Got an email a few days ago, from a site called Schmap, asking if they could use one of my crappy phone-cam pics of Douglas Coupland in their entry about the Bloomsbury Theatre…
So here’s the link, to Steve Lawson, web-published photographer have Sony Eriksson K-810i, will travel…
Wow, I’m exhausted! The last three days have been pretty intense work-wise.
Starting with a gig Friday night at The Red House in Walnut Creek – it’s a fantastic venue: The Red House is a ‘health club for musicians’, the attendees pay a monthly subscription, and then get to use the rehearsal facilities, go to gigs, buy stuff in the shop, record demos and get music lessons in a really great facility.
The gig went really well – the onstage sound was spectacular, which always makes for a better show, given that we can play with more nuance, and Lobelia sang beautifully. A fine time was had by all, many CDs were bought, and we all went home v. happy.
Saturday and Sunday were really heavy on the work schedule – two 7 hour bass classes and a house concert.
The classes were less well attended than previous years, mainly because I pulled the classes forward two weeks this year due to scheduling, and a lot of people still haven’t really surfaced from christmas – it’s a lesson for future years re: planning, BUT the great thing is that the smaller classes actually make for a much better learning environment for everyone. The group of bassists who come along to these classes are such a fascinating, diverse group of musicians, all willing to learn, full of great experiences, comments, questions, and capable of making some really beautiful music. It’s a real privilege to get to teach them one weekend a year, and to see the progress from year to year.
The house concert at Looperlative Bob’s house was another really special event – Bob’s living room turned into a REALLY great lil’ venue, and again the audience was full of really really great people! One of the most exciting things about house concerts is that the audience isn’t ‘genre defined’ – they aren’t full of bass-geeks or ambient music afficionados or jazzheads or whatever. They are generally friends of the people putting the show on, out to hear something new, and it’s a such fun to play our music to a completely uninitiated audience. Again, it went over really well, and lots of CDs were sold too… (it’ll be interesting to see if CD sales at indie gigs remain high even after CD sales online and in shops die out – people still want the social currency of coming up and buying a piece of the evening, interacting with the musicians, and showing their support by doing that… there are clearly other things that can be sold, but I do think CDs will remain as ‘souvenirs’ of a great night out long after they cease to be the primary way of transmitting music from band to fans-at-home. Right now, CD sales are still a vital part of the indie gigging economy, so a HUGE thanks to all those who bought discs at the shows…)
So that was our weekend – busybusy, rewarding, exhausting, mentally taxing (staying focussed on a room-ful of bassists for 7 hours a day two days in a row is pretty challenging, especially given that I don’t work from notes, so have to keep the narrative thread of the day’s material moving forward whilst accommodating all the side-tracks that happen based on the questions people ask and the things they play…), and above all it was a great chance to catch up with loads of old friends and meet lots of new lovely people. So much fun.
Today’s a day off, tomorrow we drive to Southern California, and on Thursday, NAMM starts… hurrah!
My other latest recent musical obsession is guitarist Nels Cline. Best know these days as the guitarist in Wilco, he’s nevertheless been a mainstay of the LA experimental/free/out/weird scene for decades, as well as guesting with some big name dudes like Mike Watt (his guitar playing features heavily on Contemplating The Engine Room by Watt – an amazing album)
Anyway, there are a few free downloads on last.fm that feature him – first, there’s The Darkness Of Each Endless Fall by Stueart Liebig – Stig is an outstanding bassist from LA, and I just bought this track yesterday from eMusic, but on clicking on his name on last.fm just now, discovered I could’ve got it for free… So you can, and then go and buy loads of Stig’s music cos it’s amazing.
Also on last.fm are four free downloads from The Scott Amendola Band, featuring Nels. Again, I downloaded both albums from eMusic, but you can get tasters of them from last.fm, then go and buy them on emusic!
And lastly – same as before, I bought it on emusic before discovering the freebies – some of Nels’ own trio, The Nels Cline Singers, whose music is all instrumental, just in case the name throws you.
