It’s a truism that most solo bass struggles in ‘pure’ musical terms. It’s so easy to get caught up justifying our ‘right’ to play solo by doing clever acrobatic things that the meaningful deployment of those acrobatics, or the avoidance of them for more musical ends gets lost along the way, and YouTube ends up as a fumbling bass-circus.
For this reason, there are very few solo bassists in my list of musical influences. But those who are there are towering monuments to what’s possible on this amazing instrument of ours, and their influence on my music and musical outlook is massive.
So, in no particular order, here’s 5 solo bassists who shaped my musical world: [Read more →]
The video itself is about 10 minutes of playing using the effects in various combinations and settings – 1001 sounds (give or take a few) by combining the three effects in different ways (though I didn’t actually change the order!) – it’s pretty long, but is fairly comprehensive in terms of the range of sounds that I use from these three pedals…
The string demo part is most obvious right after the ambient pad part is laid down at the start – the first bit of playing is just my bass through my ever-present Markbass MiniDIST pedal that acts as my preamp, with a little bit of reverb from my Lexicon. That’s my ‘neutral’ sound. If you’re pretty familiar with my sound, you’ll perhaps hear the difference from my old strings – more bite, more clarity low down on the neck… What’s not possible to show on a video is the FEEL of the strings. They just feel great. I’d been using my previous string brand for over 20 years, happily, and was reluctant to even try anything new, but after giving these a try, I’m hooked.
October 5th, 2011 · Comments Off on Video Of Improv with Shlomo in Edinburgh.
You may remember that back in August, a trip to Edinburgh to do some work with the Arts Council happened to coincide with the opportunity to guest with beatboxing genius Shlomo on his Edinburgh Fringe show.
I’d seen Shlo play a few times, and love his music – he’s one of the most musical and versatile beatboxers I’ve ever come across, and as meeting him confirmed, always seemed like a really lovely bloke too. [Read more →]
OK, I’m going to interrupt my ‘track by track’ breakdown of my own new album to tell you about a GREAT record by my lovely friend Laura Kidd, AKA She Makes War.
Here it is, in its entirety, on bandcamp (naturally) – hit play while you’re reading this (and then hit the ‘buy’ button when you’ve finished):
Laura is a true renaissance woman – singer/songwriter/producer/videographer/session bassist/blogger/social tech ninja/web designer… A huge skill set, all of which has come into play on the process of making the album and telling stories around it. [Read more →]
I’m SO glad that our new live mixer set up allows us to multitrack record everything. It means we can capture lil’ moments like this one, when I decided to open the House Concert in Camberley with a version of Lionel Ritchie’s ‘Hello‘.
I’d previously played it at home, but just the chord melody bit. The weirdness in the middle was a whim – I’ve blogged before about the way that the house concert set up lets you take more time over things, and more risks in your playing. Here, they paid off: [Read more →]
We’re just back from a fabulous run of house concerts in England and Scotland. All kinds of good times were had, friends were made, internet chums suddenly existed in meat-space too, and a lot of very fine music happened. Big, big thanks to the truly awesome people who hosted the gigs in Leeds, Camberley and Edinburgh. Expert humans, one and all. [Read more →]
It’s well worth a read, as it talks about vested interests on either side (though doesn’t mention that Helienne herself was a signatory on the patently loony pro-Mandelson AIR statement from the Featured Artist Coalition – she probably has mentioned it in previous posts). It does contains a couple of interesting points that I thought I’d throw out for discussion. [Read more →]
OK, so the thought of maintaining a blog full of pontifications on the state of the world, the web, music, whatever is a bit daunting. The self-imposed expectation that there needs to be loads of amazing stuff to read about on your awesome blog is just too much…
…So what do we do? Clearly, the web these days – and in particular, music on the web – is ALL about sharing. Without sharing, we’re all screwed.
Enter Posterous – it’s a blogging platform that’s been around for a while, but seems to be really gaining in traction of late for a whole host of reasons. I’m going to focus on what an awesome service it is for embedding, and posting links to, things you really like online. [Read more →]
I’ve written a lot over the years about the power of curiosity – that most of my own best disoveries have just happened because I was interested in something and decided to investigate it without waiting for any kind external confirmation that that was ‘OK’ or ‘wise’.
So yesterday when a link from a friend landed me at xtranormal.com and I saw that there was a ‘create’ button, I set to work writing a comedy script for two people talking about a solo bass house concert.
Since then it’s had about a thousand views (pretty good going for overnight on a Sunday!), and I’m sure has quite a journey to go on yet… All because I saw a link, clicked it and played around.
Try it, sometimes it can really help
Anyway, here it is. “Solo Bass. It’s The Future.”
Feel free to share it around, or make your own videos. It’s pretty time consuming, but well worth it
[EDIT] it’s worth noting that the first place I shared this was Posterous. An awesome blogging platform, that I’ll write more about v. soon!