Is there such a thing as too much bass? Let’s explore…
Sunday started at 6am – get up, load the car, get on the road. If you’re thinking of driving to Manchester, I highly recommend 6am on a Sunday as a time to go – v. easy drive, no traffic, bit frosty and a frozen window washer, but a breeze.
Trip and I arrived at the Life Cafe, unloaded our gear into the venue which was already full of lovely bassists and big PA stuffs. Park car, come back, chill out.
The running order was marvellous – started with John Lester (saving the best ’til first?), who won over the entire crowd within about 5 minutes, as he always does. Marvellous start to the day.
the breakdown – Bass solos? Yes, lots. slapping and tapping? yes but minimal and tasteful. Great tunes? oh yes. vocals/other instruments? All vocal tunes.
next up, Trip Wamsley – Trip and I have been playing together for the last week, so I caught the beginning of his set then headed off to have a shave and a wash so as not to go on stage looking like a slightly camp homeless dude. But anyway, Trip did his thing, sang a couple of things, played some lovely fretless.
the breakdown – Bass solos? Yes, all bass solos! slapping and tapping? mucho both. Great tunes? again, in abundance. vocals/other instruments? All solo bass, but a couple of vocal tunes.
and after Trip, Jon Reshard – Jon’s a phenomenally gifted player for his slender age – at just 20, he’s already playing beautifully and writing some fabulous compositions. There’s more than a small amount of Victor Wooten in his playing, but each time I hear him play he’s adding more of his own sound to the mix, and is on his way to being a truly outstanding musician.
the breakdown – Bass solos? all bass solo! slapping and tapping? yes, and just about every other imaginable technique. great tunes? some v. cool tunes, and some other more groove-oriented rhythm experiments. vocals/other instruments? no, except a little bit of audience sing along which worked beautifully.
Then me – my set was the usual affair, set list was Grace And Gratitude, Kindness Of Strangers, MMFSOG, Despite My Worst Intentions, Shizzle, then a bit of a Q&A before finishing with People Get Ready. Response seemed to be great (CD and t-shirt sales were amazing, so clearly lots of people were digging it), audience very attentive and supportive. All in all v. happy with my set.
After me was Stevie Williams – fantastic Manchester local, highly respected jazzer and occasional solo bassist, this time Stevie was playing with a quintet, playing some exceedingly funky stuff – the perfect balance to all the solo bass stuff that had opened the show. At this point I realised that I’d been treating the day more like a proper gig than any bass-day i’d been to before – lots of great music, an audience that really seemed to be listening, it all added up to being a fine day thus far…
the breakdown – Bass solos? a few, but shorter and tasteful. slapping and tapping? Some slap, I think, but didn’t see any tapping at all. Mainly solid fingerstyle grooving. great tunes? yup, lots. vocals/other instruments? yup, full band, drums/keys/guitar/trumpet/bass.
Who was next? Er, ah, yes, Jan-Olof Strandberg, a Finnish bassist that I’ve known for quite a few years. Lovely guy, and fantastic bassist. Started out with some solo stuff on acoustic bass guitar which was beautifully played, but sounded a bit harsh through the PA to really do it justice. Having heard Jan play solo ABG before, I know how good he can sound, so it was a shame that it wasn’t quite what it could have been, but still very good, and very well received. He then assembled a scratch band, his band not having been able to get there, including Dave Marks on guitar. Dave’s usually a bassist, but is clearly also a very fine guitarist. The bastard.
the breakdown – Bass solos? lots, but some grooving as well. slapping and tapping? plenty. great tunes? some cool tunes, some more meandering technical things. vocals/other instruments? quartet stuff was very good.
Then British-born-of-Polish-descent-New-York-residen Janek Gwizdala was on. Another player stricken by fallen band members, Janek’s guitar player is currently in hospital in London with unknown scary ailments. So Janek and his drummer improvised a set, starting out playing to a drum ‘n’ bass thing Janek had programmed in Ableton Live, which sounded great, lots of v. creative bassing and drumming. They played a few more improv things, Janek looping on a DL4, and shredding over the top in a jazz stylee. I’d have really liked to heard the trio, having heard the CD, but the duet set was still good, especially for an impromptu thang (even most improv gigs are planned as improv gigs, so this was double-improv!), Janek’s another player who is developing his own thing away from a strong Matthew Garrison influence. He’s already great, and could well end up world-beating…
The last two acts of the day switched order due to travel problems. So second last on was Lorenzo Feliciati, a good friend and very fine bassist from Italy. He had his band with him, and they played incredibly tight, funky and beautifully arranged fusion. Great compositions, fantastic playing, great sounds. By this time my ears were beginning to fatigue from bass overload, but Lorenzo was just marvellous. Great stuff.
And last up, Linley Marthe – bassist with the Zawinul Syndicate, fantastic player, some killer ideas, and an amazing array of sounds from a really simple set-up (about four stomp boxes and a wah pedal). His improvised set was a bit meandering in places, but contained enough moments of brilliance to keep me interested. Just the range of sounds he was squeezing from the bass was amazing enough, and add to that some great musical ideas, and I was with him most of the way (though he did slip into ‘Tears In Heaven’ which seems to have become something of a solo bass staple… I dunno, I’m not sure about performing songs that someone else wrote about their child dying… but maybe that’s just me.)
Anyway, that was the music – except Linley, I’d met all these guys before, and it was great to catch up with so many old friends, to make some news ones, meet people from my street team that I’d emailed a lot and who’d been so supportive for years without us ever having met, and just to get a chance to chat with lots of people who were into what I was doing. We like that a lot.
A great day all round, the best lineup I’ve heard at a bass day, a very cool venue, well organised, great audience. What’s not to love?
And now I’m knackered, having done nearly 500 miles in two days, had v. little sleep the last two nights, and needing some rest. g’night.by