Get stuck in – you can get about an hour or so’s worth of free loveliness from that lot on last.fm. Seems like their label, Cryptogramaphone have free tracks from all their artists on last.fm – i’d recommend Jenny Scheinman, Alan Pasqua and Nels’ solo stuff as well, but it’s all worth checking out. Hours of spikey goodness.
One of the biggest shifts in my music knowledge in the last year has been my now-obsession with The Blue Nile – I’d owned a couple of their albums for years, but never really listened to them much until going through my iPod earlier in the year finding undiscovered gems and fell completely in love with Paul Buchanan’s bleak-yet-optimistic take on the world.
So today, I’ve completed my collection of their album releases, by buying Peace At Last from the Amazon.com download store, but more interestingly, I also managed to find a couple of Paul Buchanan solo tracks on a compilation album called Seasons Of Light on eMusic.com – they are, as expected, beautiful. If you’re a Blue Nile fan and want another 8 or 9 minutes of glorious loveliness to help ease the years til they next put an album out, these two tracks are a great way to do that.
Been having a lot of fun on eMusic today – Lo. and I were going through the site looking at all the industrial, metal, grunge and punk stuff we loved in our teens, from Helmet to The Melvins, Prong to Black Flag, but found that in our advanced years, we were much happier with gentle old lady music, so settled on Tanya Donelly’s achingly beautiful Whiskey Tango Ghosts – and she used to be in the Throwing Muses, so is sort of alternative-ish, right? right?
Sometimes you just gotta embrace becoming an old lady… though the Therapy singles collection, and the first Fudge Tunnel album both sounded pretty damned fine – guess I’ll have to pick them up as part of next month’s 50 tracks, and feel all young and dudeish again…
(oh, and my eMusic tip of the day is to set up your computer so m3u files (the files used to play the previews on the site) open with Quicktime – it handles them SOOO much better than iTunes and doesn’t litter your iTunes playlist with redundant entries… )
Happy New Year! Hurrah! Hope your celebrations were fun…
here are three youtube vids of me and Lobelia live in Brighton about a month ago. Quality’s not great, but they were good performances for the most part. :o)
(Oh, and for those of you that have emailed me, I’ll get the download version of the new EP up ASAP, I promise! Sorry…)
Tea In The Sahara –
I Am Afraid Of the Dark –
Happy –
enjoy…
So, end of December, time for everyone to do their end of 2007 best music lists… I’m just going to offer the stuff I got off eMusic, and a few of them were released in 2006 even though I didn’t get them til 2007 – with the way digital releases go, things released on CD one year might not end up being available for download until early in the next year anyway, so there’s a little ambiguity about what a ‘release date’ is these days…
Draw Breath – Nels Cline Singers – LA-based avant guitarist keeps on melding ‘out’ weirdness with amazing tunes. This new one is no exception.
Line By Line – John Patitucci – John continues to grow as both a composer and player on this beautiful guitar-led album of introspective jazz and beautiful chamber music. My favourites of his since One More Angel.
Double Talk – Theo Travis – push comes to shove, probably my favourite album of the year. Theo just gets better and better, and here his band are just amazing. It’s no wonder he’s so in demand right now… Look out for our duo live album some time in the next 12 months….
Shine – Joni Mitchell – seems like a very personal record, much smaller in scope than anything she’s done for years, a beautifully understated return to the recording world. Now let’s hope she tours…
The Antisocial Club – Alan Pasqua – anyone savvy enough to put Jimmy Haslip and Nels Cline on the same record HAS to have it going on. A beautiful album of spikey post-miles jazz, and the kind of project that Jimmy excels at, even though people don’t think of him as an out player…
You’ve Got To Laugh – Nik Kershaw – when are people going to wake up and realise that he’s one of the finest songwriters of the last 25 years – how long can one man’s reputation be defined by his mullet of two decades ago?
Sermon On Exposition Boulevard – Rickie Lee Jones – mad freewheeling gospel album, sounds unlike anyone else that I can think of. In a good way.
These Friends Of Mine – Rosie Thomas – really a trio record with Sufjan Stevens and the wonderful Denison Witmer, Rosie’s yet to record a bad song, let along a bad album. Now when is Sheila’s first album coming out?
