OK, The Small Person and I just watched Lost In Translation… am I missing something? Did anything happen? Was there some really subtle deep character development and plot magic going on that I’m just too much of a philistine to see?
It was all fairly pleasant visually, nicely lit, etc. but ultimately seemed to be a film in which nothing much happened. There was no sense of a special friendship developing between the two main characters, beyond neither of them really wanting to be there. Bill Murray’s character didn’t seem to go through any epiphanous moment in his clubbing/partying scenes, but neither was he rescued from feeling hideously out of place by Scarlett whatsherface… One of the least developed plot lines I’ve ever seen. And for a film that appears to make so much of the fact that they didn’t end up jumping into bed together, very very little was made of Bill’s character shagging the lounge singer – once again, the female half in a cinematic sexual-encounter is reduced to a footnote in a story serving the rest of a lame non-plot.
He’s still a sack of shit for screwing the singer, so don’t pretend he’s all heroic for not doing the same with Scarlett… What a load of bollocks. Sophia Coppola’s got a lot of work to do to uphold the family name… Still, she did match her dad in the great soundtrack/shoddy film stakes – his deeply forgettable film ‘One From The Heart’ has one of the greatest soundtracks of all time, courtesy of Tom Waits and Crystal Gayle.
Soundtrack – Weather Report, ‘The Is Jazz’ (a best of, covering all of it, not just the Jaco years).by