Wow. That’s the longest blogging break I’ve had in almost a decade. Sorry ’bout that.
The reason was that I got a fairly last minute call to put together a band for a big in Thailand. Which went brilliantly, and was all kinds of fun.
We recorded it (of course) and the first set that we did was all improv. The first of the tunes from the improv set is up now on Soundcloud. Here it is:
Here’s a month-by-month breakdown. As if such a thing were neccessary
January – Flapjack enters 2010 barely a month old, Lo and I still reeling from becoming parents, so January is a slow-ish month of ongoing adjustments to parentalism. But it does see two new ventures start – First, my work with the department of Social Computing at Imperial College began its first tentative steps, planning a new music discovery/sharing/listening app, that we’ve been working on all year, that’s proved to be all kinds of fun and a great chance to apply the knowledge I’ve gained about the changes in the world of music to a real-world project.
The other launch was the rebirth of ‘New Music Strategies’ – Andrew Dubber wanted to take the ideas that he’d developed on his blog, team up with some ninjas and see where it would go. We met up in Holland to talk over what it might end up being, and came up with all kinds of ideas. It’s quite a remarkable group of people, and NMS promises all kinds of great things going forwards… [Read more →]
As you’ll remember if you’re an even semi-regular visitor to this site, in November I took part in Nanowrimo – National Novel Writing Month. I started it, expecting that I probably wouldn’t finish it, due to the impending baby. But baby arrived and I still managed to finish it! Fifty thousand words that I’m actually rather proud of. It’s called ‘Rock And Roll Is Dead’, and it’s about a band who go on a journey.
Big, big thanks to the people who were reading it as we went along - you’ll see some of their tweets in the book from when they replied to the characters on there. Your encouragement and willingness to talk made-up nonsense to imaginary people was invaluable in shaping the direction of the book and providing the motivation to keep writing. Nuff respect. [Read more →]
Well, I’m now well over twelve thousand words into my NaNoWriMo novel, which is called ‘Rock And Roll Is Dead’.
As I said in my last post, I’m setting up twitter accounts for the characters as I go along, and two of them are now on there: @Drum_Monkey_ and @TheDistanceMeg. They’ve been chatting to each other and with other twitterers, and some of those tweets are ending up either in or influencing the story. Drum Monkey even got a string of really smart direct messages giving him some advice on a guerilla marketing campaign! It’s turning into all kinds of fun. [Read more →]
For the last couple of Novembers I’ve been aware of friends of mine being a part of ‘National Novel Writing Month‘, more often referred to (at least, on twitter) as NaNoWriMo.
So this afternoon, on a whim, I thought ‘I wonder if I can write a novel about some musicians who in some imaginary world start a cultural revolution, accidentally’ – I realised that it would be fun to have a go at writing a long-form hypothetical case study on how the world of music might work out. After all, it’s how a lot of novels work – either romantic or dystopic visions of an imaginary future for people and planet. [Read more →]
So, if you follow me on Twitter, you’ll have noticed over the last week or two that the ratio of ‘music’ to ‘non-music’ tweets has tipped hugely in favour of ‘non…’.
Thanks to my involvement in the Amplified project, I’ve been to a range of different events, talking about social media, capturing conversations around those events and writing it up afterwards. [Read more →]
When The Cheat and I first visited Grand Rapids in 2004, for Sarda and Kari’s wedding, they introduced us to their Neighbour, Ralston Bowles. As well as having an unusually brilliant name, he was introduced to us as being a singer/songwriter who works for a radio station. A description that could just as easily fit Bob Dylan these days, and one that for Ralston was as much of an understatement of what he meant to the music scene in Grand Rapids as it would be for Bobby D. [Read more →]
As part of a social media/blogging/online presence lesson with a student of mine this morning, I got him to generate a wordle word-cloud of the things he was interested in, to feature on his ‘about me’ page.
Which got me thinking, so I put in the URL to this site, and here’s the wordle it produced:
…could there be a finer group of words for a musician/geek/blogger/me-type-person to be associated with?
WIN!
