Last night's Recycle Collective gig…

Ah, it’s good to be back Recycling! :o)

It took Lo. and i ages to get to the venue, thanks to nasty south London traffic, but we’d left plenty of time, so no panic. When we got there, Cleveland was already setting up, Sarda and Kari were downstairs, Oli was sorting out the venue, and all was familiar. We set up, and just listening to Cleveland soundcheck made me realise how much I’ve missed hearing him perform in the last 9 months – for all of 2006, he was doing the Recycle Collective every 2 or 3 months, so I got to both listen to and perform with him a lot. He’s definitely one of my favourite solo looping performers anywhere, and he gets more proficient with the technology every time I see him play.

So the gig itself started with me solo, with a couple of improvs, including the now-fairly-regular one based on Bach’s Cello Suite #1 in G, and then I got Andrea Hazell up, for a big sprawling open ambient piece – Andrea’s voice lends a gravitas to everything she sings on, as noted before. Lovely stuff.

We then finished off the first half with some trio improvs, some cool funky stuff with Cleveland beatboxing, and some more spacey ambient things.

Second half started with Cleveland on his own, but he very quickly got Andrea up to join him, and their duo segment was really really wonderful – their voices combine so well, and the juxtaposition of his funkiness and her operatic poise was beautiful. I really hope we get to hear more of that!

Cleveland invited me back up, and we went into more funky, spacey territory with Cleveland launching into a tune from Carmen, which he and Andrea then played around with for a while which was both marvellous and hilarious, especially when Cleveland went into a patois/ragamuffin version – really magic stuff!

And to finish the night, I got Lo. up to sing with us, and she improvised a really gorgeous sound, that Cleveland added harmonies to, and the three of them stacked vocals for a big ambient ending. Lovely lovely music.

It was really lovely to play the vortex, though with the venue shift and the big break from the last show to this one, the audience numbers were down on our Darbucka averages… We should be back with a Darbucka show in October – watch this space, I’ll be booking it ASAP!

write up in Time Out for tomorrow night's Recycle Collective gig…

Once again, we’ve got a really lovely write up in Time Out

“Singularly talented solo looper/electric bassist Lawson moves his long running RC night from Darbuka to a new regular slot at the Vortex. Joining the ambient effects maestro tonight will be bewilderingly versatile singer Cleveland Watkiss, also looping his a capella voice, and Royal Opera singer Andrea Hazell, this will be breathlessly spontaneous, indefinable, music making.”

That’s rather nice, and true, and means you shouldn’t miss it!

Yet more places to find me on the web…

With musicians and listeners alike realising just how useless and archaic the MySpace interface is, a host of other options are springing up for musicians looking for an audience, and audiences looking for new music. One of the best ones I’ve found recently is Reverb Nation – I saw it a while ago when Seth Horan moved his mailing list over to it, and then today, the lovely Lo. re-alerted me to its existence, in relation to how it can be placed on one’s facebook page. So i created a profile, added the facebook plugin thingie, and away we go. It’s looking good.

click here to see my Reverb Nation Profile.

website update!

in lieu of the complete overhaul that my website will get when I get round to it, I’ve made some tweaks to the front page that hopefully make it easier to access the info you want, and also to buy stuff, should that be your aim (and you buying stuff is certainly one of my aims…)

head over there and have a look

video of last night's gig…

here’s the video from last night – I can’t remember what I said in the gig, so some of it may be a little off for the childrens… :o)

anyway, here’s how to loop with no pedals… :o)

More ways to download… hurrah!

Those magical wonderful peoples at cdbaby.com have started doing download sales direct from their site – hurrah! If you want to get mine, you can go to my main page at cdbaby.com and if you click on any of the solo albums, you can get them there for just $10 downloaded (and the files are 200k MP3s, so considerably higher quality than iTunes.

The duo albums aren’t up there yet, but I’m going to look into sorting that out fairly soon…

And don’t forget that you can get the 3 Lessons Learned From An Aged Feline albums from my online shop for just £2.50 (that’s $5!) each… Go on, you know you want to!

Greenbelt round-up…

So Greenbelt – another fab weekend. This year’s them was ‘Heaven In Ordinary’ – I didn’t like it when they suggested it last year, but it’s what Greenbelt is, an ordinary world full of heavenly loveliness. At least, it is for those of us who’ve been going there for years and know a million people (bit tougher for those peeps who are there for the first time and spend the weekend meeting a million new peoples…)

Anyway, we got there thursday evening, set up the tent.

Friday was spent catching up with friends and getting ready for the first gig of the weekend that both Lo. and I were playing at – a mainstage set with Sarah Masen. The first nice surprise was how well bands are looked after on mainstage – lots of lovely roadies and stage managers sorting everything out. Good peoples. The set went really well – was a whole lot of fun, and the crowd was HUGE for a first-band-on. Sarah sang beautifully. All good nothing bad.

The best thing about that was that we then had the rest of the night off, and were able to see a bit of Over The Rhine, and then all of Billy Bragg’s set. He was, as expected, outstanding. Funny, engaging, moving, all good things. Couple of great new songs, fab versions of old songs. He just confirmed why he’s one of my favourite live acts in the whole world, and one of my favourite guitarists too.

Onto Saturday, which started as Friday ended, with Billy Bragg, doing a talk about the campaign for a British Bill of Rights. Interesting stuff, if not without some unanswered questions (especially his attachment to the notion of a new inclusive english national pride to replace the cynical racist nastiness of the BN/P et al.)

