guests and a night of musical surprises in the perfect surroundings of Darbucka World Music Bar.

Date – Nov 15th Time – doors 7pm, music 8pm
Venue – Darbucka World Music Bar, Clerkenwell, London, EC1 4JZ
Nearest Tube – Farringdon
Tickets – £7/£5 concessions.

www.stevelawson.net www.clevelandwatkiss.com www.huwwarren.com
www.recyclecollective.com

Home now

Home now, after a very easy trip indeed – lunch in Roosendaal station, met a very lovely Horn player on the train from Roosendaal to Brussels called Helen MacDougall (my record on meeting lovely people on trains on this trip has been outstanding, smoking losers in Germany and Switzerland notwithstanding). Eurostar doesn’t take long, so home late afternoon. And it’s good to be home! Oh yes, knowing that I don’t have to drag two basses around on my back, towing a suitcase and a rolling rack behind me.

All in, a great tour. A GREAT tour. Loads of great gigs with fantastic people in great venues. A load of great new friends, and some old friends reacquainted. The train thing really worked, though I learned a couple of lessons for next time –

1) get an all-europe pass whatever, it’ll make life much easier
2) book any long distance journeys as far in advance as possible (just book the seat anyway, cos even if you cancel, it’s only going to cost you a couple of quid to make the booking…
3) I’m going to find a way to get all my stuff into one bigger bag, rather than two smaller ones.

Beyond those, it was perfect, and all being well, I’ll be back touring in Europe in March, so if you’re anywhere in the general European area (basically anywhere between Turkey, in the south, Poland in the east, Finland in the North and Portugal in the west) and want to book me, or know a venue I could play, drop me a line!

My next gig is on Friday in South Wales, so I’ve got a couple of days of chilling and recouping before that…

Euroblog #932

Home stretch! I’m on the train from Nijmegen to Rosendaal in Holland, having played in Kleve in Germany last night. The Kleve experience was one I won’t forget for a while…

So yesterday morning, the morning after European Bass Day, had breakfast with all the bass peoples who were at Bass Day, in the hotel, then got a lift down to Krefeld Haupt BanHof, (that’s train station to you), and got the train to Kleve. For some stupid reason I’d left it til that morning to email the owner of the theatre I was playing in, but I sent him my phone number and the email address that goes straight to my phone, and thought that the worst case scenario was that I’d end up meeting him at the venue when he got there to set up. I had the map from the venue website to be able to find the place, and was happy to have a look round Kleve and check into a hotel in the afternoon.

I get to Kleve, find a town map outside the station, and set off in the direction of the venue. I walk for about 5 minutes and a car pulls up alongside and asks me in German if I want any help. I answer in English, and the driver then guesses that I’m doing the concert at the theatre, as she’d read about it in the paper that morning (a very good sign), it turns out she knows the guy who owns it and his family, and offers to give me a lift first to the theatre, and then to the house of the owner when there’s no-one there! As a general rule, I don’t advise getting into stranger’s cars, but Oopie (I’m assuming that’s how it’s spelt) clearly did know the theatre people, and the Serendipity of the situation seemed way too go to pass up… Thank God for slightly nuts people in small-town Germany who are willing to stop and help lost looking musicians!

So we go the house of the theatre owner, Wolfgang, he’s not there, but his family take v. good care of me, speak excellent english, and prove to be utterly delightful, interesting, funny and wonderful people – just the kind of people that would make all of this worthwhile even if I didn’t enjoy the music. That I get to play music I love and meet people like this makes me a most happy and lucky bunny.

Wolfgang arrives, matches his family for friendliness and all-round wonderfulness, and we head down to the venue – xox theatre (xox is actually a word, not just X O X, which I thought it was… xox, pronounced like ‘socks’ with an x in front, was a biscuit manufacturer, and the theatre is on the top floor of the old converted factory.) It’s a gorgeous little theatre, with great lighting and 99 raked seats. Just perfect for a StevieGig.

The house PA proves most satisfactory, and I set up and soundcheck with tonnes of time to spare, and meet Theo from MySpace, the guy who set all this up in the first place.

The gig itself was pretty small (the big problem with being on the road is that’s pretty tough to keep track of all the promo stuff for each gig, and make sure everyone has everything they need), but the people there were hugely generous in their appreciation for the music, I sold a lot of CDs (on this tour I sold out of all the copies of both Behind Every Word and Grace And Gratitude that I bought with me, and have only a couple of the other two left each!), and met a whole host of utterly delightful people. Is there anyone horrible in Kleve, or are you interviewed to measure you general niceness level before moving in? All in, one of the most enjoyable gigs I’ve had in a long time, and the theatre want to book me again early next year and do it again with a bigger build-up. What fun!

So I’m back on the train, heading home, via Brussels and the Eurostar, looking forward to a couple of days off before my gig in Wales on Friday. Time to regroup, send out the CD orders that have come in online while I’ve been on tour, sleep A LOT catch up on all the teaching-related email that I’ve neglected, and generally relax.

But, barring some kind of utter disaster today, this training-it round Europe thing is definitely the way to go. Book a month of gigs at a time, fill in off-nights with as much fun as possible, the more gigs you do, the cheaper the travel works out per-gig, you can play in Italy one night and Portugal the next , and all it’ll cost you is the food on the train and a cheap hotel if you don’t have someone to stay with… I can’t understand why the trains of Europe aren’t chock full of musicians on tour!

So who wants to help book a gig in Europe in March? :o)

Euroblog… what number are we up to now??