Rock Garden – Ty Tabor – Ty finally allows himself to really rock out without the rest of King’s X.
Strange Conversation – Kris Delmhorst – as with everything she does, it’s full of great tunes and great words.
there you go, no Radiohead, no Britney, no Arctic Monkeys, no… whatever, you can go and read about their tedious nonsense elsewhere… :o)
I’ve blogged about Reverb Nation quite a few times, but it’s always worth another heads up as the user base is growing, and people’s familiarity with the two Facebook plug-ins (My Band for musicians and Reverb Nation for fans) is also growing.
The widgets on their site are a great way of compiling players for all your favourite artists onto one page, as Kev Cooke has done on his myspace page.
They still don’t accept information ‘pushed’ to the site, and don’t allow all that much tweaking and customisation of the widgets themselves, but the range of sizes available is a great idea, and the basic design is pretty cool looking…
Here are a few of the widgets for me, for playing music, adding to the mailing list, and showing your gigs…
Oh, and if you go to my reverb nation page and click on the ‘favourites’ tab, you’ll see all the fantastic musicians I know that are on there, with more stuff being added all the time!
Jazz pianist Oscar Peterson died on Christmas Eve. His album Night Train was the first jazz album I was ever able to play along to, due in large part to the amazing lines and tone of his long-time bassist Ray Brown, but also the relative simplicity of the underlying harmony. The magic though was in what they were doing over the top… It’s a principle I’ve held onto with most of my jazz playing ever since – keep the changes simple and give the players room to stretch. And from Ray’s playing on that record, I got a sense of how a line can be supportive, swinging and clear in its statement of the harmony.
It was one of the first jazz albums I understood at all – I liked a lot of jazz that I’d heard before it, but didn’t really know what was going on. It got me on a more emotional, visceral level. With Night Train, I could follow the changes through the solos and pick out a lot of what Oscar was doing in relation to the chords in his solos. It was beautiful stuff, and to this day it’s the album I go to first when recommending a first jazz album to get to my students.
So in memory of Oscar, here he is with not one by TWO world class legendary bassists – Ray Brown and NHOP –
And here’s the obit. from the Guardian.
Yesterday was the closest I’ve come to being killed for a very long time. Driving back from a lovely trip to Kitchener, Canada (more on that in a moment), Lo. and I hit a patch of black ice in the road, just at a point when the wind was blowing hard enough to knock us and the cars in front of and behind us into a spin – the car in front of us spun off the road, I turned to go around him and the car spun across the road, did 180 degrees and we ended up on the central reservation facing the wrong way with more cars and SUVs spinning off the road around us. The spin itself was scary, but we didn’t hit anything, and the central reservation brought us to a fairly quick halt. However, the feeling of watching other cars spin, knowing that if one of them came in your direction it would very possibly kill you – given that we were facing the direction they were coming, so it would’ve effectively been a head-on collision – is quite the most gut churningly horrible feeling I’ve had for a very very long time.
And after that, when the road cleared a little and we’d got turned round and on our way again, the next 50 miles back to where we’re staying was the most stressful nastiest drive of my life, every little movement of the car felt like we were going to spin again, every bridge felt like it was covered in ice, and on a couple of occasions we did slide a little, and my stomach knotted even further. I’ve never ever been so happy to step out of a car as I was when we got back.
So we’re not dead, and very thankful to be alive and in one piece, and to not even have to report a smashed up car to the rental firm (we had fully-everything insurance anyway, and I suggested that they check the wheel alignment, given that the wheels took more of a jolt when we hit the reservation than anything else…)
The reason we were in Kitchener in the first place was to go to a gig by Rob Szabo and Steve Strongman, two fantastic singer/songwriters, with very different but complimentary styles. They traded songs off one another, backed eachother up, and generally made a fantastic singer-songwriter-y noise for a couple of hours. Marvellous marvellous music. Definitely worth checking out both of them.
Anyway, happy christmas, bloglings, thanks for bothering to read this stuff through the year, I hope it’s been entertaining and informative. Here’s to a blogalicious, gigtastic 2008!
