Steve Lawson has been one of the most inspiring and creative solo bassists to come out of the UK in recent years. His solo albums and collaborative projects have been the talk of the world-wide bass community and have drawn enthusiastic reviews in the press. His latest album ‘Grace And Gratitude’ finds him searching a theme in his own enigmatic way. I spoke to Steve recently and began by asking him about this album.
– ‘Grace And Gratitude’ seems to have been given a good reception in the
press. What kind of response have you had from the fans?
“The response has been fantastic, I’ve been really pleased with how well it’s gone down, especially given that it contains some of the most challenging music that I’ve recorded, and is pretty diverse! I was expecting to get a few e-mails of complaint about the second track (Journey Of A Thousand Miles), as it gets very dissonant, and is quite a big leap on from anything I did on ‘Not Dancing For Chicken’, but my audience have surprised me once again with their broadmindedness!”
– What led you to explore a thematic concept for this latest album, and
how do you set about creating a themed album of instrumental music?
“That’s a really good question, and a tough one to answer! The prompting to explore the theme was that it was a continuation of the way I always write – trying to soundtrack whatever is going on in my head at that time – but discovering that my thoughts at that time were a little more focussed and coherent than when I’m usually making a record. The catalyst for that was the European elections here in the UK. I was insensed by the selfishness and ingratitude of so many on the political right-wing who were blaming people fleeing persecution and destitution in their own countries for coming to England to find something better, and attempting to use them as a scapegoat for all of society’s ills and to gain political ground against those who saw the issues in a more complex and grown up way. But instead of doing an angry record, I decided to channel that thought process into looking at the things that I’m most grateful for, and recognising that I haven’t earned any of them – they are all a gift, which is where the ‘grace’ part comes in.
“So ‘Despite my Worst Intentions’ stems for a feeling of gratitude that none of the really stupid things that I did in my teens managed to ruin my life. ‘The Kindness Of Strangers’ is a fairly obvious one – it’s something that all musicians rely on heavily! ‘The Journey Of A Thousand Miles’ is more about recognising the smallness of everything we do, seeing life as a journey comprised of small steps, and we need to tread carefully. And so on…
“It’s pretty much impossible to pin down the connection between the theme and the music beyond some people just getting it! It’s a feeling, an emotion, it’s ephemeral, and I guess it’s something that is going to connect with people on myriad levels. It’s also highly likely that people are going to hear completely different things in there, and that’s fine too.”
– What’s your favourite piece on ‘G&G’ and why?
“Oh boy, it changes from day to day – I think at the moment, it’s ‘What Did I Do To Deserve This?’ – I just really like the melodic line, and the change in texture as the piece goes on. But I’m also particularly proud of ‘You Can’t Throw It Away (There’s No Such Thing As Away)’ – the way the track develops took me by surprise! That’s the joy of improvising music in the studio – you can hear new things in it as you listen back the same way that the audience does. It’s not all planned out, so there are things that you miss the first time round that grow on you as time goes on.”
– Those of us who bought the album shortly after it’s release were
treated to a superb bonus disc. Please tell our readers how they can
now get hold of that CD for themselves?
“That CD was called ‘Lessons Learned From An Aged Feline Pt II’ – each time I do a CD, I release a second bonus CD for people who order the record in advance of the official release date. This works for two reasons – firstly as an insentive to people to order the CD early on, and thus helping me to recoup my costs quicker. But it’s also a way of me getting some of the enormous amount of music out there for people to hear. I tend to record hours and hours of music for each CD before I decide on which tracks to release. Some of it is pretty bad, so that gets scrapped, but for each CD, I end up with at least two albums worth of release-quality material, so this enables to get that out.
“Now that I’ve got a web-shop that can handle download sales, I’ve been able to put ‘Lessons Learned Pt II’ up as a download sale, so people who’ve only discovered what I’m up to since the new album has been released can go back and start to fill in some of the blanks in their CD collections. It’s also meant that I can keep my debut solo album, ‘And Nothing But The Bass’ available, even though it’s sold out. Instead of repressing, I’ve just made it available as a low-cost download.”
– In the past few years you have alternately released solo albums
followed by albums of collaborative duets. Does this mean we are due
another duets album and if so what’s in the pipeline?
