Yesterday afternoon, Tony Moore at The Bedford send round an email saying that Tommy Sims was playing. Now, those of you with a memory for the credits on early 90s CCM albums will already know Tommy as the bassist on just about everything that Charlie Peacock produced around that time, but he went on from there to work with Springsteen and then to put out a stunning solo album called ‘Peace And Love’ – proper late-70s-Stevie-style soulful singer/songwriter stuff. A great record.
So naturally I was very excited to see him play, and changed plans to head to the Bedford.
But he didn’t show. Bugger. Got there, and the lovely Tony Moore was most apologetic, with a ‘he might turn up later, he’s got a session’.
So I stuck around, and watched the various singer/songwriters on offer. A couple of good ones, a fairly duff one, and Tony himself playing the best set I’ve heard him play. Some great songs.
The Beford is a fab venue, and Tony does an amazing job booking there. the quality is WAY higher than most venues where the bands are being paid, let alone a free-entry no-one-gets-paid gig. The problem for me is that there seem to be a lot of career song-writers there, who don’t seem to have much to say. Lots of songs written because the subject would ‘make a good song’ not because it’s something that stirs the soul of the writer. On some occasions this doesn’t bother me at all, and I just enjoy the skill of the songwriting. Other times it bugs the hell out of me and makes me resolve to make music that matters.
But it was a fun night out anyway, and at least one of the bands had a great lil’ bassist, who had seen Michael Manring and I do a masterclass at The Guitar institute a few years back, so that was a lovely conversation. :o)
I now need to find out what Tommy Sims is up to while he’s in London! Would still love to meet him and say hi.by