Recycle-type things across the globe…

Just got an email from the delightful and lovely Doug Lunn – an amazing bassist and human being from Santa Monica, CA. He’s got a gig coming up with guitarist Mike Keneally, and it sounds very Recycle-esque… or rather The RC sounds very ‘Circus Of Values’-esque, as Keneally was clearly doing it first – read this;

“Hello there, MK here — I hope you’re doing well and that 2006 has been OK for you so far. Thanks for reading this!
I want to let you know about some stuff – here’s “stuff fragment” number one:
CIRCUS OF VALUES re-ignites THIS WEEK The first round of Circus of Values was a series of improvised shows I hosted at Dizzy’s in San Diego, back around five years ago. Each one had a different theme and title, and a different group of players. All of the music was invented on the spot. It’s time for another round of this madness. I’m
very happy to be returning to Dizzy’s (a super-cool spot to hear music) for another series of Circus Of Values performances.
I’m very delighted to report that Chad Wackerman (drums) and Doug Lunn (bass) will join me for the first show of the new Circus of Values series; the performance is entitled “Ah Mr. Solid Gasoline.”
Here’s details for y’all:
Mike’s intimate improvisation series
Mike Keneally’s Circus of Values
returns to
Dizzy’s
344 Seventh Avenue
(between J & K, on the edge of San Diego’s East
Village)
San Diego, CA 92101
Thursday, September 7, 2006
8:00 p.m.
Tonight’s episode: “AH MR. SOLID GASOLINE”
Featuring Chad Wackerman and Doug Lunn
Tickets: $15
All ages welcome
Info: 858.270.7467
All attendees will receive a special exclusive concert program with odd art and text by me. Please be an attendee! (Check later in this email for the dates of two more Circus Of Values shows.)”

Sounds very Recycle-ish to me – and such great players! Doug’s a remarkable bassist, and Chad’s, well, Chad; a percussive legend. Definitely one that’s worth the drive if you’re in Southern California

Steve Irwin's death…

So the big news today pretty much across all the news sources I’ve looked at has been the death of Steve Irwin. And, like a lot of people, TSP and I have been talking about him, his conservation work, how his work as a naturalist contrasted with his ‘crocodile hunter’ image (which never involved hunting them at all, as far as I can see).

I always feel a bit weird about the sadness that surrounds celeb deaths, especially those who haven’t really made much of a dent in your life – I mean, John Peel’s death felt like something major had gone from the lives of an entire generation of British radio listeners and musicians, but Steve Irwin was always a novelty character on UK TV, someone to be giggled at as he hammed up an encounter with some poisonous critter or other.

There’s a deep and genuine sadness for his family – his wife and two small children – it’s always terrible to hear of families that are bereaved. And that’s just it. There are loads of bereaved families every day, there are naturalists and conservationists dying, there are humanitarian workers being killed, peace protesters in the middle east, aid workers in Darfur, good people, unknown, unsung wonderful selfless people who die and leave a devastating hole in their families, but don’t make the news because they weren’t showbiz enough.

This isn’t to take anything away from sadness of Steve Irwin’s death, or to suggest that we should have a TV channel for obituaries of ordinary people. More that we should be aware of our own dispensation towards colourful characters, be they in the media or in our social situations. It’s easy to mourn the death of a star, just as it’s easy to mark any event in the lives of people who make themselves the centre of attention, but it’s harder to see, to recognise the good done by those who don’t do their positive work in the spotlight, who don’t have a catchphrase, or a film about their life, but instead get on with doing their thing. And if we’re not careful we’ll miss them, miss the chances we have to celebrate them, the encourage them and to support their families if they are tragically taken away.

None More Prog




The Tangent

Originally uploaded by solobasssteve.

Went to Southend to see Theo playing with The Tangent last night. For those of you that don’t know (I’m guessing that’s most of you), The Tangent are a prog rock band, in the old fashioned sense of mini-moogs and obscure time signature changes, too many band members and 22 minute songs. Andy Tillison, who basically IS the Tangent, is a driven man, and I have a huge amount of respect for him, bordering on awe, mixed with bewilderment… That his musical vision requires him to hire six other musicians, write this insanely complex music and play it in little clubs in Southend is a remarkable testament to his tenacity and dedication.