Have you made a wordle for your site? If you do, and you add it to their gallery, feel free to post the link below…
So, as you know, the saga so far is that British Airways smashed up my bass on the way over here back in Mid-Dec. I emailed them and rang them and was told to ‘send them the fragile tag and the bubble wrap receipt‘ – fragile tag was a generic piece of cardboard, and the request for bubble wrap receipt came off like a sick joke, if you’d seen the damage done…
Anyway, over the course of NAMM weekend, quite a few bass builders looked at it, most with a look of horror on their faces. All said it wouldn’t repair adequately, and at best would need to have the spruce top sliced off and replaced. Not good. That’s a few grand’s worth of work.
Fast forward to yesterday, and I finally get to visit the lovely geniuses at Modulus Guitars, who made the bass (and every other solid bodied electric bass I’ve played in the last 16 years). I showed the bass to their chief bass builder, designer and all-round bass building ninja-dude, Joe Perman, and he basically wrote off the body. Because the crack goes ALL THE WAY THROUGH THE BODY by the jack socket, and is right across the grain through the top, any repair is going to be a botch job at best. He said he could make it better, but not great.
So we start discussing other options, after deciding it needs a new body. At this point, the willingness of Joe and Modulus A & R guy and dude-who-sorts-things-out Anderson Page to bend over backwards to help was astounding. Ideas were thrown around, including putting the neck and electronics from my bass on a completely solid body until they had time to build a new one, and even shipping me the body to have Martin Peterson assemble it in London…
But then a Joe has a light-bulb moment, remembering that there was in fact a semi-hollow Q6 body that had a tiny blemish (I couldn’t even see it!) that meant it couldn’t be sold (their quality control is exceptional). I looked at it, and loved the idea…
‘can I take it home on Thursday then?’ – er no, it’ll take a coupla weeks to get it finished and sprayed and for the lacquer to dry… which reminded me of a conversation I’d had last week with Steve Azola, maker of the incredible Azola upright basses, who was wondering what my bass would be like with a rubbed finish, rather than the heavy lacquer finish. “if we did that kind of finish, would that work?”
Joe’s eyes lit up – it was a plan that allowed them to use a body that couldn’t be sold, to experiment with a new finish for their basses AND I get a perfect working bass to go home with. The old body on mine becomes a write-off, but the new bass will be a whole other bass adventure for me. The wood combination is different (walnut top on an alder body) so will add a different flavour to my music. Always a nice game to play
As you can see in the photo at the top, part of me is loathe to let go of the bass that has been MY sound for a decade. It’s what happens at the end of my arms, a new limb… But that’s not going to happen, it’s not going to be fixed, BA saw to that by completely trashing the old one.
Good job bass manufacturers don’t function like airlines.
We’ll be heading back to Modulus tomorrow morning to see how they are getting on with it… More photos and blog posts then!
NAMM so far has been a whole lot of fun – have met up with loads of great friends, checked out some fab music gear, chatted a lot, drank coffee, playing some music on the looperlative booth (and discovered a couple of amazing new Looperlative features – video coming on those ASAP!)
Of course, I’ve also run into loads of pictures of Geddy Lee looking scarily like me as always (see above), but below is a round up of the rest of my pictures so far from NAMM – bass gear-wise, my favourite things so far have been the Mark Audio powered speakers (not really bass gear, more portable PA equipment – looks PERFECT for what Lobelia and I do!) and the new Ernie Ball bass with the push button pick-up controls… the great sound of it really took me by surprise.
Have met lots of of twitter friends too, which is rather lovely, and not a small number of people whose opening gambit has been ‘dude, I LOVE your blog’ – so this post is for you lot!
Wow. That’s the longest blogging break I’ve had in almost a decade. Sorry ’bout that.
So, as you know, the saga so far is that 
But then a Joe has a light-bulb moment, remembering that there was in fact a semi-hollow Q6 body that had a tiny blemish (I couldn’t even see it!) that meant it couldn’t be sold (their quality control is exceptional). I looked at it, and loved the idea…
NAMM so far has been a whole lot of fun – have met up with loads of great friends, checked out some fab music gear, chatted a lot, drank coffee, playing some music on the looperlative booth (and discovered a couple of amazing new Looperlative features – video coming on those ASAP!)
