My Looperlative arrived back today, fixed from my having ballsed it up last time, and with a software upgrade.
So I’ve been experimenting, and used it while teaching. I’m getting the hang of the way it operates, and am still compiling my list of things I’d like it to do – the great thing about it having the ethernet port on the back is that bob can keep the list, implement the list in order of how important the modification is or how easy it is (I think some of the things I’ve suggested are going to be very easy indeed for a man with Bob’s wikkid skillz, while others are going to take some more complex programming…) I’ve also not hit on any bugs in the software as it stands, which is a great sign. I’m still getting used to the specific things that it can/can’t do at the moment, and what the workarounds are for the things I’m used to doing on the EDP.
It’s interesting how different bits of musical equipment reflect both the personality and preferences of their inventor – the Echoplex is very much Matthias Grob’s vision, and the way it operates is clearly derived from his musical world-view. The looperlative reflects Bob’s background, which thankfully looping-wise features a lot of me. :o) So the controls and way it works makes loads of sense to me already. The feeling of this only being the tip of the looperlative iceberg is pretty big though. The possibilities are enormous.
Anyway, enough blogging, more looping! This looping in stereo lark is amazing – just been playing a version ‘Highway 1′ from Not Dancing For Chicken, and for the first time ever I’m able to loop the sparkly bit at the beginning in stereo, so that ping-pong delay keeps ping-ponging all the way through… :o)by