So, as you know, the saga so far is that British Airways smashed up my bass on the way over here back in Mid-Dec. I emailed them and rang them and was told to ‘send them the fragile tag and the bubble wrap receipt‘ – fragile tag was a generic piece of cardboard, and the request for bubble wrap receipt came off like a sick joke, if you’d seen the damage done…
Anyway, over the course of NAMM weekend, quite a few bass builders looked at it, most with a look of horror on their faces. All said it wouldn’t repair adequately, and at best would need to have the spruce top sliced off and replaced. Not good. That’s a few grand’s worth of work.
Fast forward to yesterday, and I finally get to visit the lovely geniuses at Modulus Guitars, who made the bass (and every other solid bodied electric bass I’ve played in the last 16 years). I showed the bass to their chief bass builder, designer and all-round bass building ninja-dude, Joe Perman, and he basically wrote off the body. Because the crack goes ALL THE WAY THROUGH THE BODY by the jack socket, and is right across the grain through the top, any repair is going to be a botch job at best. He said he could make it better, but not great.
So we start discussing other options, after deciding it needs a new body. At this point, the willingness of Joe and Modulus A & R guy and dude-who-sorts-things-out Anderson Page to bend over backwards to help was astounding. Ideas were thrown around, including putting the neck and electronics from my bass on a completely solid body until they had time to build a new one, and even shipping me the body to have Martin Peterson assemble it in London…
But then a Joe has a light-bulb moment, remembering that there was in fact a semi-hollow Q6 body that had a tiny blemish (I couldn’t even see it!) that meant it couldn’t be sold (their quality control is exceptional). I looked at it, and loved the idea…
‘can I take it home on Thursday then?’ – er no, it’ll take a coupla weeks to get it finished and sprayed and for the lacquer to dry… which reminded me of a conversation I’d had last week with Steve Azola, maker of the incredible Azola upright basses, who was wondering what my bass would be like with a rubbed finish, rather than the heavy lacquer finish. “if we did that kind of finish, would that work?”
Joe’s eyes lit up – it was a plan that allowed them to use a body that couldn’t be sold, to experiment with a new finish for their basses AND I get a perfect working bass to go home with. The old body on mine becomes a write-off, but the new bass will be a whole other bass adventure for me. The wood combination is different (walnut top on an alder body) so will add a different flavour to my music. Always a nice game to play
As you can see in the photo at the top, part of me is loathe to let go of the bass that has been MY sound for a decade. It’s what happens at the end of my arms, a new limb… But that’s not going to happen, it’s not going to be fixed, BA saw to that by completely trashing the old one.
Good job bass manufacturers don’t function like airlines.
We’ll be heading back to Modulus tomorrow morning to see how they are getting on with it… More photos and blog posts then!by