And it is very well played. Despite a number of nasty technical hitches (an electrical spike that shut down all the keyboards and synth stuff), the band played the ridiculously complex music very well indeed, especially considering this isn’t a band that gigs week in week out (three of them are over from Sweden for the gig), and there are moments in the gig when I’m reminded why I loved prog-rock so much in my teens – the complexity, energy, the bizarreness of grooves in 7/8, 11/8 etc – it doesn’t really sound like anything else.

But I also breathed a huge sigh of relief that I’m not destined for the kind of logistical hell that Andy is every time he puts on a gig. My own musical goals in life are scalable to the degree that I could play solo in people’s living rooms for the rest of my music life and be not only fulfilled but probably make a reasonable living doing it.

I’m rarely at the mercy of club sound engineers and sysyems built to make Stones tribute bands sound loud, not 7 progsters sound clear. Even when I add other musicians, there are never any scores to hand round, rehearsals to be hand (except the duo with Julie, and that actually made a nice change, to have things to remember for once!)

My own musical journey is one deeper into collective spontaneous composition – beyond what usually gets described as ‘free improv’ and into something where ‘Is it Good?’ is the question of the hour not ‘Is it Right?’ – it’s what the Recycle Collective is about, it’s what the duos with Theo and BJ and Cleveland are about, it’s where I’m happiest, and where I play best.

So, a salute to Andy Tillison for his remarkable tenacity in the face of unrelenting technical obstacles, and a prayer of thanks that the musical monkey on my own back isn’t quite so demanding.

Greenbelt 365

It never ceases to surprise me, despite having been at St Luke’s for very nearly 10 years, that when I get back from Greenbelt, I no longer have that sinking feeling that it’ll be 361 days before I encounter that kind of intelligent, passionate, grown-up, messy, engaging, cuddly spirituality again. It for my first few years at GB, there was a rather large disconnect between the model of church I was witnessing week in week out on a sunday, and what was happen over the August bank holiday in a field in Northamptonshire. Like it has been for so many people I know, Greenbelt was entirely integral and vital to my developing into a human being, helping me deal with increasing levels of discomfort at what was happening in the various churches I attended, and also providing me with the link between social and political activism and faith. Greenbelt has always been about the intersection of the arts, spirituality and social activism – using the arts to reflect on what our spirituality compells us to do in the face of a world of wonders that’s being fucked over in so many ways. What to do when the majority of God’s children are struggling for clean water and food, while the few are dying from fast food addiction.

Back then, it was an oasis in the year, one that would hopefully sustain me throughout the rest of the year. In 1996, I took a year off from Greenbelt, as I was booked to play bass at another big church event elsewhere in the country. I spent most evenings crying at what the hell I was doing where I was – that weekend really screwed me up for a long time, and I vowed not to miss GB again for a while…

BUT, at St Luke’s, it’s basically greenbelt all year round – a church full of thinking grown-ups, not afraid of questions, doubts, fears, or disagreements; not worried about the cultural nonsense that gets mistaken for faith, not obsessed with being ‘the only ones with the truth’, and attempting to formulate an authentic spiritual life, one that causes us to negotiate the wonder of being alive as part of the gorgeousness of creation rather than wishing for it to all go away in some ‘Left Behind’ end-times-horse-shit scenario where the world can go to hell cos, hey, I’m off to heaven and you can all fuck off.

No, it’s great, and I’m forever grateful for the community there. It ain’t perfect, but it’s the best I’ve ever come across, and after a weekend in the rain-soaked, mud-covered paradise of Cheltenham Racecourse, it’s a welcome reminder that it’s no longer one weekend of the year for me.

Last night was Pat-The-Vicar’s-Secret-Weapon’s 60th birthday. Curry was eaten, wine was drunk, songs were performed (Julie and I did a handful of tunes, along with the rest of the St Luke’s Cabaret) and people danced into the small hours. Many a smiling hung-over reveler was seen in church this morning. Life in all its fullness indeed.

Happy Birthday, Pat – a party well deserved.

The Best Of The Worst

Just watched the first episode of a new game show called ‘Best Of The Worst’ – I’m not usually one for blogging about TV shows (well, OK, not very often anyway), but this was the first time in years that I’ve actually cried laughing at a quiz show (last time was an episode of Never Mind The Buzzcocks a few years ago).

Anyway, it’s pants wettingly funny, particularly David Mitchell, he of Peep Show fame, who’s carved out a niche for himself as just about the most consistently funny man on TV. Don’t miss it next week…

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