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Musical diet

March 13th, 2007 | No Comments | Categories: Musing on Music |

i’ve mentioned before how I treat my music listening as a diet – it’s why, after years of trying to be the nice guy, I finally scrapped piles and piles of CDRs that people have sent me over the years wanting me to listen to them – I just don’t have the time for all of them, in between trying to feed my ears with brain food that’ll help take my music to where it needs to be. (I do still listen to a lot of what I’m sent, just not generally the unsolicited CDRs with no info on them…)

So anyway, the listening material so far on these ‘ere train journeys has been as follows –
Annette Bjergfeld – The Kissing Post (an exquisite poppy singer/songwriter record. That she’s co-written with Boo Hewerdine gives you some idea of where she’s coming from. Definitely great ear-food from a melody and joyousness perspective.
Paul Simon – Surprise (never fails to amaze me. Every time I listen to it I take more away from the lyrics, and hear more of the little touches that Eno has added to it. A really really great album.)
Mark Hollis – Mark Hollis (every time I listen to either this album or to the last two Talk Talk albums, I realise again just how much I owe Mark Hollis in terms defining for me what so much of what I do is about – his phrasing, his use of space, the really incredibly wide dynamic range, the emotion… it’s all stuff that I aspire to and try to feed into my music. Truly remarkable timeless deep IMPORTANT music. It’s great listening to an album that feels significant in the grand scheme of things. Not in any trendy way, not because the style mags see it as the soundtrack to coolness, but because it’s the sound of an artist delving so deep into his well of experience and emotion to produce something of worth. It feels like a privilege to listen to it.)
Suzanna Vega – Suzanne Vega (how old was she when she did this? mid 20s? It was her first album, and it’s incredible. That strength of vision, purpose, that depth of self-assuredness in the songwriting and singularity of voice is mind blowing. And it contains ‘Marlene On The Wall’ which is one of the greatest pop songs of all time.)

And that’s just finished – what now? I think a little John Martyn Live At Leeds might be in order – come on, John ‘n’ Danny, gimme something to aspire to…

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