European Bass Day – I did this one a couple of years back, so very nice to be here again. Some great players on the bill, most of whom I miss… Great to see Claudio Zanghieri, Beno (sp?), Markus Setzer, Charlie Moreno… loads of lovely people, who all play great music and I didn’t get to see any of them play!

My own playing time consisted of a bit of a demo on the Hotwire bass stand, who are the German importers of East-Pro preamps, and then a 45 minute gig with a bit of a Q & A, which went very well, and I sold out of copies of Behind Every Word! It’s a nice problem to have…

After me, the last band on was Bill Evans’ Soulgrass, featuring Ric Fierabracci on bass, who were definitely one of the best things I’ve ever seen at a bass-day-type gig. Really really amazing gig. bass, drums, sax, banjo and violin. Superb playing, great tunes.

As usual with these things, a late night hang was to be had, with Stefan Redtenbacher and Marco Meniconi from the ACM – lovely people talking deep bollocks til the early hours…

And today is the gig in Kleve – I need to phone the venue now and find out what the plan is for tonight, but I’m really looking forward to it!

in Amsterdam..

after only 14 hours and 10 minutes of train journeys, an hour and forty minutes late, tired, but glad to be here.

And the lesson is, book your tickets a long way in advance, and make sure you get an all-europe pass… :o)

posting flourish

OK, one train was late, missed connection, now at Frankfurt Airport waiting for a train to Amsterdam, just bought 15 minutes of e-time, enough to upload loads of blogs, but not to set the dates to the right days etc… use your imagination…

Am now stinking of ciggies, hungry, and won’t get to Amsterdam til 10pm.

Can I get me a ‘bollocks!’, people?

[update] – now the later train is delayed by 25 minutes…. ARSE!

Euroblog #7

Euroblog 7

Right, lesson #1 from all this has been to get the complete Europass whatever you’re doing. OK, so it costs about £100 more, but it gives you way more options, and stops you getting stung the way I have been just now.

Having bought my tickets in Venice on Thursday, on the train just now, I discovered that all the woman had done was reserve the seats for me, and charge me a booking fee, not actually sell me the sodding tickets! She’s listed them as though I had a pass for the whole of Europe, rather than one that doesn’t cover Switzerland and Germany. so I’ve just been stung for another $50 for the Swiss bit of the journey. I think the same is likely to happen in Germany too… eeek. I mean, it’s not going to break the bank, but it’s a total pain in the arse to have been sold the wrong tickets. I think I might go into the Rail Europe offices in London when I get back and complain – it’s not that I would have minded paying the extra – indeed, I was surprised when she told me the price of the tickets from Milan to Amsterdam via Switzerland and Germany – but the hassle of being sold one lot of stuff, then finding out that it’s not valid is just nonsense.

Other than that, it’s all going fine. I’m on train two out of a five train series – this one’s a local Swiss train, from Arth to Olten, and then I change and get on a train to Mannheim, then to Koln, and thence to Amsterdam. It’s funny, traveling on trains takes a lot longer, but is way less tiring than flying. I’m much more relaxed, can get up and wander around, and can watch some of the most beautiful scenery in the world whistle past the window, safe in the knowledge that my eco-monkey credentials are improving by the second. Also got to meet a couple of lovely americans from Portland Oregon, on their way home after a trip round Italy – always nice to meet fellow travellers, have a chat and move on. It’s great the way orbits intersect like this on the road. Sometimes they cross and merge, as with Luca and I, where we end up working together for years to come. Other times, it’s just a 20 minute chat on a train or plane and away you go.

Current Listening – Tollak, Walk This World – he’s the harp-monkey from EuroBassDay, and this record of his is lovely. It’s kind of classic singer/songwriter stuff, in the big emotional 80s songwriter vein, with a fairly major chunk of Beatles harmony.

Update – now on the train from Olten to Mannheim – I think I managed to flummox the ticket inspector with the number of bits of paper I thrust at her – my inter rail pass, my swiss ticket (which says it’s for Basel but I haven’t been there), my seat reservation, and the following tickets through to Amsterdam, and she just tapped some information into her over-sized palm pilot thingie, thanked me and left. So so long as she wasn’t sending messages to marksmen in Mannheim saying I should be shot on sight when I leave the train, I think I’m OK… We’ll see. More news at the top of the hour.

In other train related news, met two more lovely Americans on the last leg of the trip – two girls from Seattle backpacking round Europe.

And Swiss trains officially kick the arse of all other trains. They’re fantastic! I thought I’d wandered into first class by mistake. But no, this is my seat. yay! However, they still haven’t cottoned onto the idea that a power-point next to each seat is a really great idea for laptop users. I guess i’m the only one… riiiight. Also finally managed to find something veggie to eat in a shop on Olten station – a cheese and jalapeno tortilla wrap! Molto picante e bueno. or something.

The big problem with Switzerland is the language thing – with bits of it being Italian speaking, German Speaking, French Speaking, and Swiss-German speaking. My brain hasn’t at all been able to switch to German thus far… I got to the point where I could hold basic conversations when I toured in Germany a lot in the early 90s, but it’s going to take a bit of work to get it back into shape…

[second update] I take back what I said about Swiss trains, I’m stucking in a fucking smoking carriage, and am going to end up smelling disgusting by the end of this, and feeling rather sick. What kind of loser train network lets people smoke on trains? What more’s the point, what kind of loser ticket agent books a seat for a non-smoker in a smoking carriage! The kind of moron that works at Venice station and doesn’t actually book me any tickets, just seat reservations, that’s who… grrrr.

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