Three things have happened since i got my iPod (I don’t mean ‘in the world’ – lots more than three things have happened in the world. I don’t even mean in my life – I’ve done lots of things, I just mean things specific to me owning an iPod)
Firstly, I’ve had a load more time for listening to music, obviously, which has meant that I’ve been catching up on a lot of the more obscure stuff and things I’ve owned for a while but haven’t really listened to much, which translates into me becoming completely obsessed with The Blue Nile – I’ve had three of their albums for a while, but had only listened to them on laptop speakers, which doesn’t do their music justice at all. Stick it on on headphones, and all of a sudden, it’s genius. Going to be lots of Blue Nile influence on my next album, for sure… I’ve also had a listen to Hattler (eponymous band of german bassist Helmut Hattler – rather nice modern electronic soulful dance stuff, not at all what I expected and rather good), Jorane (Canadian singing cellist – lovely stuff) and Mogwai (who I’m going to see tomorrow night at Somerset House – hurrah!).
secondly, it’s made my emusic subscription all the more important – great new music to listen to on the go – so far from them I’ve had albums by Kris Delmhorst, Erin McKeown, Nik Kershaw, God Speed! You Black Emperor,Jennifer Kimball, Rosie Thomas and Petra Haden & Bill Frisell. All fantastic!
thirdly, and perhaps most importantly, it’s given me lots of time to go back and listen to all the projects I’ve recorded with various people that haven’t been released yet – the forthcoming album with Calamateur is spectacular; his songs are outstanding, as is his singing and playing, and it is, I think the first album ever to feature any of my drum programming, on what is definitely the most mental piece of music I’ve ever been a part of. The duet album with Luca Formentini, which I think will be coming out some time next year, is a glorious slice of slightly twisted ambient improv – Luca’s guitar playing and sonic ideas are a really good contrast to what I do – through most of the record it’s pretty clear who’s playing what, as his sound set is quit distinct from mine, but the mix of the two is potent stuff.
The biggest surprise was a live recording from LA in 2006 with Steuart Liebig, Jeff Kaiser and Andrew Pask – a gig that at the time I wasn’t all that happy with; it wasn’t rubbish, just didn’t feel like we’d really created a sound-space that was particularly special. Listening back to the recording, I was very wrong indeed. There are some amazing moments on it. I’ll talk to the players concerned and see if they are interested in making it available somehow – for those of you with an interest in free improv and noise squeaky electronic stuff, it should prove interesting and enjoyable…
And not only that, but I’ve just subscribed to a teach yourself italian podcast, so I’ll hopefully finally get my italian into some sort of loosely conversational shape…by