Anyway, that was great, fascinating stuff. Following that was The Rising – Martyn Joseph’s songwriters in the round session that he does every year – fascinating stuff as usual, with BB, Amy Wadge and the bloke from Willard Grant…

After that much mellowness ensued, hanging with friends, eating lovely food, until it was time to get ready for a busy evening, firstly my gig with Ric Hordinski and then the Recycle Collective. Always a highlight of Greenbelt for me, the RC gig was a blinder, featuring me, Lo, Ric, Andrea Hazell and Patrick Wood. Much lovely music followed, and Patrick in particular was on incredible form. A real triumph.

Sunday was meant to be my mellow day, but after the previous night’s gig, Ric asked if I’d play with him again in the Performance Cafe, and I’m v. glad I did, as it was probably the best gig we did – we rocked! Great reaction from the Performance Cafe crowd too.

After that I was supposed to be compering but managed to delegate and get some time off for buying fairtrade shoes and hanging out with lovelies again. Got to see Sarah Masen play solo in the Perf. Cafe (aside from a couple of song with the lovely lady vocalistes) and she sounded great, as did Emily Barker who was on before her.

Late nights at GB are spent in the Organic Beer Tent – friendships are made, beer is drunk and the world is put right.

Monday was back to more gigs – I was compering in the Perf. Cafe, and got to introduce one of my highlights of the weekend – Nizar Al-Issa (though I got his name wrong on the intro – sorry, Nizar!) – he’s a singer and oud player, and a really great musician. Beautiful haunting music.

After him was Lo and I doing our main duo gig, playing to a nice full tent of peoples, and we played pretty well. Lo’s piano songs being especially great.

after that I got to see another one of my highlights – Beth Rowley, a fantastic singer with an amazing band (it helps that her guitarist and drummer, paul and phil wilkinson are two of my favouritest musicians anywhere). Really great stuff.

the evening was spent watching first Iain Archer, then Duke Special on the mainstage – both long time faves of mine, and both on fine form, playing to a huge crowd who loved them muchly. The headliners on the night were of no interest to me, so we headed for the beer tent. After being there an hour, Lo and I got a call asking us to go and play the late night cabaret (playing to about 1500 people)… after 2 pints… hmmm, we did it, and pulled it off. ‘Twas a little ragged, but fine.

And thus ended another great greenbelt. Now it’s time to buy a load of the talks I missed as downloads.

See you there next year!

Tuesday night's gig at The Spitz.




6-String Bass

Originally uploaded by Schrollum

Got back from Greenbelt on Tuesday morning (more on that in the full GB round-up coming soon), and barely had time for anything before having to pack my stuffs up and head out the door again for the gig at the Spitz, opening for Hauschka and Max Richter. I wasn’t familiar with either musician before the show, so didn’t have any particular plan of what to play.

Before i went on, the event organiser, Ben Eshmade, was DJ-ing, playing some really really beautiful music, which inspired me to stick to the more ambient mellow end of things, so I started with Grace and Gratitude, which morphed into a more electronic drum ‘n’ bassy thing (with that slap ‘n’ pop percussion idea I’ve used on quite a few improvs). I then played Behind Every Word, again, with big improv cadenza and with Looperlative weirdness at the beginning (actually it was MIDI footo-controller weirdness thanks to a pedal getting stuck, but it meant that the loopage didn’t happen quite as planned…) – and I finished up with an improv based around Bach’s Cello Suite #1 in G Major. Much fun, and a fine set, though I say so myself, which was very well received. Hauschka’s music was beautiful prepared piano stuff, quite minimalist for the most part, and his stage persona was most endearing. Max Richter had a two person string section with him and a laptop, and played ice-cool piano-scapes, with lots of vocal samples and backwards stuff. Lovely, if a little to far to the blue end of the colour spectrum (I’m a hapless romantic, don’t you know ;o) )

All in a fine evening (including a delish curry on Brick Lane with Lo, Sarda and Kari). But I’m now knackered and definitely in need of some time off!

What greeted me on arriving at Greenbelt…




Steve Lawson again

Originally uploaded by jystewart

So I back at Greenbelt; my 16th, I think… We arrived last night, late thanks to some weirdness with a tent that was being posted to us (was sent to arrive Wednesday, ‘arrived’ Thursday but strangely nobody heard the courier ring the bell at the flat, called the courier company, who offered to deliver it on Thursday, no good, what else? can meet driver, called driver, met driver, suddenly we’re 3 hours late leaving London…) – so we set up the tent in the dark. But it’s up.

Anyway, we wander into the contributors area, and find a little display for a virtual greenbelt band – little figurines of musicians that you can compile into your favourite GB line-up… and one of them is me! That’s it in the picture – nice detail with the painted nails… :o)

The gig today with Sarah Masen went great – lots of fun playing on the big big stage. Now we’re settling in for the night, and are off to see Over The Rhine and Billy Bragg. Hurrah!

wednesday night's gig recommended in Time Out

Just found this entry on the time out website – a very nice write up for our gig on Wednesday – all the more reason for you to be there!

here’s what it says –

Steve Lawson/Lobelia + Monk AKA Ric Hordinski
Recommended
Wed Aug 22 , Chilli Fried at Darbucka, 182 St John Street, EC1V 4JZ

Ambient folk-ish jazz from bassist and loop/electronics master Lawson and American singer-songwriter Lobelia, playing a set of bittersweet and melancholic music. Support comes in the form of a solo set of hauntingly powerful ambient/soundscapes from singer-songwriter and guitarist Hordinski.

not sure how ambeint Ric’s set will be, and it’s not a Chilli Fried event, but those are some lovely things to write… :o)

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