Haven’t blogged in a while – what’s been going on?
Er, lots of teaching, mainly. Did have a fun recording sesh with Theo Travis on alto flute – just doing improv duets. We got some great stuff down, some of which will be on the website before too long. However, it was all recorded in Mono due to the limitations of my recording set up, so I finally bit the bullet and got a new sound card, and a miniature desk – nothing flash, just an M-Audio Delta 44 card, and a Beringher 8 channel desk – but it will allow me to record two people in stereo separately, so that I can then mix it properly afterwards, and also record at a much higher resolution than before, meaning better fidelity… All in all, I’m rather excited about the possibilities. It is amazing what can be done now with such basic technology (or at least, basic by current standards) – stuff that 20 years ago would have taken weeks of studio editing and very expensive gear is now doable at the click of a button in a bit of free software that came bundled with your soundcard. Very nice.
Anyway, I shall start recording some new solo stuff before too long as well, as I’ll be able to route the Echoplexes to different channels, and mix the whole thing afterwards. It also means I’ll have to original material on one track, so that people can remix it, which I’ve had a few requests from remixers for…
What else? Ah yes, I just added a new MP3 to the site – it’s of Michael Manring and I playing together at The Anaheim Bass Bash in January – that was a lot of fun, organised by the people behind bassquake, and at the end of my solo set, I called Michael up to do a duo tune – he was on after me anyway, so it made for a nice smooth cross over. Anyway, he came up, got a sound, and I started playing a sort of dubby percussive groove, he joined in with the E-Bow and started playing a melody/solo idea, which I looped a tremolo chordal part of the top of my initial bass/percussive stuff loop. I then pickup up the E-Bow too and added an odd atmospheric line (sounds sort of like a bowed cymbal, if you’ve ever heard that), and then a strummy funk guitar line, all under Michael’s ever evolving melody line. Eventually I switch to a distorted melody line that’s pretty fractured and spikey – lots of dissonance and nastiness. I think that’s followed by us trade melody lines (interesting to hear how our different fretless tones sound together) and at the end Michael uses the sample and hold function in his VF1 to do an ambient loop, which I follow, fading out my loops and building a more soundscape-type piece to fade. All in all, a lot of fun – hope you enjoy it too – go to the MP3 page for more on that….
Er, what else? not much. Been reading more of ‘Stupid White Men’ by Michael Moore, a very vital voice in the current world political scene (which seems to be sinking deeper and deeper into the mire, just when you thought it couldn’t get any lower… Michael’s film, Bowling For Columbine is by far the best film I’ve seen in the last couple of years, and is the biggest grossing documentary of all time (he’s got #2 as well, with ‘Roger and Me’) – it’s a must see.
Soundtrack – lots of things of late. Right now, it’s Greg Mathieson and Abe Laboriel – a CD I first heard 3 years ago, and which has finally been released – an awesome bass/piano duo record, and part of the inspiration for Conversations. What else? Madonna – ‘Something To Remember’, Ron Eschete – ‘Mo Strings Attached’ (with Todd Johnson on bass), Ornette Coleman – ‘The Shape Of Jazz To Come’, Genesis – ‘The Lamb Lies Down On Broadway’, Cyndi Lauper – ‘She’s So Unusual’, Sugar – ‘Copper Blue’, The Minutemen – ‘Double Nickels On The Dime’, Donnie Hathaway – ‘Live’, Julie Lee – ‘Made From Scratch’ and the tracks that Theo and I recorded last week…by