“At the moment I’m not certain what I’m going to do next. I do have a lot of duo material recorded with pedal steel guitarist, BJ Cole. BJ and I have been playing together for over a year now, and been experimenting with various approaches to combining out sounds. It’s not been an easy one, given that both of us are capable of making so much noise! But we’re beginning to find the right combination, so that might happen.
“I’m also planning to try some gigs with Theo Travis, but with a drummer added to the mix. We’ve a couple of people in mind, and will be experimenting over the new couple of months. The tracks that we recorded on ‘For The Love Of Open Spaces’ have been evolving on the live gigs that we’ve done, and it’d be great to try taking them to another place with a drummer.
“And work has also begun on Jez Carr’s debut all-solo album – so while I won’t be playing on that, I’ll be helping to produce that with him. Jez is an amazing musician, and looking forward to being able to follow up Conversations within the next couple of years too.
– Have you any plans for making a duets album with another bassist and if
“I’ve been gigging a lot over the last couple of years with Michael Manring, who is quite simply one of the most amazing musicians I’ve ever heard, let alone shared a stage with, and also one of my favourite people. We’ve made various attempts to record our duo gigs, but so far haven’t had much that’s been release quality, just in terms of the sounds. But we’re both keen to get something happening, so I’d guess that will happen at some point. We’ve even had offers from record labels wanting to fund it, but it’s something that we’re going to take our time with. For starters, Michael’s got a new solo album coming out in the next month or so, so will be promoting that over the next few months.
“But I do love working with other bassists – we think slightly differently from other musicians, and I find that bassists often (not always) make great listeners. I’ve done a few gigs – including the European Bass Day – with John Lester. He’s a singer/songwriter solo bassist from California, now living in Amsterdam, and is a dream to play with – another great musician who’s also a really lovely person.”
– OK, so if you could make a duets album with any musician from history
who would that be?
“To be honest, I feel really fortunate to be working with the people I’m working with. I think the main ones on my ‘wish list’ would be singers like Joni Mitchell, Bruce Cockburn and Jonatha Brooke, but of the three the only one I’ve met is Bruce. I have two main criteria for working on a project like that, there needs to be a musical hook-up, obviously, but it also has to be with someone that I could travel round in a car with for three weeks at a time – life’s too short to work with people you don’t get on with. So once I’ve formed a list of people I’d love to work with, I then have to meet them, and see if I get on with them, as well as there being some mutual musical appreciation!”
– Aside from listening to other musicians, what do you find in life that
inspires the creative process?
“Desperation! I think that when you do music for a living, there’s a fine balance between seeing it as a job and getting tired of it, and feeling liberated by the absence of other things getting in the way. I cross that line fairly regularly. The main thing that keeps me focussed on how lucky I am is practising. I love playing, I love getting together with other musicians to try things out and I love doing gigs. Music is in and of itself inspiring, and not just in a notes and melodies sense. There’s something about being around creative people that makes you pursue creativity.
“Beyond that, I find that most things will feed into my music – politics, relationships, faith, films, art, history, fantasy… Loads of things.
“That said, one of my biggest influences is cats – we’ve recently got two new ones, as the Aged Feline, after whom the two ‘Lessons Learned’ CDs were named, passed away in the summer. The new ones can’t replace him, but they are rescue cats, and needed a home. They’re both lovely, and are now the ‘Fairly Aged Felines’, who will no doubt have their own line of CDs coming out soon!”
– What nifty little toys have you currently got in your arsenal of
“The current live set up for gigs in the UK is pretty involved – I now have two Lexicon MPX-G2 processors, two Gibson Echoplex Digital Pro + looping devices, a Mackie 1402 desk, and a Korg KP-II Kaoss Pad. It gives me so many great options and allows me to loop and process the musicians I’m working with as well! The move to a stereo set-up, and the switch to AccuGroove speaker cabinets has made my whole sound much clearer and less coloured. I’ve used the PA for voice, sax, piano and classical guitar as well, and it sounds better than any equivalent sized PA that I’ve ever used!
“Throw in three Modulus basses and an E-Bow and you’ve got my live rig.”
– What are the plans for any live dates in the near future?
“At the moment, I’m sorting out some dates for California in late January. For the UK, I’m working on some dates in March with Matthew Garrison, and will hopefully have some dates later on in the year with acoustic guitarist, Eric Roche, as well as a smattering of other solo dates here and there.”
You can check out all of Steve’s albums (and buy them!) at this website www.stevelawson.net, there are some free download tracks there and plenty of interviews and reviews to read.by