The discussion on Facebook then got as far as one friend suggesting that people who objected to the planet-trashing excesses of U2’s tour wanted us to “email [all the gig-goers] to stay home and make organic muffins…..” – the kind of Richard Littlejohn-esque reductionist, lazy thinking that leads someone to say such things, often stems from the feeling that something they value highly has been questioned – in this case, it was a friend who was deeply moved by the U2 gig he went to, so any attempt to frame them as irresponsible needs refuting and debunking.
The problem with this is that the alternative to planning a tour of such a bloated and frankly ludicrous scale is not to ‘not tour’, it’s to plan your tour with some concern for the impact it’ll have. And to resolutely NOT rely on the kind of bullshit pseudo-science that sees ‘carbon offsetting’ as a credible alternative to actually limiting the degree to which you eff up the planet.
The actual rational argument here is a far more nuanced one, that starts with issues of power:
If you are a small band starting out, have signed an old school record deal (even worse, a 360) and are being promoted by people paid to do that, you have little or no say in how that takes place:
- You don’t book the venues
- you probably don’t plan the stage set
- you certainly don’t get any say in your lighting design
You are there to play music, while the machine of the industry rolls on around you. If you question the validity (or environmental impact) of the way things are done, you’re putting yourself in direct conflict with the people running the show.
U2 are NOT in that position. U2 are actually in the same position that I’m in. They are entirely free agents, able to decide how when and WHY they tour, and to weigh up the value of that tour happening against the negative impact on the planet that tour will have. They are in a position to minimise that impact, to plan around it, and perhaps even more importantly, to INNOVATE for other bands in how that works.
But instead of behaving like an independent, free thinking, spiritually minded group of individuals who happen to have 50 million fans worldwide, they behave like a multinational corporation. They put on a tour of the most enormous scale, they use 200 trucks – TWO HUNDRED FUCKING TRUCKS – to cart their stuff around. And then think it’s OK because they plant trees. And their 200 trucks doesn’t even begin to take into account the impact of audiences getting to their shows.
So what are they to do? Well, given that it’s U2, let’s get all spiritual for a moment. Our vicar, Dave – top bloke – contributed to a Church of England paper on a “a Christian vision for a sustainable future” – in it, they describe “the feast of enoughness”. Here’s an extract:
“The Sabbath is an occasion of thanksgiving, a feast of contentment and ‘enoughness’. In the Sabbath rhythm of days and yeras, passing time is given a measure and the earth is given a rest. The fallow season constrains human activity and limits human exploitation of both the natural order and of the poor. Leaving land fallow and forgiving debts are part of the Jubilee call to justice and peace.”
One of the features of modern corporations – and the laws that govern their behaviour – is that they have no concept of ‘enough’. None at all. The failure of the banks was that they had no restraint, and still aren’t repentant. They just want to go back to hitting the limits of ‘growth’ – getting as big as possible, just without bursting this time.
U2 are doing that. They dress it up in the language of responsibility, but are using discredited measures to try and mitigate the impact they have, rather than understanding ‘enoughness’.
So what’s the alternative?
Well, we can discuss that in the comments, but one idea I just had is for ‘open source touring’ – there are loads of pieces of equipment around the world that are considered ‘standard issue’ in music. Pretty much all rental companies have them. What if you designed a stage set that used just those elements. I don’t mean just dropping a load of parcans onto a lighting beam and playing straight rock ‘n’ roll (though obviously that is also an option – back to basics – it works…) but instead, a bespoke, clever, Willie Williams production that just uses locally available elements. There are other industries with familiar elements – construction, DIY, Theatre, industry… they could be brought into play too.
- It would be utterly media-friendly (they love this shit),
- it would acknowledge that there are limits.
- It would be the Tour Of Enoughness.
Right now, the world needs a fallow decade. Perhaps a fallow 50 years. It needs to be left alone to recouperate. We need industry rotation the same way fields are preserved by crop rotation. And touring on the scale of the current U2 tour is utterly and unforgivably irresponsible given the scale of the catastrophe we’re facing. Not just for what it is, but what what it says about limits.
This tour says there are none.